488:
474:
502:
249:
of Puerto Rico is explored in this work, as well as the topic of Puerto Rican politics and the political situation of the island as a colony. One aspect of this examination can be seen as a critique of Puerto Ricans who give up their culture to assimilate into the
American culture as compared to
226:
as Pilar Vargas, Noelia Crespo as Aurora, and Julia
Thompson as Irene. The production, which integrated video and broadcast technology, was directed by Idalia Perez Garay for Teatro del Sesenta Theater Company. It featured original music by Pedro Rivera Toledo, sets by Checo Cuevas, and film
394:
Dalleo, Raphael. "Cultural
Studies and the Commodified Public: Luis Rafael Sanchez's La guaracha del Macho Camacho and Earl Lovelace's The Dragon Can't Dance." Caribbean Literature and the Public Sphere: From the Plantation to the Postcolonial. Charlottesville: University of Virginia Press,
202:
and an accomplished speaker who spent time in jail for her political beliefs yet, she saw herself as a simple woman with simple needs. But, in fact, she was a very complex woman with many facets of her personality. The world premiere production took place in 1968 at Old San Juan's
227:
sequences supervised by Puerto Rican filmmaker Luis Molina
Casanova. A new production opened at San Juan's Performing Arts Center on April 8, 2011, featuring Yamaris Latorre as Antigona, directed by Gilberto Valenzuela for Tablado Puertorriqueño Theater Company.
165:
640:
453:
Vázquez Arce, Carmen. Por la vereda tropical: notas sobre la cuentística de Luis Rafael Sánchez. Buenos Aires: Ediciones de la Flor, 1994. (On the tropical lane : notes on Luis Rafael Sánchez's short story
388:
Birmingham-Pokorny, Elba D. Ed. The
Demythologization of Language, Gender, and Culture and the Re-Mapping of Latin American Identity in Luis Rafael Sanchez's Works. Miami: Ediciones Universal, 1999.
700:"Spanglish is everywhere now, which is no problema for some, but a pain in the cuello for purists: on Luis Rafael Sánchez, Giannina Braschi, Ana Lydia Vega," by Ilan Stavans, Boston Globe, 2003.
418:
Mercado Rodríguez, Salvador. Novelas bolero: ficciones musicalizadas posnacionales. San Juan: Isla Negra, 2012. (Bolero Novels: postnational musicalized fictions; has a chapter on Sánchez.)
415:
Mejías López, William. A lomo de tigre: Homenaje a Luis Rafael Sánchez. Ed. Introduction by Ramón Luis
Acevedo. San Juan: Editorial de la Universidad de Puerto Rico, 2015.
245:, a Latin rhythm, inviting readers to imagine (or learn) what this beat sounds like. It has been suggested that the song itself is the real protagonist of the tale. The
135:
in 1955 after graduating from high school, earning a
Bachelor of Arts degree. It was during his days as a student at the university that he became interested in acting.
757:
747:
401:
Gonzalez, Christopher Thomas. Hospitable
Imaginations: Contemporary Latino/a Literature and the Pursuit of a Readership (The narrative works of Luis Rafael Sánchez,
412:
Maeseneer, Rita De and
Salvador Mercado Rodríguez. Ocho veces Luis Rafael Sánchez. Madrid: Editorial Verbum, 2008. (Eight essays about Sánchez's narrative.)
424:
Perivolaris, John
Dimitri. Puerto Rican Cultural Identity and the Work of Luis Rafael Sánchez. Chapel Hill: U.N.C. Department of Romance Languages, 2000.
767:
742:
698:
762:
398:
Figueroa, Alvin Joaquín. La prosa de Luis Rafael Sánchez: texto y contexto. New York: Peter Lang, 1989. (The Narrative Work of Luis Rafael Sánchez).
391:
Colón Zayas, Eliseo. El Teatro de Luis Rafael Sánchez: Códigos, ideología y lenguaje. Madrid: Playor, 1985. (The Theater of Luis Rafael Sánchez).
