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402:. Over a period of nine months, Maria sang the lead roles in eight operas, two of which were written by her father. In New York, she met and hastily married a banker, Francois Eugene Malibran, who was 28 years her senior. It is thought that her father forced Maria to marry him in return for the banker's promise to give Manuel GarcĂa 100,000 francs. However, according to other accounts, she married simply to escape her tyrannical father. A few months after the wedding, her husband declared bankruptcy, and Maria was forced to support him through her performances. After a year, she left Malibran and returned to Europe.
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and
Theatre Royal on Fountain Street. She collapsed on stage while performing encores at the theatre, but insisted on performing in the church the following morning and died after a week of agony, attended by her private physician. Her body was temporarily buried in the church after a public funeral
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wrote, "Malibran's voice was vibrant, full of brightness and vigor. Without ever losing her flattering timbre, this velvet tone that has given her so much seduction in tender and passionate arias. Vivacity, accuracy, ascending chromatics runs,
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Ah! That wonderful creature! With her disconcerting musical genius she surpassed all who sought to emulate her, and with her superior mind, her breadth of knowledge and unimaginable fieriness of temperament she outshone all other women I have
305:. GarcĂa was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between two powerful egos.
653:) was remarkably wide, from Eâ™ below middle C to high C and D, which allowed her easily to sing roles for contralto as well as high soprano. Her contemporaries admired Malibran's emotional intensity on stage. Rossini, Donizetti,
222:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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in Paris in
September 1825, an opera which Rossini, as director of the Théâtre-Italien, introduced to the French capital and "which launched Meyerbeer's European reputation". Malibran enjoyed great success in
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parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in
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to the music composed for
Malibran and her most famous roles, as well as an extensive tour and DVD concert dedicated to La Malibran. In 2008 Decca released a recording Bellini's
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however, accused her of lacking refinement and class and of trying to "appeal to the masses who have no artistic taste." Describing her voice and technique, French critic
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with
Cecilia Bartoli in the lead role using many cadenzas that la Malibran herself used and which restored the tessitura of the role to the high mezzo-soprano range (as
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1206:, wrote a final delirious prose poem addressed to Malibran, whom she regarded as a kind of patron saint: "Tell her to say God bless the shadows as I bless the light."
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When the season closed, GarcĂa immediately took his operatic troupe to New York. The troupe consisted primarily of the members of his family: Maria, her brother,
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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on 8 April 1835, where she donated her performance to the dilapidated Teatro San
Giovanni Grisostomo, inspiring its restoration. It was renamed
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and suffered injuries from which she never recovered. She refused to see a physician and continued to perform. In
September 1836 she was in
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to adapt it to her mezzo-soprano voice and even promised to write a new opera especially for her, but he died before he was able to do so.
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conserves a series of interesting coloured costume projects for this play, created by
Malibran, revealing her unsuspected drawing talent.
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Letter from Carlo
Severini to Éduard Robert (Co-Director of the Théâtre-Italien), 1829: "She will do three jobs for us...", in Bartoli,
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did a recital tour called "Malibran" in order to revive
Malibran's memory, singing pages from the singer's favourites in Venice.
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1398:"Acute-on-chronic subdural hematoma: the death of the famous XIX century soprano Maria Malibran – a study of the sources"
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Content in this edit is translated from the existing French
Knowledge article at ]; see its history for attribution.
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in a sympathetic light, censors demanded textual amendments, which Malibran often ignored. The Library of the
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1094:(1943) directed by Italian director Guido Brignone and starring Moldovan-born Austrian soprano and actress
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In 1834, Malibran moved to England and began to perform in London and Europe. In Venice, she performed
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possesses an important collection of scores, documents and objects from the diva, assembled in the
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1233:(1805–1906), singer, composer, singing teacher; married Cécile Maria "Eugénie" Mayer (1814–1880)
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became indisposed, GarcĂa suggested that his daughter take over in the role of Rosina in
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and she was hailed and venerated as its patroness. In late May 1836, she starred in
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Bartoli, Cecilia (2007), "Genius, Scandal and Death: Maria – Singer and Diva", in
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50:(24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both
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Manchester Cathedral: The Old Church of the World's First Great Industrial City
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couple for six years and a child was born to them in 1833 (the piano pedagogue
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includes a poetic tribute, in miniature, in The English Bijou Almanack, 1837.
