Lumiere Pictures and Television

1842:

Lumière de Jean Cazès, the second French catalogue of film and audiovisual rights, having itself acquired the British catalogue Weintraub (formerly Thorn EMI) in 1991, while Lumiere Pictures and Television formed earlier in 1992 as a merger between two French companies: Jean Cazes' Initial Groupe (est. 1984) and Investissements en Droits Audiovisuelles (est. 1987). Lumiere owned a substantial library of films from the Thorn EMI Screen Entertainment/Weintraub library, representing a third of all films made in the UK from the beginning of silent pictures. Cazes then spun-off Lumiere's Los Angeles branch into a new company, Lumiere International.

1834:

de Rouvre who had embarked in the cinema in the late 1920s, Cyril de Rouvre brings together his film assets within the Robur Financière: the Compagnie Française de cinématographie (CFC), the Consortium Financier pour la production de films (CFPF) and Coficiné, which specialises in the financing of production. Rouvre gradually separates from its industrial activities and then rachats multiple film catalogues (Les Films Gibé, Les Films Corona, Silver Films) created in August 1987 via a new subsidiary, Robur Droits Audiovisuels.

6038: 6050: 820:

and brought in, sometimes inexperienced technicians. And because he didn't interfere, a lot of those films under his reign were flops, also he was told to make so many films instead of being told you have got money to make a number of films when you get the right story. A lot of films, I think, were made for the sake of being made.

868:("MGM-British Studios") and move their equipment to EMI's Elstree studio. MGM and EMI would then distribute and produce films in co-operation through a joint venture to be called MGM-EMI. and MGM began to finance some of EMI's productions. EMI's studio complex was renamed EMI-MGM Elstree Studios while a 1837:

In 30 June 1992, the Financière Robur merges its catalogue of films with that of UGC by absorbing UGC Droits Audiovisuels, its subsidiary founded in 1985. The UGC group takes control of the new company, the first catalogue of films in France with nearly 1500 feature films and 500 hours of audiovisual

1833:

In July 1981, Cyril of Rouvre Do a OPA surprise on the Compagnie Fraissinet en difficulté. Having become specialised in the maintenance and resale of business aircraft, Fraissinet-Transair becomes the Financière Robur in tribute to the hero of Jules Verne, Robur-le-Conquérant. The grandson of Antoine

1565:

Lambert resigned in July 1985. After this TESE wound down its in-house production arm and relied on films from independent outfits. That month, TESE signed a deal with French distributor AAA for a 30-month output of the entire British film library, serving 20 films, and did not want to cover all home

1557:

In March 1985, Thorn-EMI announced they would set up a production fund worth $ 175 million to make around twenty films. Film Finance Director John Reiss said the fund would be used as loans for filmmakers or to invest in films budgeted around $ 13–14 million. Reiss said that the films would be made

962:

had by now greatly reduced its own investment in British film production to a token presence. Cohen was not unaware of the problems inherent in his dominant position. Meanwhile, dependent on support from the most profitable parts of EMI, the company's financial position meant that they had to avoid

819:

would allow Lew Thornburn to run the studio and would only go in on major matters. Also, because he, as a director... had been interfered with so much by front office he felt that, when he gave people the money to make a film, it shouldn't interfere and because of that he gave young people a chance

788:

Forbes resigned in March 1971, after committing himself to a no-redundancy policy. He had made eleven films in total for an estimated cost of £4 million. Although Forbes' regime was seen at the time to have been a commercial failure, he later claimed that by 1993 his £4 million program of films had

793:

Bryan Forbes was a fighter, and he did his best to discipline the oldfashioned, small-minded labour force. But the penny-pinching, unimaginative management was just as bad. The £4,000,000 ‘revolving production fund’ was never forthcoming. Worst of all was the ‘respectable’ taste which dictated the

1111:

Deeley and Spikings's method was to only make a film if at least half the budget was put up by an American studio, reducing their financial risk although making the studio's product less obviously British. They focused on movies with international appeal – i.e. action films – and major stars. The

1841:

In November 1993, UGC Droits Audiovisuels acquired United Communication, mainly holding the French-speaking rights of the catalogue of the MGM and United Artists nearly 800 American films and 2,000 hours of television. The continued consolidation in January 1996 with the acquisition of the group

879:

It was originally announced that MGM-EMI would make six to eight films a year, but they ended up producing far fewer. Forbes was given the title of managing director of MGM-EMI to add to his existing title of head of production. In July 1970 MGM-EMI announced they would make four co-productions:

1751:

was hired as chairman of the television unit, corporate vice president and a member of the executive committee. In July, the Bank of America terminated its credit line with Weintraub after difficulties in syndicating parts of the loan to other banks due to the Thorn-EMI loan. The Group's first

942:

Nat Cohen took over Forbes' responsibilities as head of production after his resignation in 1971. Cohen backed productions intended for international success, and EMI had a more obviously commercial outlook. In October 1971, EMI's chairman John Read admitted the film division had performed

1363:

In March 1981, Spikings admitted AFD has not "gotten off to a flying start" and would be wound up, with Universal taking over distribution of EMI Films. He argued that "production and distribution are not linked" and pointed to the five Oscars that EMI films had earned. In particular,

1333:. He admitted that sixty percent of the company's film budget would be spent in America the following year but "100% of the profits would come to this country... We have got to make films we believe are international, to get the money to bring exports back to this country." 1845:

Later that year in June, Canal+ in turn, acquires UGC Droits Audiovisuels, with the rights of more than 5,000 films. An alliance strongly encouraged by their common shareholder, the General of the Eaux, which holds both 25% of UGC Droits Audiovisuels, and 20% of Canal+.

448:

in 1988, who in turn ended up selling half of the EMI Elstree Studios site to Tesco for a supermarket, before Hertsmere Council eventually acquired what was left of the Elstree Studios, and, as of 2018, continues to operate it as a film and television studios centre.

1829:

La Compagnie Fraissinet was a Marseille arming company by maritime transport. During the 1960s, decolonization and competition with jet-powered air travel weakened the group's results and it ended up selling its maritime assets to the Chargers Gatten in 1964.

512:

EMI announced they would make 28 films for $ 36 million—13 of these would be from Cohen's unit for £7 million, the rest from Forbes'. Bernard Delfont called it "probably the most ambitious program ever undertaken by a British film company."

1443:). The division was primarily active in both the UK and the US, as well as in Australia. In addition to Thorn EMI's own material, the division licensed titles from other companies, mostly those who had no home video division at the time, including 1638:, and a management buyout led by Gary Dartnall. The following month, in December 1985, it accepted a £110 million ($ 161.7 million) management offer to place the entire Thorn EMI Screen Entertainment division up for sale. The company's division, 780:

The company was affected with labour problems. Forbes felt as though he did not have the support of the EMI board, arguing that he never had the funds to market his films, in contrast with those available to Anglo-EMI, which was headed by

642:"This is the first serious effort to revitalize the British film industry in 20 years", said Forbes. He added, "We intend to give youth a chance and not merely pay lip service to it. This is our first program and it won't be our last." 525:

at a cost of £5–10 million in total. His aim was to keep budgets down and create a varied slate which would increase the chances of appealing to audiences and making a sufficient return to continue productions.

955:(both 1971) performed well in relation to their budgets. "The experts say you're doing well if you make money out of one in three films", said Read. "We see filmmaking as a significant profit earner in the future." 1614:... it was terribly tough and not a very happy experience. But I was determined to see out my three-year contract. By the end I'd had enough of corporate life and wanted to see what I could do as an independent." 814:

It was a great tragedy that Bryan failed. Part of the reason I think was that he got himself very much involved in little things instead of letting John Hargreaves, who was his number two, to run the studio like

909:, which took over international distribution of MGM produced films. At this point the distribution company became EMI Film Distributors Ltd., and EMI-MGM Elstree Studios reverted to EMI-Elstree Studios. 516:

Forbes announced his intention to make a variety of films at Elstree, steering away from what he called the "pornography of violence." He claimed EMI would make 14 films in 18 months with such stars as

509:

as the head of production at Elstree in April 1969 for three years at £40,000 a year, plus a percentage of the profits. As part of the general shake up of EMI, Nat Cohen was appointed to the Board.

958:

Cohen was responsible for overseeing about 70% of the films produced in the UK during 1973, following a significant decline in domestic projects overall. In particular, long-term duopoly rival

1759:

In January 1989, Usher left his position as President of the Weintraub International Enterprises. The Bank of America and WEG established a new credit line for two years and $ 95 million with

5153: 3622: 1606:

Lambert recalled in 1997: "the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of...

6156: 4227: 1864:

label in the United Kingdom on VHS and DVD. However, its name in the UK was kept until 2006 when StudioCanal opened its own distribution unit in the UK, with titles distributed through

2667: 3564:

John Heilpern (28 June 1970). "The End: In the Last Fifteen Years the British Cinema Has Lost Four-Fifths of its Audience. Today Half of the Industry'sTechnicians Are Out of Work".

3056: 397:

conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with

6146: 5770: 806:, which made only too clear the intransigent mediocrity of the people in key positions. Thus, what was probably the last chance of saving the British film industry was lost. 1108:, became joint managing directors of EMI Distributors, with Nat Cohen remaining as chairman and chief executive. They also joined the EMI board, headed by Bernard Delfont. 6141: 6136: 6116: 943:

disappointingly. "Profits were negligible last year and we felt it was desirable to make one or two provisions to write off some of the costs." However films like

6131: 6111: 872:

company MGM-EMI Distributors Ltd. was formed as part of the co-production agreement. This company, headed by Mike Havas would handle domestic distribution of

6091: 2256: 4936:"Creditors Agree With Weintraub to Settle Lawsuit : * Film: Two banks had accused the producer of taking an unwarranted $ 748,000 in developing 'Hook" 1740:

in May 1987 its 2,000-title British film library, the Thorn-EMI Screen Entertainment library, for $ 85 million with $ 50 million from a loan. On July 20,

6126: 4140:

ALJEAN HARMETZ (1 August 1977). "If a Movie Goes in America, Will Rest of World Buy It?: E.M.I. Films Chief Says Answer Depends Upon Motion and Stars".