530:
752:
620:
458:
713:
151:
772:
641:""Luis Rafael Sánchez tiende un puente de comprensión amorosa a su país": nuevo libro recoge la obra del autor puertorriqueño"
273:
Anglo culture. He coined the term "La guagua aérea" which has since been used by other prominent Puerto Rican authors such as
607:"Either And", Yo-Yo Boing!, Alexandra Vega Merino and Doris Sommer, Harvard University, Latin American Literary Review, 1998.
558:
199:
385:
Barradas, Efraín. Para leer en puertorriqueño. Río Piedras: Editorial Cultural, 1981. (In Order to Read in Puerto Rican).
515:
143:
680:
717:
289:
186:
132:
421:
Nouhaud, Dorita. Luis Rafael Sánchez: dramaturge, romancier et essayiste porto-ricain. Paris: L'Harmattan, 2001.
553:
Chapel Hill: North Carolina Studies in the Romance and Literatures, U.N.C. Dept. of Romance Languages, 2000.
525:
443:
428:
219:
737:
353:
442:
Torres-Padilla, Jose L. and Carmen Haydes. Eds. Writing Off the Hyphen: New Critical Perspectives on the
520:
266:
128:
732:
120:
44:
95:, and short-story author who is widely considered one of the island's most outstanding contemporary
578:
432:
191:
108:
214:
A highly acclaimed all-star revival opened in 1991 at San Juan's Performing Arts Center featuring
479:
554:
493:
617:
507:
447:
436:
406:
274:
251:
250:
Puerto Ricans who refuse to let go of their cultural identity. The book was translated into
208:
131:, where Sánchez continued to receive his secondary and higher education. He enrolled in the
624:
255:
246:
215:
668:
265:("The Flying Bus"), Sánchez explores the concept of a bi-polar culture, the question of
168:
Olga Viscal Garriga on trial for refusing to recognize U.S. authority over Puerto Rico
726:
402:
297:
270:
147:
146:
where in 1959 he earned his master's degree in dramatic arts. He eventually went to
278:
223:
204:
164:
595:
124:
712:, a journal of literature, language, and culture, which is fully online in the
707:
469:
139:
96:
181:
450:). With essay by Maritza Stanchich. University of Washington Press, 2008.
242:
195:
92:
703:
177:
104:
293:
211:
as "Antigona", during the 11th Annual Puerto Rican Theater Festival.
300:, where he has been involved in the teachings and works of theater.
241:(Macho Camacho's Beat) was published in 1976. This novel moves to a
551:
Puerto Rican Cultural Identity and the Work of Luis Rafael Sánchez.
431:
Bilanguaging Toward a Greater Puerto Rico (on Luis Rafael Sánchez,
277:
who pays homage to Sánchez's classic essay in her Spanglish novel "
163:
457:
Waldman, Gloria. Luis Rafael Sánchez: pasión teatral. San Juan:
127:. There he received his primary education. His family moved to
285:("In Shirt Sleeves", 1966), a collection of short stories.
581:. Fundación Nacional para la Cultura. Accessed 2 May 2012.
119:
Sánchez was born and raised by his parents in the city of
150:
and earned his Doctorate in Literature in 1976 from the
288:
Luis Rafael Sánchez is now a professor emeritus at the
427:
Stanchich, Maritza. Insular interventions: Diasporic
190:. The character of Antigona was based on the life of
292:and the City University of New York. He travels to
74:
66:
58:
50:
28:
21:
461:, 1988. (Luis Rafael Sánchez: Theatrical Passion).
198:and her three children. She was a member of the
91:(November 17, 1936) is a Puerto Rican essayist,
16:Puerto Rican playwright and novelist (born 1936)
180:set in present-day Latin America, suggested by
439:), University of California, Santa Cruz, 2003.
103:(The Passion according to Antigona Perez), a
8:
18:
218:as Antigona, Walter Rodriguez as Creon,
758:Complutense University of Madrid alumni
748:Puerto Rican dramatists and playwrights
542:
574:
572:
570:
568:
566:
7:
704:"Interview with Luis Rafael Sánchez"
679:Hoffman, Roy B. (17 February 1981).
