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are of unique value. They were active in the period 1736-1783 and usually signed their works in Greek "By the hands of
Konstantinos and Athanasios from Korytsa (Korçë)" (
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The work of the
Zografi brothers has a marked tendency towards the baroque, with linear depictions of the religious figures, and at the same time adopting an
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style using a wide variety of brown and bright colors. The main colors used in their works were white, bright blue, and dark red.
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Popa, Th., Piktorët korçarë Kostandin e
Athanas Zografi dhe freskat e tyne me skenat e Apokalipsit, Bul. shk. shoq. nr. 1, 1959.
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Study of
Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania
472:"Das Ossuarium des Petrus- und Paulus- Kloster in Vithkuq (Nordepirus) und seine Freskendekoration (1750)"
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E. Pavlidou, N. Civici, E. Caushi, L. Anastasiou, T. Zorba, E. Hatzikraniotis, K. M. Paraskevopoulos.
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323:. Universität Wien. Institut für Osteuropäische Geschichte und Südostforschung. 1989. (German)
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436:"Iconographic Characteristics of the Churches in Moschopolis and Vithkuqi (Albania)"
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churches and monasteries throughout central and southern modern
Albania, as well as
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Die
Malereien in den Gewölbezonen der Kuppelbasiliken von Voskopoje (Moschopolis).
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Popa, Th., Piktorët
Grabovarë Çetiri nga familja Katro, Bul. shk. shoq. 3. 1960.
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Drakopoulou, Eugenia; Vocotopoulos, Panayotis (2006). Tourta, Anastasia (ed.).
202:" (aka, Konstantinos the Albanian). Their surname, Zografi, means "painter" in
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95:). They are regarded as the most prominent painters of the Albanian post-
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The
Zografi brothers have decorated with their paintings several
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336:. Aristotle University of Thessaloniki, Thessaloniki, Greece.
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A dictionary of
Albanian religion, mythology and folk culture
364:. Thessaloniki: Museum of Byzantine Culture. p. 148.
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Wiener Archiv für
Geschichte des Slawentums und Osteuropas
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art of the 18th century and generally of the region of
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that was revived at Mount Athos during 18th century.
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Popa, Th., Piktorët mesjetarë shqiptarë, Tiranë 1961
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196:Δια χειρός Κωνσταντίνου και Αθανασίου από Κορυτσά
358:Icons from the Orthodox Communities of Albania
261:. C. Hurst & Co. Publishers. p. 119.
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549:Eastern Orthodox Christians from Albania
406:Orthodox Autocephalus Church of Albania
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514:Acta Studia Albanica 1, 2007, S. 60–96
162:. In particular, their paintings and
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79:painters of the 18th century from
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402:"History and Spiritual Tradition"
67:(or as they were known locally,
235:continued the tradition of the
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539:18th-century Albanian painters
518:Paintings on Deutsche Fotothek
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18:Kostandin and Athanas Zografi
470:Kirchhainer, Karin (2003).
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434:Rousseva, Ralitsa (2003).
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184:Saints Cosmas and Damian
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182:) and the monastery of
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554:Albanian male painters
255:Elsie, Robert (2001).
200:Κωνσταντίνος Aρβανίτης
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180:Kisha e Shën Thanasit
112:Kostandin Shpataraku
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142:they represent the
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284:Kirchhainer p. 153
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160:Mount Athos
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128:Naum Çetiri
124:Joan Çetiri
42:Nationality
528:Categories
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479:Makedonika
453:2010-07-04
443:Makedonika
411:2010-07-04
243:References
226:ornamental
172:Athanasius
220:Technique
168:Moscopole
97:Byzantine
53:Paintings
213:Zografos
208:Ζωγράφος
176:Albanian
164:frescoes
156:Orthodox
77:Albanian
45:Albanian
464:Sources
188:Vithkuq
89:Albania
75:) were
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138:, and
104:Epirus
91:(then
81:Dardhë
475:(PDF)
449:: 178
439:(PDF)
377:4 May
362:(PDF)
204:Greek
192:Greek
150:Works
85:Korçë
69:Kostë
379:2016
366:ISBN
263:ISBN
100:icon
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63:and
487:doi
186:in
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