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accompanied by a solo violin especially for the couple. Malibran sang at the
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and Maria Malibran had sung it). In 2013 Decca did it again with Bellini's
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to the source of your translation. A model attribution edit summary is
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among other major opera houses. In Paris, she met and performed with
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portrayed in an 1838 lithograph; Malibran had died two years earlier.
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Malibran became romantically involved with the Belgian violinist
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Claudie Viardot (1852–1914); married Georges Chamerot; had issue
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Malibran in the façade of Teatre Principal, Barcelona (1847)
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This was the first time that Italian opera was performed in
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In Europe, Malibran sang the title role at the premiere of
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Marianne Viardot (1854–1919), painter, briefly engaged to
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Malibran is most closely associated with the operas of
1589:. Jefferson, North Carolina: McFarland & Co Inc.
1381:"Manuel GarcĂa (1805–1906): A bicentenary reflection"
1339:"Maria Malibran | Spanish opera singer | Britannica"
387:, also called "la Briones". Maria's younger sister,
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1387:, Vol. 11, 2005, pp. 25–41. Accessed 28 August 2010
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Malibran's Hotel, Brussels,1899 – a town hall today
299:, having created the role of Count Almaviva in his
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a machine-translated version of the French article.
1575:. Decca Music Group, with accompanying CD and DVD.
1061:in Venice, where her cameo hangs above the stage.
1624:, New York: Carroll & Graf Publishers, 2003.
1271:(1833–1914), pianist, composer, professor at the
1085:Several films depict the life of Maria Malibran:
279:was born into a famous Spanish musical family in
550:Among other operas, she sang the title role in
1110:starring Géori Boué, celebrated singer of the
240:accompanying your translation by providing an
202:Click for important translation instructions.
189:expand this article with text translated from
1786:
1580:Memoirs and letters of madame Malibran, Vol 2
287:, an actress and operatic singer. Her father
8:
1043:Malibran (date unknown) in Cecilia Bartoli,
1919:Deaths by horse-riding accident in England
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1370:, B-Bc, Maria Malibran fund, FC-2-MM-073).
1765:International Music Score Library Project
1719:Maria Malibran, Histoire d'une Cantatrice
1657:Maria Malibran: A Biography of the Singer
1587:The Assoluta Voice in Opera, 1797 to 1847
1520:McGonagall, William (12 September 2011).
510:participating in a music festival at the
160:Learn how and when to remove this message
1740:Information about Malibran's performance
1681:Maria Malibran: Diva of the Romantic Age
1396:Mainardi, Zanchin, Paladin and Maggioni,
1188:She appears as a character in a poem by
1175:, casting Bartoli as the title role and
1904:19th-century French women opera singers
1659:, Pennsylvania State University Press.
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1430:Giachino Rossini, in Bartoli 2007, p. 8
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1282:(1821–1910), singer, composer; married
982:Arsace and the title role in Rossini's
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1292:(1841–1918), composer, pianist, singer
636:. Bellini wrote a new version of his
541:. The composer extolled her virtues:
515:before being moved to a mausoleum in
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1468:, Philadelphia, Carey and Hart, 1840
1466:Memoires and Letters of Mme Malibran
1245:Alberto GarcĂa (1875–1946), baritone
1131:(1972) directed by German filmmaker
916:Amelia, ovvero Otto anni di costanza
350:Malibran first appeared on stage in
317:Malibran's lover, Belgian violinist
98:adding citations to reliable sources
1106:(1944) directed by French director
1914:19th-century Spanish opera singers
1122:(1951) a Spanish film directed by
580:(both Arsace and the title role).
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1848:Louise HĂ©ritte-Viardot (daughter)
1265:(1802–1870), composer, violinist
880:as Donna Elvira, and her brother
661:were among her fans. The painter
1929:19th-century classical composers
395:, was then only four years old.
252:{{Translated|fr|Maria Malibran}}
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27:Spanish opera singer (1808–1836)
1582:. Philadelphia: Carey and Hart.
