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Due to his ties to the firm, Falize was unable to travel to Japan, but his passion for the East began to manifest through his designs. Pendants, bracelets, necklaces, and brooches with a distinct
Oriental effect began to emerge. These were enamelled and filled with bold, opaque colours with delicate
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The same year he was made a partner, Lucien married Louise Clémentine
Poulard (1850–1914), with whom he had three sons: AndrĂ© Alexis EugĂšne (1872–1936), Jean Henri Lucien (1874–1948), and Pierre Isidore (1875–1953). Although there is little evidence of tenderness and passion
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before his father, Alexis, announced he was to become a future partner in his relatively young firm, Falize. In 1856, Lucien began an apprenticeship with his father, where he quickly learnt enough to supervise the design and manufacture of the pieces created in the workshop. His studies continued
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Lucien Falize was also deeply involved in the Union
Centrale throughout his career. He firmly believed in the importance of providing proper training to future designers, and he submitted plans for technical exhibitions and donated working prototypes of chatelaines and electrotypes of bracelets.
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quickly, as Lucien found his passion, and in 1869 at the exhibition held by the Union
Centrale des Beaux Arts appliquĂ©s Ă lâIndustrie, he was awarded a First class medal as a coopĂ©rateur. Two years later, at the age of 32, he was made a full partner and took over the firm in 1876.
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Until his death by a stroke in 1897, Lucien continued to create breathtaking designs for public sale and private commissions. He was determined to make the jewelry house Falize a commercial success, collaborating with other established designers like
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between Lucien and ClĂ©mentine â it is thought his parents instigated the match â he was a devoted father, designing and making individual silver watches for each of his children's first communion.
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Often frustrated by the need to be a commercial success as well as a critical one, Lucien said in a letter to his son AndrĂ© in April 1896 âa big firm cannot survive on works of art alone.â
216:, with whom he was partnered from 1880 to 1892. He was a prolific writer and reviewer and often published under his pseudonym, âMonsieur Josseâ in the decorative arts journals of the day.
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Lucien also entered his firm into a number of competitions and
Expositions Universelles and was awarded countless honours and honorary positions throughout his career.
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Several sporting clubs in France enlisted Falize in creating sculptures, barometers, and clocks: The Jockey Club, the Société du Yacht-Club, Société des
Steeple-Chases
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How he would have loved to have livedâŠat the time of the Medici, freed from heavy commercial burdens and only preoccupied by the creation of beautiful works.
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346:(1821 â 1897): second son of James Morrison (founder of firm Morrison, Dillon & Co which was to become the Fore Street Limited Liability Company)
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4 August 1839 – Paris 4 September 1897) was a French jeweller and writer in France who was responsible for pioneering and driving the
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Catalogue officiel. Tome 1 / Exposition universelle internationale de 1878 à Paris ; publié par le commissariat général...
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movement with his firm, Falize. He is known for his breathtaking and innovative designs for both public and private sales.
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he was impressed by the
Oriental lacquers, enamels, bronzes, prints, and earthenware taken from the collection of
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Official reporter on the goldsmithâs section, and was therefore unable to be awarded any prizes.
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Gaston de Galard de BĂ©arn, Prince de Viana (1840 â 1893): one of Lucien's most eminent patrons
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Gothic revival table clock with calendar, 1881, displayed at the 1889 Exposition
Universelle
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Katherine
Purcell. 'Falize: A Dynasty of Jewellers.' London: Thames & Hudson, 1999
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As he was a jury member and official reporter, Lucien was excluded from the awards
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Lucienâs gold enamelled âhanapâ (lidded goblet) hailed as a technical masterpiece
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400:(1844 â 1900), Duke of Edinburgh and Saxe-Coburg-Gotha: son of Queen Victoria
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Received public recognition by being decorated
Officer de la LĂ©gion dâHonneur
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La Marquise Arconati-Visconti (1840 â 1923): daughter of Alphonse Peyrat
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brothers: Emile and Isaac, prominent property developers and financiers
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Lucien was a serious and diligent child who planned to attend the
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Exposition universelle de 1889 (Paris, France) (1889-01-01).
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1876: Union Centrale des Beaux arts appliquĂ©s Ă lâIndustrie
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1869: Union Centrale des Beaux arts appliquĂ©s Ă lâIndustrie
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Eduord Corroyer (1837 â 1904): architect and pupil of
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scenes of nature and animals. Lucien also visited the
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Lucien Falize was heavily influenced by his visits to
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539:La Bijouterie Francaise au XIX siĂšcle 1870 â 1900
295:1880: âLes Arts du MĂ©talâ at the Union Centrale
289:Awarded a Grand Prix; granted a Legion dâHonneur
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368:Princess Loetitia Bonaparte: great-niece of
249:Awarded a First class medal as a coopérateur
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557:Paris: Imprimerie nationale. 1878-01-01.
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157:in 1861 and 1862, where he went to the
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90:Louise Clémentine Poulard (1850 - 1914)
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273:Represented France with Alfred Darcel
149:Falize's makers mark, circa 1878-1880
141:Gothic Revival Angelus Carriage Clock
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378:(1868 â 1918) and his wife, Empress
226:His friend, jeweller and collector
74:Jewellery, decorative art, writing
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489:Art Nouveau: The French Aesthetic
541:. Paris: H. Floury. p. 516.
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325:1896: Salon des Champs-Elysées
574:. Lille : Impr. L. Danel.
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267:1877: Amsterdam Exhibition
39:Joseph Lucien Mignon-Falize
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611:19th-century French people
571:Catalogue général officiel
204:, Assyrian, Egyptian, and
516:. New York: E.P. Dutton.
512:Becker, Vivienne (1985).
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393:(1865 â 1927) of Romania
183:International Exhibition
82:precursor to Art Nouveau
491:. Papadakis Publisher.
389:(1875 â 1938) and King
487:Arwas, Victor (2002).
308:Exposition Universelle
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281:Exposition Universelle
239:Exhibitions and awards
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187:Sir Rutherford Alcock.
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537:Vever, Henri (1908).
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181:exhibits, and at the
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380:Alexandra Feodorovna
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621:1897 deaths
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391:Ferdinand I
376:Nicholas II
338:Commissions
228:Henri Vever
202:Renaissance
111:Early years
105:Art Nouveau
63:Nationality
600:Categories
523:0500280789
460:References
370:Napoleon I
580:cite book
208:objects.
206:Byzantine
310:, Paris
283:, Paris
179:Egyptian
175:Assyrian
408:Gallery
396:Prince
354:Pereire
194:Campana
167:Chinese
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398:Alfred
385:Queen
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198:Louvre
177:, and
171:Indian
155:London
87:Spouse
66:French
57:France
387:Marie
374:Tsar
101:Paris
79:Style
586:link
518:ISBN
493:ISBN
352:The
51:Died
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