1715:'s RSO Films for multiple films budgeted in the $ 12-million to $ 15-million range. With Stigwood's partnership, WEG was to finance a film version of 1582:

and Simon Perry in order to gave the independent outfits "complete freedom" to develop motion pictures. The last films made under Lambert's watch were

6106: 1857: 1317:, which was released at the end of the year, but was a box-office failure. Lord Delfont announced that the company had purchased two British scripts, 993:(1974), which Cohen later claimed was the first British movie fully financed by a British company to reach the top of the American box office charts. 1822:

Its early origins of Canal+ Image and StudioCanal was first founded in 5 August 1873 as Marseille Louis and Adolphe Fraissinet, under the appelation

3307: 2318: 1782: 989: 1876:

Lumiere Pictures and Television financed and produced films under several names and with a series of production partners. Below are the main ones:

6121: 2595: 3626: 1524:

In December 1984, Thorn EMI offered investors the chance to invest in several films by issuing £36 million worth of shares. The films were

6101: 4129:

Michael Deeley (2009). "Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies". Pegasus Books. pp. 128–199.

3076: 1892: 463: 1188:'s production company, Tomorrow Enterprises, and formed EMI Television, headed by Gimbel. They made a large number of American TV movies like 5136: 3808: 3580: 1849:

UGC Droits Audiovisuels and Canal+ D.A. was merged and renamed as Canal+ Image International in June 1997, before the merger of the company

6096: 2342: 1803:

to investors who had been misled by the brokerage's $ 83 million bond issue prospectus for the now-bankrupt Weintraub Entertainment Group.

4327: 789:

eventually brought EMI a profit of £16 million. (In 1994 he said the profit was £18 million from 18 films.) Linsday Anderson later wrote:

5164: 4990: 1566:

video rights. On August 6, 1985, Thorn EMI Screen Entertainment agreed deals with various production outfits such as John Bradbourne and

6086: 5618: 3226: 2224: 3334: 3277: 2461: 1161: 5530: 5200: 3950: 3317: 1903: 713: 1792:

Film Asset Holding Co., a company formed by WEG's two primary bank creditors, sued Weintraub over his structuring of a sale of the

917:

EMI's other filmmaking division, Anglo-EMI Film Distributors Ltd, which had come out of Anglo-Amalgamated, was run autonomously by

4637: 4184: 1510:, and UA would receive North American rights, while EMI received international rights to the film and pay $ 4.5 million delivery. 1935: 968: 906: 767: 4539: 1642:, which EMI bought in 1976, and all trademarks of the British Lion name, which was divested to a former staffer of the company, 6161: 5220: 2953: 2372: 2334: 2176: 2030: 1951: 1205: 737: 2858: 2054: 1701: 487: 437: 79: 2014: 3684: 3664: 2763: 2683: 2524: 2136: 1681: 1666: 1132: 5535: 5520: 5280: 3040: 3001: 2707: 1983: 1600: 1550: 1285: 731: 4386: 5976: 5929: 5265: 2945: 2882: 2834: 2691: 2587: 2128: 1967: 1943: 1919: 1477: 1301: 1235: 719: 3386: 3247: 2739: 1649:

In April 1986, Thorn EMI sold its film production and distribution arm (Thorn EMI Screen Entertainment), home video (

4910:"Weintraub Is Expected to File Chapter 11 : Entertainment: The film firm seeks to cut off bondholders' action" 4506:

Newport, David (1 August 1985). "Three of the best: David Newpart on three big theatrical names going into films".

4353:

Fiddick, Peter (24 November 1983). "Cinema Verity: Peter Fiddick talks to EMI-Thorn 's new film production chief".

3048: 2555: 2280: 2272: 2101: 2093: 1975: 1708:. WEG also signed a 20-year distribution deal with Columbia and planned to release seven or eight movies per year. 1567: 751: 3360: 1744:

joined the Group as President of the Weintraub International Enterprises division and as a senior vice president.

5686: 4760: 3211: 3176: 3168: 2961: 2810: 2547: 2232: 1806:

After the company shut down its assets were reorganized into the WEG Acquisition Corp, and are currently held by

1526: 1269: 1190: 2818: 2445: 1456: 1376: 1173: 1070: 6081: 4099:

Mills, Bart (2 September 1977). "British money is suddenly big in Hollywood,'right up with Fox and Warner'".

2794: 1796:

story to Sony Pictures Entertainment in the fall of 1990. Weintraub and Film Assets settled in January 1992.

432:

who acquired the library's then-owner, the United Kingdom-based Lumiere Pictures and Television in 1996, via

3195: 3100: 2969: 2826: 2802: 2731: 2723: 2563: 2364: 2208: 2070: 1658: 1532: 1521:. The deal saw HBO take a stake in the venture and contribute their own productions for video distribution. 1487: 1366: 1245: 1209:(1979) at the last moment, after Bernard Delfont read the script and objected to its treatment of religion. 1033: 928: 773: 794:

choice of projects. However urgent the pressure, the new Elstree should not have kicked off with duds like

5939: 5847: 5603: 5275: 4960: 3798: 2356: 2248: 2192: 1887: 1737: 1662: 1643: 1627: 826: 441: 259: 4831: 1622:

In November 1985, Thorn EMI Screen Entertainment was placed up for sale with interested buyers including

802:(Peter Sellers). Most horribly significant was the grudging, purblind treatment of Bryan’s own excellent 6001: 5981: 5877: 5867: 5775: 5707: 5598: 5570: 5241: 5193: 4804: 4779: 4616: 2747: 2715: 2699: 2422: 2388: 2326: 2116: 2046: 1927: 1697: 1623: 1514: 1344: 1026: 848: 725: 645:

In November 1969 Nat Cohen and Bernard Delfont announced a slate of eight more films for EMI including:

429: 421: 314: 268: 5475: 4935: 4909: 4857: 4733: 4708: 4670: 2842: 1313: 824:

Among the films Forbes wished to make but was unable to during his time at Elstree were adaptations of

412:

The library passed through the hands of several companies over the following years and is now owned by

5919: 4882: 2755: 1669:. They also sold their stake in the video venture inherited from Thorn EMI (which had been renamed as 6076: 5892: 5290: 2890: 2635: 2619: 2603: 2500: 2453: 2310: 2296: 2184: 2144: 2062: 1635: 1471:

was appointed head of production. Gary Dartnall became executive chairman. Lambert's first slate was

1167: 1138: 966:

In May 1973, Cohen announced a £3 million production slate of movies including an adaptation of

573: 6053: 5837: 5357: 5295: 5128:

Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984–2000

3203: 3187: 3160: 3106: 2675: 2643: 2571: 2469: 2168: 2022: 2006: 1558:

for international audiences. On 15 May 1985, Thorn EMI Screen Entertainment made an agreement with

945: 873: 865: 861: 839: 398: 5437: 3416: 1711:

In March 1987, WEG signed its first production and distribution deal, a three-year agreement with

5964: 5382: 5246: 5084: 5028: 4600: 4583: 4566: 4523: 4491: 4474: 4448: 4370: 3390: 3364: 3338: 3251: 3127: 3118: 2914: 2866: 2850: 2508: 2437: 2393: 2038: 1811: 1665:

a week later. A year after the purchase, a cash-strapped Cannon sold most of the film library to

1639: 1596: 1338: 1251: 1120: 1097: 5812: 5236: 2579: 1760: 1497:. Lambert said they aimed to make five films a year ranging in budget from $ 5 to $ 10 million. 1196: 5372: 1513:

November 1984 saw Thorn EMI Video's US division form a partnership with pay television company

5132: 4645: 3946: 3942: 3804: 3313: 3091: 3085: 3070: 3009: 2786: 2160: 2152: 2121: 1896: 1748: 1689: 1330: 1289: 1256: 1218: 974: 959: 951: 923: 742: 491: 483: 382: 274: 83: 3877: 1112:

initial Deeley-Spikings slate included three films shot in the US, with $ 18 million in all"

6041: 6008: 5852: 5745: 5730: 5702: 5457: 5432: 5377: 5362: 5186: 3017: 2977: 2906: 2771: 2659: 2380: 1584: 1452: 869: 741:

was abandoned. Forbes clashed with Bernard Delfont and their American backers, in this case

390: 386: 332: 5447: 5300: 4020: 3525:

Dennis Barker (9 August 1969). "Parable of talent: DENNIS BARKER interviews Bryan Forbes".

2830:(October 1980) – with Brooksfilms – distributed by Columbia-EMI-Warner (UK), Paramount (US) 1562:

whereas Thorn EMI would release Gladden's films for international theatrical distribution.

6013: 5996: 5944: 5934: 5904: 5623: 5525: 5510: 5387: 5367: 5320: 5315: 5285: 2532: 1959: 1717: 1712: 1705: 1685: 1673:

in the meantime), resulting in HBO running the video label alone from that point forward.

1444: 1225:

Michael Deeley left EMI in 1979 but Barry Spikings remained in charge of film production.

1114: 1047: 932: 816: 757: 502: 293: 234: 5462: 1704:

were principal investors. WEG also arranged a $ 145-million, 7-year credit line with the

1336:

In February 1981, Barry Spikings announced a slate of films worth £70 million, including

5914: 5256: 319: 5959: 5818: 5755: 5696: 5691: 5613: 5560: 3824: 3772: 3133: 3112: 3061: 2922: 2898: 2874: 2651: 1911: 1865: 1824:

Nouvelle Compagnie Marseillaise de navigation à vapeur A. et L. Fraissinet et compagnie

1693: 1631: 1579: 1559: 1501: 1468: 1448: 1213: 1105: 1101: 936: 835: 707: 584: 563: 300: 182: 168: 6018: 4045:

Shamoon, Stella (9 July 1975). "EMI putting £6 million into films in next 12 months".

