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region. In North
Carolina, Lynne is most recognized for her lively crowd pleaser "Carolina Jamboree" featuring music by the Red Clay Ramblers, (a North Carolinian blue grass band). During the live performances of Carolina Jamboree, The Red Clay Ramblers are integrated with the professional dancers. Lynne wanted local music to be soul of her work in Carolina Jamboree and this is clearly presented by having the live band elevated on stage with the dancers. The intermissions of the piece are even choreographed balletically and musically. The Red Clay Ramblers play interludes with active audience and dancer participation. Carolina Ballet received rave reviews for its revival of Carolina Jamboree in 2013, both at the Raleigh Memorial Auditorium and at the Durham Performing Arts Center (DPAC). The ballet choreography in Carolina Jamboree evokes lively folk dancing shown through several solos, pas de deuxs, and group dances. The "Red Rocking Chair" female solo is deeply moving in its depiction of a mother who has lost her newborn. Lynne's Taylor Corbett's work in Carolina Jamboree carries a strong sense of nationalism towards American dance. The ballet is split into three acts. The first: "Appalachia Stories," the second: "The Mystery of Nell Cropsey," and the third: "Fiddlesticks." All three sections touch on the hardships of the Great Depression and the joys of overcoming such hard times. Carolina Jamboree is a true testament to Lynne's Taylor-Corbett's talent. The piece showcases dancers abilities both technically and emotionally and it is a joy to view as an audience member.
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Lynne Taylor
Corbett has created some of her most inspiring choreography on Carolina Ballet. She has worked with the company extensively for 10 years and has developed deep knowledge of the strengths of the Carolina Ballet dancers. Lynne has also familiarized herself with the North Carolina Triangle
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Lynne Taylor-Corbett grew up in the Denver, Colorado area, and attended
Littleton High school. She gained her first exposure to dance through her mother, a pianist for ballet classes. She left Colorado for New York City at the age of 17, where she initially found work as an usher at the New York
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in 1967. She also danced and choreographed for a small ensemble, The Dance
Theatre Collection, where her work garnered enough attention to draw increasingly prestigious commissions through the 1970s and into the 1980s, including from
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announced that Lynne Taylor-Corbett is the recipient of the 2008 Joseph A. Callaway Award for excellence in stage directing and choreography.
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nomination for
Outstanding Choreography. Her recent stage work includes both directing and choreographing the musical
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507:Complete list of works Management Company
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428:balletmet.org, accessed May 21, 2009
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84:Prayers from the Edge
76:David H. Koch Theater
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180:Shaun Taylor-Corbett
63:Lynne Taylor-Corbett
23:Lynne Taylor-Corbett
158:My Vaudeville Man!.
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359:References
189:Altar Boyz
129:Tony Award
120:) for the
178:Her son,
104:Footloose
422:Archived
378:The Know
347:See also
53:lyricist
50:director
495:at the
323:Estuary
308:Mercury
258:Dracula
220:Titanic
133:musical
318:, 1992
303:, 1994
288:, 2000
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251:Bolero
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228:- 1993
222:– 1997
214:Swing!
137:Swing!
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386:2018
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69:Life
29:Born
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