194:, emerged in a lively decade for the medium and its critique, breaking with strong traditions of the Beaux Arts in France which had hindered photography's acceptance as a legitimate subject of art historical research until the late 1970s, when the first courses on the history of photography were commenced by Michel Frizot at the
375:
Twenty issues were published, each one devoted to a different theme for which the editorial team conducted peer reviews of the submissions, which at the time represented a unique approach. Among the subjects thus explored were: the links between cinema and photography (1987), war photography (1989),
371:
As editor of the journal Rouillé developed some original work, but was increasingly preoccupied with contemporary "creative" photography, before moving away for a few years from the disciplinary field to orient his activity towards electronic media and cultural information.
205:
This late academic attention to the medium (as compared to North
America, and other European countries), arriving in the early 1980s, meant that the field of photographic studies in France incorporated perspectives and methodologies outside traditional art history, including
559:
Barthes articles "The
Photographic Message," "Rhetoric of the Image," and "The Third Meaning,", translated and collected in The Responsibility of Forms: Critical Essays on Music, Art, and Representation , trans. Richard Howard (New York: Hill and Wang, 1982),
650:
Bibliothèque nationale (France), Lemagny, J.-C., Paris (France)., & Mois de la photo (Festival). (1984). La photographie creative: Les collections de la
Bibliothèque nationale : 15 ans d'enrichissement. Paris:
738:
Michel
Poivert , "André ROUILLÉ, La Photographie. Between document and contemporary art , Gallimard, coll. Folio essays, 2005, 704 p., 20 ill. NB, Études photographiques , 17 | November 2005
569:
Pierre
Bourdieu, with Luc Boltanski, Robert Castel, Jean-Claude Chamboredon, and Dominique Schnapper, (1965) Un art moyen: Essai sur les usages sociaux de la photographie, Paris: Minuit
538:
Philippe Dubois, « De l'image-trace à l'image-fiction », Études photographiques , 34 | Printemps 2016, mis en ligne le 01 juin 2016, consulté le 04 janvier 2021. URL :
505:
Kathrin
Yacavone "Un courant commençait à se dessiner... ": interview with Jean-Luc Monterosso, July 2014, Nottingham French Studies 53(2):136-138 DOI: 10.3366/nfs.2014.0081
623:"La pensée, l'émotion", in Michals (D.), Photographier de 1958 d 1982, Paris, musée d'Art moderne de la ville de Paris, 1982, pp. III-VII. Dits Ecrits tome IV texte n°307
157:
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261:(1971 onward); and encouraged publications on the medium in France of this decade of the 1980s; the book (translated from Italian) by Franco Vaccari,
337:
169:
778:
353:
258:
660:
Fernandez, C. G. (1986). La photographie, le néant: Digressions autour d'une mort occidentale. Paris: Presses universitaires de France
578:
François
Soulages et al., (1986) Photographie et inconscient: Séminaire de philosophie, octobre 1985–janvier 1986, Paris: Osiris, 1986
246:
793:
368:
in which he wrote a chapter "The rise of photography (1851-70); Exploring the world by photography in the nineteenth century".
788:
706:
190:
356:, to look at the body in French photography: the labouring body; law enforcement, medical imagery, and photographs of dead
798:
696:
Denoyelle, F. (2019). Arles Les
Rencontres de la Photographie, Une histoire française. (n.p.): Art Book Magazine Éditions.
234:
152:
was a specialised peer-reviewed bi-annual French journal, published from
September 1986 to spring 1997, and edited by
748:
318:
published directly in French (there was no
American edition) in 1990, ten years after Roland Barthes' seminal book,
199:
249:
photography collection and establishment of its Cabinet de la Photographie in 1981; contemporary with the
230:
195:
456:
168:
In 1980, Jean-Luc Monterosso (born in 1947), president of Paris Audiovisuel and founder/director of the
632:
Roche, D. (1982). La disparition des lucioles: (réflexions sur l'acte photographique). Paris: L'Étoile.
431:
320:
361:
254:
669:
Schaeffer, J.-M. (1987). L'image précaire: Du dispositif photographique. Paris: Éditions du Seuil.
390:
333:
250:
312:
141:
515:
136:
539:
399:
266:
678:
Krauss, R. (1990). Le Photographique. Pour une Théorie des Ecarts. Parijs: Editions Macula
284:
238:
219:
614:
Guibert Hervé. (1981). <<L'>>Image fantôme Texte imprimé. éditions de Minuit
729:
Lemagny, J.-C., & Rouillé, A. (1998). Histoire de la photographie. Paris: Larousse.
377:
340:
activist, who produced studies on photographic history during the 1980s. Rouillé wrote
279:
223:
211:
772:
641:
Lier, H. . (1983). Philosophie de la photographie. Paris: Les impressions nouvelles
274:
605:
Vaccari, F. (1981). La photographie et l'inconscient technologique. Paris: Créatis
587:
Gaëlle Morel, "La figure de l'auteur," Études photographiques , no. 13 (July 2003)
687:
Barthes, R. (1981). La chambre claire: Note sur la photographie. Paris: Gallimard
596:
Gaëlle Morel, "Entre art et culture," Études photographiques , no. 16 (May 2005)
237:, to promote photography on a national scale, resulted in the foundation of the
173:
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345:
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erotic photography (1988), Japanese photography (1990), "the shadow" (1991),
332:
The partners Monterosso and Mayaud entrusted the revue's chief editorship to
215:
207:
402:, Catherine Flochlay, André Gunthert, Bernard Marbot and Françoise Reynaud.
