159:
also stars as Matt, a fellow student who develops romantic feelings for Sandra, and so must learn to accept her sexual proclivities. Despite being allowed a substantial grant, Stopkewich went almost $ 30,000 into debt and cost her company $ 400,000 so she could complete shooting the film.
167:
described the film as "one of the most controversial films at the
Toronto and Sundance festivals" and gave the film a three-star review, noting that it "is about a necrophiliac, but in its approach, it could be about spirituality or transcendence."
174:
noted that "it would be easy to snicker at this
Canadian film, were its subject not handled with a delicacy and lyricism that underscore the mystical rather than gruesome aspects of what Sandra coolly acknowledges is a consuming addiction."
234:, and thus her films have been described as being "darkly feminist." Canadians also see in her films "a strong sense of local culture" which rises "above the American appropriation of Vancouver as a backdrop for American generic culture."
396:. Edmonton: University of Alberta Press (2007): 385. "Preferring to work with established relationships, her creative collaboration with actress Molly Parker ... has been outstanding."
409:
Toronto: University of
Toronto Press (1999): 264. "Stopkewich describes her approach to the circuit of looks as an overt decision, based on her familiarity with feminist film theory."
139:
commenced development as
Stopkewich's thesis feature at the University of British Columbia, to which Stopkewich later returned as a faculty member. The film stars
517:
507:
271:
497:
492:
249:
438:
373:
111:
55:
242:
223:. Stopkewich generally prefers to work with cast and crew with whom she has worked before, most notably, the actress
195:
90:
110:, followed in 1996 by a Master of Fine Arts Degree in film studies from the Department of Theatre and Film at the
502:
512:
268:
201:
487:
231:
107:
50:
219:
213:
170:
278:. Department of Theatre and Film Studies, University of British Columbia. Retrieved 2011-01-02.
365:
359:
331:
472:
369:
156:
189:
443:
275:
252:'s efforts to end homelessness for people with mental illness via its At Home initiative.
245:
336:
481:
393:
292:
224:
140:
106:
In 1987, Stopkewich obtained her
Bachelor of Fine Arts Degree in film studies from
87:
309:
305:
164:
152:
151:
at a mortuary school, where in turn she finds herself drawn toward feelings of
207:
115:
148:
83:
40:
468:
135:
129:
94:
144:
230:
Stopkewich's approach to the gaze in film is in part informed by
193:(2000). She has also directed various television episodes of
364:. Waterloo, ON: Wilfrid Laurier University Press. pp.
388:
Kalli
Paakspuu, "Lynne Stopkewich: Abject Sexualities"
287:
Kalli
Paakspuu, "Lynne Stopkewich: Abject Sexualities"
361:
The gendered screen : Canadian women filmmakers
295:. Edmonton: University of Alberta Press (2007): 394
69:
61:
46:
36:
28:
21:
143:as Sandra Larson, a young woman whose fixation on
439:"Here At Home: In the Kitchen With Mr. MadDogg"
86:film director. She attracted attention for her
358:Melnyk, George; Austin-Smith, Brenda (2010).
8:
187:, Stopkewich has directed the feature film
18:
163:The film received significant attention.
261:
518:University of British Columbia alumni
7:
508:Canadian women television directors
269:Faculty Profile of Lynne Stopkewich
330:Holden, Stephen (April 18, 1997).
250:Mental Health Commission of Canada
16:Canadian film director (born 1964)
14:
237:She is the Vancouver director on
118:were made while at Concordia.
112:University of British Columbia
56:University of British Columbia
1:
498:Canadian television directors
493:Canadian women film directors
390:Great Canadian Film Directors
289:Great Canadian Film Directors
243:National Film Board of Canada
534:
127:
427:Paakspuu (2007): 401
418:Paakspuu (2007): 385
407:Gendering the Nation
232:feminist film theory
108:Concordia University
51:Concordia University
220:The Shields Stories
147:leads her to study
308:(April 25, 1997).
