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and once again offers to marry Pamira and make peace with the Greeks. Cleomene would rather see Pamira die than married to their enemy. Neocle returns and reveals to
Maometto that he isn't Pamira's brother, he's the man her father wants her to marry. Maometto, enraged, departs for the field of battle. Pamira enters and Neocle makes father and daughter reconcile. The three of them pray for God's protection. Jero, the guardian of the graves, enters with the Greek warriors; he blesses their banners and recalls ancient Greek victories at Marathon and Thermopylae. The men march off to battle, while Pamira and the women pray for God's mercy. When they hear Turkish cries of victory, the women prepare to die. Maometto, victorious, returns to claim Pamira; but she and the women kill themselves rather than submit. The building collapses, revealing behind it the city of Corinth in flames.
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him his daughter Pamira in marriage. But she reveals that she loves a certain
Almanzor whom she met recently in Athens. Cleomene starts questioning her about Almanzor, but he is called away to the battle. Before leaving he gives his daughter a sword which she must use on herself if the Turks succeed in capturing the city.
51:
730:
Neocle enters the catacombs, mastering his fear. He joins the Greeks who are preparing to make a final stand. In the distance, Pamira and the Greek women are heard in prayer. Cleomene recognizes Pamira's voice; but, feeling betrayed by her, he swears she is no longer his daughter. Maometto approaches
380:
role of Neocle, but from the 1860s it disappeared entirely from the repertory and was no longer staged for roughly the next eighty years. However, the opera's overture remained widely popular and never left the concert orchestra repertory. More recently the overture has been performed and recorded by
693:
Cleomene, governor of
Corinth, realizes that his depleted troops cannot withstand another attack. But Neocle, a young Greek officer, encourages the Greeks to keep fighting the Turks that are besieging the city. The soldiers depart for a new attack. Cleomene, impressed by Neocle's valor, has promised
702:
The Turks are celebrating their victory and praising their leader, Maometto. Cleomene, now a prisoner, is brought in, and
Maometto urges him to surrender; he refuses. Pamira rushes in to her father, then recognizes, in Maometto, the man she knew as Almanzor. Maometto offers to marry Pamira and make
716:
Alone, Pamira is torn between her love for
Maometto and her duty to her father and Greece. Maometto enters and tries to comfort her. Preparations begin for their wedding, but a commotion outside the tent interrupts the proceedings. It is Neocle, who has come to take Pamira back to the Greeks.
717:
Maometto, angry, is about to kill the intruder when Pamira claims he is her brother. The Greeks prepare for a new battle, and from the citadel
Cleomene calls to Pamira. She deserts Maometto to join her father and country. Maometto vows that by sunrise every Greek will be dead.
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in July 1831. In the United States, the first performance was given in French by the
Italian Opera House in New York in February 1833 and in Italian in February 1835. The opera became popular across Europe in its Italian translation by
269:
Liszt wrote an
Introduction and Variations for piano based on a march from this opera. That work was deemed lost or mistitled until 1976 when the introduction was discovered by Nancy B. Reich at Manhattanville College's library.
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in a topical nod to the then-raging Greek war for independence from the
Ottomans, and translated it into French. This time, Rossini succeeded, and the opera was performed in various countries over the next decade or so.
1973:
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2119:
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used the La Scala version for its premiere of the opera. The Met production was conducted by
Schippers again and starred Beverly Sills in her Met debut, now opposite
451:, in a mid-19th century re-translation back into Italian, with one aria interpolated from one of the predecessor "Maometto II" versions and one from Rossini's
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893:(Recording of a performance at the MET given in Italian in a version prepared by Thomas Schippers for La Scala, under the title ‘’L'Assedio de Corinthe")
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1364:
322:, Rossini tried yet again, with yet another version (which included two ballets, as called for by French operatic tradition), transplanted it to the
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from the original Neapolitan and Venetian versions and even from other obscure Rossini operas (as Rossini himself commonly did). In 1975, the
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peace with the Greeks. Cleomene, however, insists she must marry Neocle. When Pamira refuses, Cleomene curses her and leaves her to Maometto.
