Knowledge (XXG)

Léon Werth

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shopkeepers and railroad workers in and around the village of Saint-Amour. We see what they are like and hear, in their own words, what they think of Vichy—not much, though many trust Pétain—and how it affects their lives. The diary in French is 750 pages, far too long to be assigned in classrooms, but the English edition is less than half as long. It is his most important book in English to date. Werth returned to Paris in January 1944 but could only venture out at night until just before the Liberation. He describes the activities of a Resistance cell in their apartment: British aviators hid there until they could be smuggled out of the country. Résistants on the run hid out for a few days in their apartment and then set out for a new mission. In August, he reports the exciting advance of the Allied armies toward Paris and during the last week, he reports the street-fighting he saw in Paris during the liberation of the city. The diary ends with his capture of German prisoners huddled on a tank (he pities them), and the triumphal parade of General de Gaulle down the Champs-Élysées.
216:, during its occupation, the Werths remained in France despite offers by the Centre americain de secours in Marseille to help them emigrate. In July 1941 Werth was required to register as Jewish, his travel was restricted and his works banned from publication. His wife, Suzanne, was active in the Resistance, crossing the demarcation line clandestinely more than a dozen times and establishing their Paris apartment as a safe house for fugitive Jewish women, downed British and Canadian pilots, secret resistance meetings and storage of false identity papers and illegal radio transmitters. Their son, Claude, continued his studies first in the Jura and then in Paris, later becoming a doctor. Werth lived poorly in the 418:; the couple had no news of their son until they were all reunited a month later in Saint-Amour.) With poetic economy and journalistic precision, Werth recounts his experiences as one of the estimated eight million civilians who fled the advancing German army's invasion of Holland, Belgium, Luxembourg and France in May–June 1940, possibly using notes set down during the event, as he did in the trenches in World War I (which he used for his novels 490:
house, with the habit of writing, no other work, and the obvious impossibility of publishing during the war, he made entries in his diary almost every day: noting what people said, what he saw, and what he heard on the radio and read in the press, often with comments like this: “Monsieur de Gaulle (that’s what the paper calls him) and General Catroux have been stripped of their French nationality.” So has France. (December 12, 1940)
1894: 172:, Werth, 34, having earlier completed his active-duty and reserve service, was mobilized into the territorial army and, as such, assigned to the rear. Despite opposing the war, he volunteered for combat duty first as a rifleman then as a radio operator, spending time in one of the worst sectors of the war before being invalided out by a lung infection after 15 months' service. Shortly after, he completed 20: 426:). Werth gave the manuscript to his friend Saint-Exupéry in October 1940 to smuggle out of France, write a preface for and publish in the U.S. The New York publisher Brentano's bought the rights (for a military parcel of cigarettes, gum, chocolates and water-purification tablets) and publication was planned for 1943, in expectation of which Saint-Exupéry referred to it as 489:
is his sharply observed, often ironic, almost daily record of life in the French countryside during the Occupation and, at the end, the insurrection during the liberation of Paris. If he had stayed there, he might have been one of the 50,000 Jews deported from the city and exterminated. Alone in his
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I ask children to forgive me for dedicating this book to a grown-up. I have a serious excuse: this grown-up is the best friend I have in the world. I have another excuse: this grown-up can understand everything, even books for children. I have a third excuse: he lives in France where he is hungry
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At the end of the Second World War, which Antoine de Saint-Exupéry didn't live to see, Léon Werth said: "Peace, without Tonio , isn't entirely peace". Léon Werth did not see the text for which he was so responsible until five months after his friend's death, when Saint-Exupéry's French publisher,
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The events “after the fall of France” described above are entered in the diary as they happened. When registering as Jewish, for example, Werth says he sang out the word “Jewish” as if he were singing the Marseillaise. He also uses his gifts as a novelist to give us portraits of the peasants,
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as well as the author of twelve volumes and many magazine pieces, he was Saint-Exupéry's very opposite. But the younger author admired Werth's writing for having "never deceived", and wrote that Werth's essence was "his search for truth, his observation and the simple utility of his prose".
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published the diary Werth wrote when he reached Saint-Amour after his exodus on the roads, sub-titling it "A Secret Diary of Life in Vichy France." It is translated by David Ball. Had it not been “secret,” the authorities would have had two reasons for deporting its author to
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a pessimistic and virulently anti-war work that caused a scandal when it was released in 1919 but which was later cited as among the most faithful depictions of trench warfare in Jean Norton Cru's monumental 1929 survey of French World War I literature.
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and cold. He needs to be comforted. If all these excuses are not enough then I want to dedicate this book to the child whom this grown-up once was. All grown-ups were children first. (But few of them remember it.) So I correct my dedication:
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is an affecting meditation on home and exile set during the escape from France via Lisbon to the U.S. (he was on the same vessel as Jean Renoir) that enabled the pilot to continue his struggle against the Germans from abroad.
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includes a celebration of Werth's journalism, and in her note on the text, Françoise Gerbod, professor emeritus of French literature at the University of Paris, credits Werth with having been Saint-Exupéry's literary mentor.
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region. (His son Claude, then 15, and teenage friends covered the distance in less than a day by leaving several hours earlier, thus avoiding the detours mandated by the French army that are described in
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Saint-Exupéry's aircraft disappeared over the Mediterranean in July 1944. The following month, Werth learned of his friend's disappearance from a radio broadcast. Without having yet heard of
312:, a mountainous region near Switzerland where he "was alone, cold and hungry", and which had few nice words for French refugees. Saint-Exupéry returned to the conflict by joining the 379:
in November, Werth discovered that Saint-Exupéry had published a fable the previous year in the United States, which he had illustrated himself, and that it was dedicated to Werth.
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in early 1943, rationalizing, "I cannot bear to be far from those who are hungry... I am leaving in order to suffer and thereby be united with those who are dear to me".
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Trente tableaux de Vlaminck : [exposition] du 10 au 22 mai 1920, chez MM. Bernheim-jeune et Cie ..., 15, rue Richepance et 25, Bd de la Madeleine, Paris
1732: 1661: 324:, sent him a special edition. Werth died in Paris on 13 December 1955. His remains and those of his wife, Suzanne, are deposited in the columbarium at Paris's 405:. The title refers to the period of time he, his wife and their son's former nanny spent on the road during their flight from Paris to their summer home in 1570: 1938: 838:
Werth, Léon. Deposition 1940-1944: A Secret Diary of Life in Vichy France. United States: Oxford University Press, 2018.
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Trente tableaux de Vlaminck : du 10 au 22 mai 1920, chez MM. Bernheim-jeune et Cie ..., 15, rue Richepance et 25, Bd de la Madeleine, Paris
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became part of the syllabus in French secondary schools. Hamy led a rediscovery of Werth, republishing many of his works in the 1990s and 2000s.
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was not forthcoming, he extensively revised the preface (excising Werth's name to protect him) and published it as a stand-alone essay.
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Werth was an unclassifiable writer with an acid prose, who wrote of the inter-war period as well as advocating against colonialism (
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It was not until 1992 that Viviane Hamy found and published the missing manuscript. In 2002 a student edition was produced, and
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La vie de Saint-Exupéry: Témoignages recueillis et rapportés par René Delange; suivi de Tel que je l'ai connu, par Léon Werth
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Saint-Exupéry met Werth in 1931. Werth soon became Saint-Exupéry's closest friend outside of the flying group of his
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Voyages avec ma pipe; Bretagne et Campagne, Paris, banlieue, province, Belgique et Hollande, Europe et Amérique
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Voyages avec ma pipe: Bretagne et campagne, Paris, Banlieue, Province, Belgique et Hollande, Europe et Amérique
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apartment, thinking about his native France and his friends. Léon Werth spent the war unobtrusively in
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family. His father, Stefan, was a draper and his mother, Jovana, was the sister of the philosopher
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Various events were organized in 2005 to commemorate the fiftieth anniversary of Werth's death.
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Les oeuvres libres : recueil littéraire mensuel ne publiant que de l'inédit. Tome 62
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For reasons unclear it was never published, and the manuscript effectively disappeared.
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trans. by Stanley J. Pincetl, Jr., San Diego State University Press, 1988, p. 163.
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Les oeuvres libres : recueil littéraire mensuel ne publiant que de l'inédit
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Léon Werth wrote critically and with great precision on French society through
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associates. Werth did not have much in common with Saint-Exupéry; he was an
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which he denounced as a leftist deception. He also criticized the mounting
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Werth had regularly contributed to magazines, particularly 
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supporter. Being twenty-two years older than Saint-Exupéry, with a
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under the Nazi occupation and after the war contributed to the
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which Mirabeau prefaced, was a Prix Goncourt finalist in 1913.
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He was a brilliant student, a Grand Prize winner in France's
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Marthe, et Le perroquet. Bois gravés de Pierre de Vaucleroy
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When Saint-Exupéry realized that an English translation of
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and a literary and humanities CPGE philosophy student at
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La vie de Saint-Exupéry; suivi de Tel que je l'ai connu
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Oxford University Press produced an English edition of
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Quelques peintres. Avec 12 photographies. 5e édition
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Retrieved 7 February 2023. 1200:, worldcat.org. Retrieved 7 February 2023. 1188:, worldcat.org. Retrieved 7 February 2023. 1176:, worldcat.org. Retrieved 7 February 2023. 1164:, worldcat.org. Retrieved 7 February 2023. 1152:, worldcat.org. Retrieved 7 February 2023. 1112:, worldcat.org. Retrieved 7 February 2023. 1100:, worldcat.org. Retrieved 7 February 2023. 1088:, worldcat.org. Retrieved 7 February 2023. 1076:, worldcat.org. Retrieved 7 February 2023. 265:, and his father was a Jew and a leftist 128:life, he devoted himself to writing and 78:French collaboration during World War II 746: 1504:, Paris: éditions Viviane Hamy, 2006, 1045: 1043: 1041: 1039: 430:(an important book) in his 1942 novel 339:Werth is mentioned in the preamble to 300:, Saint-Exupéry lived in his downtown 220:region, alone, cold and often hungry. 1120: 1118: 1037: 1035: 1033: 1031: 1029: 1027: 1025: 1023: 1021: 1019: 950:. Paris: Editions Magnard. p. 8. 821:translated and edited by David Ball. 698:(Paris: Manuel Bruker, éditeur, 1948) 692:(Paris: Manuel Bruker, éditeur, 1946) 150:, completing Mirabeau's final novel, 36: 7: 1402:Déposition : journal, 1940-1944 963:, AntoineDeSaintExupery.com website. 684:Déposition : journal, 1940-1944 532:(Esbly: Les Ateliers Modernes, 1914) 61:and a close friend and confidant of 1733:The Adventures of the Little Prince 24:Werth in 1914 in a military uniform 140:Werth was a protégé and friend of 14: 1719:The Little Prince and the Aviator 1502:L'insoumis: Léon Werth, 1878-1955 1893: 1892: 1130:salon-litteraire.linternaute.com 704:(Paris: Editions du Seuil, 1948) 644:(Anvers: Éditions Lumière, 1926) 1939:French people of Jewish descent 1663:Adventures of the Little Prince 757:. Paris: Éditions Viviane Hamy. 638:, vol. 62 (Paris: Fayard, 1926) 209:) would be dedicated to Werth. 161:. His first significant novel, 1834:Lyon-Saint-Exupéry TGV station 936:Heuré, op. cit., pages=245 ff. 88:Werth was born in 1878 in the 1: 1929:20th-century French novelists 1854:Place Bellecour, Lyon, France 562:(Paris: Bernheim Jeune, 1920) 526:(Paris: Bernheim-Jeune, 1914) 236:intellectual magazine run by 1222:Les amants invisibles, roman 572:Les amants invisibles, roman 49:– 13 December 1955 in 16:French writer and art critic 1630:"The Aviator" (short story) 1186:Trente tableaux de Vlaminck 977:. Paris: Éditions Magnard. 851:Heuré, op. cit., pp. 266–69 808:Heuré, op. cit. pp. 251–258 732:(Paris: Viviane Hamy, 1995) 726:(Paris: Viviane Hamy, 1993) 610:(Paris: Albin Michel, 1924) 580:(Paris: Albin Michel, 1922) 574:(Paris: Albin Michel, 1921) 556:(Paris: Albin Michel, 1920) 544:(Paris: Albin Michel, 1919) 538:(Paris: Albin Michel, 1917) 1975: 1839:Lyon–Saint-Exupéry Airport 708:Unser Freund Saint-Exupéry 271:surrealistic writing style 147:The Diary of a Chambermaid 53:) was a French writer and 1888: 1770:Consuelo de Saint-Exupéry 1282:Danse, danseurs, dancings 1174:Yvonne et Pijallet, roman 1051:"Léon Werth - Wikisource" 620:Danse, danseurs, dancings 554:Yvonne et Pijallet, roman 1934:Antoine de Saint-Exupéry 1776:Patrick de Saint-Exupéry 1587:Antoine de Saint-Exupéry 904:Diamond, Hannah (2007). 880:Heuré, op. cit., p. 272. 861:Antoine de Saint-Exupéry 401:(the exodus) during the 370:When he was a little boy 253:Antoine de Saint-Exupéry 197:Antoine de Saint-Exupéry 63:Antoine de Saint-Exupéry 1765:Delamater-Bevin Mansion 1524:La Quinzaine littéraire 1426:Eloge de Albert Marquet 1414:Eloge de Pierre Bonnard 1132:(in French). 2012-08-06 829:(Pub. date April 2018.) 777:Heuré, op. cit., p. 145 696:Eloge de Albert Marquet 690:Eloge de Pierre Bonnard 478:Oxford University Press 397:) is Werth's memoir of 168:At the outbreak of the 1959:People from Remiremont 1342:Une soirée à L'Olympia 1246:Bonnard par Léon Werth 869:Reynal & Hitchcock 786:Heuré, op. cit., p. 82 753:Heuré, Gilles (2006). 686:(Paris: Grasset, 1946) 680:(Paris: Grasset, 1945) 648:Une soirée à L'Olympia 642:Marthe et Le perroquet 542:Clavel chez les majors 424:Clavel chez les majors 386:posthumous publication 326:Père Lachaise cemetery 41:; 17 February 1878 in 26: 1944:French male novelists 1547:Bonnard by Léon Werth 628:(Paris: Rieder, 1926) 614:Dialogue sur la danse 476:appeared in English, 314:Free French Air Force 308:, his village in the 34:French pronunciation: 22: 1643:Wind, Sand and Stars 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He became a 214:Fall of France 156:anti-bourgeois 142:Octave Mirbeau 137: 134: 122:Lycée Henri-IV 85: 82: 59:Octave Mirbeau 57:, a friend of 23: 15: 13: 10: 9: 6: 4: 3: 2: 1971: 1960: 1957: 1955: 1952: 1950: 1947: 1945: 1942: 1940: 1937: 1935: 1932: 1930: 1927: 1925: 1922: 1920: 1917: 1916: 1914: 