6070: 5991: 5949: 5857: 5580: 5351: 4328:"It's Not TV: HBO, The Company That Changed Television: Expanding The Brand (Part 1)" 2993: 2408: 2240: 2200: 1807: 1571: 1544: 1322: 1079: 980: 831: 518: 425: 6023: 5575: 5079: 6151: 5954: 5760: 5505: 5470: 5305: 3152: 3139: 2611: 2484: 2288: 2216: 1800: 1786: 1775: 1726: 1722: 1278: 1260: 1240: 1185: 1178: 899: 746: 553: 506: 471: 445: 433: 279: 111: 4267:

Kilday, Gregg (28 October 1978). "FILM CLIPS: A New Dimension for a Brother Act".

1730: 1159:

EMI also signed an agreement to invest $ 5 million in Columbia films. They picked

501:

EMI moved into film production with the foundation of a new company, EMI-Elstree.

5330: 5325: 5310: 5127: 4155:

Champlin, Charles. (27 May 1977). "CRITIC AT LARGE: In Search of World Viewers".

3737: 5887: 5791: 5765: 5649: 5608: 5590: 5427: 5417: 4986: 4709:"Weintraub's Worries : Box-Office Flops Add to Woes of Flashy 'Mini-Major'" 3648:

McEWAN, IAN (15 August 1969). "British Film Czar Plans to Revitalize Industry".

3044:(June 1986) (TESE) - with Gladden Entertainment, distributed by 20th Century-Fox 3025: 1850: 1767: 1741: 1654: 1357: 1041: 577: 522: 475: 413: 378: 309: 164: 154: 69: 5392: 5173: 5168: 996:

In July 1975, Cohen announced a £6 million programme of eleven new films:

5842: 5740: 5542: 5515: 5500: 5480: 4084:

Kilday, Gregg (22 October 1977). "FILM CLIPS: 'The Body Snatchers' Moves Up".

4021:"BFI Screenonline: Film Studios and Industry Bodies > EMI Film Productions" 2985: 2937: 2516: 2085: 1771: 1575: 1538: 1493: 1126: 886: 701:

The first few films of Forbes' regime actually performed poorly commercially:

327: 59: 20: 5412: 4649: 5882: 5872: 5565: 4009:. London. 11 February 1975. p. 7 – via The Times Digital Archive. 2627: 2492: 1785:. Later that month, Jerry Weintraub left the company and forged a deal with 1650: 1305: 1293: 1144: 918: 782: 495: 406: 402: 254: 4581:

Watkins, Roger (11 December 1985). "Thorn EMI accepts bid by management".

755:(1970). Forbes was also criticised within EMI for directing his own film, 529:

In August 1969 Forbes announced his slate of fifteen projects, including:

5897: 5862: 5796: 5552: 5345: 5053: 3484:. London. 9 April 1969. p. 23 – via The Times Digital Archive. 2400: 1506: 1212:

In April 1978, EMI announced they would make films with the newly formed

5032: 5016: 5015:

Bulletin de la Société de l'histoire du protestantisme français (1989).

4312:

Barker, Dennis (3 March 1981). "British role in US film market is cut".

5909: 5750: 5442: 5422: 5402: 5209: 5021:

Bulletin de la Société de l'Histoire du Protestantisme Français (1903-)

3879:

The British Film Industry in the 1970s: Capital, Culture and Creativity

2264: 1991: 417: 4185:""John Wick with spurs" – A look at Walter Hill's Unmade The Last Gun" 3994:. London. 9 May 1973. p. 4 – via The Times Digital Archive. 2870:(May 1982) – with British Lion, distributed by United Artists Classics 1383:

Also in 1981, Thorn EMI entered the fast-growing home video market as

5986: 5924: 5452: 5407: 5397: 2252:(1972) – produced by Kanter, Ladd and Kastner (AE) (Dist by P in USA) 1599:, which was distributing EMI's films ever since 1981 after acquiring 927:(1971). They also financed and distributed a series of films made by 685:

from a book by Gerald Durrell produced by Michael Medwin (never made)

190: 178: 4431:

Brown, Maggie (20 March 1985). "Thorn EMI plans $ 175m film fund".

4282:

Barker, Dennis (12 March 1980). "British films get British boost".

905:

MGM pulled out of the amalgamation in 1973, and became a member of

5722: 5712: 5340: 5335: 3863:. London. p. 37 – via The Sunday Times Digital Archive. 409:

conglomerate (following the merger with Thorn) are outlined here.

186: 5017:"Les Fraissinet, une famille d'armateurs protestants marseillais" 4489:"Thorn EMI Signs Up Slew of British Indies To Production Pacts". 3923:

Gary Arnold. (15 July 1970). "Spectrum Of Interest: Film Notes".

1818:

Lumiere Pictures and Television/UGC DA/Canal+ Image International

1789:, while Columbia still remained indebted to releasing WEG films. 1688:. In February 1987, WEG received $ 461 million in financing from 5735: 1860:

formerly handled distribution of StudioCanal titles through the

479: 5182: 4858:"WEEKEND BOX OFFICE : Freddy Shreds the Movie Competition" 4472:"Thorn EMI Inks France's AAA To 20-Pic Exclusive Output Deal". 1696:

and others in the form of securities, bank loans and advances.

474:' shares in ABPC the previous year. At the time ABPC owned 270 345: 5971: 3181: 467: 394: 249: 5154:"Cold Streaks: The Studio Stewardship of Bryan Forbes at EMI" 5120:

National Heroes: British Cinema in the Seventies and Eighties

846:

a post-apocalyptic story from Richard Condon. He turned down

444:

ended up purchasing the studio as well, but later sold it to

4368:"EMI Sues UA Over 'War Games' Distrib Rights, Territories". 2878:(December 1982) – with Brooksfilms, distributed by Universal 1603:

elected to dissolve the U.S. partnership by mutual consent.

860:

In April 1970, EMI struck up a co-production agreement with

626:

from a script by Julian Bond based on a story by Roger Moore

3465:

Pearson, Kenneth (13 April 1969). "The Great Film Gamble".

3164:(1988): first original production, grossed only $ 7 million 2957:(November 1984) - distributed by The Samuel Goldwyn Company 1799:

In August 1998, a jury verdict for $ 7 million was lost by

5178: 4598:"British Lion Subsid of TESE Sold Off To Former Staffer". 4521:"EMI & Universal To Dissolve U.S. Distribution Pact". 4073:. London. p. 3 – via The Times Digital Archive. 3469:. p. 53 – via The Sunday Times Digital Archive. 2918:(May 1983) – with Universal, distributed by AFD, Universal 220:

Christine Ghazarian (Head of Overseas Sales, Paris Office)

3943:"Women in British Cinema: Mad, Bad and Dangerous to Know" 2949:(August 1984) - with Kings Road, distributed by Universal 2822:(October 1980) – with Robert Stigwood, distributed by AFD 1756:

in August; it grossed $ 1.6 million the opening weekend.

4446:"Thorn And Gladden Profess Ignorance of Revised Terms". 1311:

In March 1980, EMI were only making one film in Britain

1233:

Spikings announced a slate of films under his auspices:

864:. The Hollywood studio announced they would sell their 620:

a musical about Dr Barnardo with music by Michael Lewis

3335:"Lumiere sets its sights on H'wood, seeks cash allies" 2668:

Can You Hear the Laughter? The Story of Freddie Prinze

1595:

On 20 August 1985, Thorn EMI Screen Entertainment and

1130:(all 1978). They also made three British-based films, 921:. This wing of the company had released films such as 652:

starring Carol White and Malcolm McDowell (never made)

3859:

Pearson, Kenneth (4 April 1971). "News in the Arts".

3057:

Interstella 5555: The 5tory of the 5ecret 5tar 5ystem

1467:

In January 1983, Barry Spikings left the company and

745:, over the artistic and commercial value of director 2814:(October 1980) – with Orion – distributed by Warners 2790:(July 1979) – with British Lion – distributed by AFD 5828: 5805: 5784: 5771:

Messner Vetere Berger McNamee Schmetterer/Euro RSCG

5721: 5679: 5636: 5589: 5551: 5491: 5264: 5255: 5229: 3172:(1988): $ 26 million budget, grossed $ 13.8 million 2965:(December 1984) - with HBO, distributed by Columbia 1500:On 1 March 1983, EMI Films filed a lawsuit against 340: 326: 240: 230: 206: 196: 174: 160: 149: 117: 107: 89: 75: 65: 55: 33: 3411: 3409: 3407: 2172:(1971) (AE) – produced by Kanter, Ladd and Kastner 852:(1970) because its projected budget was too high. 4638:"COMPANY NEWS; Cannon Will Sell Home Video Stake" 4005:"'Murder on the Orient Express' tops US charts". 3945:. London & New York: Continuum. p. 128. 658:from the novel by Stanley Winchester (never made) 4734:"Weintraub Entertainment and RSO reached a pact" 3685:"EMI puts faith and £15 million into filmmaking" 3623:"BRYAN FORBES INTERVIEW at ABPC ELSTREE STUDIOS" 2926:(May 1983, produced in 1981) - distributed by WB 1810:, while the television rights are controlled by 1088:Cohen resigned as chairman on 31 December 1977. 697:a film directed by John Schlesinger (never made) 6157:Film production companies of the United Kingdom 4961:"Bear Stearns Misled Its Investors, Jury Finds" 3549:"Britain steps back into cinema's big league". 1296:, his brother. EMI's film division was renamed 536:(with Peter Sellers, directed by Alvin Rakoff), 4778:Knoedelseder Jr., William K. (7 August 1987). 4169:Deeley in his memoirs says the sixth film was 3908:""MGM to Close, Down English Film Facility"". 3581:"British finance backs plans for 15 new films" 3013:(March 1986) - distributed by 20th Century-Fox 876:and EMI-produced films in the United Kingdom. 5194: 4780:"Cannon Group Loses $ 9.9 Million in Quarter" 4617:"Cannon Group Loses $ 9.9 Million in Quarter" 4538:Lambert, Verity; Hughes, Scott (5 May 1997). 3882:, Basingstoke: Palgrave Macmillan, 2013, p.47 3800:Never apologise : the collected writings 1778:, Sony/Columbia traded its 15% share in WEG. 1766:In 1989, as a result of Sony/Columbia hiring 1387:, featuring an initial line-up of 14 titles ( 1148:(1978). Films announced but not made include 462:The company was formed after the takeover of 8: 4832:"Weintraub Taps Rosenzweig as TV Unit Chief" 4671:"HBO said it is buying out HBO/Cannon Video" 4615:WILLIAM K. KNOEDELSEDER JR (7 August 1987). 3936: 3934: 3896:British Film Studios: An Illustrated History 3731: 3729: 3443:British Film Studios: An Illustrated History 3312:. University Press of Kentucky. p. 56. 28: 6147:Mass media companies disestablished in 2000 5078:James, Alison; Dawtrey, Adam (7 May 2006). 4540:"CV; Verity Lambert Founder, Cinema Verity" 3872: 3870: 2981:(June 1985) - distributed by Orion Classics 1733:. However, the studio dropped the project. 987:The greatest success of Cohen's regime was 694:a film starring Julie Christie (never made) 664:from a novel by James Barlow - this became 428:'s acquisition of European cinema operator 49:Lumiere Pictures and Television (1992–1996) 5261: 5201: 5187: 5179: 3387:"Lumiere reorganizes sales, biz divisions" 3248:"Lumiere reorganizes sales, biz divisions" 2941:(December 1983) - distributed by Universal 2886:(February 1983) – distributed by Universal 632:directed by Frank Nesbitt with John Mills, 45:Thorn EMI Screen Entertainment (1979–1986) 27: 16:British-French film studio and distributor 4883:"Harry Usher Joins Executive Search Firm" 3890: 3888: 3665:"8 new British films are in the pipeline" 3611:. No. 38.4 (Fall 1969). p. 181. 3510:"Shot in Arm for British Film Industry". 3005:(October 1985) - distributed by Universal 2997:(October 1985) - distributed by Universal 2989:(October 1985) - distributed by Universal 691:from Simon Gray's stage play (never made) 679:from a novel by Susan Baratt (never made) 490:at Shenley Road, and had recently bought 216:Chris Cary (Head of Business Development) 6142:Mass media companies established in 1969 6137:British companies disestablished in 2000 4805:"Usher Named Division Head at Weintraub" 3718:"Forbes Quits as Elstree's Film Chief". 3495:"ECONOMY: Ease the squeeze now please". 3156:(1988): distribution rights, $ 3 million 3123:TESE = as Thorn EMI Screen Entertainment 2478:Michael Deeley and Barry Spikings regime 2441:(December 1976) - also with British Lion 6117:French companies disestablished in 2000 4564:"Several Offers But No TESE Sale Yet". 3966:"EMI faces the music Braham, Michael". 3309:Columbia Pictures: Portrait of a Studio 3238: 3029:(March 1986) - distributed by Universal 3021:(March 1986) - distributed by Universal 2973:(March 1985) - distributed by Universal 2894:(March 1983) – distributed by Universal 2596:One in a Million: The Ron LeFlore Story 902:. Of these only the last was not made. 405:, and the later company as part of the 47:Cannon Screen Entertainment (1986–1988) 41:Anglo-EMI Film Distributors (1971–1973) 4702: 4700: 4698: 4696: 4694: 4692: 4387:"HBO, Thorn EMI Team in Video Venture" 4301:. London. 2 February 1981. p. 11. 3301: 3299: 3077:Associated British Picture Corporation 1646:, of Britannic Film & Television. 1100:and the two men who ran British Lion, 464:Associated British Picture Corporation 6132:British companies established in 1969 4908:Cieply, Michael (14 September 1990). 3829:British Entertainment History Project 3777:British Entertainment History Project 3445:. London: B. T. Batsford. p. 75. 3272: 3270: 3268: 2902:(Mar 1983) – distributed by Universal 2257:Never Mind the Quality Feel the Width 1181:played himself in the last of these. 587:directed by John Bryson (unproduced), 7: 6112:French companies established in 1992 6049: 4761:"Is It Time Now to Cry for 'Evita'?" 4759:Greeberg, James (19 November 1989). 3683:Shamoon, Stella (26 November 1969). 3553:. London. 13 August 1969. p. 5. 2846:(December 1980) – distributed by AFD 2838:(December 1980) – distributed by AFD 810:Editor Teddy Darvas later observed: 440:in Hertfordshire, England; in turn, 224:Martin Bigham (Technical Operations) 6092:Film production companies of France 4707:Cieply, Michael (11 January 1989). 4604:. 11 December 1985. pp. 3, 26. 3742:. London: Methuen/BFI. p. 203. 3703:"City comment: Soon the darkness". 3333:Williams, Michael (24 April 1995). 2449:(May 1977) – also with British Lion 2180:(1971) (AE) – directed by Ken Loach 1517:; the company then became known as 1096:In May 1976, the company purchased 4889:. ASSOCIATED PRESS. 7 January 1989 4385:Seideman, Tony (1 December 1984). 4118:. London. 19 May 1976. p. 18. 4069:Z (9 July 1975). "News in Brief". 3898:, London: B.T Batsford, 2001, p.76 3663:Owen, Michael (25 November 1969). 3579:Day-Lewis, Sean (13 August 1969). 3361:"Lumiere rocks to French classics" 3359:Hopewell, John (20 October 2012). 2854:(August 1981) – distributed by AFD 2462:Close Encounters of the Third Kind 1640:British Lion Film Productions Ltd. 1229:Spikings, AFD and Thorn-EMI merger 1162:Close Encounters of the Third Kind 931:, which partly came about through 401:and Anglo-EMI, the division under 214:Alastair Waddell (Chief Executive) 14: 6127:2000 disestablishments in England 5152:Vagg, Stephen (10 October 2021). 5080:"Studio Canal moves into Blighty" 4416:"Producer splits cost of films". 4228:"Orion's Star Rises in Hollywood" 4226:Harmetz, Aliean (19 April 1978). 