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297:. That original version had premiered in Naples on 3 December 1820 – six years before the Missolonghi siege and massacre. The original
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Since 1975, the only production of the opera in the US has been the October 2006 stagings of the French version by the
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where Rossini tried out a somewhat revised version in 1823, this time with a happy ending using music from his own
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799:(Recording of a performance of the version prepared by Schippers and Randolph Mickelson at La Scala, 11 April )
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The French version of this late Rossini opera was a partial rewrite of the composer's 1820 Italian opera,
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Outside the US, the opera has been staged several times. It was produced in
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conducting. The opera used a performing edition by noted musicologist and
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504:, and in 2017, following the new critical edition by Damien Colas, in a
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was Rossini's first French opera (known also in its Italian version as
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306:
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1261:, Vol. Four. pp. 364 – 65. London: Macmillan Publishers, Inc.
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1041:"Liszt's Variations on the March from Rossini's Siège de Corinthe"
660:
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has little, if any, connection with the opera as to its content.
404:. That production was repeated two years later in Rome. In 1969
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for its cruelty – also inspired a prominent painting by
228:(1821–1829). The same incident – condemned throughout
1237:(1990), Ithaca, New York: Northeastern University Press.
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The tombs of Corinth, illuminated by a multitude of fires
381:
several contemporary classical orchestras, including the
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and contralto Martine Dupuy, and under the direction of
1221:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
1450:
L'occasione fa il ladro, ossia Il cambio della valigia
472:
in 1982 in Calisto Bassi's Italian version, starring
1701:
Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
1537:
Il barbiere di Siviglia, ossia L'inutile precauzione
1121:
Beghelli, Marco & Gallino, Nicola (ed.) (1991),
1081:, 3rd edition (London: John Calder, 1978), folio 669
689:
SCENE ONE: Vestibule of the senate palace at Corinth
1997:
1974:
Conservatorio Statale di Musica "Gioachino Rossini"
1966:
1931:
1912:
1863:
1828:
1789:
1760:
1692:
1488:
1385:
1378:
396:was finally revived again in a production starring
109:
99:
91:
70:
60:
32:
1662:Matilde di Shabran, ossia Bellezza e Cuor di Ferro
1458:Il signor Bruschino, ossia Il figlio per azzardo
1426:Ciro in Babilonia, ossia La caduta di Baldassare
1717:Moïse et Pharaon, ou Le passage de la mer rouge
1590:Adelaide di Borgogna, ossia Ottone, re d'Italia
1646:Bianca e Falliero, ossia Il consiglio dei tre
1550:La gazzetta, ossia Il matrimonio per concorso
1338:
970:(Recording of a performance in French at the
480:. In 1992 the same production was revived in
339:The first performance, in French, was at the
8:
1194:Gossett, Philip; Brauner, Patricia (2001), "
2125:Cultural depictions of Mehmed the Conqueror
1144:on vocalimages.com. Retrieved 16 June 2014
424:expert Randolph Mickelson that made use of
408:revived it for the Rossini centennial with
256:had indeed besieged the city in the 1450s.
238:Greece Expiring on the Ruins of Missolonghi
1689:
1485:
1382:
1345:
1331:
1323:
1003:Virtuosi Brunensis and Camerata Bach Choir
979:Cat: CD 597; Charles Handelman, Live Opera
49:
29:
2120:Works about the Greek War of Independence
1566:La Cenerentola, ossia La bontà in trionfo
318:But in 1826, two years after settling in
2115:Opera world premieres at the Paris Opera
738:
515:
240:), and was mentioned in the writings of
216:and ultimate destruction of the town of
1169:Complete Beverly Sills performance list
1031:
968:Orchestra and the Prague Chamber Chorus
179:, the libretto of which was written by
1303:Warrack, John and West, Ewan (1992),
7:
1223:, Portland, Oregon: Amadeus Press.