591:
589:
587:
194:(1926–1995). Her life was rooted in
531:Latino Theater in the United States
459:Instituto de Cultura Puertorriqueña
176:(The Passion of Antigona Perez), a
361:No llores por nosotros Puerto Rico
99:. Possibly his best known play is
14:
579:"Biografía: Luis Rafael Sánchez."
367:Indiscreciones de un perro gringo
768:University of Puerto Rico alumni
743:People from Humacao, Puerto Rico
714:Digital Library of the Caribbean
500:
486:
472:
152:Complutense University of Madrid
763:City College of New York alumni
409:), Ohio State University, 2012.
342:(short story collection, 1966)
200:Puerto Rican Nationalist Party
174:La Pasión según Antigona Pérez
159:La Pasión según Antigona Pérez
101:La Pasión según Antígona Pérez
1:
239:La Guaracha del Macho Camacho
232:La Guaracha del Macho Camacho
172:Sánchez's best known play is
598:ENotes. Accessed 2 May 2012.
516:List of Puerto Rican writers
549:Perivolaris, John Dimitri.
352:La importancia de llamarse
322:La hiel nuestra de cada día
310:Los ángeles se han fatigado
144:City University of New York
789:
373:Escribir en puertorriqueño
753:Puerto Rican male writers
718:University of Puerto Rico
316:Farsa del amor compradito
290:University of Puerto Rico
142:led him to enroll at the
133:University of Puerto Rico
123:, in the eastern part of
647:(in Spanish). 2024-06-02
363:(essay collection, 1998)
78:novel, short story, play
618:“Sánchez, Luis Rafael.”
526:Puerto Rican literature
429:Puerto Rican Literature
222:as Monsignor Escudero,
85:Dr. Luis Rafael Sánchez
773:Puerto Rican novelists
616:Grupo Editorial EPLR.
596:"Luis Rafael Sánchez."
446:(Luis Rafael Sánchez,
234:(Macho Camacho's Beat)
169:
138:Sánchez's interest in
521:List of Puerto Ricans
444:Puerto Rican Diaspora
230:
167:
107:based on the life of
675:Macho Camacho's Beat
630:Accessed 2 May 2012.
121:Humacao, Puerto Rico
62:Playwright, novelist
45:Humacao, Puerto Rico
628:EnciclopediaPR.org.
340:En cuerpo de camisa
283:En cuerpo de camisa
192:Olga Viscal Garriga
109:Olga Viscal Garriga
23:Luis Rafael Sánchez
685:The Boston Phoenix
623:2010-11-23 at the
480:Puerto Rico portal
281:". He also wrote
269:and opposition to
207:Theater, starring
170:
494:Literature portal
375:(anthology, 2024)
304:Other major works
263:"La guagua aérea"
82:
81:
39:November 17, 1936
780:
695:
693:
691:
656:
655:
653:
652:
637:
631:
614:
608:
605:
599:
593:
582:
576:
561:
547:
510:
508:Biography portal
505:
504:
503:
496:
491:
490:
489:
482:
477:
476:
475:
448:Giannina Braschi
437:Giannina Braschi
433:Luis Palés Matos
407:Giannina Braschi
328:Sol 13, interior
275:Giannina Braschi
42:
38:
36:
19:
788:
787:
783:
782:
781:
779:
778:
777:
723:
722:
689:
687:
678:
665:
660:
659:
650:
648:
639:
638:
634:
625:Wayback Machine
615:
611:
606:
602:
594:
585:
577:
564:
548:
544:
539:
506:
501:
499:
492:
487:
485:
478:
473:
471:
468:
382:
380:Further reading
306:
256:Gregory Rabassa
247:Americanization