2910:(Sep 1983) – distributed by Orion 2862:(March 1982) – distributed by AFD 1781:In September 1990, WEG filed for 1288:, to distribute films of EMI and 1092:Michael Deeley and Barry Spikings 145:(as a home video label in the UK) 43:EMI Film Distributors (1973–1979) 6107:2000 disestablishments in France 6048: 6037: 6036: 4967:. Bloomberg News. 25 August 1998 4934:Citron, Alan (18 January 1992). 4830:Delugach, Al (1 February 1988). 3739:The Encyclopedia of British Film 3227:Lumière (Brazilian film company) 2806:(June 1980) – distributed by AFD 1360:film). The latter was not made. 1039:film spin offs of the TV series 285:Lumiere Pictures and Television: 222:Alison Trumpy (TV Sales Manager) 5174:Information about their history 4856:Voland, John (23 August 1988). 3514:. 29 November 1969. p. a9. 3499:. 30 November 1969. p. 18. 3278:"Cannon sells its Film Library" 2335:Monty Python and the Holy Grail 1853:with Le Studio Canal+ in 2000. 1300:, to reflect EMI's merger with 1284:Delfont created a new company, 1054:All Things Bright And Beautiful 963:backing any risky productions. 777:(1971) were Forbes' only hits. 673:the story of a penis transplant 556:from a script by Harold Pinter, 470:, following the acquisition of 371:Lumiere Pictures and Television 6122:1969 establishments in England 4626:– via Los Angeles Times. 4570:. 27 November 1985. p. 3. 4183:Vagg, Stephen (14 July 2020). 3970:. 10 October 1971. p. 14. 3385:Groves, Don (13 August 1993). 3246:Groves, Don (13 August 1993). 3180:(1989): a TV movie release on 3064:", a member of the EMI Group") 2520:(1978) – with 20th Century Fox 2322:(1974) (AE) (Dist by P in USA) 2314:(1974) (AE) (Dist by C in USA) 2097:(1971) (ME) (Dist by C in USA) 1684:was formed on July 1, 1986 by 1380:had been box-office failures. 1298:Thorn EMI Screen Entertainment 367:Thorn EMI Screen Entertainment 265:Weintraub Entertainment Group: 80:Associated British Productions 1: 6102:1992 establishments in France 5058:Audiovisual Identity Database 4420:. 10 January 1985. p. 4. 3825:"Interview with Teddy Darvas" 3773:"Interview with Bryan Forbes" 3771:Fowler, Roy (9 August 1994). 3736:Brian McFarlane, ed. (2003). 3722:. 26 March 1971. p. e15. 3146:Weintraub Entertainment Group 3060:(May 2003) (D) (credited as " 2764:The Legend of Walks Far Woman 2343:All Creatures Great and Small 2300:(1974) (D) (Dist by P in USA) 1856:In the 1990s to early 2000s, 1682:Weintraub Entertainment Group 1677:Weintraub Entertainment Group 1667:Weintraub Entertainment Group 1417:The Day the Earth Caught Fire 393:. A former subsidiary of the 218:Ralph Kamp (Theatrical Sales) 4527:. 21 August 1985. p. 3. 4252:"The man who came to film". 4215:. 26 July 1976. p. f12. 3086:Associated Film Distributors 2708:The Killing of Randy Webster 2512:(1978) – with United Artists 2431:Co-productions with Columbia 2373:It Shouldn't Happen to a Vet 2319:Murder on the Orient Express 2225:Henry VIII and His Six Wives 1984:Mr. Forbush and the Penguins 1661:. Bond, in turn, sold it to 1657:) operations to businessman 1601:Associated Film Distribution 1504:, whereas EMI would finance 1286:Associated Film Distribution 1074:with Dick Emery (never made) 1058:It Shouldn't Happen to a Vet 1008:(this later was replaced by 990:Murder on the Orient Express 732:Mr. Forbush and the Penguins 594:directed by Lionel Jeffries, 245:Cannon Screen Entertainment: 6097:Film distributors of France 5930:Gaiam Vivendi Entertainment 5108:, Mandarin Paperbacks, 1993 4495:. 7 August 1985. p. 3. 4478:. 17 July 1985. p. 22. 4256:. 18 July 1979. p. 10. 4211:"Gimbel Will Head EMI-TV". 3707:. 8 March 1971. p. 12. 3111:Orion = co-production with 2692:Sophia Loren: Her Own Story 2015:Blood from the Mummy's Tomb 1968:The Tales of Beatrix Potter 1920:The Man Who Haunted Himself 1429:Sophia Loren: Her Own Story 1302:Thorn Electrical Industries 1222:(1979) and other projects. 796:The Man Who Haunted Himself 720:The Man Who Haunted Himself 683:My Family and Other Animals 545:The Man Who Haunted Himself 226:Jamie Carmichael (TV Sales) 136:; 18 years ago 123:; 24 years ago 95:; 55 years ago 6178: 6087:International sales agents 4374:. 2 March 1983. p. 7. 3797:Anderson, Lindsay (2004). 2556:The Girl Called Hatter Fox 2273:Steptoe and Son Ride Again 1203:EMI backed out of funding 505:appointed writer-director 458:Bryan Forbes and Nat Cohen 359:Canal+ Image International 29:Canal+ Image International 18: 6032: 5216: 4452:. 15 May 1985. p. 4. 4114:"Acquisition of B Lion". 3912:. April 1970. p. a6. 3441:Warren, Patricia (2001). 3306:Dick, Bernard F. (1992). 3212:The Gods Must Be Crazy II 3177:The Karen Carpenter Story 3169:My Stepmother Is an Alien 3105:MGM = co-production with 2548:The Amazing Howard Hughes 2528:(1978) (Dist by P in USA) 2504:(1978) (Dist by C in USA) 2488:(1977) (Dist by C in USA) 2212:(1972) (AE) (documentary) 1393:April Wine Live in London 1191:The Amazing Howard Hughes 1184:In July 1976, EMI bought 600:, directed by Paul Watson 494:, a film studio in which 212:Jean Cazes (Chairman/CEO) 5115:, Harrap and Stein, 1974 3138:WB = co-production with 3132:UA = co-production with 3069:AA = co-production with 2767:(May 1982) (filmed 1979) 2031:Straight on Till Morning 1952:A Fine and Private Place 1457:Hemdale Film Corporation 1071:Kind Hearts and Coronets 738:A Fine and Private Place 636:Forbush and the Penguins 610:adaptation of the novel 603:adaptation of the novel 598:A Fine and Private Place 291:Caisse des Depots (54%;) 19:Not to be confused with 3803:. Plexus. p. 381. 3693:(subscription required) 3673:(subscription required) 3539:Walker, 1974, p.426-428 3126:U = co-production with 3117:P = co-production with 3101:Hammer Film Productions 3099:H = co-production with 3090:C = co-production with 3049:It Couldn't Happen Here 2970:Morons from Outer Space 2732:A Piano for Mrs. Cimino 2536:(1978) – with Universal 2209:Afternoon of a Champion 2071:To the Devil a Daughter 1725:as writer/director and 1533:Morons from Outer Space 1488:Morons from Outer Space 1034:To The Devil A Daughter 972:(1974) and a sequel to 929:Hammer Film Productions 774:Tales of Beatrix Potter 436:. EMI Films also owned 377:) was a British-French 289:Independent (1992–1995) 153:Acquired and merged by 37:EMI-Elstree (1969–1970) 6162:The Cannon Group, Inc. 5848:Blizzard Entertainment 5604:Red Production Company 3417:"Vertical integration" 3284:. Reuter. 5 April 1987 2724:The Manions of America 2137:Entertaining Mr Sloane 1421:The Best of Benny Hill 844:The Loud, Loud Silence 838:; a musical about the 822: 808: 583:a film of a script by 478:, a half share in the 260:The Cannon Group, Inc. 6002:Universal Interactive 5982:Universal Music Group 5878:Radical Entertainment 5868:Massive Entertainment 5776:Snyder Communications 5242:Arnaud de Puyfontaine 5131:, Orion Books, 2005. 3084:AFD = distributed by 3041:The Manhattan Project 3002:The Holcroft Covenant 2748:Coming Out of the Ice 2700:My Kidnapper, My Love 2423:Welcome to Blood City 2389:Seven Nights in Japan 2327:Sunday in the Country 2000:Hammer co-productions 1928:The Breaking of Bumbo 1904:And Soon the Darkness 1783:Chapter 11 bankruptcy 1698:The Coca-Cola Company 1578:and Chris Chrisafis, 1560:Gladden Entertainment 1551:The Holcroft Covenant 1345:Memoirs of a Survivor 1292:, then controlled by 1027:Seven Nights in Japan 812: 791: 726:The Breaking of Bumbo 714:And Soon the Darkness 624:Question of Innocence 570:The Feathers of Death 560:The Breaking of Bumbo 422:Universal Music Group 298:Euro Clinvest (6.5%;) 269:The Coca-Cola Company 5893:Sierra Entertainment 5221:List of owned assets 4991:"Statuts mis à jour" 4462:Walker, 1985, p35-36 3568:. London. p. 9. 3529:. London. p. 6. 3196:She's Out of Control 3096:D = distributor only 2803:Can't Stop the Music 2636:Lawman Without a Gun 2620:Lawman Without a Gun 2501:Warlords of Atlantis 2418:(1977) (documentary) 2185:Up the Chastity Belt 2129:Spring and Port Wine 2063:Holiday on the Buses 1944:Spring and Port Wine 1936:The Railway Children 1636:Heron Communications 1441:Queen: Greatest Flix 1401:Can't Stop the Music 1367:Can't Stop the Music 1139:Warlords of Atlantis 969:Swallows and Amazons 866:Borehamwood facility 768:The Railway Children 612:Candidate of Promise 592:The Railway Children 574:Richard Attenborough 540:And Now the Darkness 498:had been a partner. 5945:Knowledge Adventure 5838:Activision Blizzard 5125:Walker, Alexander, 5118:Walker, Alexander, 5111:Walker, Alexander, 4047:The Daily Telegraph 3941:Sue Harper (2000). 3925:The Washington Post 3752:Walker, 1985, p 114 3689:The Daily Telegraph 3629:on 24 December 2015 3585:The Daily Telegraph 3204:Troop Beverly Hills 3107:Metro-Goldwyn-Mayer 3075:ABPC = produced by 2954:Not for Publication 2740:A Question of Honor 2644:The Cracker Factory 2470:The Cheap Detective 2281:The Final Programme 2110:Nat Cohen/Anglo-EMI 2023:Mutiny on the Buses 1736:WEG purchased from 1519:Thorn EMI/HBO Video 978:(1966) released as 935:'s friendship with 862:Metro-Goldwyn-Mayer 735:(1971) flopped and 662:The Burden of Proof 605:The Bitter Lollipop 424:and parent company 399:Metro-Goldwyn-Mayer 361:(formerly known as 39:MGM-EMI (1970–1973) 30: 5965:Universal Pictures 5806:Equity investments 5619:Tandem Productions 5247:Pierre Rodocanachi 5054:"Lumiere Pictures" 4765:The New York Times 4642:The New York Times 4232:The New York Times 4173:. See Deeley p 134 4142:The New York Times 3607:"In the Picture". 3480:"BUSINESS diary". 3119:Paramount Pictures 2962:A Passage to India 2867:Britannia Hospital 2859:Evil Under the Sun 2851:Honky Tonk Freeway 2843:The Mirror Crack'd 2684:The Dances Goes On 2352:(1976) (abandoned) 2055:Love Thy Neighbour 2039:Demons of the Mind 1955:(1970) (abandoned) 1812:Paramount Pictures 1597:Universal Pictures 1527:A Passage to India 1372:Honky Tonk Freeway 1339:Honky Tonk Freeway 1314:The Mirror Crack'd 1252:Honky Tonk Freeway 1098:British Lion Films 1006:Evil Under The Sun 834:to be directed by 763:Long Ago, Tomorrow 723:(starring Moore). 466:(ABPC) in 1969 by 272:US Tobacco Company 51:UGC DA (1996–1997) 6064: 6063: 5637:Vivendi Ticketing 5632: 5631: 5476:Nollywood TV Epic 5448:CStar Hits France 5438:Planète+ Aventure 5281:Canal+ (provider) 5138:978-0-7528-6484-6 5113:Hollywood England 4965:Los Angeles Times 4914:Los Angeles Times 4887:Los Angeles Times 4862:Los Angeles Times 4836:Los Angeles Times 4809:Los Angeles Times 4784:Los Angeles Times 4738:Los Angeles Times 4713:Los Angeles Times 4675:Los Angeles Times 4334:. 6 November 2013 4269:Los Angeles Times 4213:Los Angeles Times 4171:Arabian Adventure 4157:Los Angeles Times 4086:Los Angeles Times 4059:Walker, 1985 p141 3990:"News in Brief". 3910:Los Angeles Times 3810:978-0-85965-317-6 3720:Los Angeles Times 3650:Los Angeles Times 3512:Los Angeles Times 3282:New Straits Times 3092:Columbia Pictures 3081:AE = as Anglo-EMI 3071:Anglo-Amalgamated 2787:Arabian Adventure 2525:Death on the Nile 2416:Twenty Five Years 1866:Optimum Releasing 1858:Warner Home Video 1749:Barney Rosenzweig 1747:In January 1988, 1690:Columbia Pictures 1437:The Royal Wedding 1409:Death on the Nile 1377:Raise the Titanic 1331:Frederick Forsyth 1257:Franco Zeffirelli 1219:Arabian Adventure 1133:Death on the Nile 1010:Death on the Nile 870:film distribution 798:(Roger Moore) or 618:The Barnardo Boys 590:an adaptation of 566:and Andrew Mollo, 492:Anglo-Amalgamated 484:Thames Television 356: 355: 312:(3.5%; 1995–1996) 275:Columbia Pictures 84:Anglo-Amalgamated 6169: 6052: 6051: 6040: 6039: 5853:Budcat Creations 5746:Euro RSCG London 5731:Arnold Worldwide 5654:See Tickets USA 5646:Vivendi Village 5358:MultiThématiques 5301:Canal+ Sport 360 5262: 5203: 5196: 5189: 5180: 5165:Official history 5161: 5158:Filmink Magazine 5097: 5096: 5094: 5092: 5075: 5069: 5068: 5066: 5064: 5050: 5044: 5043: 5041: 5039: 5012: 5006: 5005: 5003: 5001: 4983: 4977: 4976: 4974: 4972: 4957: 4951: 4950: 4948: 4946: 4931: 4925: 4924: 4922: 4920: 4905: 4899: 4898: 4896: 4894: 4879: 4873: 4872: 4870: 4868: 4853: 4847: 4846: 4844: 4842: 4827: 4821: 4820: 4818: 4816: 4801: 4795: 4794: 4792: 4790: 4775: 4769: 4768: 4756: 4750: 4749: 4747: 4745: 4730: 4724: 4723: 4721: 4719: 4704: 4687: 4686: 4684: 4682: 4667: 4661: 4660: 4658: 4656: 4644:. 7 April 1987. 4634: 4628: 4627: 4625: 4623: 4612: 4606: 4605: 4595: 4589: 4588: 4587:. pp. 3, 7. 4578: 4572: 4571: 4561: 4555: 4554: 4552: 4550: 4535: 4529: 4528: 4518: 4512: 4511: 4503: 4497: 4496: 4486: 4480: 4479: 4469: 4463: 4460: 4454: 4453: 4443: 4437: 4436: 4428: 4422: 4421: 4413: 4407: 4406:Walker 1985 p286 4404: 4398: 4397: 4391: 4382: 4376: 4375: 4365: 4359: 4358: 4350: 4344: 4343: 4341: 4339: 4324: 4318: 4317: 4309: 4303: 4302: 4297:"Orange order". 4294: 4288: 4287: 4279: 4273: 4272: 4264: 4258: 4257: 4249: 4243: 4242: 4240: 4238: 4223: 4217: 4216: 4208: 4202: 4199: 4193: 4192: 4180: 4174: 4167: 4161: 4160: 4152: 4146: 4145: 4137: 4131: 4130: 4126: 4120: 4119: 4111: 4105: 4104: 4096: 4090: 4089: 4081: 4075: 4074: 4066: 4060: 4057: 4051: 4050: 4042: 4036: 4035: 4033: 4031: 4017: 4011: 4010: 4002: 3996: 3995: 3987: 3981: 3978: 3972: 3971: 3963: 3957: 3956: 3938: 3929: 3928: 3920: 3914: 3913: 3905: 3899: 3894:Patricia Warren 3892: 3883: 3874: 3865: 3864: 3856: 3850: 3847: 3841: 3840: 3838: 3836: 3821: 3815: 3814: 3794: 3788: 3787: 3785: 3783: 3768: 3762: 3759: 3753: 3750: 3744: 3743: 3733: 3724: 3723: 3715: 3709: 3708: 3700: 3694: 3692: 3680: 3674: 3672: 3669:Evening Standard 3660: 3654: 3653: 3645: 3639: 3638: 3636: 3634: 3625:. 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2249:Fear Is the Key 2193:Steptoe and Son 2112: 2081: 2066:(December 1973) 2042:(November 1972) 2002: 1960:The Raging Moon 1883: 1874: 1820: 1763:participating. 1761:Crédit Lyonnais 1713:Robert Stigwood 1706:Bank of America 1686:Jerry Weintraub 1679: 1653:), and cinema ( 1651:Thorn EMI Video 1620: 1568:Richard Goodwin 1478:Comfort and Joy 1465: 1445:New Line Cinema 1389:The Tubes Video 1385:Thorn EMI Video 1236:The Jazz Singer 1231: 1197:Deadman's Curve 1115:The Deer Hunter 1094: 1048:The Likely Lads 933:Bernard Delfont 915: 858: 827:The Living Room 804:The Raging Moon 758:The Raging Moon 503:Bernard Delfont 488:Elstree Studios 460: 455: 438:Elstree Studios 344: 335: 318: 313: 308: 306: 304: 299: 297: 294:Credit Lyonnais 292: 290: 287: 283: 278: 273: 271: 267: 263: 258: 253: 247: 235:Motion pictures 225: 223: 221: 219: 217: 215: 213: 209: 199: 185: 167: 140: 138: 135: 133: 127: 125: 122: 99: 97: 94: 82: 50: 48: 46: 44: 42: 40: 38: 24: 17: 12: 11: 5: 6175: 6173: 6165: 6164: 6159: 6154: 6149: 6144: 6139: 6134: 6129: 6124: 6119: 6114: 6109: 6104: 6099: 6094: 6089: 6084: 6079: 6069: 6068: 6062: 6061: 6059: 6058: 6046: 6033: 6030: 6029: 6027: 6026: 6021: 6016: 6011: 6006: 6005: 6004: 5999: 5989: 5984: 5979: 5974: 5969: 5968: 5967: 5962: 5960:Rogue Pictures 5952: 5947: 5942: 5937: 5932: 5927: 5922: 5917: 5912: 5907: 5902: 5901: 5900: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5845: 