1219:(1775–1832), singer, composer,
440:. The pair lived together as a
85:needs additional citations for
1752:Musical Manuscripts Collection
1683:, London: Souvenir Press Ltd.
1554:, Cambridge University Press.
1368:Royal Conservatory of Brussels
1071:Royal Conservatory of Brussels
876:as the title role, her mother
814:The title role in Donizetti's
431:Royal Conservatory of Brussels
323:Royal Conservatory of Brussels
277:MarĂa Felicitas GarcĂa Sitches
250:You may also add the template
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1761:Free scores by Maria Malibran
1606:Saint Bris, Gonzague (2009),
977:Wilhelmine Schröder-Devrient
452:of her marriage to Malibran.
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1934:19th-century women composers
1578:Merlin, Countess de, (1840)
1455:Servadio 2003, (p. 127)
991:The title role in Rossini's
971:The title role in Rossini's
944:The title role in Rossini's
740:The title role in Bellini's
731:Lisa and Amina in Bellini's
448:), before Maria obtained an
1709:Life of Mme. Maria Malibran
1585:Riggs, Geoffrey S. (2009),
1538:. Simon and Schuster, 2005.
1250:Eugenie Harouel (1840–1924)
1129:The Death of Maria Malibran
749:The Princess of Navarre in
1950:
1924:Burials at Laeken Cemetery
1700:Languine, Clément (1911),
1550:Ashbrook, William (1982),
321:, next to her bust at the
214:Machine translation, like
1863:Joaquina Sitches (mother)
1655:Bushnell, Howard (1980),
1269:Charles-Wilfrid de BĂ©riot
1263:Charles Auguste de BĂ©riot
1236:Manuel GarcĂa (1836–1885)
1159:dedicated her 2007 album
502:. In July 1836, Malibran
446:Charles-Wilfrid de BĂ©riot
438:Charles Auguste de BĂ©riot
415:. The opera was based on
319:Charles Auguste de BĂ©riot
191:the corresponding article
1552:Donizetti and His Operas
1253:Marie Crèpet (1842–1867)
1183:Letitia Elizabeth Landon
1124:Luis Escobar Kirkpatrick
1057:She is the patroness of
716:I Capuleti e i Montecchi
613:I Capuleti e i Montecchi
1873:Maria Malibran (sister)
1868:Manuel GarcĂa (brother)
1843:Louis Viardot (husband)
1748:, one of her last roles
1634:Shanks, Andrew (2010),
1620:Servadio, Gaia (2003),
962:Desdemona in Rossini's
261:For more guidance, see
36:Malibran depicted in a
1909:Spanish mezzo-sopranos
1858:Manuel GarcĂa (father)
1522:"Little Pierre's Song"
1290:Louise HĂ©ritte-Viardot
1049:
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935:Fiorilla in Rossini's
890:The Marriage of Figaro
872:, opposite her father
795:La figlia dell'arciere
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425:, and as it portrayed
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48:Maria Felicia Malibran
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1492:IMDb page on the film
1364:La Réforme du Théâtre
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953:Ninetta in Rossini's
929:The Barber of Seville
856:Il crociato in Egitto
782:Il Matrimonio Segreto
722:Imogene in Bellini's
590:Il crociato in Egitto
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530:
523:Roles and vocal style
373:The Barber of Seville
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302:The Barber of Seville
263:Knowledge:Translation
234:copyright attribution
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1638:, Scala Publishers.