1899: 1891: 1890: 1887: 1880: 1879: 1875: 1873: 1870: 1867: 1866: 1862: 1860: 1857: 1855: 1852: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1801: 1799: 1795: 1789: 1786: 1783: 1780: 1777: 1774: 1771: 1768: 1766: 1763: 1762: 1760: 1756: 1750: 1749: 1748:Volo di notte 1745: 1743: 1741: 1737: 1735: 1734: 1730: 1728: 1727: 1723: 1721: 1720: 1716: 1714: 1712: 1708: 1706: 1704: 1700: 1698: 1696: 1692: 1690: 1688: 1684: 1682: 1680: 1676: 1674: 1672: 1668: 1666: 1664: 1660: 1659: 1657: 1655: 1651: 1645: 1644: 1640: 1638: 1637: 1633: 1631: 1628: 1626: 1625: 1624:Southern Mail 1621: 1619: 1617: 1613: 1611: 1610: 1606: 1604: 1603: 1599: 1598: 1596: 1592: 1588: 1581: 1576: 1574: 1569: 1567: 1562: 1561: 1558: 1552: 1548: 1545: 1542: 1538: 1535: 1534: 1530: 1525: 1521: 1519: 1515: 1511: 1507: 1503: 1499: 1498: 1494: 1487: 1482: 1479: 1475: 1470: 1467: 1463: 1458: 1455: 1451: 1446: 1443: 1439: 1434: 1431: 1427: 1422: 1419: 1415: 1410: 1407: 1403: 1398: 1395: 1391: 1386: 1383: 1379: 1374: 1371: 1367: 1362: 1359: 1355: 1350: 1347: 1343: 1338: 1335: 1331: 1326: 1323: 1319: 1314: 1311: 1307: 1302: 1299: 1295: 1290: 1287: 1283: 1278: 1275: 1271: 1266: 1263: 1259: 1254: 1251: 1247: 1242: 1239: 1235: 1230: 1227: 1223: 1218: 1215: 1211: 1210:Henri-Matisse 1206: 1203: 1199: 1194: 1191: 1187: 1182: 1179: 1175: 1170: 1167: 1163: 1158: 1155: 1151: 1150:Clavel soldat 1146: 1143: 1131: 1127: 1121: 1119: 1115: 1111: 1106: 1103: 1099: 1094: 1091: 1087: 1082: 1079: 1075: 1070: 1067: 1056: 1052: 1046: 1044: 1042: 1040: 1038: 1036: 1034: 1032: 1030: 1028: 1026: 1024: 1022: 1020: 1016: 1011: 1009:9781612194257 1005: 1001: 994: 991: 986: 980: 976: 969: 966: 962: 957: 954: 949: 942: 939: 933: 930: 925: 919: 915: 910: 909: 900: 897: 892: 886: 883: 877: 874: 870: 866: 862: 857: 854: 848: 845: 841: 835: 832: 828: 827:9780190499549 824: 820: 814: 811: 805: 802: 798: 792: 789: 783: 780: 774: 771: 768: 763: 760: 756: 750: 747: 741: 736: 731: 728: 725: 722: 719: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 658: 655: 654:Chana Ourloff 652: 649: 646: 643: 640: 637: 633: 630: 627: 624: 621: 618: 615: 612: 609: 606: 603: 600: 597: 594: 591: 588: 585: 582: 579: 576: 573: 570: 567: 566:Henri Matisse 564: 561: 558: 555: 552: 549: 546: 543: 540: 537: 536:Clavel soldat 534: 531: 528: 525: 522: 519: 516: 513: 510: 509: 505: 503: 497: 495: 491: 488: 484: 479: 475: 467: 464: 462: 460: 456: 452: 447: 444: 440: 435: 433: 429: 425: 421: 420:Clavel soldat 417: 412: 408: 404: 400: 396: 392: 385: 382: 380: 378: 371: 368: 366: 363: 362: 359: 355: 354: 351: 350:To Leon Werth 348: 347: 346: 344: 343: 334: 331: 329: 327: 323: 317: 315: 311: 307: 303: 302:New York City 299: 295: 291: 290: 285: 280: 277: 272: 268: 264: 260: 252: 250: 248: 247: 241: 239: 235: 231: 227: 223: 219: 218:Jura Mountain 215: 210: 208: 207: 202: 198: 193: 191: 187: 183: 178: 175: 171: 166: 164: 160: 157: 153: 149: 148: 143: 135: 133: 131: 130:art criticism 127: 123: 119: 118: 112: 108: 103: 102:Frédéric Rauh 99: 95: 91: 83: 81: 79: 75: 71: 66: 64: 60: 56: 52: 48: 44: 39: 31: 21: 1876: 1863: 1787: 1746: 1739: 1731: 1724: 1717: 1710: 1702: 1694: 1686: 1679:Courrier sud 1678: 1671:Night Flight 1670: 1662: 1641: 1634: 1623: 1616:Night Flight 1615: 1607: 1600: 