5834: 5832: 5829:Defunct/former 5826: 5825: 5823: 5822: 5819:Telecom Italia 5816: 5815: (57.66%) 5809: 5807: 5803: 5802: 5800: 5799: 5794: 5788: 5786: 5782: 5781: 5779: 5778: 5773: 5768: 5763: 5758: 5756:Havas Creative 5753: 5748: 5743: 5738: 5733: 5727: 5725: 5719: 5718: 5716: 5715: 5710: 5705: 5700: 5694: 5692:Femme Actuelle 5689: 5683: 5681: 5677: 5676: 5674: 5673: 5670: 5667: 5664: 5663: 5662: 5661: 5660: 5659: 5658: 5644: 5640: 5638: 5634: 5633: 5630: 5629: 5627: 5626: 5621: 5616: 5614:StudioCanal UK 5611: 5606: 5601: 5595: 5593: 5587: 5586: 5584: 5583: 5578: 5573: 5568: 5563: 5561:Canal Digitaal 5557: 5555: 5549: 5548: 5546: 5545: 5540: 5539: 5538: 5528: 5523: 5518: 5513: 5508: 5503: 5497: 5495: 5489: 5488: 5486: 5485: 5484: 5483: 5478: 5473: 5465: 5460: 5455: 5450: 5445: 5440: 5435: 5433:Planète+ Crime 5430: 5425: 5420: 5415: 5410: 5405: 5400: 5395: 5390: 5385: 5383:Ciné+ Festival 5380: 5375: 5370: 5365: 5360: 5355: 5349: 5343: 5338: 5333: 5328: 5323: 5318: 5313: 5308: 5303: 5298: 5293: 5288: 5283: 5278: 5272: 5270: 5259: 5253: 5252: 5250: 5249: 5244: 5239: 5233: 5231: 5227: 5226: 5224: 5223: 5217: 5214: 5213: 5208: 5206: 5205: 5198: 5191: 5183: 5177: 5176: 5171: 5162: 5147: 5146:External links 5144: 5143: 5142: 5137: 5123: 5122:, Harrap, 1985 5116: 5109: 5106:A Divided Life 5099: 5098: 5070: 5045: 5007: 4978: 4952: 4926: 4900: 4874: 4848: 4822: 4811:. 12 July 1987 4796: 4770: 4751: 4725: 4688: 4677:. 7 April 1987 4662: 4629: 4607: 4590: 4573: 4556: 4530: 4513: 4498: 4481: 4464: 4455: 4438: 4423: 4408: 4399: 4377: 4360: 4345: 4319: 4304: 4289: 4274: 4271:. p. b11. 4259: 4244: 4218: 4203: 4194: 4175: 4162: 4147: 4132: 4121: 4106: 4091: 4088:. p. c11. 4076: 4061: 4052: 4037: 4012: 3997: 3982: 3973: 3958: 3951: 3930: 3915: 3900: 3884: 3866: 3851: 3842: 3816: 3809: 3789: 3763: 3754: 3745: 3725: 3710: 3695: 3675: 3655: 3652:. p. d16. 3640: 3614: 3599: 3590: 3571: 3556: 3541: 3532: 3517: 3502: 3487: 3472: 3457: 3448: 3433: 3403: 3377: 3351: 3325: 3318: 3295: 3264: 3237: 3236: 3234: 3231: 3230: 3229: 3222: 3219: 3217: 3216: 3208: 3200: 3192: 3184: 3173: 3165: 3157: 3147: 3144: 3143: 3142: 3136: 3134:United Artists 3130: 3124: 3121: 3115: 3113:Orion Pictures 3109: 3103: 3097: 3094: 3088: 3082: 3079: 3073: 3066: 3065: 3053: 3045: 3035: 3032: 3031: 3030: 3022: 3014: 3006: 2998: 2990: 2982: 2974: 2966: 2958: 2950: 2942: 2932: 2931:Verity Lambert 2929: 2928: 2927: 2919: 2911: 2903: 2899:Tender Mercies 2895: 2887: 2879: 2871: 2863: 2855: 2847: 2839: 2831: 2823: 2815: 2807: 2799: 2791: 2781: 2780:Barry Spikings 2778: 2777: 2776: 2768: 2760: 2752: 2744: 2736: 2728: 2720: 2716:Broken Promise 2712: 2704: 2696: 2695:(October 1980) 2688: 2680: 2672: 2664: 2656: 2652:S.O.S. Titanic 2648: 2640: 2632: 2624: 2616: 2608: 2600: 2592: 2584: 2576: 2575:(January 1978) 2568: 2560: 2559:(October 1977) 2552: 2542: 2539: 2538: 2537: 2529: 2521: 2513: 2505: 2497: 2489: 2479: 2476: 2475: 2474: 2466: 2458: 2450: 2442: 2432: 2429: 2428: 2427: 2419: 2413: 2405: 2397: 2385: 2377: 2369: 2361: 2353: 2347: 2339: 2331: 2323: 2315: 2307: 2306:(1974) (short) 2301: 2293: 2285: 2277: 2269: 2261: 2253: 2245: 2237: 2229: 2221: 2213: 2205: 2197: 2189: 2181: 2173: 2165: 2157: 2149: 2141: 2133: 2125: 2117:All the Way Up 2111: 2108: 2107: 2106: 2102:The Boy Friend 2098: 2094:The Go-Between 2090: 2080: 2077: 2076: 2075: 2067: 2059: 2051: 2047:Man at the Top 2043: 2035: 2027: 2019: 2018:(October 1971) 2011: 2001: 1998: 1997: 1996: 1988: 1980: 1976:The Go-Between 1972: 1964: 1956: 1948: 1940: 1932: 1924: 1916: 1908: 1900: 1882: 1879: 1878: 1873: 1870: 1819: 1816: 1694:Cineplex Odeon 1678: 1675: 1632:Robert Maxwell 1619: 1616: 1580:Verity Lambert 1502:United Artists 1485:(which became 1483:Illegal Aliens 1469:Verity Lambert 1464: 1463:Verity Lambert 1461: 1449:Orion Pictures 1433:S.O.S. Titanic 1327:Off the Record 1230: 1227: 1214:Orion Pictures 1154:Chinese Bandit 1106:Barry Spikings 1102:Michael Deeley 1093: 1090: 1086: 1085: 1075: 1066: 1061: 1051: 1037: 1030: 1023: 1013: 1003: 937:James Carreras 914: 911: 882:The Go-Between 857: 854: 836:Michael Powell 830:, the play by 752:The Go-Between 699: 698: 695: 692: 686: 680: 674: 668: 659: 653: 640: 639: 633: 627: 621: 615: 608: 607:by John Quigly 601: 595: 588: 585:Richard Condon 581: 567: 564:Kevin Brownlow 557: 550:The Go-Between 547: 542: 537: 459: 456: 454: 451: 418:sister company 354: 353: 342: 338: 337: 330: 324: 323: 301:France Telecom 242: 238: 237: 232: 228: 227: 210: 207: 204: 203: 200: 197: 194: 193: 183:United Kingdom 176: 172: 171: 169:StudioCanal UK 162: 158: 157: 151: 147: 146: 132:(as a company) 119: 115: 114: 109: 105: 104: 91: 87: 86: 77: 73: 72: 67: 63: 62: 57: 53: 52: 35: 15: 13: 10: 9: 6: 4: 3: 2: 6174: 6163: 6160: 6158: 6155: 6153: 6150: 6148: 6145: 6143: 6140: 6138: 6135: 6133: 6130: 6128: 6125: 6123: 6120: 6118: 6115: 6113: 6110: 6108: 6105: 6103: 6100: 6098: 6095: 6093: 6090: 6088: 6085: 6083: 6082:Groupe Canal+ 6080: 6078: 6075: 6074: 6072: 6057: 6056: 6047: 6045: 6044: 6035: 6034: 6031: 6025: 6022: 6020: 6017: 6015: 6014:Ciné+ Premier 6012: 6010: 6007: 6003: 6000: 5998: 5995: 5994: 5993: 5992:Vivendi Games 5990: 5988: 5985: 5983: 5980: 5978: 5975: 5973: 5970: 5966: 5963: 5961: 5958: 5957: 5956: 5953: 5951: 5950:Maroc Telecom 5948: 5946: 5943: 5941: 5938: 5936: 5933: 5931: 5928: 5926: 5923: 5921: 5918: 5916: 5915:Canal+ Family 5913: 5911: 5910:Banijay Group 5908: 5906: 5903: 5899: 5896: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5858:Infinity Ward 5856: 5854: 5851: 5849: 5846: 5844: 5841: 5840: 5839: 5836: 5835: 5833: 5827: 5820: 5817: 5814: 5811: 5810: 5808: 5804: 5798: 5795: 5793: 5790: 5789: 5787: 5783: 5777: 5774: 5772: 5769: 5767: 5764: 5762: 5759: 5757: 5754: 5752: 5749: 5747: 5744: 5742: 5739: 5737: 5734: 5732: 5729: 5728: 5726: 5724: 5720: 5714: 5711: 5709: 5706: 5704: 5701: 5698: 5695: 5693: 5690: 5688: 5685: 5684: 5682: 5678: 5671: 5668: 5665: 5656: 5655: 5653: 5652: 5651: 5648: 5647: 5645: 5642: 5641: 5639: 5635: 5625: 5622: 5620: 5617: 5615: 5612: 5610: 5607: 5605: 5602: 5600: 5597: 5596: 5594: 5592: 5588: 5582: 5581:TV Vlaanderen 5579: 5577: 5574: 5572: 5569: 5567: 5564: 5562: 5559: 5558: 5556: 5554: 5550: 5544: 5541: 5537: 5534: 5533: 5532: 5529: 5527: 5524: 5522: 5519: 5517: 5514: 5512: 5509: 5507: 5504: 5502: 5499: 5498: 5496: 5490: 5482: 5479: 5477: 5474: 5472: 5469: 5468: 5466: 5464: 5461: 5459: 5456: 5454: 5451: 5449: 5446: 5444: 5441: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5419: 5416: 5414: 5411: 5409: 5406: 5404: 5401: 5399: 5396: 5394: 5391: 5389: 5388:Ciné+ Classic 5386: 5384: 5381: 5379: 5376: 5374: 5373:Ciné+ Émotion 5371: 5369: 5368:Ciné+ Frisson 5366: 5364: 5361: 5359: 5356: 5353: 5352:Mezzo Live HD 5350: 5347: 5344: 5342: 5339: 5337: 5334: 5332: 5329: 5327: 5324: 5322: 5321:Canal+ Cinéma 5319: 5317: 5316:Canal+ Séries 5314: 5312: 5309: 5307: 5304: 5302: 5299: 5297: 5294: 5292: 5289: 5287: 5284: 5282: 5279: 5277: 5274: 5273: 5271: 5267: 5263: 5260: 5258: 5257:Groupe Canal+ 5254: 5248: 5245: 5243: 5240: 5238: 5235: 5234: 5232: 5228: 5222: 5219: 5218: 5215: 5211: 5204: 5199: 5197: 5192: 5190: 5185: 5184: 5181: 5175: 5172: 5170: 5166: 5163: 5159: 5155: 5150: 5149: 5145: 5140: 5134: 5130: 5129: 5124: 5121: 5117: 5114: 5110: 5107: 5103: 5102: 5087: 5086: 5081: 5074: 5071: 5059: 5055: 5049: 5046: 5034: 5030: 5026: 5022: 5018: 5011: 5008: 4996: 4992: 4988: 4982: 4979: 4966: 4962: 4956: 4953: 4941: 4937: 4930: 4927: 4915: 4911: 4904: 4901: 4888: 4884: 4878: 4875: 4863: 4859: 4852: 4849: 4837: 4833: 4826: 4823: 4810: 4806: 4800: 4797: 4785: 4781: 4774: 4771: 4766: 4762: 4755: 4752: 4739: 4735: 4729: 4726: 4714: 4710: 4703: 4701: 4699: 4697: 4695: 4693: 4689: 4676: 4672: 4666: 4663: 4651: 4647: 4643: 4639: 4633: 4630: 4618: 4611: 4608: 4603: 4602: 4594: 4591: 4586: 4585: 4577: 4574: 4569: 4568: 4560: 4557: 4545: 4541: 4534: 4531: 4526: 4525: 4517: 4514: 4510:. p. 11. 