1158:on operadis-opera-discography.org.uk
932:Cat: 7140-7142 & Cat: NE 7372/3
412:, in her La Scala debut, as Pamira,
1187:. L'Almanacco di Gherardo Casaglia
850:(Recorded in July and August 1974)
383:Academy of St. Martin-in-the-Fields
1005:(Recording of performances at the
301:was not well received, neither in
25:
1606:Adina, ossia Il califfo di Bagdad
1258:The New Grove Dictionary of Opera
355:(translated by Calisto Bassi) in
2044:
2043:
1737:
1558:Otello, ossia Il Moro di Venezia
1541:
1521:Elisabetta, regina d'Inghilterra
2105:Operas set in the 15th century
1305:The Oxford Dictionary of Opera
1283:Rossini: The Man and His Music
698:SCENE TWO: A Square in Corinth
1:
1285:, Dover Publications, 1987.
525:Premiere Cast, 9 October 1826
193:) and was first given at the
55:Set for Act 3 in the premiere
1206:, New York: Penguin Putnam.
1102:"Annals of Music in America"
923:Orchestra and Chorus of the
2075:Operas by Gioachino Rossini
1204:The New Penguin Opera Guide
1125:, Milan: Garzanti, p. 786.
1123:Tutti i libretti di Rossini
665:Décor for Act 1-Scene 1 of
212:The opera commemorates the
2146:
1247:Osborne, Richard (1998), "
1183:Casaglia, Gherardo (2005).
1079:Annals of Opera, 1597-1940
758:Opera House and Orchestra
224:troops during the ongoing
104:Third Siege of Missolonghi
27:Opera by Gioachino Rossini
2130:Ottoman Empire in fiction
2039:
2012:Duetto buffo di due gatti
1402:La cambiale di matrimonio
1360:
843:London Symphony Orchestra
529:François Antoine Habeneck
226:Greek War of Independence
48:
37:
18:L'assedio di Corinto
1951:(1991 biographical film)
1943:(1942 biographical film)
1039:REICH, NANCY B. (1976).
977:Audio CD: House of Opera
114:9 October 1826
1853:Petite messe solennelle
622:Alexandre-Aimé Prévost
2110:Works set in the 1450s
2080:French-language operas
1984:Rossini Opera Festival
1798:Ecco, ridente in cielo
1442:La pietra del paragone
1410:L'equivoco stravagante
1185:"Le siège de Corinthe"
1142:Biography of Mickelson
972:Rossini Opera Festival
966:Opéra National de Lyon
847:Ambrosian Opera Chorus
670:
490:Rossini Opera Festival
2006:La boutique fantasque
1921:The Barber of Seville
664:
599:Henri-Étienne Dérivis
574:a young Greek officer
2100:Operas set in Greece
1902:Péchés de vieillesse
1709:Le siège de Corinthe
1497:Aureliano in Palmira
1474:L'italiana in Algeri
1365:List of compositions
1249:Le siège de Corinthe
1196:Le siège de Corinthe
1156:Le siège de Corinthe
1045:Fontes Artis Musicae
974:, Pesaro, 5 August)
891:Orchestra and Chorus
797:Orchestra and Chorus
667:Le siège de Corinthe
566:Laure Cinti-Damoreau
394:Le siège de Corinthe
353:L'assedio di Corinto
328:Le siège de Corinthe
263:The Siege of Corinth
191:L'assedio di Corinto
147:The Siege of Corinth
137:Le siège de Corinthe
65:The Siege of Corinth
33:Le siège de Corinthe
2018:Matinées musicales
1932:Cultural depictions
1886:La regata veneziana
1614:Ricciardo e Zoraide
1529:Torvaldo e Dorliska
1077:Alfred Loewenberg,
930:Audio CD: Nuova Era
925:Teatro Carlo Felice
916:Maurizio Comencini,
538:Governor of Corinth
492:: in 2000 starring
335:Performance history
326:with the new title
315:at the conclusion.
274:Revised version of
244:. The reference to
208:Composition history
2070:History of Corinth
1989:Rossini in Wildbad
1871:Six string sonatas
1630:Eduardo e Cristina
1505:Il turco in Italia
1394:Demetrio e Polibio
1233:Osborne, Richard,
1007:Rossini in Wildbad
981:Cat: (unnumbered)
951:Giuseppe Filianoti
941:Stephen Mark Brown
889:Metropolitan Opera
802:Audio CD: Arkadia
671:
669:at the Paris Opéra
502:Giuseppe Filianoti
430:Metropolitan Opera
351:. It was given as
252:, although Sultan
181:Cesare della Valle
2057:
2056:
2024:Messa per Rossini
1967:Named for Rossini
1948:Rossini! Rossini!
1905:(1857–1868)
1805:Largo al factotum
1756:
1755:
1688:
1687:
1638:La donna del lago
1484:
1483:
1354:Gioachino Rossini
1281:(re-issue 1987),
1090:Almanacco Amadeus
1018:
1017:
1014:Cat: 8.660329-30
1001:Jean-Luc Tingaud,
886:Thomas Schippers,
840:Thomas Schippers,
795:Teatro alla Scala
652:
651:
506:La Fura dels Baus
474:Katia Ricciarelli
454:Ciro in Babilonia
341:Salle Le Peletier
312:La donna del lago
248:is an example of
195:Salle Le Peletier
156:Gioachino Rossini
154:in three acts by
133:
132:
125:Salle Le Peletier
43:Gioachino Rossini
16:(Redirected from
2137:
2047:
2046:
1998:Related articles
1913:Film adaptations
1819:Una voce poco fa
1746:Ugo, re d'Italia
1741:
1690:
1545:
1486:
1434:La scala di seta
1418:L'inganno felice
1383:
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1217:Osborne, Charles
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1100:Lahee, Henry C.
1097:
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998:Lorenzo Regazzo
991:Majella Cullagh,
946:Ruth Ann Swenson
942:
896:Audio CD: Bensar
790:Thomas Schippers
770:Franco Bonisolli
739:
647:Ferdinand Prévôt
516:
498:Ruth Ann Swenson
478:Pier Luigi Pizzi
459:Elizabeth Futral
418:Thomas Schippers
387:Neville Marriner
234:Eugène Delacroix
171:Alexandre Soumet
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83:Alexandre Soumet
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1956:Rossini's Ghost
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1837:Messa di Gloria
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956:Michele Pertusi
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810:Celestial Audio
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808:Cat: LCD 135–2;
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806:Legato Classics
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712:Maometto's tent
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582:Adolphe Nourrit
526:
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494:Michele Pertusi
457:which featured
449:Baltimore Opera
434:Shirley Verrett
426:insertion arias
416:as Neocle, and
363:and it reached
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1574:La gazza ladra
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1370:List of operas
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1319:External links
1317:
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1307:, 782 pages,
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1276:
1245:
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1200:Holden, Amanda
1192:
1173:
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1154:Recordings of
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1051:(3): 102–106.
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994:Michael Spyres
987:
983:
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898:Cat: OL 41975
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676:Place: Corinth
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461:as Pamira and
398:Renata Tebaldi
359:on 26 January
336:
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278:
272:
230:Western Europe
209:
206:
167:Luigi Balocchi
131:
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78:Luigi Balocchi
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14:
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2015:
2013:
2010:
2008:
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2003:
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1996:
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1359:
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1348:
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1341:
1336:
1334:
1329:
1328:
1325:
1318:
1314:
1313:0-19-869164-5
1310:
1306:
1302:
1299:
1298:0-486-25396-1
1295:
1292:
1288:
1284:
1280:
1279:Toye, Francis
1277:
1275:
1274:1-56159-228-5
1271:
1268:
1267:0-333-73432-7
1264:
1260:
1259:
1254:
1253:Stanley Sadie
1250:
1246:
1244:
1243:1-55553-088-5
1240:
1236:
1232:
1230:
1226:
1222:
1218:
1215:
1213:
1212:0-14-029312-4
1209:
1205:
1201:
1197:
1193:
1186:
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1179:
1170:
1165:
1162:
1159:
1157:
1150:
1147:
1143:
1138:
1135:
1132:
1131:88-11-41059-2
1128:
1124:
1118:
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1103:
1096:
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1087:
1084:
1080:
1074:
1071:
1066:
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962:
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947:
939:
936:
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929:
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920:
913:
912:Luciana Serra
908:
907:Dano Raffanti
905:
902:
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895:
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885:
883:
878:
873:
872:Beverly Sills
868:
867:Harry Theyard
865:
862:
861:
856:
852:
848:
844:
839:
837:
832:
827:
826:Beverly Sills
822:
821:Harry Theyard
819:
816:
815:
801:
796:
791:
788:
786:
781:
780:Marilyn Horne
776:
775:Beverly Sills
771:
768:
765:
764:
760:
755:
744:
741:
740:
734:
732:
728:
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706:
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691:
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683:
678:
675:
674:
668:
663:
654:
648:
645:
642:
639:
638:
634:
632:
631:mezzo-soprano
629:
626:
625:
621:
618:
615:
614:
610:
607:
604:
603:
600:
597:
595:
592:
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583:
580:
577:
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571:
570:
567:
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562:
559:
557:
553:
552:
549:
548:Louis Nourrit
546:
544:
541:
539:
535:
534:
530:
524:
521:
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511:
509:
507:
503:
499:
495:
491:
487:
486:Luciana Serra
483:
479:
475:
471:
466:
464:
463:Vivica Genaux
460:
456:
455:
450:
445:
443:
442:Harry Theyard
439:
435:
431:
427:
423:
419:
415:
414:Marilyn Horne
411:
410:Beverly Sills
407:
403:
399:
395:
390:
388:
385:conducted by
384:
379:
375:
371:
370:Calisto Bassi
366:
362:
358:
354:
350:
347:on 9 October
346:
342:
334:
332:
329:
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321:
316:
314:
313:
308:
304:
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296:
292:
288:
284:
277:
273:
271:
267:
265:
264:
260:'s 1816 poem
259:
255:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
207:
205:
204:
201:on 9 October
200:
196:
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188:
184:
182:
178:
177:
172:
168:
164:
161:
157:
153:
149:
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84:
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73:
69:
66:
63:
59:
52:
47:
44:
40:
36:
31:
19:
2085:Grand operas
2028:
2016:
2004:
1979:Prix Rossini
1954:
1946:
1938:
1920:
1900:
1892:
1884:
1876:
1856:(1864, 1867)
1851:
1848:(1831, 1841)
1845:Stabat mater
1843:
1835:
1829:Sacred music
1812:Sombre forêt
1779:Robert Bruce
1777:
1769:
1749:(unfinished)
1744:
1731:
1725:Le comte Ory
1723:
1715:
1708:
1707:
1699:
1676:
1668:
1660:
1652:
1644:
1636:
1628:
1620:
1612:
1604:
1596:
1588:
1580:
1572:
1564:
1556:
1548:
1535:
1527:
1519:
1511:
1503:
1495:
1472:
1464:
1456:
1448:
1440:
1432:
1424:
1416:
1408:
1400:
1392:
1304:
1282:
1256:
1248:
1234:
1220:
1203:
1195:
1189:(in Italian)
1177:
1176:
1164:
1155:
1149:
1137:
1122:
1117:
1105:. Retrieved
1095:
1086:
1078:
1073:
1048:
1044:
1034:
1025:
1024:
882:Justino Díaz
855:EMI Classics
836:Justino Díaz
812:Cat: CA 034
804:Cat: CD 573;
785:Justino Díaz
729:
725:
724:
715:
711:
710:
701:
697:
696:
692:
688:
687:
666:
573:
556:his daughter
555:
537:
527:(Conductor:
508:production.
467:
452:
446:
438:Justino Díaz
421:
393:
391:
352:
338:
327:
317:
310:
298:
282:
280:
275:
268:
261:
237:
211:
190:
186:
185:
174:
146:
145:
136:
135:
134:
64:
2090:1826 operas
1959:(1996 film)
1923:(1947 film)
1864:Other works
1693:Later works
1654:Maometto II
1386:Early works
1107:19 February
921:Paolo Olmi,
858:Cat: 64335
522:Voice type
465:as Neocle.
345:Paris Opéra
324:Peloponnese
283:Maometto II
276:Maometto II
242:Victor Hugo
220:in 1826 by
218:Missolonghi
199:Paris Opéra
176:Maometto II
61:Translation
2064:Categories
2030:Rossiniana
1678:Semiramide
1513:Sigismondo
1291:0486253961
1255:, (Ed.),
1229:0931340713
1021:References
1009:Festival)
989:Marc Sala,
853:Audio CD:
756:Conductor,
735:Recordings
679:Time: 1459
589:Mahomet II
536:Cléomène,
295:Negroponte
293:colony of
258:Lord Byron
118:1826-10-09
71:Librettist
1762:Pastiches
1057:0015-6191
753:Maometto
747:Cléomène,
572:Néoclès,
484:starring
422:bel canto
374:contralto
254:Mehmed II
158:set to a
2049:Category
1894:La Danza
1489:Maturity
1466:Tancredi
1219:(1994),
1065:23506355
927:, Genoa
751:Néoclès,
655:Synopsis
635:Frémont
605:Adraste
554:Pamira,
470:Florence
406:La Scala
402:Florence
392:In 1949
299:Maometto
291:Venetian
287:conquest
250:allegory
187:Le siège
163:libretto
150:) is an
110:Premiere
100:Based on
92:Language
1940:Rossini
1771:Ivanhoé
1736:(1829)
1670:Zelmira
1622:Ermione
1540:(1816)
1251:", in
1235:Rossini
1202:(ed.),
1178:Sources
761:Label
749:Pamira,
627:Ismène
616:Hiéros
561:soprano
376:in the
372:with a
343:of the
305:nor in
289:of the
246:Corinth
222:Turkish
197:of the
142:English
127:, Paris
116: (
2095:Operas
1897:(1835)
1889:(1835)
1881:(1817)
1873:(1804)
1840:(1820)
1782:(1846)
1774:(1826)
1728:(1828)
1720:(1827)
1712:(1826)
1704:(1825)
1681:(1823)
1673:(1822)
1665:(1821)
1657:(1820)
1649:(1819)
1641:(1819)
1633:(1819)
1625:(1819)
1617:(1818)
1609:(1826)
1601:(1818)
1593:(1817)
1585:(1817)
1582:Armida
1577:(1817)
1569:(1817)
1561:(1816)
1553:(1816)
1532:(1815)
1524:(1815)
1516:(1814)
1508:(1814)
1500:(1813)
1477:(1813)
1469:(1813)
1461:(1813)
1453:(1812)
1445:(1812)
1437:(1812)
1429:(1812)
1421:(1812)
1413:(1811)
1405:(1810)
1397:(1812)
1379:Operas
1311:
1296:
1289:
1272:
1265:
1241:
1227:
1210:
1129:
1063:
1055:
643:tenor
611:Bonel
608:tenor
578:tenor
365:Vienna
307:Venice
303:Naples
160:French
95:French
1790:Arias
1198:" in
1061:JSTOR
1026:Notes
986:2010
937:2000
903:1992
863:1975
817:1974
766:1969
745:Cast:
742:Year
721:Act 3
707:Act 2
684:Act 1
640:Omar
619:bass
543:tenor
519:Role
512:Roles
482:Genoa
378:tenor
357:Parma
320:Paris
214:siege
152:opera
39:Opera
1309:ISBN
1294:ISBN
1287:ISBN
1270:ISBN
1263:ISBN
1239:ISBN
1225:ISBN
1208:ISBN
1127:ISBN
1109:2015
1053:ISSN
594:bass
500:and
440:and
361:1828
349:1826
203:1826
169:and
400:in
165:by
41:by
2066::
1059:.
1049:23
1047:.
1043:.
845:,
531:)
496:,
444:.
436:,
389:.
183:.
144::
1821:"
1817:"
1814:"
1810:"
1807:"
1803:"
1800:"
1796:"
1346:e
1339:t
1332:v
1300:,
1191:.
1111:.
1067:.
996:,
963:,
953:,
948:,
943:,
914:,
909:,
879:,
874:,
869:,
833:,
828:,
823:,
792:,
782:,
777:,
772:,
236:(
140:(
120:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
