List of compositions by Johann Ludwig Krebs

3150:

There has been much debate over the authorship of Krebs-WV 554c (BWV 740). All four versions of the chorale have been handed down only in published editions: Krebs-WV 554, 554a and 554b attributed to Krebs, and 554c attributed to Bach. However, the structural concept of 554c is very similar to that

67:

and other students of Bach suggested as the true author. Friedrich decided not to include the pieces in the catalogue, noting that recent scholarship, including the critical reports submitted for the New Bach Edition, has viewed Krebs's authorship with extreme doubt, and that no new insights on the

51:

Questions of authorship were addressed in several ways. A number of anonymous works were listed in the final section (Krebs-WV 9xx) that have been attributed to Krebs but cannot be verified. There are also a number of works that are ascribed to Krebs and other composers in various sources. These

3140:

There is no autograph for the prelude. It first appears, paired with the fugue, in 19th-century published editions. An autograph for the fugue exists, but it bears no indication of an accompanying prelude. So while the works are a harmonious combination, there is no definitive evidence that Krebs

40:

The catalogue is divided into nine sections by category, with each work assigned a Krebs-WV number (sometimes seen as KrebsWV or KWV in recordings and other sources). Unassigned numbers were left at the end of each section to accommodate future discoveries or attributions while maintaining the

2933:

oboe d'amore and organ. KrebsWV 900-907, 909-910 are from an unattributed collection which bears Krebs' name in a pencilled note. Several have been attributed to Homilius, while the rest are unverified.

3141:

intended them to be paired. Weinberger publishes them separately but performs them together in his recording. Friedrich combines them in the catalogue but performs them separately in his recording.

3151:

of 554a, suggesting that they are by the same author. Doubts of Bach's authorship of 554c have also been raised on stylistic grounds. The likely attribution of 554c to Krebs is asserted by

3403:"Welche unter J. S. Bachs Namen geführten Orgelwerke sind Johann Tobias bzw. Johann Ludwig Krebs zuzuschreiben? Ein Versuch zur Lösung von Autorschaftsproblemen" 3531: 3515: 1966: 1834: 1341: 44:

The order within each category is not chronological, as many of Krebs' works cannot be dated. The order within published collections, such as the

1767:

Manuscript bears no attribution of authorship but follows five chorales that have been attributed to Krebs, and is consistent with his style.

3495: 3395: 1978: 1908: 1648: 1465: 63:

as BWV 553–560, were not included in the Krebs-WV. The authorship of these pieces has been debated for many years, with Krebs, his father

1921: 1660: 1631: 1529: 1328: 1886: 1699: 1380: 1943: 1430: 56: 3388:

Krebs-Werkeverzeichnis (Krebs-WV) : Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Ludwig Krebs

1596: 3481: 1990: 1785: 1682: 1552: 3121:

From a note in a private collection. Unknown whether this is for Krebs-WV 406 or 411, or for a previously unknown work.

3440: 1406: 1801: 1507: 1367: 3511: 1822: 1577:

Attributed to Krebs but uncertainty because of 520a. If 520a is by Bach, then perhaps Krebs added the pedals.

3314: 3290: 3241: 3217: 2051: 1688: 1393: 3436: 60: 3405:[Which of the organ works for which J. S. Bach has been named as author can be ascribed to 3410: 3406: 64: 30: 1741: 1354: 3355: 3491: 3391: 3365: 3160: 3099:

Listed in a catalog by Hoffmeister and Kühnel with no further information. Considered lost.

2040: 1521:

Anonymous chorale to which Krebs' name was inscribed at a later date. Possibly by Homilius.

766: 3452: 3444: 34: 3418: 3414: 3361: 3357:

Eight Short Preludes and Fugues BWV 553–560: formerly ascribed to Johann Sebastian Bach

3351: 1002:

Attribution doubted on stylistic grounds; possibly by his father, Johann Tobias Krebs.

3525: 3432: 1687:

Attributed to Krebs at a later date, but doubtful on stylistic grounds. Possibly by

3324: 3319: 3300: 3295: 3251: 3246: 3227: 3222: 1637: 3485: 3374:

Johann Sebastian Bach, Organ Chorales of Dubious Authenticity: Thematic Catalogue

840:

Published as separate pieces in Weinberger's edition (vol. II, nos. 3 & 14).

3422: 661:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

650:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

639:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

628:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

617:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

606:

Six Trios for flute I, flute II or violin, and harpsichord (publ. c.1743)

3402: 3315:"Herr Jesu Christ, dich zu uns wend BWV Anh. 172; Emans 97; Krebs‑WV 524" 1746:

Doubts due to stylistic issues and the unreliability of the only source.

147: 3470:. Published in four volumes. Breitkopf & Härtel, Wiesbaden, Germany. 2147:

Works based on chorales for organ and a second instrument (Krebs-WV 7xx)

851:

Fugue also attributed to J. S. Bach (BWV Anh. II 97/Anh. III 181→)

17: 3448: 2039:

Double pedal, cantus firmus in soprano. Previously attributed to Bach (

1503: 3457: 1316:(500-512) consists of a preambulum, a chorale setting, and a chorale 474: