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Kristoffer Gildenlöw

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In 2006, Gildenlöw left Sweden and Pain of Salvation to reside in the Netherlands. The next six years were focused on creating his first solo album, but he also remained active in the music scene recording bass for various artists. In addition to studio recordings, Gildenlöw worked as a session
421:, Sweden. He studied piano for six years until giving it up at the age of 13. He changed over to drums and bass guitar and started taking bass lessons at the age of 14. He went on to study electric bass, classical vocals, 600:
and Kovacs) on cello. In an interview with Headbangers Lifestyle Magazine, Gildenlöw stated: "As 'RUST' had more of a 'theme' of growing older and coming to terms with past and future, the new album does have an actual
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In 1994, at the age of 16 years, Gildenlöw replaced the original Pain of Salvation bass player and became a member of the band. This line-up of the Gildenlöw brothers (Kristoffer and
1670: 719: 592:, was released in 2016. It features Fredrik Hermansson (ex-Pain of Salvation), Lars Erik Asp (Gazpacho) on drums and percussion, Paul Coenradie (Valentine) on guitar, Anne Bakker ( 1162: 325: 1368: 496:(2004), as well as the single "Ashes" (2000). There were several demos and unofficial releases of Pain of Salvation that also featured Gildenlöw's bass play: 1847: 1470: 1427: 94: 74: 38: 1592: 609:. Each song will deal with different memories, emotions, and ideas and this creates a good bone structure for the whole concept of the album." 210:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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http://www.headbangerslifestyle.com/interviews/129/kristoffer-gildenl%C3%B6w-shelters-from-the-rain-while-recording-his-second-solo-album
1720: 262: 148: 1852: 900: 524:, founded in late 2003 by Liselotte Hegt, Rommert van der Meer and Gildenlöw. In the summer 2006, the band recorded their debut album 234: 120: 1360: 299: 281: 167: 52: 241: 127: 1352: 1122: 207: 1867: 1463: 1384: 1376: 1194: 1663: 1624: 711: 492: 248: 134: 1862: 1543: 1097: 671: 462: 203: 98: 90: 1564: 703: 480: 44: 219: 1599: 1550: 679: 468: 230: 116: 79: 1456: 1344: 83: 1403: 1157: 1713: 566:(2012), which he had been working on for six years. It featured a wide range of guest musicians, including 196: 1842: 1411: 606: 1167: 255: 215: 141: 1837: 1781: 1328: 1312: 551: 211: 1491: 1435: 1187: 439: 1706: 575: 105: 1152: 562:
Gildenlöw's solo career as a singer-songwriter took flight with the release of his debut album
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Gildenlöw signed a multi-project deal with Melodic Revolution Records in October 2015.
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in 1998. Gildenlöw performed on the following Pain of Salvation studio albums:
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to it. The new album is about the struggles and life of a man with dementia -
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http://cultuurpodiumboerderij.nl/programma/antimatter-kristoffer-gildenlow/
484:(2004). In addition to the albums, Gildenlöw performed on the live albums 1571: 746:...And Even Wolves Hid Their Teeth and Tongue Wherever Shelter Was Given 539:
In July 2007, Gildenlöw auditioned to lead sing for the israeli project
596:) on violins and viola, and Maaike Peterse (Ayreon Theater Equation, 1448: 450:, which the band sent out to record companies; they were signed by 202:
Please help to demonstrate the notability of the topic by citing
1656: 695: 536:). The album was released in May 2007 through ProgRock Records. 486: 1702: 1452: 1176: 520:
One of Gildenlöw's side projects is the progressive rock band
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from the article and its talk page, especially if potentially
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http://www.progarchives.com/forum/forum_posts.asp?TID=102244
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and they recorded Dilemma's album The Purpose Paradox.
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Ending Themes (On the Two Deaths of Pain of Salvation)
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Ending Themes (On the Two Deaths of Pain of Salvation)
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