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749:"GUIDE DES ÉTUDES 2017-2018 DÉPARTEMENT PHOTOGRAPHIE UNIVERSITÉ PARIS 8"
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was still, in 2018, recommended as a text by the University of Paris 8.
176:
for photojournalism (with Roger Thérond), in 1986 founded the magazine
707:"Marxism and Photography: A Reading Guide | Historical Materialism"
172:, and who created the Mois de Photo in Paris and the Grand Prix
350:
Le Corps et son Image: Photographies du dix-neuvième siècle
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http://journals.openedition.org/etudesphotographiques/3593
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Editorial board: Pierre Bonhomme, Anne Cartier-Bresson,
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The magazine, like its earlier-established contemporary
283:, released in 1982 (from the English original, 1977);
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50:
42:
34:
26:
54:Paris Audiovisuel and the University of Paris VIII
457:"Best Of 2018 - A Tribute to Jean-Luc Monterosso"
16:French academic journal of studies in photography
180:with Christian Mayaud of Université Paris VIII.
150:La Recherche photographique: histoire-esthétique
241:in 1977 and Paris Audiovisuel (co-publisher of
550:Roland Barthes (1957) Mythologies Paris: Seuil
316:Le Photographique: pour une théorie des écarts
263:Photography and the technological unconscious
8:
19:
432:"La Recherche photographique ⋆ Ent'revues"
18:
229:Support from the socialist government of
62:Jean-Luc Monterosso and Christian Mayaud
423:
342:L' Empire de la photographie 1839-1870
257:'s expansion of the collection at the
7:
303:, 1984; Gaston Fernandez Carrera's,
170:Maison Européenne de la Photographie
395:Editorial director: Dominique Baqué
344:(1982), a study of photography and
336:, a Marxist historian, formally an
245:) in 1978, the inauguration of the
352:(1986) drawing on images from the
38:Photography aesthetics and history
14:
784:1997 disestablishments in France
311:, 1987; and American art critic
307:, 1986; Jean-Marie Schaeffer's
287:'s sole treatise on photography
461:The Eye of Photography Magazine
295:also in 1982; Henri Van Lier's
348:in nineteenth-century France;
297:Philosophie de la photographie
191:Les Cahiers de la photographie
1:
779:1986 establishments in France
711:www.historicalmaterialism.org
516:"La Recherche photographique"
247:Musée Nationale d'Art Moderne
412:La Recherche photographique
366:Histoire de la photographie
293:La Disparition des lucioles
243:La Recherche photographique
233:and its cultural minister,
178:La Recherche photographique
21:La Recherche photographique
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438:(in French). January 1987
305:La Photographie, le néant
253:'s own in 1978; added to
200:University Paris-Sorbonne
380:and photography (1992).
301:La Photographie Créative
291:(1982); Denis Roche's
794:History of photography
354:Bibliothèque Nationale
80:; 37 years ago
789:Photography magazines
273:, the translation of
226:(François Soulages).
158:University of Paris 8
98:May 1, 1997
799:French photographers
107:no. 20, Mar/May 2000
78:October 1, 1986
486:www.brunobarbey.com
362:Jean-Claude Lemagny
299:of 1983; Lemagny's
289:Thought and Emotion
255:Jean-Claude Lemagny
231:François Mitterrand
196:University of Dijon
23:
389:Editor-in-chief:
154:Paris Audiovisuel
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309:L'Image Précaire
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313:Rosalind Krauss
285:Michel Foucault
271:L'Image fantĂ´me
239:Centre Pompidou
220:Pierre Bourdieu
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488:. 29 June 2017
482:"Bruno Barbey"
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378:Roland Barthes
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280:On photography
224:psychoanalysis
212:Roland Barthes
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334:André Rouillé
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321:Camera Lucida
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30:André Rouillé
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520:data.bnf.fr
174:Paris Match
93:Final issue
75:First issue
773:Categories
758:2021-01-03
716:2021-01-03
651:Contrejour
525:2021-01-03
492:2021-01-03
467:2021-01-03
442:2021-01-03
436:Ent'revues
418:References
364:he edited
358:Communards
346:capitalism
164:Foundation
102:1997-05-01
85:1986-10-01
35:Categories
384:Personnel
265:in 1981;
235:Jack Lang
216:sociology
208:semiology
142:0983-8430
51:Publisher
43:Frequency
269:'s 1981
198:and the
156:and the
128:Language
120:Based in
46:biannual
360:. With
328:History
222:), and
184:Context
112:Country
100: (
83: (
67:Founded
59:Founder
754:. 2017
407:Legacy
131:French
115:France
95:Number
27:Editor
752:(PDF)
123:Paris
560:3–62
277:'s,
137:ISSN
70:1986
338:LCR
259:BnF
214:),
775::
709:.
518:.
484:.
459:.
434:.
324:.
202:.
160:.
761:.
719:.
528:.
495:.
470:.
445:.
218:(
210:(
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87:)
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