236:
216:Alba Nydia Diaz
162:
117:
43:
40:
34:
32:
24:
17:
12:
11:
5:
786:
784:
776:
775:
770:
765:
760:
755:
750:
745:
740:
735:
725:
724:
721:
720:
701:
696:
671:
669:Literature Map
664:
663:External links
661:
658:
657:
632:
609:
600:
583:
562:
541:
540:
538:
535:
534:
533:
528:
523:
518:
512:
511:
497:
483:
467:
464:
463:
462:
455:
451:
440:
425:
422:
419:
416:
413:
410:
399:
396:
392:
389:
386:
381:
378:
377:
376:
370:
364:
358:
349:
343:
337:
334:O casi el alma
331:
325:
319:
313:
305:
302:
235:
229:
161:
156:
116:
113:
89:"Wico" Sánchez
80:
79:
76:
72:
71:
68:
64:
63:
60:
56:
55:
52:
48:
47:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
785:
774:
771:
769:
766:
764:
761:
759:
756:
754:
751:
749:
746:
744:
741:
739:
738:Living people
736:
734:
731:
730:
728:
719:
715:
711:
710:
705:
702:
699:
697:
686:
682:
681:"Mucho Macho"
676:
672:
670:
667:
666:
662:
646:
642:
636:
633:
629:
626:
622:
619:
613:
610:
604:
601:
597:
592:
590:
588:
584:
580:
575:
573:
571:
569:
567:
563:
560:
556:
552:
546:
543:
536:
532:
529:
527:
524:
522:
519:
517:
514:
513:
509:
498:
495:
484:
481:
470:
465:
460:
456:
452:
449:
445:
441:
438:
434:
430:
426:
423:
420:
417:
414:
411:
408:
404:
400:
397:
393:
390:
387:
384:
383:
379:
374:
371:
369:(novel, 2007)
368:
365:
362:
359:
357:(novel, 1988)
356:
355:
354:Daniel Santos
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
308:
307:
303:
301:
299:
298:Latin America
295:
291:
286:
284:
280:
276:
272:
268:
264:
261:In his essay
259:
257:
253:
248:
244:
240:
233:
228:
225:
221:
220:Samuel Molina
217:
212:
210:
209:Myrna Vázquez
206:
201:
197:
193:
189:
188:
183:
179:
175:
166:
160:
157:
155:
153:
149:
148:Madrid, Spain
145:
141:
136:
134:
130:
126:
122:
114:
112:
110:
106:
102:
98:
94:
90:
86:
77:
73:
69:
65:
61:
57:
53:
49:
46:
41:(age 87)
31:
27:
20:
708:
688:. Retrieved
684:
674:
649:. Retrieved
645:El Nuevo Día
644:
635:
627:
612:
603:
550:
545:
372:
366:
360:
351:
348:(play, 1985)
345:
339:
336:(play, 1965)
333:
330:(play, 1961)
327:
324:(play, 1960)
321:
318:(play, 1960)
315:
312:(play, 1960)
309:
287:
282:
279:Yo-Yo Boing!
267:assimilation
262:
260:
238:
237:
231:
224:Marian Pabon
213:
185:
173:
171:
158:
137:
118:
100:
88:
84:
83:
70:Puerto Rican
733:1936 births
125:Puerto Rico
115:Early years
97:playwrights
67:Nationality
727:Categories
690:29 January
673:Review of
651:2024-09-18
559:0807892726
537:References
403:Junot Diaz
346:Quíntuples
140:literature
59:Occupation
35:1936-11-17
716:from the
182:Sophocles
87:, a.k.a.
709:Sargasso
621:Archived
466:See also
243:guaracha
196:politics
187:Antigone
129:San Juan
93:novelist
51:Pen name
252:English
178:tragedy
105:tragedy
557:
294:Europe
454:art.)
395:2011.
205:Tapia
75:Genre
692:2024
555:ISBN
296:and
271:U.S.
54:Wico
29:Born
706:in
254:by
729::
683:.
677:,
643:.
586:^
565:^
435:,
405:,
258:.
184:'
154:.
111:.
37:)
694:.
654:.
33:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.