1523: 1501: 1481: 1474:Caserne 1900 1469: 1457: 1445: 1433: 1421: 1409: 1397: 1385: 1373: 1366:K.X. Roussel 1361: 1354:Claude Monet 1349: 1337: 1325: 1313: 1301: 1289: 1277: 1265: 1253: 1241: 1229: 1217: 1205: 1193: 1181: 1169: 1157: 1145: 1134:. Retrieved 1129: 1105: 1093: 1081: 1069: 1058:. Retrieved 1054: 999: 993: 974: 968: 956: 947: 941: 932: 907: 899: 890: 885: 876: 864: 856: 847: 834: 818: 813: 804: 796: 791: 782: 773: 766: 762: 754: 749: 729: 724:Caserne 1900 723: 717: 713: 707: 701: 695: 689: 683: 677: 671: 666:K.X. Roussel 665: 660:Claude Monet 659: 653: 647: 641: 635: 631: 625: 619: 613: 607: 601: 595: 589: 583: 577: 571: 565: 559: 553: 547: 541: 535: 529: 523: 517: 511: 501: 492: 486: 473: 471: 465: 458: 454: 450: 448: 442: 438: 436: 431: 427: 423: 419: 415: 398: 394: 390: 389: 383: 376: 374: 369: 364: 356: 349: 340: 338: 332: 318: 297: 287: 283: 281: 275: 256: 244: 242: 233: 226:Vichy France 221: 211: 204: 200: 194: 181: 179: 173: 167: 162: 151: 145: 139: 115: 113: 87: 74:colonization 67: 29: 28: 1924:1955 deaths 1919:1878 births 1697:(2015 film) 1689:(1974 film) 1681:(1937 film) 1673:(1933 film) 1665:(TV series) 1654:Adaptations 1294:Cochinchine 819:Déposition, 626:Cochinchine 616:(1924-1925) 407:Saint-Amour 306:Saint-Amour 259:Aeropostale 182:Cochinchine 105: [ 70:World War I 1913:Categories 1814:45 Eugenia 1788:Léon Werth 1784:(mistress) 1726:R.U.R.U.R. 1541:Faded Page 1510:2878582195 1136:2019-05-09 1060:2019-05-09 797:War Books, 755:L'Insoumis 737:References 487:Deposition 466:Deposition 335:dedication 222:Déposition 212:After the 192:movement. 90:Remiremont 84:Early life 55:art critic 43:Remiremont 30:Léon Werth 1306:Ghislaine 742:Citations 714:33 jours 483:Auschwitz 468:1940-1944 322:Gallimard 267:Bolshevik 263:anarchist 186:Stalinism 159:anarchist 76:, and on 1898:Category 1881:(biopic) 1868:(biopic) 1865:Saint-Ex 1844:Panthéon 1797:Tributes 1778:(cousin) 1543:(Canada) 975:33 jours 948:33 jours 891:33 jours 455:33 jours 451:33 jours 439:33 jours 416:33 jours 391:33 jours 384:33 jours 246:Marianne 230:Gaullist 126:bohemian 96:, in an 1758:Related 1705:(opera) 1618:(novel) 1551:Gallica 1098:Cézanne 1000:33 Days 871:, 1943. 596:Bonnard 524:Cézanne 474:33 Days 459:33 Days 409:in the 399:l'exode 395:33 Days 1772:(wife) 1713:(play) 1516:  1508:  1006:  981:  920:  825:  656:(1927) 592:(1922) 136:Career 94:Vosges 47:Vosges 1594:Works 767:Ibid. 506:Books 152:Dingo 109:] 51:Paris 1514:ISBN 1506:ISBN 1004:ISBN 979:ISBN 918:ISBN 823:ISBN 422:and 411:Jura 310:Jura 286:and 190:Nazi 1539:at 914:150 1915:: 1512:, 1128:. 1117:^ 1053:. 1018:^ 916:. 863:. 840:20 328:. 249:. 240:. 132:. 111:. 107:fr 92:, 80:. 72:, 65:. 45:, 1579:e 1572:t 1565:v 1139:. 1063:. 1012:. 987:. 926:. 893:. 842:. 393:( 203:( 32:(

Index


[leɔ̃vɛʁt]
Remiremont
Vosges
Paris
art critic
Octave Mirbeau
Antoine de Saint-Exupéry
World War I
colonization
French collaboration during World War II
Remiremont
Vosges
assimilated Jewish
Frédéric Rauh
fr
Concours général
Lycée Henri-IV
bohemian
art criticism
Octave Mirbeau
The Diary of a Chambermaid
anti-bourgeois
anarchist
First World War
Stalinism
Nazi
Antoine de Saint-Exupéry
The Little Prince
Fall of France

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