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advice in mind, is arguably the most impressive aspect of the building complex. He was a highly recognized consultor by many
Mexican and International architects on landscape design, as he had a particular ability to envision the outdoor spaces and their relation to their interior paradigms and the natural context characteristics.
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movement. Nonetheless, according to Andrés
Casillas (who worked with Barragán), he eventually became entirely convinced that the house should not be "a machine for living." Opposed to functionalism, Barragán strove for an "emotional architecture" claiming that "any work of architecture which does not
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His
Guadalajara work includes over a dozen private homes in the Colonia Americana area of what is today near downtown Guadalajara. These homes, within walking distance of each other, include Barragán's earliest residential projects. One of his first buildings, Casa Cristo, was restored and houses the
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and engineer. His work has influenced contemporary architects visually and conceptually. Barragán's buildings are frequently visited by international students and professors of architecture. He studied as an engineer in his home town, while undertaking the entirety of additional coursework to obtain
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documenting Barragán's work. The
Foundation's mission is to spread the knowledge on Luis Barragán's cultural legacy by means of preserving and studying his archives and related historical sources, producing publications and exhibitions, providing expertise and assistance to further institutions and
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in La Jolla, California. According to the documents, Kahn's original idea was to place a garden between the buildings; however, Barragán suggested that an open plaza, with only a water feature in between, would better reflect the spirit of the location. This area, possibly designed with Barragán's
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Following Raúl
Ferrera's passing away in 1993, the archives and related copyright became the property of Mr. Ferrera's widow who, after having unsuccessfully tried to find a collector or institution willing to keep these in Mexico, decided to sell them to the Max Protetch Gallery in New York. The
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express serenity is a mistake." Barragán used raw materials such as stone or wood. He combined them with an original and dramatic use of light, both natural and artificial; his preference for hidden light sources gives his interiors a particularly subtle and lyrical atmosphere.
474:, includes images from some of Barragán's projects. Most architects who do minimalistic architecture do not use color, but the ideas of forms and spaces which Barragán pioneered are still there. There have been several essays written by the Pritzker Prize recipient
496:'s projects. One of the projects, where Barragán's concepts and colors inspired Legorreta, is the Hotel Camino Real in Polanco, Mexico City. This project reflects the importance of the native culture and its intersection with an elegant modern design.
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Luis Barragán set up his studio in Mexico City, the building is currently a museum, but with tours available only by appointment. The building is from 1948 reflecting Barragán's preferred style, where he lived his whole life. Today is owned by
520:, a friend and fellow architect, was bequeathed Barragán's library. He was tasked with choosing an institution suitable for receiving the book collection. Óscar Ignacio González, a childhood friend, received Barragán's personal objects.
221:, a German-French writer, designer and artist whom Barragán cited throughout his life. In 1931, he again traveled to France with a long stop-over in New York. In this trip he met Mexican mural painter
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229:. In France he briefly met Le Corbusier and finally visited the gardens realized by Ferdinand Bac. He practiced architecture in Guadalajara from 1927–1936, and in Mexico City thereafter.
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company's policy of collecting objects and archives of design and architecture, the archives were finally acquired in their entirety and transferred to the Barragán
Foundation in
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scholarly researches. The Barragán
Foundation owns complete rights to the work of Luis Barragán and to the related photos by Armando Salas Portugal.
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and became influenced by
European modernism. The buildings he produced in the years after his return to Mexico show the typical clean lines of the
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Peñaflor, Osvaldo "Fundación Barragán lanza sitio web que recopila 5 décadas de la obra del arquitecto mexicano"
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571:. Since 1996, it manages the archives of Luis Barragán, and in 1997 acquired the negatives of the photographer
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Barragán's influence can be seen in the work of many of Mexico's contemporary architects, especially in
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Barragán worked for years with little acknowledgement or praise until 1975 when he was honored with a
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Garbutt, Lindsay. September 19, 2018. Casa Luis Barragán, Sacred Space of
Mexican Modernism.
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Underwood, Max. "Architect of the
Intangible," in Americas 43, no. 4 (1991): 6-15.
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https://www.pressreader.com/mexico/caras-m%C3%A9xico/20170601/281797103941533
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The work of Luis Barragán is often (and misleadingly) quoted in reference to
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documents were offered to a number of prospective clients, among them the
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informally consulted Barragán on the space between the buildings of the
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and the Arquitectura Tapatía Luis Barragán Foundation. The site became
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residential area, also near the Satélite area, in the municipality of
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in prefaces to books that make reference to the ideas of Barragán.
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Artists Rights Society, Barragán's U.S. Copyright Representatives
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The Barragan Foundation is a not-for-profit institution based in
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Torres de Satélite, Mexico City (1957–58), in collaboration with
508:. In his will, he designated three people to manage his legacy:
152:, Casa Gilardi, Barragán House, Jardines de Pedregal Subdivision
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823:, vol. 2, pp. 293-94. New York: Charles Scribner's Sons 1996.
