676:
660:
644:
399:
25:
415:
Left alone, José goes back with
Stanislas to his luxurious flat, where he shows her a photograph he had taken of a naked woman in bondage. Though she is shocked and leaves, the allure of Stanislas and of his pornographic image works in her mind until one day she asks him if she can sit in on a photo
419:
Gilbert, unhappy with her unexplained absences, goes on a business trip to
Germany, and José and Stanislas travel together to an inn in Brittany. After a night together, Stanislas has second thoughts and abandons her there. Deeply hurt at this behaviour, José tells all to Gilbert on his return. He
411:
Stanislas, a wealthy unmarried owner of an art gallery in Paris, is friend and patron to
Gilbert, a creator of progressive artworks, who lives in a little suburban flat with José, a television editor. At the opening night of an exhibition, Gilbert goes off with an attractive young woman who is an
416:
session. Finding herself increasingly excited by the rising erotic tension of the shoot and by the sexiness of the pretty young model, José angers
Stanislas by leaving in confusion. The two make it up, however, and José starts posing for him, but she wants more than this artificial connection.
420:
rushes off to
Stanislas' flat, intending to kill him, but the two reach a sort of reconciliation. Following in her own car, José shoots a level crossing and is hit by a train. Coming out of her coma in hospital, she thinks that Gilbert, waiting by the bedside, is Stanislas come to reclaim her.
131:
395:. It follows an attractive young woman living with an avant-garde artist who falls disastrously for the voyeuristic owner of the gallery that shows her husband's work. Clouzot's only film completed in colour, it was the last of his career.
545:(1967) acted out the sadomasochistic fantasies of a beautiful middle-class woman. Contemporary also are its visual elements of pop and psychedelic art, including a striking dream sequence reminiscent of
969:
934:
714:
939:
535:(1960) explored the dark links between men who make erotic images of women, films about such men and their models, and the viewers of such films, while
42:
979:
959:
949:
914:
964:
944:
707:
89:
876:
61:
108:
929:
68:
739:
700:
46:
569:
Review sites surveyed on 17 February 2016 give ratings of 67% at SensCritique, 70% at Rotten
Tomatoes, and 72% at AlloCiné.
75:
984:
954:
919:
974:
909:
388:
57:
35:
904:
531:
924:
849:
787:
516:
398:
803:
830:
724:
551:
392:
144:
435:
82:
868:
771:
755:
687:
557:
541:
899:
466:
681:
225:
779:
638:
440:
460:
429:
277:
189:
692:
671:
614:
546:
448:
197:
176:
675:
659:
479:
212:
643:
536:
526:
497:
485:
207:
893:
555:(1968); similar use of these elements can be found in Clouzot's aborted earlier film
503:
491:
163:
471:
763:
609:
130:
665:
795:
454:
202:
24:
747:
655:
649:
632:
521:
515:
The film is close in theme to some other pictures of the time. Both
397:
696:
18:
860:
841:
822:
731:
366:
349:
339:
304:
287:
262:
239:
231:
221:
182:
172:
150:
140:
123:
49:. Unsourced material may be challenged and removed.
970:Films with screenplays by Henri-Georges Clouzot
708:
8:
715:
701:
693:
674:
658:
642:
129:
120:
109:Learn how and when to remove this message
584:
582:
935:Films directed by Henri-Georges Clouzot
601:
578:
482:as Sala, Stanislas' butler and driver
7:
47:adding citations to reliable sources
834:(1949, segment "Le Retour de Jean")
432:as Stanislas, an art gallery owner
16:1968 film by Henri-Georges Clouzot
14:
940:Films produced by Robert Dorfmann
451:as Gilbert, an avant-garde artist
297:Euro International Films (Italy)
23:
877:Henri-Georges Clouzot's Inferno
740:The Murderer Lives at Number 21
34:needs additional citations for
1:
980:French-language Italian films
391:film written and directed by
960:Films shot in Seine-et-Marne
950:Films shot in Hauts-de-Seine
915:1960s French-language films
324:20 September 1969
1001:
965:Films shot in Val-de-Marne
457:as Maguy, Stanislas' model
445:as José, Gilbert's partner
313:20 November 1968
58:"La Prisonnière" film
500:as a guest at the gallery
494:as a guest at the gallery
488:as a guest at the gallery
402:Clouzot and his wife Vera
135:Theatrical release poster
128:
945:Films shot in Finistère
930:Films about photography
850:The Mystery of Picasso
517:Michelangelo Antonioni
403:
294:Valoria Films (France)
725:Henri-Georges Clouzot
552:2001: A Space Odyssey
401:
393:Henri-Georges Clouzot
157:Henri-Georges Clouzot
145:Henri-Georges Clouzot
688:Variety Distribution
412:influential critic.
43:improve this article
985:Italian drama films
955:Films shot in Paris
920:1960s Italian films
975:French drama films
910:1960s French films
723:Films directed by
404:
887:
886:
869:Tout pour l'amour
780:The Wages of Fear
756:Quai des Orfèvres
374:
373:
119:
118:
111:
93:
992:
905:1968 drama films
717:
710:
703:
694:
678:
662:
646:
620:
619:
610:"La Prisonnière"
606:
589:
586:
476:as José's mother
475:
463:as José's father
444:
436:Élisabeth Wiener
430:Laurent Terzieff
331:
329:
320:
318:
278:Les Films Corona
194:Élisabeth Wiener
190:Laurent Terzieff
133:
121:
114:
107:
103:
100:
94:
92:
51:
27:
19:
1000:
999:
995:
994:
993:
991:
990:
989:
890:
889:
888:
883:
856:
837:
818:
788:Les Diaboliques
727:
721:
672:Rotten Tomatoes
629:
624:
623:
615:Rotten Tomatoes
608:
607:
603:
598:
593:
592:
587:
580:
575:
567:
547:Stanley Kubrick
513:
469:
449:Bernard Fresson
438:
426:
409:
384:Woman in Chains
381:(also known as
362:
342:
335:
327:
325:
316:
314:
307:
300:
283:
282:
267:
265:
258:
226:Andréas Winding
217:
198:Bernard Fresson
177:Robert Dorfmann
168:
136:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
998:
996:
988:
987:
982:
977:
972:
967:
962:
957:
952:
947:
942:
937:
932:
927:
922:
917:
912:
907:
902:
892:
891:
885:
884:
882:
881:
873:
864:
862:
861:Other projects
858:
857:
855:
854:
845:
843:
839:
838:
836:
835:
831:Return to Life
826:
824:
820:
819:
817:
816:
812:La prisonnière
808:
800:
792:
784:
776:
768:
760:
752:
744:
735:
733:
729:
728:
722:
720:
719:
712:
705:
697:
691:
690:
683:La Prisonnière
679:
667:La Prisonnière
663:
651:La Prisonnière
647:
634:La Prisonnière
628:
627:External links
625:
622:
621:
600:
599:
597:
594:
591:
590:
577:
576:
574:
571:
566:
563:
527:Michael Powell
512:
509:
508:
507:
506:as the cashier
501:
498:Joanna Shimkus
495:
489:
486:Michel Piccoli
483:
477:
464:
458:
452:
446:
433:
425:
422:
408:
405:
378:La Prisonnière
372:
371:
368:
364:
363:
361:
360:
357:
353:
351:
347:
346:
343:
340:
337:
336:
334:
333:
322:
310:
308:
305:
302:
301:
299:
298:
295:
291:
289:
288:Distributed by
285:
284:
281:
280:
275:
271:
270:
268:
263:
260:
259:
257:
256:
255:Iannis Xenakis
253:
250:
247:
243:
241:
237:
236:
235:Noëlle Balenci
233:
229:
228:
223:
222:Cinematography
219:
218:
216:
215:
210:
208:Michel Piccoli
205:
200:
195:
192:
186:
184:
180:
179:
174:
170:
169:
167:
166:
161:
158:
154:
152:
148:
147:
142:
138:
137:
134:
126:
125:
124:La Prisonnière
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
997:
986:
983:
981:
978:
976:
973:
971:
968:
966:
963:
961:
958:
956:
953:
951:
948:
946:
943:
941:
938:
936:
933:
931:
928:
926:
925:BDSM in films
923:
921:
918:
916:
913:
911:
908:
906:
903:
901:
898:
897:
895:
879:
878:
874:
871:
870:
866:
865:
863:
859:
852:
851:
847:
846:
844:
842:Documentaries
840:
833:
832:
828:
827:
825:
821:
814:
813:
809:
806:
805:
801:
798:
797:
793:
790:
789:
785:
782:
781:
777:
774:
773:
769:
766:
765:
761:
758:
757:
753:
750:
749:
745:
742:
741:
737:
736:
734:
732:Feature films
730:
726:
718:
713:
711:
706:
704:
699:
698:
695:
689:
685:
684:
680:
677:
673:
669:
668:
664:
661:
657:
653:
652:
648:
645:
640:
636:
635:
631:
630:
626:
617:
616:
611:
605:
602:
595:
588:Collaboration
585:
583:
579:
572:
570:
564:
562:
560:
559:
554:
553:
548:
544:
543:
542:Belle de Jour
538:
534:
533:
528:
524:
523:
518:
510:
505:
504:Jackie Sardou
502:
499:
496:
493:
492:Charles Vanel
490:
487:
484:
481:
478:
473:
468:
465:
462:
461:Claude Piéplu
459:
456:
453:
450:
447:
442:
437:
434:
431:
428:
427:
423:
421:
417:
413:
406:
400:
396:
394:
390:
386:
385:
380:
379:
369:
365:
358:
355:
354:
352:
348:
344:
338:
323:
321: (France)
312:
311:
309:
306:Release dates
303:
296:
293:
292:
290:
286:
279:
276:
273:
272:
269:
261:
254:
252:Gustav Mahler
251:
248:
245:
244:
242:
238:
234:
230:
227:
224:
220:
214:
211:
209:
206:
204:
201:
199:
196:
193:
191:
188:
187:
185:
181:
178:
175:
171:
165:
164:Marcel Moussy
162:
160:Monique Lange
159:
156:
155:
153:
149:
146:
143:
139:
132:
127:
122:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
875:
867:
848:
829:
811:
810:
802:
794:
786:
778:
770:
762:
754:
746:
738:
682:
666:
650:
633:
613:
604:
568:
556:
550:
540:
530:
520:
514:
480:Darío Moreno
418:
414:
410:
387:) is a 1968
383:
382:
377:
376:
375:
341:Running time
332: (Italy)
249:Anton Webern
213:Darío Moreno
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
823:Short films
796:Les Espions
537:Luis Buñuel
532:Peeping Tom
525:(1966) and
470: [
467:Noëlle Adam
455:Dany Carrel
439: [
345:101 minutes
246:Gilbert Amy
203:Dany Carrel
173:Produced by
141:Directed by
900:1968 films
894:Categories
748:Le Corbeau
596:References
328:1969-09-20
317:1968-11-20
264:Production
151:Written by
99:April 2018
69:newspapers
804:La Vérité
565:Reception
350:Countries
274:Fono Roma
266:companies
232:Edited by
772:Miquette
656:AllMovie
367:Language
240:Music by
183:Starring
558:L'Enfer
326: (
315: (
83:scholar
880:(1964)
872:(1933)
853:(1956)
815:(1968)
807:(1960)
799:(1957)
791:(1955)
783:(1953)
775:(1950)
767:(1949)
759:(1947)
751:(1943)
743:(1942)
641:
522:Blowup
511:Themes
370:French
356:France
85:
78:
71:
64:
56:
764:Manon
573:Notes
474:]
443:]
389:drama
359:Italy
90:JSTOR
76:books
639:IMDb
424:Cast
407:Plot
62:news
686:at
670:at
654:at
637:at
549:'s
539:'s
529:'s
519:'s
45:by
896::
612:.
581:^
561:.
472:fr
441:fr
716:e
709:t
702:v
618:.
330:)
319:)
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
