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69:
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505:, another movement of the Baroque period which is characterized by a witty style, wordplay, simple vocabulary, and conveying multiple meanings in as few words as possible. However, all elements of "conceptismo" were already present in Góngora's late style, which was passionately debated and misunderstood even by his defenders. The best-known representative of Spanish
488:, and of praying less than fervently when he did go. Góngora's passion for card-playing ultimately contributed to his ruin. Frequent allusions and metaphors associated with card-playing in Góngora's poetry reveal that cards formed part of his daily life. He was often reproached for activities beneath the dignity of a churchman.
823:
wrote that Góngora's complex language conveyed meaning in that it created a world of pure beauty. Alonso explored his work exhaustively and called Góngora a "mystic of words." Alonso dispelled the notion that Góngora had two separate styles – "simple" and "difficult" poems – that were also divided
815:
took its name from the year 1927 in which the tricentennial of Góngora's death, ignored by official academic circles, was celebrated with recitals, avant-garde happenings, and an ambitious plan to publish a new critical edition of his work, as well as books and articles on aspects of his work that
432:
This angry feud came to a nasty end for Góngora when
Quevedo bought the house Góngora lived in for the sole purpose of ejecting him from it. In 1626 a severe illness, which seriously impaired the poet's memory, forced him to return to Córdoba, where he died the following year. By then he was broke
594:
has pointed out, Góngora's contribution to the
Spanish language should not be underestimated, as he picked up what were in his time obscure or little-used words and used them in his poetry again and again, thereby reviving or popularizing them. Many of these words are quite common today, such as
893:
within the stories, illustrates Góngora's feuding with
Quevedo, both by quoting poetry from each as well as describing Quevedo's attitude toward Góngora through the course of the story. Excerpts of poetry from one against the other are included within the story itself and poetry from each is
436:
An edition of his poems was published almost immediately after his death by Juan López de Vicuña; the frequently reprinted edition by Hozes did not appear until 1633. The collection consists of numerous sonnets, odes, ballads, songs for guitar, and of some larger poems, such as the
874:(1677) that a man can die before his body stops moving. As an example he mentioned "a Spanish poet who suffered an illness; though he recovered, he was left so oblivious to his past life that he did not believe the tales and tragedies he had written were his own". The historian
824:
chronologically between his early and later years. He argued that Góngora's more complex poems built on stylistic devices that had been created in Góngora's early career as a poet. He also argued that the apparent simplicity of some of Góngora's early poems is often deceptive.
528:
of "true" poetry. The movement aimed to use as many words as possible to convey little meaning or to conceal meaning. "Góngora's poetry is inclusive rather than exclusive", one scholar has written, "willing to create and incorporate the new, literally in the form of
405:, who wanted to match his influence in talent and wit. Both poets composed many bitter, satirical pieces attacking one another, with Quevedo criticizing Góngora's penchant for flattery, his large nose, and his passion for gambling. Quevedo even accused his enemy of
763:) (1618) is a complex poem that mocks gossiping and avaricious women. Góngora also wrote sonnets concerning various subjects of an amatory, satirical, moral, philosophical, religious, controversial, laudatory, and funereal nature. As well as the usual topics (
68:
791:
Although Góngora did not publish his works (he had attempted to do so in 1623), manuscript copies were circulated and compiled in cancioneros (songbooks), and anthologies published with or without his permission. In 1627, Juan Lopez Vicuña published
548:" Quevedo actually mocked Góngora's style in several sonnets, including "Sulquivagante, pretensor de Estolo." This anti-Gongorist sonnet mocks the supposed unintelligibility of culteranismo and its widespread use of flowery neologisms, including
950:. This inclusion likely serves as a symbolic reference to the game's exploration of themes such as identity, the human condition, and the blurred lines between appearance and reality—concepts that Góngora's poetry often delved into.
433:
from trying to obtain positions and win lawsuits for all his relatives. He was buried in one of the side chapels in the
Mezquita section of the Córdoba cathedral where his funeral monument can be seen.
769:
etc.) the sonnets include autobiographical elements, describing, for example, the increasing decrepitude and advancing age of the author. In addition, Góngora composed one of his most ambitions works,
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He has been called a man of "unquestioned genius and almost limitless culture, an initiator who enriched his language with the vast power, beauty, and scope of a mighty pen." As far away as
1061:. Translation: "Once there was a man stuck to a nose, / it was a nose more marvellous than weird, / it was a nearly living web of tubes, / it was a swordfish with an awful beard."
1422:
429:(English: Once there was a man stuck to a nose, / it was a nose more marvellous than weird, / it was a nearly living web of tubes, / it was a swordfish with an awful beard).
933:(published posthumously in 2004), "The Part about Amalfitano", one of the characters (the poet, whose name is never explicitly stated) quotes a verse from Góngora:
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1427:
1355:
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painted his portrait. Numerous documents, lawsuits and satires by his rival
Quevedo paint a picture of a man jovial, sociable, and talkative, who loved
328:) was needed to gain access to education or official appointments, he adopted the surname of his mother, Leonor de Góngora. His uncle, Don Francisco, a
907:(1998) contemporary Latin American poets have a heated debate about Góngora's and Quevedo's role in defining the Spanish empire through their works.
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799:, which is also considered very trustworthy and important in establishing the Góngora's corpus of work. Vicuña's work was appropriated by the
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Apologético en favor de Don Luis de Góngora, Príncipe de los poetas lyricos de España: contra Manuel de Faria y Sousa, Cavallero portugués
237:
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Góngora had a penchant for highly
Latinate and Greek neologisms, which his opponents mocked. Quevedo lampooned his rival by writing a
427:Érase un hombre a una nariz pegado, / érase una nariz superlativa, / érase una alquitara medio viva, / érase un peje espada muy barbado
980:
773:(1617), a poem in 79 royal octaves. Cervantes, after reading "El Panegírico", said: "the I most esteem from those I've read of his."
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509:, Francisco de Quevedo, had an ongoing feud with Luis de Góngora in which each criticized the other's writing and personal life.
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While his circle of admirers grew, patrons were grudging in their admiration. Ultimately, in 1617 through the influence of the
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564:). He was also the first to write poems imitating the speech of blacks. Góngora also had a penchant for apparent breaks in
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Góngora's poems are usually grouped into two blocks, corresponding more or less to two successive poetic stages. His
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270:
190:, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called
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183:
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CVC. Las sátiras de
Quevedo. El soneto de Quevedo: «Sulquivagante, pretensor de Estolo»: ensayo de interpretación
943:'s novel "The Solitudes" (a.k.a."Aegypt", 1987) repeatedly refers to and quotes from Góngora's poem "Soledades."
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206:, though Quevedo was highly influenced by his older rival from whom he may have isolated "conceptismo" elements.
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417:(English: There's no altar, but there's a gambling den; not much of a Christian, / but he's very much a
383:. While in Madrid, he attended the Medrano Academy (Poetic Academy of Madrid) founded by its president
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460:) (1612), the two landmark works of the highly refined style called "culteranismo" or "Gongorismo".
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as the lyrics for the song "Fortune
Presents Gifts Not According to the Book" on their 1990 album
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lyric poet and a
Catholic prebendary for the Church of Córdoba. Góngora and his lifelong rival,
74:
1452:, volume 1. Edited and translated by Edwin Curley. Princeton, N.J.: Princeton University Press.
1008:"There's no altar, but there's a gambling den; not much of a Christian, / but he's very much a
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The
Generation of '27 was the first to attempt to self-consciously revive baroque literature.
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The Spanish Character: Attitudes and Mentalities from the Sixteenth to the Nineteenth Century
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544:: "He would like to be a culto poet in just one day, / must the following jargon learn: /
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Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature
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Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature
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Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature
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presented a lecture called "La imagen poética en don Luís de Góngora" at the Ateneo in
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the compliment of comparing the film director with Góngora as an authority on images.
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in 17th century Spain. In his "Contra el mismo (Góngora)", Quevedo writes of Góngora:
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583:(ca. 1629–1688), who wrote a piece defending Góngora's poetry from criticism called
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425:). Góngora's nose, the subject of Quevedo's "A una nariz", begins with the lines:
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associated with this cathedral, Luis de Góngora traveled on diverse commissions to
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El Panegírico al duque de Lerma. Trascendencia de un modelo gongorino (1617-1705)
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Der ruinierte Körper. Petrarkistische Sonette in transkultureller Perspektive.
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A portrait of Luis de Góngora appears as an Easter egg in the 2018 video game
838:). In 1961, Alberti declared, "I am a visual poet, like all of the poets from
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Fulgores, arrogar, joven, presiente / candor, construye, métrica, armonía...
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No altar, garito sí; poco cristiano, / mucho tahúr, no clérigo, sí arpía.
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244: in this section. Unsourced material may be challenged and removed.
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Enciclopedia universal ilustrada europeo-americana. J. Espasa. 1907.
21:"Góngora" redirects here. For other people bearing the surname, see
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and was later surpassed by an edition by Gonzalo de Hozes in 1633.
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is written in a variety of metres and strophes, but principally in
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This article incorporates text from a publication now in the
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Spinoza (1677/1985), p. 569 (scholium to proposition 39 of part 4)
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Asociación Cultural Nueva Acrópolis en Gandía. GÓNGORA Y GARIBALDI
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685:(1613) are his best-known compositions and the most studied. The
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Góngora website, Brown University Department of Hispanic Studies
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552:(he who plies the seas; to travel without a clear destination);
200:. This style apparently existed in stark contrast to Quevedo's
540:, "Aguja de navegar cultos," which listed words from Góngora's
375:. Around 1605, he was ordained priest, and afterwards lived at
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This Loving Darkness: The Cinema and Spanish Writers 1920–1936
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This Loving Darkness: The Cinema and Spanish Writers 1920–1936
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possessed, and who lost his memory a year before his death".
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flow, as he overturned the limitations of syntax, making the
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or judge. In a Spanish era when purity of Christian lineage (
1431:. Vol. 12 (11th ed.). Cambridge University Press.
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1067:
1080:(Los Angeles: University of California Press, 1979), 167.
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Garcia Lorca, Federico – CanalSocial – Enciclopedia GER
336:, renounced his post in favour of his nephew, who took
524:") and was coined by its opponents to present it as a
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720:(1612) narrates a mythological episode described in
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From Modernism to Neobaroque: Joyce and Lezama Lima
1191:(Madrid: Revista de Filología Española, 1950), 112.
1109:(Madrid: Revista de Filología Española, 1950), 114.
878:wrote that "this was probably Góngora, whose works
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1317:An Anthology of Spanish Poetry 1500–1700. Part II
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997:An Anthology of Spanish Poetry 1500–1700. Part II
1045:"Francisco de Quevedo, A un hombre de gran nariz"
749:, enamored with Galatea, is turned into a river.
1463:English translations of some of Góngora's poems
44: and the second or maternal family name is
484:. His bishop accused him of rarely attending
394:, he was appointed honorary chaplain to King
320:, where his father, Francisco de Argote, was
8:
1374:(Oxford: Oxford University Press, 1980), 47.
1343:(Oxford: Oxford University Press, 1980), 87.
1167:(University of California Press, 1992), 300.
852:in 1927. In this lecture, García Lorca paid
894:included at the back of some of the books.
572:the most prominent feature of his poetry.
499:apparently existed in stark contrast with
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50:
914:used an English translation of Góngora's
304:Learn how and when to remove this message
73:Luis de Góngora (1622), in a portrait by
1392:Spinoza (1677/1985), p. 569, footnote 22
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958:
745:, who rejects him. In the poem's end,
1288:(2001, Bucknell University Press), 37.
355:. The cities that he visited included
316:Góngora was born to a noble family in
16:Spanish Baroque lyric poet (1561-1627)
1439:Würzburg: Königshausen & Neumann.
1177:Biografia de Juan de Espinosa Medrano
398:, but did not enjoy the honour long.
182:; 11 July 1561 – 24 May 1627) was a
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7:
1493:Luis de Góngora y Argote (1561–1627)
1484:Luis de Góngora y Argote (1561–1627)
860:References in fiction and philosophy
665:Title page of the Chacon Manuscript.
242:adding citations to reliable sources
1329:Argos 16/ Ensayo/ Guadalupe Mercado
1136:(Duke University Press, 1993), 197.
925:In the second of the five parts of
776:He also wrote plays, which include
1154:(Duke University Press,1993), 197.
1096:(Duke University Press,1993), 197.
14:
1499:Works by or about Luis de Góngora
935:Ande yo caliente y ríase la gente
842:, from Góngora to García Lorca."
807:Góngora and the Generation of '27
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1495:(texts of his poems, in Spanish)
1486:(texts of his poems, in Spanish)
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816:had not been fully researched.
771:El Panegírico al Duque de Lerma
677:Fable of Polyphemus and Galatea
401:He maintained a long feud with
229:needs additional citations for
1558:University of Salamanca alumni
1450:The Collected Works of Spinoza
385:Sebastian Francisco de Medrano
1:
1442:Spinoza, Baruch (1677/1985).
1150:Roberto González Echevarría,
1132:Roberto González Echevarría,
1012:, not a cleric, definitely a
512:The word culteranismo blends
421:, not a cleric, definitely a
1298:Personas que escriben bonito
1267:Personas que escriben bonito
1237:Personas que escriben bonito
1219:Personas que escriben bonito
1201:Personas que escriben bonito
1189:La lengua poética de Góngora
1107:La lengua poética de Góngora
717:Fábula de Polifemo y Galatea
711:interspersed with choruses.
672:Fábula de Polifemo y Galatea
657:Fábula de Polifemo y Galatea
579:, he received the praise of
446:Fábula de Polifemo y Galatea
36:, the first or paternal
1543:Writers from Córdoba, Spain
1514:(public domain audiobooks)
1435:Hennigfeld, Ursula (2008).
1319:(Pergamon Press, 1968), 20.
1090:Roberto González Echevarría
999:(Pergamon Press, 1968), 19.
794:Verse Works of the Spanish
25:. For the plant genus, see
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1423:Góngora y Argote, Luis de
1165:The Epic of Latin America
1105:Quoted in Dámaso Alonso,
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1508:Works by Luis de Góngora
1303:2 September 2006 at the
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1242:2 September 2006 at the
1224:2 September 2006 at the
1206:2 September 2006 at the
983:28 December 2009 at the
754:Fábula de Píramo y Tisbe
581:Juan de Espinosa Medrano
179:[lwisðeˈɣoŋɡoɾa]
171:Luis de Argote y Góngora
167:Luis de Góngora y Argote
86:Luis de Argote y Góngora
1428:Encyclopædia Britannica
1339:Quoted in C.B. Morris,
1284:César Augusto Salgado,
782:Las firmezas de Isabela
778:La destrucción de Troya
1573:Spanish Baroque people
1254:Jesús Ponce Cárdenas:
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1163:John Armstrong Crow,
948:Detroit: Become Human
836:Paráfrasis incompleta
784:, and the unfinished
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1358:16 July 2011 at the
891:Francisco de Quevedo
889:series, a friend of
885:The narrator of the
403:Francisco de Quevedo
238:improve this article
188:Francisco de Quevedo
1553:Counter-Reformation
1074:Bartolomé Bennassar
1025:on 17 February 2008
901:'s bilingual novel
801:Spanish Inquisition
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462:Miguel de Cervantes
396:Philip III of Spain
387:between 1616-1626.
340:'s orders in 1586.
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144:Las Soledades
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139:Notable works
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1481:(in Spanish)
1473:(in Spanish)
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941:John Crowley
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904:Yo-Yo Boing!
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846:García Lorca
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236:Please help
231:verification
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193:culteranismo
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132:Culteranismo
130:
122:Poet, cleric
110:(1627-05-24)
95:11 July 1561
56:The Reverend
45:
41:
34:Spanish name
18:
1538:1627 deaths
1533:1561 births
597:adolescente
566:syntactical
556:("caves");
522:Lutheranism
518:luteranismo
507:conceptismo
502:conceptismo
322:corregidor,
203:conceptismo
108:24 May 1627
1527:Categories
954:References
766:carpe diem
752:Góngora's
738:, for the
732:Polyphemus
714:Góngora's
697:) and his
679:) and his
570:hyperbaton
560:(sprouts,
531:neologisms
482:bullfights
453:Polyphemus
377:Valladolid
330:prebendary
264:newspapers
198:Gongorismo
119:Occupation
91:1561-07-11
1055:7 January
1029:2 January
1019:"Quevedo"
1010:cardsharp
929:'s novel
840:Andalusia
758:Fable of
699:Soledades
682:Soledades
653:Soledades
625:fragmento
609:construir
605:brillante
554:speluncas
474:Velázquez
464:, in his
451:Fable of
440:Soledades
419:cardsharp
361:Salamanca
210:Biography
151:Signature
42:de Argote
1512:LibriVox
1356:Archived
1301:Archived
1270:Archived
1240:Archived
1222:Archived
1204:Archived
981:Archived
736:Cyclopes
629:frustrar
587:(1662).
558:surculos
443:and the
294:May 2017
175:Spanish:
32:In this
1501:at the
1416::
1399:Sources
880:Spinoza
850:Seville
743:Galatea
703:stanzas
641:porción
613:eclipse
542:lexicon
457:Galatea
365:Granada
353:Castile
349:Navarre
318:Córdoba
278:scholar
100:, Spain
98:Córdoba
46:Góngora
38:surname
27:Gongora
1445:Ethics
1410:
871:Ethics
708:silvas
687:Fábula
639:, and
621:erigir
617:emular
601:asunto
562:scions
538:sonnet
526:heresy
407:sodomy
381:Madrid
373:Toledo
371:, and
357:Madrid
338:deacon
280:
273:
266:
259:
251:
169:(born
1448:. In
1014:harpy
796:Homer
740:nymph
647:Works
633:joven
514:culto
492:Style
486:choir
423:harpy
345:canon
343:As a
285:JSTOR
271:books
1057:2008
1031:2008
931:2666
920:Aion
811:The
747:Acis
722:Ovid
705:and
655:and
637:meta
577:Peru
480:and
455:and
379:and
369:Jaén
257:news
105:Died
83:Born
1510:at
1425:".
897:In
724:'s
590:As
533:."
332:of
240:by
40:is
1529::
1141:^
1114:^
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1076:,
1066:^
1016:."
970:^
937:.
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520:("
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89:(
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