4509: 4502: 4499: 4494: 4493: 4485: 4482: 4477: 4476: 4468: 4465: 4459: 4456: 4451: 4450: 4442: 4439: 4435:. p. 24. 4434: 4427: 4424: 4419: 4412: 4409: 4403: 4400: 4395: 4388: 4381: 4378: 4373: 4372: 4364: 4361: 4357:. p. 13. 4356: 4349: 4346: 4333: 4329: 4323: 4320: 4315: 4308: 4305: 4300: 4293: 4290: 4285: 4278: 4275: 4270: 4263: 4260: 4255: 4248: 4245: 4233: 4229: 4222: 4219: 4214: 4207: 4204: 4198: 4195: 4190: 4186: 4179: 4176: 4172: 4166: 4163: 4159:. p. g1. 4158: 4151: 4148: 4144:. p. 34. 4143: 4136: 4133: 4125: 4122: 4117: 4110: 4107: 4102: 4095: 4092: 4087: 4080: 4077: 4072: 4065: 4062: 4056: 4053: 4049:. p. 20. 4048: 4041: 4038: 4026: 4025:Screen Online 4022: 4016: 4013: 4008: 4001: 3998: 3993: 3986: 3983: 3977: 3974: 3969: 3962: 3959: 3954: 3952:9781441134981 3948: 3944: 3937: 3935: 3931: 3927:. p. B5. 3926: 3919: 3916: 3911: 3904: 3901: 3897: 3891: 3889: 3885: 3881: 3880: 3873: 3871: 3867: 3862: 3855: 3852: 3849:Forbes, p.102 3846: 3843: 3830: 3826: 3820: 3817: 3812: 3806: 3802: 3801: 3793: 3790: 3778: 3774: 3767: 3764: 3761:Forbes, p.108 3758: 3755: 3749: 3746: 3741: 3740: 3732: 3730: 3726: 3721: 3714: 3711: 3706: 3699: 3696: 3691:. p. 17. 3690: 3686: 3679: 3676: 3671:. p. 17. 3670: 3666: 3659: 3656: 3651: 3644: 3641: 3628: 3624: 3618: 3615: 3610: 3603: 3600: 3597:Forbes, p.103 3594: 3591: 3587:. p. 17. 3586: 3582: 3575: 3572: 3567: 3560: 3557: 3552: 3545: 3542: 3536: 3533: 3528: 3521: 3518: 3513: 3506: 3503: 3498: 3491: 3488: 3483: 3476: 3473: 3468: 3461: 3458: 3452: 3449: 3444: 3437: 3434: 3422: 3418: 3412: 3410: 3408: 3404: 3392: 3388: 3381: 3378: 3366: 3362: 3355: 3352: 3340: 3336: 3329: 3326: 3321: 3319:9780813132785 3315: 3311: 3310: 3302: 3300: 3296: 3283: 3279: 3273: 3271: 3269: 3265: 3253: 3249: 3242: 3239: 3232: 3228: 3225: 3224: 3220: 3214: 3213: 3209: 3206: 3205: 3201: 3198: 3197: 3193: 3190: 3189: 3185: 3183: 3179: 3178: 3174: 3171: 3170: 3166: 3163: 3162: 3158: 3155: 3154: 3150: 3149: 3145: 3141: 3137: 3135: 3131: 3129: 3125: 3122: 3120: 3116: 3114: 3110: 3108: 3104: 3102: 3098: 3095: 3093: 3089: 3087: 3083: 3080: 3078: 3074: 3072: 3068: 3067: 3063: 3059: 3058: 3054: 3051: 3050: 3046: 3043: 3042: 3038: 3037: 3033: 3028: 3027: 3023: 3020: 3019: 3015: 3012: 3011: 3007: 3004: 3003: 2999: 2996: 2995: 2994:Wild Geese II 2991: 2988: 2987: 2983: 2980: 2979: 2975: 2972: 2971: 2967: 2964: 2963: 2959: 2956: 2955: 2951: 2948: 2947: 2943: 2940: 2939: 2935: 2934: 2930: 2925: 2924: 2920: 2917: 2916: 2912: 2909: 2908: 2904: 2901: 2900: 2896: 2893: 2892: 2888: 2885: 2884: 2880: 2877: 2876: 2872: 2869: 2868: 2864: 2861: 2860: 2856: 2853: 2852: 2848: 2845: 2844: 2840: 2837: 2836: 2832: 2829: 2828: 2824: 2821: 2820: 2816: 2813: 2812: 2811:The Awakening 2808: 2805: 2804: 2800: 2797: 2796: 2792: 2789: 2788: 2784: 2783: 2779: 2774: 2773: 2772:Packin' It In 2769: 2766: 2765: 2761: 2758: 2757: 2753: 2750: 2749: 2745: 2742: 2741: 2737: 2734: 2733: 2729: 2726: 2725: 2721: 2718: 2717: 2713: 2710: 2709: 2705: 2702: 2701: 2697: 2694: 2693: 2689: 2686: 2685: 2681: 2678: 2677: 2673: 2670: 2669: 2665: 2662: 2661: 2657: 2654: 2653: 2649: 2646: 2645: 2641: 2638: 2637: 2633: 2630: 2629: 2625: 2622: 2621: 2617: 2614: 2613: 2609: 2606: 2605: 2601: 2598: 2597: 2593: 2590: 2589: 2585: 2582: 2581: 2577: 2574: 2573: 2569: 2566: 2565: 2561: 2558: 2557: 2553: 2550: 2549: 2545: 2544: 2540: 2535: 2534: 2530: 2527: 2526: 2522: 2519: 2518: 2514: 2511: 2510: 2506: 2503: 2502: 2498: 2495: 2494: 2490: 2487: 2486: 2482: 2481: 2477: 2472: 2471: 2467: 2464: 2463: 2459: 2456: 2455: 2451: 2448: 2447: 2443: 2440: 2439: 2435: 2434: 2430: 2425: 2424: 2420: 2417: 2414: 2411: 2410: 2409:Cross of Iron 2406: 2403: 2402: 2398: 2395: 2391: 2390: 2386: 2383: 2382: 2378: 2375: 2374: 2370: 2367: 2366: 2362: 2359: 2358: 2354: 2351: 2348: 2345: 2344: 2340: 2337: 2336: 2332: 2329: 2328: 2324: 2321: 2320: 2316: 2313: 2312: 2308: 2305: 2302: 2299: 2298: 2294: 2292: 2290: 2286: 2283: 2282: 2278: 2275: 2274: 2270: 2267: 2266: 2262: 2259: 2258: 2254: 2251: 2250: 2246: 2243: 2242: 2241:Our Miss Fred 2238: 2235: 2234: 2233:Endless Night 2230: 2227: 2226: 2222: 2219: 2218: 2214: 2211: 2210: 2206: 2203: 2202: 2201:I Am a Dancer 2198: 2195: 2194: 2190: 2187: 2186: 2182: 2179: 2178: 2174: 2171: 2170: 2166: 2163: 2162: 2158: 2155: 2154: 2150: 2147: 2146: 2142: 2139: 2138: 2134: 2131: 2130: 2126: 2123: 2119: 2118: 2114: 2113: 2109: 2104: 2103: 2099: 2096: 2095: 2091: 2088: 2087: 2083: 2082: 2078: 2073: 2072: 2068: 2065: 2064: 2060: 2057: 2056: 2052: 2050:(1973) (AE/H) 2049: 2048: 2044: 2041: 2040: 2036: 2033: 2032: 2028: 2025: 2024: 2020: 2017: 2016: 2012: 2009: 2008: 2004: 2003: 1999: 1994: 1993: 1989: 1986: 1985: 1981: 1978: 1977: 1973: 1970: 1969: 1965: 1962: 1961: 1957: 1954: 1953: 1949: 1946: 1945: 1941: 1938: 1937: 1933: 1931:(1970) (ABPC) 1930: 1929: 1925: 1923:(1970) (ABPC) 1922: 1921: 1917: 1915:(1970) (ABPC) 1914: 1913: 1909: 1907:(1970) (ABPC) 1906: 1905: 1901: 1898: 1894: 1890: 1889: 1885: 1884: 1880: 1877: 1871: 1869: 1867: 1863: 1859: 1854: 1852: 1847: 1843: 1839: 1835: 1831: 1827: 1825: 1817: 1815: 1813: 1809: 1804: 1802: 1797: 1795: 1790: 1788: 1784: 1779: 1777: 1773: 1769: 1764: 1762: 1757: 1755: 1750: 1745: 1743: 1739: 1734: 1732: 1728: 1724: 1720: 1719: 1714: 1709: 1707: 1703: 1699: 1695: 1691: 1687: 1683: 1676: 1674: 1672: 1668: 1664: 1660: 1656: 1652: 1647: 1645: 1641: 1637: 1633: 1629: 1625: 1617: 1615: 1613: 1609: 1604: 1602: 1598: 1593: 1591: 1587: 1586: 1581: 1577: 1573: 1572:Jeremy Thomas 1569: 1563: 1561: 1555: 1553: 1552: 1547: 1546: 1545:Wild Geese II 1541: 1540: 1535: 1534: 1529: 1528: 1522: 1520: 1516: 1511: 1509: 1508: 1503: 1498: 1496: 1495: 1490: 1489: 1484: 1480: 1479: 1474: 1470: 1462: 1460: 1458: 1454: 1450: 1446: 1442: 1438: 1434: 1430: 1426: 1422: 1418: 1414: 1413:The Cruel Sea 1410: 1406: 1402: 1398: 1397:I Am a Dancer 1394: 1390: 1386: 1381: 1379: 1378: 1373: 1369: 1368: 1361: 1359: 1355: 1351: 1347: 1346: 1341: 1340: 1334: 1332: 1328: 1324: 1323:John Mortimer 1320: 1316: 1315: 1309: 1307: 1303: 1299: 1295: 1291: 1287: 1282: 1280: 1276: 1272: 1271: 1270:The Awakening 1266: 1262: 1259:'s biopic of 1258: 1254: 1253: 1249:(both 1980), 1248: 1247: 1242: 1238: 1237: 1228: 1226: 1223: 1221: 1220: 1215: 1210: 1208: 1207: 1206:Life of Brian 1201: 1199: 1198: 1193: 1192: 1187: 1182: 1180: 1176: 1175: 1170: 1169: 1164: 1163: 1157: 1155: 1151: 1147: 1146: 1141: 1140: 1135: 1134: 1129: 1128: 1123: 1122: 1117: 1116: 1109: 1107: 1103: 1099: 1091: 1089: 1083: 1081: 1080:Nat King Cole 1076: 1073: 1072: 1067: 1065: 1062: 1059: 1055: 1052: 1050: 1049: 1044: 1043: 1038: 1036: 1035: 1031: 1029: 1028: 1024: 1021: 1020:Cross of Iron 1017: 1014: 1011: 1007: 1004: 1002: 999: 998: 997: 994: 992: 991: 985: 983: 982: 981:Alfie Darling 977: 976: 971: 970: 964: 961: 956: 954: 953: 948: 947: 940: 938: 934: 930: 926: 925: 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