318:"...And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee. And he sware unto her, Whatsoever thou shalt ask of me, I will give it thee, unto the half of my kingdom. And she went forth, and said unto her mother, What shall I ask? And she said, The head of John the Baptist. And she came in straightway with haste unto the king, and asked, saying, I will that thou give me by and by in a charger the head of John the Baptist. And the king was exceeding sorry; yet for his oath's sake, and for their sakes which sat with him, he would not reject her. And immediately the king sent an executioner, and commanded his head to be brought: and he went and beheaded him in the prison, and brought his head in a charger, and gave it to the damsel: and the damsel gave it to her mother." (
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328:"But on Herod's birthday, the daughter of Herodias danced before them: and pleased Herod. Whereupon he promised with an oath, to give her whatsoever she would ask of him. But she being instructed before by her mother, said: Give me here in a dish the head of John the Baptist. And the king was struck sad: yet because of his oath, and for them that sat with him at table, he commanded it to be given. And he sent, and beheaded John in the prison. And his head was brought in a dish: and it was given to the damsel, and she brought it to her mother." (
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146:. At the back in the half-light stands the executioner with his sword, at his feet the silver charger. Seated in ascending position on Salome's side are a lutanist, Herodias and Herod Antipas. They face the foreground events seemingly lit by John's halo and its reflections on Salome's costume. The severed head recalls a
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stands apart from biblical and historic paintings of the period, incorporating elements of style which would become significant for the aesthetic and symbolist movement, while also anteceding surrealism. Whereas the Bible mentions Salome as acting out
Herodias' will, Moreau draws her guided by her
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Moreau himself described Salome as a "bored and fantastic woman, animal by nature and so disgusted with the complete satisfaction of her desires (that she) gives herself the sad pleasure of seeing her enemy degraded." His sensual presentation of Salome and innovative interpretation of traditional
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is the most openly erotic with a bare-breasted princess turned towards the viewer, her naked arm directed at the object she will soon receive. By accentuating her stillness, Moreau immobilizes her to be seen alternately as idol or sexual object or both. Some critics also ascribed her statuesque
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quickly became Moreau's best known work, its notoriety growing with the critical and artistic attention it received. Numerous artist drew inspiration from Moreau's Salome, her mimesis infusing their works or insinuating itself in it. French poet
Stephane Mallarme's envisions Salome in his
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historic and mythological themes caused his art to be regarded as eccentric and provocative. Emphasizing instincts over reason, subjectivity over objectivity and suggestion over definition, the watercolor features essential qualities of symbolism as coined by French poet and critic
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174:). Since no one, including Salome, reacts directly to the vision central to the composition, it is unclear if it is real, imagined by the princess, or a collective hallucination. This deliberately confusing technique has been attributed to an alleged consumption of
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and thereby caused hallucinations, though justification of such claims was never established. Its surreal setting and mystic air, evoked by obscure architectural and textile opulence, contrast with previous interpretations of the subject, making
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Moreau approached the biblical theme in 19 paintings, 6 watercolors and more than 150 drawings. Part of a series of at least 8 closely resembling paintings and more than 40 sketch drawings, it is regarded as a key work of Moreau's opus,
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254:. Excessive detail given to foreign costumes and background elements as strange mural reliefs on the pallast's columns proof characteristic for Moreau whose artistic style tending towards
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Salome stands out in an array of bejeweled veils, her body facing the viewer, her left arm pointing up in the air to John the
Baptist's hovering head, enclosed by a
88:' birthday, the princess Salome dances in front of the king and his guests. This pleased him so much he promises her anything she wished for. Incited by her mother
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contained its prominent place in artistic imagination, its lasting impressiveness being crucial to the rediscovery of Moreau's art in the later 20th century.
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where it hung not with the aquarelles in a separate room but in the main East
Gallery with the oil paintings. It is currently housed in the Musée d'Orsay.
