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216:(1843–1898) and a daughter of the same name, Constanze (1846–1933), who under the pseudonym "C. Hirundo" was literarily active. The marriage of Friedrich and Constanze Dahn turned out very unhappy and was finally dissolved in 1850.
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in Munich and was there from the spot. She remained a member of the ensemble until her life. She gave her official farewell performance on 1 October 1865 in the role of the "Duchess of Parma" in Goethe's Egmont.
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Dahn was born as the youngest daughter of
Kapellmeister A. (also: Charles) Le Gaye and his wife Antoinette, née Schäfer. Both parents served as musicians at the royal-Westphalian court of
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The tomb of
Constanze Dahn is located on the old southern cemetery in Munich (wall right place at SP 21 cemetery 18) location . In the tomb is also her son
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Dahn retired to private life and died at the age of nearly 80 years on 26 March 1894 in Munich. In his funeral oration, Ernst von
Possart called her "the
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Gerhard A. Jahn: From Paris to Munich and to New York . In: Ralf Satori (Eds.): Nymph Mirror. From
Gardens, Lyrical, Prose and History , vol. 5 (2009),
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in Kassel, where the daughter also received her first artistic lessons. In 1821, at the age of seven, she completed her debut at the
Theater in
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Ludwig
Eisenberg: Large biographical lexicon of the German stage of the 19th century . List, Leipzig, 1903, p. 172.
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188:. With this appearance, the 17-year-old under her birth name "Mlle. Le Gaye "in the German-speaking area.
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Peter
Rummenhöller: Romanticism in Music. Analyzes, portraits, reflections . Dtv, Munich 1989,
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Rolf
Grashey: The Dahn family and the Münchner Hofschauspiel (1833–1899) . Voss, Leipzig, 1932.
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In June 1833, Constanze Dahn completed a first successful guest performance at the
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On 29 June 1831 she was able to record her greatest success in the role of "
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and married him in
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319:Actors from Kassel
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