274:2011-07-06 at the
214:This Is Wonderland
202:Da Vinci's Inquest
171:The New York Times
157:Peter Outerbridge
91:directorial debut
82:(born 1964) is a
77:
76:
70:Years active
525:
503:Feminist artists
469:Lynne Stopkewich
456:
455:
453:
451:
434:
428:
425:
419:
416:
410:
403:
397:
386:
380:
379:
355:
349:
348:
346:
344:
327:
321:
320:
318:
316:
302:
296:
285:
279:
266:
190:Suspicious River
80:Lynne Stopkewich
23:Lynne Stopkewich
19:
533:
532:
528:
527:
526:
524:
523:
522:
478:
477:
465:
460:
459:
449:
447:
444:Huffington Post
437:Curran, Oisin.
436:
435:
431:
426:
422:
417:
413:
404:
400:
387:
383:
376:
357:
356:
352:
342:
340:
329:
328:
324:
314:
312:
304:
303:
299:
286:
282:
276:Wayback Machine
267:
263:
258:
246:web documentary
183:In addition to
181:
132:
126:
104:
102:Life and career
54:
47:Alma mater
24:
17:
12:
11:
5:
531:
529:
521:
520:
515:
510:
505:
500:
495:
490:
480:
479:
476:
475:
464:
463:External links
461:
458:
457:
429:
420:
411:
405:Kay Armatage,
398:
381:
374:
350:
337:New York Times
322:
297:
280:
260:
259:
257:
254:
248:exploring the
180:
177:
128:Main article:
125:
120:
103:
100:
75:
74:
71:
67:
66:
63:
59:
58:
48:
44:
43:
38:
34:
33:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
530:
519:
516:
514:
513:Living people
511:
509:
506:
504:
501:
499:
496:
494:
491:
489:
486:
485:
483:
474:
470:
467:
466:
462:
446:
445:
440:
433:
430:
424:
421:
415:
412:
408:
402:
399:
395:
394:George Melnyk
391:
385:
382:
377:
375:9781554582716
371:
367:
363:
362:
354:
351:
339:
338:
333:
326:
323:
311:
307:
301:
298:
294:
293:George Melnyk
290:
284:
281:
277:
273:
270:
265:
262:
255:
253:
251:
247:
244:
240:
235:
233:
228:
226:
222:
221:
216:
215:
210:
209:
204:
203:
198:
197:
192:
191:
186:
178:
176:
173:
172:
166:
161:
158:
154:
150:
146:
142:
138:
137:
131:
124:
121:
119:
117:
114:. Her first
113:
109:
101:
99:
97:
96:
92:
89:
85:
81:
73:1990s–present
72:
68:
65:Film director
64:
60:
57:
52:
49:
45:
42:
39:
35:
31:
27:
20:
448:. Retrieved
442:
432:
423:
414:
406:
401:
389:
384:
360:
353:
341:. Retrieved
335:
325:
313:. Retrieved
306:Ebert, Roger
300:
288:
283:
264:
239:Here At Home
238:
236:
229:
225:Molly Parker
218:
212:
206:
200:
194:
188:
184:
182:
169:
162:
141:Molly Parker
134:
133:
122:
105:
93:
88:feature film
79:
78:
488:1964 births
450:13 November
165:Roger Ebert
153:necrophilia
116:short films
37:Nationality
482:Categories
256:References
208:The L Word
179:Other work
62:Occupation
241:, a 2012
149:embalming
332:"Kissed"
310:"Kissed"
272:Archived
98:(1996).
84:Canadian
41:Canadian
343:May 12,
315:May 12,
392:, ed.
372:
291:, ed.
217:, and
185:Kissed
136:Kissed
130:Kissed
123:Kissed
95:Kissed
196:Bliss
145:death
473:IMDb
452:2012
370:ISBN
345:2014
317:2014
32:1964
29:Born
471:at
484::
441:.
368:.
366:43
334:.
227:.
211:,
205:,
199:,
155:.
454:.
378:.
347:.
319:.
53:,
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.