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History as a theatre of cruelty: representation and theatricality in
Flaubert's Salammbô and Hérodias and in Gustave Moreau's Salome paintings
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art. These disparate elements and the use of complex techniques like highlighting, graftage and incisions, create a sublime ideal of the
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100:. Regretful but compelled to keep his word in front of everyone present, Herod complies with Salome's demand. John the Baptist is
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Four French
Symbolists: A Sourcebook on Pierre Puvis de Chavannes, Gustave Moreau, Odilon Redon, and Maurice Denis
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126:), the painting caused a sensation. It has since made a lasting impression on various artists, notably from the
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imagination who was equally seductive and destructive. Defying conventions of historic and biblical painting,
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in 1876 upon its first presentation at the Salon where it was exhibited with several other of Moreau's works
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The unnamed dancer identified as Salome by scholars has inspired numerous artist before Moreau, among them
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was often referred to as "Byzanthine". Together with the mysterious titular vision they both evoke
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Rather than being solely a character from academic painting Moreau remained bound to despite his
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Gustave Moreau, with a catalogue of the finished paintings, watercolors and drawings
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Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
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72:'s severed head. The 106 cm high and 72,2 cm wide watercolor held by the
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Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
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Girard, Rene (1984). "Scandal and the Dance: Salome in the Gospel of Mark".
632:"Musee d'Orsay Collection – Works in Focus – Gustave Moreau: The Apparition"
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92:, who was reproved by the John the Baptist for her illegitimate marriage to
776:. Florida State University: Electronic Theses, Treatises and Dissertations.
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Moreau's
Materiality: Polymorphic Subjects, Degeneration, and Physicality
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Idols of
Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture
478:(1864–1896) as the virgin-whore seen by many of Moreau's contemporaries
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The events from which Moreau draws his scene are first described in two
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662:"Art Encyclopedia: Visual Arts of Painting – Sculpture – Architecture"
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Against the backdrop of a lavishly decorated palace inspired by the
60:, painted between 1874 and 1876. It shows the biblical character of
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The following year
Gauchez sent it to be exhibited at London's
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own lust. Among his series of Salome-paintings, the climactic
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who muses on the painting in his influential decadent novel
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The Grosvenor Gallery: A Palace of Art in Victorian England
240:. Further, the scene's morbidity and underlying themes of
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A shorter version appears in the Gospel of St. Matthew:
814:
The Art of Gustave Moreau: Theory, Style, and Content
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Summary Execution under the Moorish Kings of Granada
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art in general. Upon its first presentation 1876 in
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1954:The Gallic Women: Episode from the Roman Invasion
412:and its sister piece, an oil version also called
2233:The Road in Front of Saint-Simeon Farm in Winter
183:a key work for the emerging symbolist movement.
1045:. North Carolina: University of North Carolina.
76:in Paris elaborates on an episode told in the
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1088:. United States: Greenwood Publishing Group.
969:. Troy, New York: Whitson Publishing Company.
8:
787:Casteras, Susan P.; Denney, Colleen (1996).
485:In the terror of my tresses, that, by night,
2453:Resting by a Stream at the Edge of the Wood
816:. Ann Arbor, Michigan: UMI Research Press.
493:White night of ice and of the cruel snow!"
489:And glimmering radiance of thy frozen fire,
2869:Objet décoratif carré avec dieux tahitiens
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1928:Reception of the Grand Condé at Versailles
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844:. Manchester: Manchester University Press.
487:Inviolate reptile, I might feel the white
2757:The Return from Fishing: Hauling the Boat
2025:Berthe Morisot with a Bouquet of Violets
521:Salome with the Head of John the Baptist
154:in 1869, as well as the severed head of
31:
2804:Nature Unveiling Herself Before Science
1980:The Excommunication of Robert the Pious
881:"Gustave Moreau: Reimagining Symbolism"
874:
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186:Belgian art dealer Léon Gauchez bought
2673:Imperial Fritillaries in a Copper Vase
2417:Avenue of Poplars near Moret-sur-Loing
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691:. New York: New York Graphic Society.
594:When the renown of its creator faded,
2447:Regatta at Molesey near Hampton Court
2097:Portrait of Monsieur and Madame Manet
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749:. Musee D'orsay. 2006. Archived from
638:. Musee d'Orsay. 2006. Archived from
7:
2963:Cultural depictions of Herod Antipas
2353:Portrait of the Painter Claude Monet
2203:A Cart on the Snowy Road at Honfleur
2006:The Quai Saint-Michel and Notre-Dame
1891:Self-Portrait with the Yellow Christ
939:. Sterling Publishing Company, Inc.
