112:(born 1975). Initially Kreng was a strictly sample-based project, incorporating sounds from various sources: dark jazz, new electronic generated sounds, classical modernism and vintage geographical recordings. The project became a very cinematic, theatrical device that has been used by various directors. Kreng has now scored more than 50 theatre and dance productions, most of them produced by Abattoir Fermé. Kreng has also been involved in some collaborative projects with various members of the Belgian musical underground, including Kaboom Karavan,
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little or no dialogue allowing the music to become an extra character that drives the narrative. Many of these plays have toured internationally for several years. Kreng has also worked for other dance and theatre companies. By 2014, he has more than fifty stage performance soundtrack credits to his name.
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After attending a performance by the
Belgian surrealist horror-theatre company Abattoir Fermé, Caudron approached artistic director Stefan Lernous and was assigned to score their next performance. Since 2004, Kreng and Abattoir Fermé have collaborated on more than thirty plays, most of which feature
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by a musical family. His mother played violin and his father played guitar, piano and banjo. When he was twelve he followed their lead and began singing and drumming in several local bands, some touring the
Belgian club circuit extensively a few years later. By fifteen he started experimenting with
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Kreng's peculiar world of sound also drew attention from the
Norwegian record label Miasmah (now operating from Berlin). Labelboss Erik K. Skodvin approached him to release music from his soundtracks for theatre. This resulted in the critically acclaimed album
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a 4-track recorder and sampling-techniques. He discovered that music offered more possibilities than the traditional rock band set-up. Initially, his solo work was heavily influenced by the sample-ideology of hip-hop and the sound of labels like
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After more than a decade of stage related work, Caudron felt the need to change his creative environment. He returned to his lifelong passion for film soundtracks. Influences range from the inevitable
177:(2011), which earned him a reputation as one of the leading figures in the world of modern-classical-electronic composition. In 2012, the lavishly designed retrospective compilation box
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in the late 1990s. A growing interest in 20th century classical music gradually infused his work with a more theatrical feel.
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Caudron entered the
Kunsthumaniora Brussels (an art school for actors and dancers) in 1992 and graduated
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was released. This collector's item sold out in less than three weeks. In 2013 the 7" vinyl
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1970s giallo period, stretching out to more contemporary masters like
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collaborated with him on one track. German musician and composer
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of the five stages of grief. Belgian sludgemetalband
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185:was released by the label Sonic Pieces.
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283:Works For The Abattoir Fermé 2007-2011
108:is a Belgium-based project formed by
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179:Works For Abattoir Fermé 2007-2011
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171:L’Autopsie Phénoménale de Dieu
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124:Pepijn Caudron was raised in
428:Belgian electronic musicians
289:... And Then in The Morning
183:... And Then in The Morning
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337:The Party's Just Beginning
423:Male film score composers
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35:Background information
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173:(2009), followed by
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376:. Retrieved
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413:1975 births
308:Soundtracks
267:, EP (2008)
261:, EP (2007)
248:Discography
60:May 5, 1975
407:Categories
378:2015-07-21
345:References
199:Nils Frahm
135:Ninja Tune
120:Early life
114:Bart Maris
56:1975-05-05
41:Birth name
142:cum laude
91:Lakeshore
89:Miasmah,
387:cite web
277:Grimoire
175:Grimoire
329:Lowlife
315:Cooties
227:Cooties
154:Macbeth
131:Mo' Wax
126:Belgium
72:Belgium
340:(2018)
332:(2017)
324:(2015)
322:Camino
318:(2014)
303:(2016)
301:Selfed
297:(2015)
291:(2013)
285:(2012)
279:(2011)
273:(2009)
253:Albums
233:Camino
195:Amenra
160:Career
150:Banquo
146:Hamlet
95:Invada
86:Labels
68:Origin
372:(PDF)
365:(PDF)
265:Zomer
106:Kreng
20:Kreng
393:link
220:and
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50:Born
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