52:. It debuted in Naples and later premiered in the United States (1985) and Great Britain (1988). De Simone sought to express the dreaminess of southern Italian popular culture. His fresh and authentic reinvention of folksongs brought him prominence. The initial production was favored by theater progressives and opposed by theater purists. Art music blogs rediscovered and praised the musical 30 years after its initial release.
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during Italy on Stage in New York City. The two-day run was performed by the visiting troupe Ente Teatro
Cronaca of Naples—the oldest private theater company in southern Italy—directed by De Simone, and produced by the Italian Government with assistance from the America-Italy Society as part of the
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style. Its author sought to evoke the "dreamlike texture" of southern Italy's popular culture. De Simone, a composer and scholar, led a resurgence of the folk art tradition and public interest in 1940s folk singer-songwriters. He reinvented folksongs in a fresh yet authentic style in writing
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wrote that its "Secondo Coro delle
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The original production had mixed reception. It was favored by opera progressives and opposed by opera purists.
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The musical debuted on July 9, 1976, at the Teatro Nuovo in
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Guernsey Jr., Otis L.; Sweet, Jeffrey, eds. (1987).
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