712:
710:
708:
626:
624:
491:Thou art chaste and diest of desire,
483:Delights me, and I would envelope me
428:Salomé dansant devant Hérode (1876)
283:tendencies, his Salome embodies the
222:posture to fear, like French writer
39:, Gustave Moreau, 1876. watercolor.
266:and indicate his evolution towards
2435:Chemin de la Machine, Louveciennes
2291:The Luxembourg Station in Brussels
2091:Portrait of Marguerite de Conflans
859:. France: Charpentier. p. 83.
383:The Beheading of John the Baptist
96:, Salome demands John's head on a
25:
2733:Portrait of Robert de Montesquiou
2073:The Port of Boulogne by Moonlight
981:"Encyclopedia of World Biography"
496:As André Fontainas noted 1928 in
299:as did others of Moreau's works.
56:) is a painting by French artist
2667:Doctor Gachet's Garden in Auvers
2459:Rue de la Chaussée in Argenteuil
1778:Arab Horses Fighting in a Stable
1725:Café-Concert at Les Ambassadeurs
1213:The Parca and the Angel of Death
743:"Gustave Moreau: The Apparition"
554:(1893) after being impressed by
448:
433:
421:
1746:Portraits at the Stock Exchange
914:. London: Thames & Hudson.
791:. Yale: Yale University Press.
164:Perseus with the head of Medusa
27:1876 painting by Gustave Moreau
2943:Paintings in the Musée d'Orsay
2703:Pasteur's portrait by Edelfelt
2465:View of the Canal Saint-Martin
2197:The Artist's Garden at Giverny
2031:Blonde Woman with Bare Breasts
1941:A Session of the Painting Jury
1221:Dead Poet Carried by a Centaur
687:Mathieu, Pierre-Louis (1976).
581:, also based on Wilde's Salome
1:
2953:Paintings of John the Baptist
2341:Frédéric Bazille at his Easel
2103:Portrait of Stéphane Mallarmé
1765:Boabdil's Farewell to Granada
1668:The Romans in their Decadence
1561:Vue de toits (Effet de neige)
1422:The Improvised Field Hospital
1255:Musée national Gustave Moreau
1182:Musée national Gustave Moreau
1170:(begun 1874, never completed)
967:The Femme Fatale: Erotic Icon
855:Huysmans, Joris-Karl (1884).
721:. Oxford: Oxford Paperbacks.
558:viewing it 1884 at the Louvre
1084:Clement, Russell T. (1996).
906:Edward, Lucie-Smith (1972).
481:"The horror of my virginity
84::21–29. On a feast held for
2923:Paintings by Gustave Moreau
2652:Starry Night Over the Rhône
2527:The Resurrection of Lazarus
2317:Bal du moulin de la Galette
1897:Tahitian Women on the Beach
1848:A Studio at Les Batignolles
1586:Portrait of Gustave Geffroy
1189:Salome Dancing before Herod
965:Allen, Virginia M. (1983).
937:From Realism to Art Nouveau
609:Salome Dancing before Herod
498:Mes souvenirs du Symbolisme
457:Salome Dancing before Herod
388:Pierre Puvis de Chavannes,
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2359:Portrait of William Sisley
2227:Resting Under a Lilac Bush
2178:Shepherdess with her Flock
1740:The Orchestra at the Opera
1460:Ploughing in the Nivernais
402:The Daughter of Herodias.
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2817:Woman Bitten by a Serpent
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2441:The Forge at Marly-le-Roi
2061:Madame Manet at the Piano
2049:Flowers in a Crystal Vase
1529:Three Women with Parasols
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1347:
1330:
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1063:. Oxford: Vintage Books.
1059:Ellmann, Richard (1988).
879:Kieffer, Michèle (2014).
548:wrote his symbolist play
443:oil on canvas (1876/1877)
1879:The Schuffenecker Family
1555:Les raboteurs de parquet
935:Lombardi, Laura (2009).
668:. Visual Arts Cork. 2014
666:www.visual-arts-cork.com
150:copied by Moreau at the
2583:What is Called Vagrancy
2209:Le Déjeuner sur l'herbe
2043:Le Déjeuner sur l'herbe
1836:The Corner of the Table
1447:Pilgrims going to Mecca
840:Meyers, Jeffry (1975).