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In 1945 he started planning the residential development of
880:"Así fueron las 4 primeras casas que diseñó Luis Barragán"
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Luis Barragán: The Architecture of Light, Color, and Form
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All finished projects by Barragán are located in Mexico.
201:, Mexico. Educated as an engineer, he graduated from the
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that Barragan were already contemporary architecture.
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List of Mexican Properties on the World Heritage List
217:. While in France he became aware of the writings of
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https://www.archdaily.mx/mx/tag/barragan-foundation
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820:Encyclopedia of Latin American History and Culture
165:(March 9, 1902 – November 22, 1988) was a Mexican
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924:: CS1 maint: bot: original URL status unknown (
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209:in 1923. After graduation, he traveled through
53: and the second or maternal family name is
428:. In 1980, he became the second winner of the
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817:Estelle Jackson, "Luis Barragán Morfin," in
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1046:. www.casaluisbarragan.org. Archived from
504:Barragán died at the age of eighty-six in
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271:Convento de las Capuchinas Sacramentarias
939:Morales-Casas, Gabriella (2017-06-01).
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588:House for the architect / Barragán House
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317:equestrian development in Mexico City.
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837:. MADRID: El Croquis. pp. 72–89.
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249:state's Architects' Guild. The first
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540:added the Casa Luis Barragán to its
34:. For the American businessman, see
1596:Pritzker Architecture Prize winners
1096:about Barragan Foundation new site
861:Stewart, Tabori & Chang (1989)
648:, Los Clubes, Mexico City (1966–68)
387:Barragán and the Modernist movement
285:in Guadalajara. In 1957 he planned
1101:Barragán's Pritzker Prize citation
1081:Website of the Barragan Foundation
633:Subdivision, Guadalajara (1955–58)
611:Subdivision, Mexico City (1945–53)
599:/ North of Mexico City (1955–1961)
534:Government of the State of Jalisco
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905:"Salk Institute by Louis I. Kahn"
768:The Architecture of Luis Barragán
526:Fundación de Arquitectura Tapatía
1626:People from Guadalajara, Jalisco
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179:Luis Barragán House and Studio
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878:Design, Mexico (2022-08-24).
297:, a few kilometers away from
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45:, the first or paternal
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1164:Pritzker Architecture Prize
786:. Exhibition catalogue for
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430:Pritzker Architecture Prize
311:Naucalpan, Estado de México
269:and in 1955 he rebuilt the
243:José Luis Hernández Mendoza
203:Escuela Libre de Ingenieros
163:Luis Ramiro Barragán Morfín
114:November 22, 1988 (aged 86)
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949:– via PressReader.
181:, was declared a UNESCO
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833:Barragán, Luis (2000).
797:70 (March 1989), 51-85.
658:Cuernavaca Racquet Club
654:, Mexico City (1975–77)
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605:, Mexico City (1947–48)
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646:Cuadra San Cristóbal
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510:Ignacio Díaz Morales
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303:Juan Sordo Madaleno
283:Jardines del Bosque
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183:World Heritage Site
1555:David Chipperfield
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1535:Anne Lacaton
1351:Rem Koolhaas
1319:Rafael Moneo
1227:Hans Hollein
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1606:1988 deaths
1601:1902 births
1507:B. V. Doshi
1495:Carme Pigem
1467:Shigeru Ban
1415:Jean Nouvel
1335:Renzo Piano
1327:Sverre Fehn
1263:Frank Gehry
1243:Kenzo Tange
1203:Kevin Roche
775:JSTOR Daily
744:Tite Kubo's
569:Switzerland
558:Switzerland
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476:Alvaro Siza
468:John Pawson
279:Mexico City
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1580:Categories
1391:Thom Mayne
1383:Zaha Hadid
1375:Jørn Utzon
1311:Tadao Ando
1271:Aldo Rossi
1054:2015-08-17
946:2018-10-09
911:2013-08-17
890:2023-01-10
805:References
778:Web access
662:Cuernavaca
565:Birsfelden
482:Louis Kahn
464:minimalist
189:Early life
126:Occupation
88:1902-03-09
1475:Frei Otto
1211:I. M. Pei
1167:laureates
696:in 2004.
544:in 2004.
447:Influence
443:in 2004.
405:Modernist
185:in 2004.
167:architect
146:Buildings
129:Architect
1459:Toyo Ito
1451:Wang Shu
1124:Archived
984:Archived
955:cite web
920:cite web
267:Tacubaya
120:, Mexico
51:Barragán
41:In this
1103:at the
770:. 1976.
749:series
686:Jalisco
666:Morelos
619:Tlalpan
472:Minimum
420:at the
275:Tlalpan
199:Jalisco
100:Jalisco
47:surname
1565:(2024)
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865:
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694:UNESCO
538:UNESCO
500:Legacy
438:UNESCO
432:. His
412:Honors
305:, the
233:Career
215:France
134:Awards
104:Mexico
55:Morfín
1021:Vitra
747:manga
554:Vitra
211:Spain
1537:and
1525:and
1433:and
1253:and
968:help
926:link
863:ISBN
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111:Died
82:Born
742:In
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