22:
117:
Since it is an interactive work, the narrative advances through the actions taken by the users through public interface. The user is able to modify their journey through the documentary based on their responses. This way the participation by the users are the key element that give meaning to this new
121:
It is possible to say that the sender and the receiver of the media are at the same level. It is difficult to classify web documentary within a determined space, as this new format documentary is the result of the union between the combination of languages and communication systems, along with new
147:, imagery, titles, and sub-titles all play a role in providing visual clues to the user as to the sequence through which they should move through the web documentary. But from that point, the users have to explore the components of the story that interest them the most.
138:
Compared to a linear narrative where the destination of the story is pre-determined by the filmmaker, a web documentary provides a user with the experience of moving through the story via clusters of information. The integration of
134:
through the integration of a combination of multimedia assets (photos, text, audio, animation, graphic design, etc.) with web technologies. In a web documentary, the user has to interact with, or navigate through, the story.
110:
tools. The interactive multimedia capability of the
Internet provides documentarians with a unique medium to create non-linear productions that combine photography, text, audio, video, animation, and
247:— A reference of genres, terminology and characteristics associated with interactive-web documentaries. Licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
118:
audiovisual genre. For the first time in the history of documentary, the viewer acquires control of navigation, in a way becoming the author or creator of its own personalized documentary.
272:
235:(Preface by Peter Wintonick + 30 international experts (Cizek, Storm, Brachet, Wolking, Bernstein, Strocchi, Saint-Cyr,...), Not So Crazy! Productions
43:
265:
65:
385:
258:
186:
281:
361:
36:
30:
524:
425:
417:
47:
441:
140:
449:
321:
103:
393:
329:
217:"Influences of Concepts and Structure of Documentary Cinema on Documentary Practices in the Internet"
161:
111:
353:
337:
250:
196:
181:
171:
216:
99:
191:
131:
95:
91:
457:
433:
156:
503:
498:
493:
483:
465:
369:
144:
238:
518:
313:
297:
114:
based on real time content. This way the publications progresses over several weeks.
401:
122:
interactive experiences where users acquire a key role due to its interactivity.
244:
166:
409:
176:
107:
305:
488:
377:
345:
241:— MFA in Integrated Media Arts Program, Hunter College, New York
254:
15:
94:
production that differs from the more traditional forms—
233:"Webdocs - Survival Guide for Online Filmmakers" (2011)
232:
126:
How web documentaries differ from film documentaries
476:
289:
266:
8:
273:
259:
251:
215:Melahat Hosseini and Ron Wakkary (2004).
66:Learn how and when to remove this message
29:This article includes a list of general
207:
7:
219:. Archives & Museum Informatics.
239:Web Documentary course information
106:—by applying a full complement of
35:it lacks sufficient corresponding
14:
130:The web documentary differs from
20:
386:The Loxleys and the War of 1812
1:
282:National Film Board of Canada
245:"Genre Guide" by WiredMovie™
541:
418:Seven Digital Deadly Sins
442:The Unknown Photographer
141:information architecture
84:interactive documentary
50:more precise citations.
88:multimedia documentary
394:A Journal of Insomnia
330:Welcome to Pine Point
162:Communication design
354:One Millionth Tower
338:My Tribe Is My Life
362:God's Late Narrows
197:Web graphic design
182:Desktop publishing
172:Information design
132:film documentaries
525:Web documentaries
512:
511:
284:interactive works
76:
75:
68:
532:
275:
268:
261:
252:
221:
220:
212:
192:Interface design
71:
64:
60:
57:
51:
46:this article by
37:inline citations
24:
23:
16:
540:
539:
535:
534:
533:
531:
530:
529:
515:
514:
513:
508:
472:
458:Cardboard Crash
434:Universe Within
285:
279:
229:
224:
214:
213:
209:
205:
157:Photojournalism
153:
128:
80:web documentary
72:
61:
55:
52:
42:Please help to
41:
25:
21:
12:
11:
5:
538:
536:
528:
527:
517:
516:
510:
509:
507:
506:
504:Hugues Sweeney
501:
499:Tom Perlmutter
496:
494:Rob McLaughlin
491:
486:
484:Katerina Cizek
480:
478:
474:
473:
471:
470:
462:
454:
446:
438:
430:
422:
414:
406:
398:
390:
382:
374:
370:The Hole Story
366:
358:
350:
342:
334:
326:
318:
310:
302:
293:
291:
287:
286:
280:
278:
277:
270:
263:
255:
249:
248:
242:
236:
228:
227:External links
225:
223:
222:
206:
204:
201:
200:
199:
194:
189:
184:
179:
174:
169:
164:
159:
152:
149:
145:graphic design
127:
124:
74:
73:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
537:
526:
523:
522:
520:
505:
502:
500:
497:
495:
492:
490:
487:
485:
482:
481:
479:
475:
468:
467:
463:
460:
459:
455:
452:
451:
447:
444:
443:
439:
436:
435:
431:
428:
427:
423:
420:
419:
415:
412:
411:
407:
404:
403:
399:
396:
395:
391:
388:
387:
383:
380:
379:
375:
372:
371:
367:
364:
363:
359:
356:
355:
351:
348:
347:
343:
340:
339:
335:
332:
331:
327:
324:
323:
322:Holy Mountain
319:
316:
315:
314:Out My Window
311:
308:
307:
303:
300:
299:
298:Late Fragment
295:
294:
292:
288:
283:
276:
271:
269:
264:
262:
257:
256:
253:
246:
243:
240:
237:
234:
231:
230:
226:
218:
211:
208:
202:
198:
195:
193:
190:
188:
187:Motion design
185:
183:
180:
178:
175:
173:
170:
168:
165:
163:
160:
158:
155:
154:
150:
148:
146:
142:
136:
133:
125:
123:
119:
115:
113:
109:
105:
101:
97:
93:
89:
85:
81:
70:
67:
59:
56:November 2010
49:
45:
39:
38:
32:
27:
18:
17:
464:
456:
448:
440:
432:
426:Do Not Track
424:
416:
408:
402:Fort McMoney
400:
392:
384:
376:
368:
360:
352:
344:
336:
328:
320:
312:
304:
296:
210:
137:
129:
120:
116:
112:infographics
104:photographic
87:
83:
79:
77:
62:
53:
34:
290:Productions
167:Copywriting
92:documentary
48:introducing
410:Circa 1948
203:References
177:Typography
108:multimedia
31:references
450:Way to Go
306:Waterlife
519:Category
151:See also
489:Loc Dao
466:Seances
378:Bear 71
346:Bla Bla
44:improve
477:People
469:(2016)
461:(2015)
453:(2015)
445:(2015)
437:(2015)
429:(2015)
421:(2014)
413:(2014)
405:(2013)
397:(2013)
389:(2012)
381:(2012)
373:(2011)
365:(2011)
357:(2011)
349:(2011)
341:(2011)
333:(2011)
325:(2010)
317:(2010)
309:(2009)
301:(2007)
33:, but
100:audio
96:video
90:is a
86:, or
521::
143:,
102:,
98:,
82:,
78:A
274:e
267:t
260:v
69:)
63:(
58:)
54:(
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.