812:Kaplan, Julius (1982).
717:Dijkstra, Bram (1988).
587:'s theatrical dialogue
571:, based on Wilde's play
394:eponymous oil painting
345:Lucas Cranach the Elder
2658:Portrait of Dr. Gachet
2471:The Village of Voisins
2429:The Canal Saint-Martin
2134:Luxe, Calme et Volupté
2085:Portrait of Emile Zola
2079:Portrait of Clemenceau
1885:Self-Portrait in a Hat
1574:The Hanged Man's House
1151:Oedipus and the Sphinx
885:www.theculturetrip.com
842:Painting and the Novel
772:Slavkin, Mary (2009).
460:, oil on canvas (1876)
44:
2564:Sailboats and Estuary
2221:Regatta at Argenteuil
2147:French Campaign, 1814
1491:Equality Before Death
1041:Morris, Jean (1994).
152:Palais de l'Industrie
35:
2646:The Church at Auvers
2607:The Wheel of Fortune
2335:Dance in the Country
2278:The Fiancée of Belus
2115:A Sprig of Asparagus
1873:Breton Peasant Women
1643:The Painter's Studio
1008:New Literary History
985:www.encyclopedia.com
398:Arthur O'Shaughnessy
337:Masolino da Panicale
295:became a source for
64:dancing in front of
2958:Paintings of Salome
2898:Musée des Augustins
2239:Women in the Garden
1867:The Beautiful Angel
1842:Homage to Delacroix
1719:The Bellelli Family
1390:In the Conservatory
369:Georges Rochegrosse
224:Joris-Karl Huysmans
2896:On display at the
2843:Virgin with a Lily
2727:Madame Charles Max
2423:The Canal du Loing
2347:Girls at the Piano
2153:The Siege of Paris
1637:L'Origine du monde
1631:A Burial at Ornans
1612:The Poor Fisherman
1542:The Birth of Venus
1473:The Birth of Venus
1416:The Family Reunion
1237:Jupiter and Semele
887:. The Culture Trip
747:www.musee-orsay.fr
636:www.musee-orsay.fr
375:'s 1843 epic poem
210:, Chap. VI. 1884)
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2329:Dance in the City
1791:Homage to Cézanne
1618:The Turtle Seller
1523:The Lady in White
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1229:The Mystic Flower
1159:Scottish Horseman
404:In his 1875 poem
309:parallel passages
272:abstract painting
196:Grosvenor Gallery
160:Benvenuto Cellini
128:Decadent movement
68:with a vision of
18:L'Apparition
16:(Redirected from
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753:on 2 April 2015
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556:The Apparition
532:'s short story
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1014:(2): 311–324.
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410:The Apparition
390:Henri Regnault
373:Heinrich Heine
365:Henri Regnault
332:14:6–11, D-R)
322:6:21–29, KJV)
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219:The Apparition
214:The Apparition
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188:The Apparition
181:The Apparition
148:Japanese print
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124:Salon de Paris
58:Gustave Moreau
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37:The Apparition
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2933:Fantastic art
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74:Musée d'Orsay
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66:Herod Antipas
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41:Musée d'Orsay
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2948:Dance in art
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2195:
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2184:The Winnower
2182:
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2172:The Gleaners
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2127:
2121:The Waitress
2119:
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1700:The Republic
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1606:de Chavannes
1605:
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1335:Gare d'Orsay
1235:
1227:
1219:
1211:
1205:Les Chimères
1203:
1197:The Unicorns
1195:
1187:
1177:
1176:(1874–1876;
1173:
1165:
1157:
1149:
1085:
1079:
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1011:
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989:. Retrieved
984:
975:
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909:
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889:. Retrieved
884:
856:
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773:
767:
755:. Retrieved
751:the original
746:
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670:. Retrieved
665:
656:
644:. Retrieved
640:the original
635:
607:
595:
593:
588:
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567:
555:
549:
533:
524:
520:
517:Odilon Redon
508:
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405:
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393:
386:
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334:
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292:
285:femme fatale
278:
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213:
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163:
137:
123:
113:
106:
54:L'Apparition
53:
48:
47:
46:
36:
29:
2837:Delaplanche
2601:Burne-Jones
2490:La Toilette
2323:The Bathers
2166:The Angelus
2109:The Reading
2019:The Balcony
1681:The Harvest
1549:Caillebotte
1517:Bracquemond
1497:Les Oréades
1240:(1894–1895)
1061:Oscar Wilde
991:30 December
891:30 December
757:30 December
672:30 December
646:30 December
546:Oscar Wilde
539:Three Tales
280:avant-garde
260:orientalism
242:necrophilia
238:Jean Moréas
158:as held by
134:Description
2917:Categories
2856:Rhinocéros
2850:Jacquemart
2780:Sculptures
2404:The Circus
2265:The Cradle
2215:The Magpie
2141:Meissonier
1967:The Source
1817:The Enigma
1713:L'Absinthe
1593:Chassériau
1467:Bouguereau
1384:Bartholomé
616:References
544:Famously,
525:Apparition
378:Atta Troll
357:Guido Reni
353:Caravaggio
297:surrealism
162:'s bronze
80::6–11 and
78:Matthew 14
2811:Clésinger
2365:The Swing
2055:The Fifer
2037:Bullfight
1993:The Truth
1922:Jerusalem
1903:Vairumati
1804:The Dream
1772:Delacroix
1759:Dehodencq
1504:Boulanger
1403:Haymaking
1353:Paintings
1271:Symbolism
1232:(c. 1890)
1224:(c. 1890)
1143:Paintings
857:A rebours
585:Nick Cave
577:'s opera
537:from his
510:Herodiade
476:Herodiade
361:Fabritius
289:Victorian
256:exoticism
229:À rebours
208:À Rebours
122:(French:
110:symbolism
52:(French:
2902:Toulouse
2697:Edelfelt
2625:van Gogh
2577:The Bath
2534:Whistler
2514:Solitude
2508:Harrison
2500:American
2385:Sérusier
2372:Rousseau
2298:Regnault
1987:Lefebvre
1798:Detaille
1675:Daubigny
1479:La Danse
1325:Building
602:See also
535:Herodias
168:Florence
140:Alhambra
102:beheaded
90:Herodias
43:, Paris.
2866::
2863:Gauguin
2853::
2840::
2827::
2824:Claudel
2814::
2801::
2798:Barrias
2754::
2751:Sorolla
2743:Spanish
2724::
2721:Boldini
2713:Italian
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2689:Finnish
2628::
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2593:British
2574::
2571:Stevens
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2550:Belgian
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2067:Olympia
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1974:Laurens
1964::
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1536:Cabanel
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1454:Bonheur
1444::
1413::
1410:Bazille
1400::
1387::
1377:Remorse
1374::
1264:Related
1248:Museums
1200:(1880s)
1162:(1870s)
311:of the
287:of the
268:fauvism
98:charger
2790:French
2521:Tanner
2484:Le Lit
2411:Sisley
2398:Seurat
2311:Renoir
2246:Moreau
2160:Millet
1961:Ingres
1948:Glaize
1935:Gervex
1910:Gérôme
1729:(1885)
1371:Baader
1363:French
1216:(1890)
1208:(1884)
1192:(1876)
1154:(1864)
1092:
1067:
1028:468858
1026:
987:. 2004
943:
918:
820:
795:
725:
695:
589:Salome
579:Salome
568:Salome
566:opera
551:Salome
513:(1877)
466:Impact
406:Salomé
349:Titian
252:Orient
156:Medusa
82:Mark 6
62:Salome
2875:Oviri
2617:Dutch
2272:Motte
2191:Monet
2013:Manet
1785:Denis
1707:Degas
1441:Belly
1024:JSTOR
303:Motif
202:Style
176:opium
120:Salon
94:Herod
2000:Luce
1811:Doré
1090:ISBN
1065:ISBN
993:2014
941:ISBN
916:ISBN
893:2014
818:ISBN
793:ISBN
759:2014
723:ISBN
693:ISBN
674:2014
648:2014
523:and
396:and
367:and
330:Matt
320:Mark
270:and
258:and
144:halo
112:and
2900:in
1016:doi
519:'s
507:'s
392:'s
166:in
2919::
2872:–
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1180:,
1051:^
1022:.
1012:15
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955:^
883:.
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832:^
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707:^
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623:^
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385:by
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1305:e
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