1402:Neurological Science
1231:Manuel GarcĂa Junior
887:Susanna in Mozart's
849:Alma and Felicia in
472:Last years and death
427:Mary, Queen of Scots
383:, and their mother,
94:improve this article
1756:Harry Ransom Center
1717:(1911 & 2010),
1707:Nathan, I. (1846),
1075:Maria Malibran fund
1069:The Library of the
1065:Maria Malibran fund
769:The Student of Jena
504:fell from her horse
366:. When prima donna
354:with her father in
1853:Paul Viardot (son)
1817:Le dernier sorcier
1745:The Maid of Artois
1366:, (Library of the
1343:www.britannica.com
1190:William McGonagall
1155:The mezzo-soprano
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1013:Romeo in Vaccaj's
1000:The title role in
938:Il Turco in Italia
896:The title role in
836:The title role in
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696:The title role in
690:The Maid of Artois
657:, Mendelssohn and
565:Il turco in Italia
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1729:(print on demand)
1644:978-1-85759-658-8
1616:978-2-7144-4542-1
1379:Teresa Radomski,
1307:Alphonse Duvernoy
1273:École Niedermeyer
1204:spinal meningitis
1148:In 1982, soprano
1016:Giulietta e Romeo
629:Giulietta e Romeo
619:Giulietta e Romeo
585:Giacomo Meyerbeer
583:She also sang in
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1346:. Retrieved
1342:
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1296:Paul Viardot
1286:(1800–1883)
1258:
1227:(1780–1864)
1200:Susy Clemens
1198:'s daughter
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238:edit summary
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92:Please help
87:verification
84:
47:
46:
29:
1899:1836 deaths
1894:1808 births
1702:La Malibran
1610:, Belfond.
1608:La Malibran
1348:11 December
1298:(1857–1941)
1202:, dying of
1103:La Malibran
975:, opposite
862:Zerlina in
775:Fidalma in
683:Isoline in
651:vocal range
645:Malibran's
462:Paris Opera
422:Mary Stuart
335:La Malibran
41: 1834
18:La Malibran
1888:Categories
1825:Cendrillon
1689:0285650300
1665:0271002220
1560:052123526X
1536:Mark Twain
1504:Sutherland
1477:Saint Bris
1321:References
1305:; married
1223:; married
1221:impresario
1196:Mark Twain
985:Semiramide
922:Rosina in
909:Amelia in
788:Adelia in
639:I puritani
624:Zingarelli
598:'s operas
577:Semiramide
508:Manchester
442:common-law
120:newspapers
66:Early life
60:Manchester
1210:Genealogy
851:Meyerbeer
803:Donizetti
801:Adina in
751:Boieldieu
725:Il Pirata
709:Romeo in
698:Beethoven
672:arpeggios
647:tessitura
546:known....
456:wrote an
450:annulment
407:Donizetti
256:talk page
193:in French
52:contralto
1711:. London
1679:(1987),
1464:Merlin,
1410:29987434
994:Tancredi
825:Persiani
777:Cimarosa
553:Tancredi
419:'s play
232:provide
43:portrait
1836:Related
1767:(IMSLP)
1763:at the
1754:at the
1704:, Paris
1622:Rossini
1509:YouTube
1446:, p. 10
1177:Sumi Jo
924:Rossini
764:Chélard
711:Bellini
703:Fidelio
596:Bellini
556:and in
539:Rossini
389:Pauline
297:Rossini
254:to the
236:in the
195:.
134:scholar
56:soprano
1828:(1904)
1820:(1867)
1809:Operas
1725:
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1024:Legacy
1002:Vaccaj
973:Otello
965:Otello
898:Pacini
864:Mozart
838:Halévy
790:Coccia
655:Chopin
634:Vaccai
574:, and
559:Otello
381:Manuel
364:London
360:Agnese
352:Naples
345:Louvre
309:Career
136:
129:
122:
115:
107:
1573:Maria
1444:Maria
1326:Notes
1173:Norma
1161:Maria
1045:Maria
911:Rossi
903:Irene
843:Clari
743:Norma
685:Balfe
659:Liszt
601:Norma
293:tenor
281:Paris
216:DeepL
141:JSTOR
127:books
1723:ISBN
1692:ISBN
1685:ISBN
1668:ISBN
1661:ISBN
1640:ISBN
1626:ISBN
1612:ISBN
1598:ISBN
1591:ISBN
1563:ISBN
1556:ISBN
1406:PMID
1350:2021
1081:Film
1047:2007
626:and
610:and
458:aria
230:must
228:You
209:View
113:news
54:and
1742:in
1507:on
1004:'s
926:'s
913:'s
900:'s
866:'s
853:'s
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827:'s
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632:by
622:by
587:'s
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218:or
96:by
1890::
1482:^
1435:^
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1383:,
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157:(
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148:(
138:·
131:·
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20:)
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