Knowledge (XXG)

La Jetée

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again. He is returned to the past, placed on the jetty at the airport, and it occurs to him that the child version of himself is probably also there at the same time. He is more concerned with locating the woman, and quickly spots her. However, as he rushes to her, he notices an agent of his jailers who has followed him and realizes the agent is about to kill him. In his final moments, he comes to understand that the incident he witnessed as a child, which has haunted him ever since, was his own death.
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After several attempts, he reaches the pre-war period. He meets the woman from his memory, and they develop a romantic relationship. After his successful passages to the past, the experimenters attempt to send him into the far future. In a brief meeting with the technologically advanced people of the
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use of imagery: "The Man is blindfolded with some kind of padded device and he sees images. The Man is chosen for this assignment because ... he has maintained a sharp mind because of his attachment to certain images. Thus a film told through the use of still photos becomes about looking at images."
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Upon his return, with his mission accomplished, he discerns that he is to be executed by his jailers. He is contacted by the people of the future, who offer to help him escape to their time permanently; but he asks instead to be returned to the pre-war time of his childhood, hoping to find the woman
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galleries. Scientists research time travel, hoping to send test subjects to different time periods "to call past and future to the rescue of the present." They have difficulty finding subjects who can mentally withstand the shock of time travel. The scientists eventually settle upon the protagonist;
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What finds ... is that the past is never as simple as we wish it to be. To return to it is to realize that we never understood it. He also finds—and here it is impossible to miss Marker's message for his viewers—a person cannot escape from their own time, anyway. Try as we might to lose ourselves,
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his key to the past is a vague but obsessive memory from his pre-war childhood of a woman he had seen on the observation platform ("the jetty") at Orly Airport shortly before witnessing a startling incident there. He did not understand exactly what happened, but knew he had seen a man die.
520:, examining it as an intermedial artwork: Chris Marker creates an "archive" of objects and conditions that have a photographic quality of their own and they are followed by the same predicates as pictures. The dialogue between the media (photography and cinematography) and the filmic 369:
of varying rhythm. It contains only one brief shot (of the woman mentioned above sleeping and suddenly waking up) originating on a motion-picture camera, this due to the fact that Marker could only afford to hire one for an afternoon. The stills were taken with a
42: 561:. The film has since been included in several contemporary film festivals, including the Buenos Aires Festival Internacional de Cine Independiente in 2009, the "Cine//B Film Festival" in 2011, and the 433:. The rhythmic patterns of the soundtrack act as a framework to add to the intensity of the film. "The dissolve is synchronized with the sound. As the story moves from the past to the present, 1845: 562: 620:
On November 8, 2022 the Chicago Fringe Opera staged a world-premiere concert performance of Seth Boustead and J. Robert Lennon's chamber opera adaptation of the film.
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As the film plays out as a photomontage, the only continuous variable is the sound. The sound used in this production is minimal, showing up in the form of narration,
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blogger Jake Hinkson summed up his interpretation in the title of an essay about the film, "There's No Escape Out of Time". He elaborated:
673:, of which Isotope 217 is a side-project, featured an alternate version of the same song, titled "Jetty". Both are inspired by the film. 1820: 550: 845: 903: 554: 1235: 469:. She further elaborates: "even the sound of the title resonates with the fairy-tale surprise of finding oneself in another world: 1347: 796:
In 1992, Zone Books released a book which reproduced the film's original images along with the script in both English and French.
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A man is a prisoner in the aftermath of World War III in post-apocalyptic Paris, where survivors live underground in the
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we will always be dragged back into the world, into the here and now. Ultimately, there is no escape from the present.
1625: 412:, it produces the eerie and unsettling nature adding to the theme of the apocalyptic destruction of World War III. 851: 322: 86: 1830: 1775: 409: 1423: 481:/utopia in the film: "It is dystopia with the hope of utopia, or is it utopia cut by the threat of dystopia." 1271: 1245: 748: 594: 385:
narrator. The scene in which the hero and the woman look at a cut-away trunk of a tree is a reference to
1618: 1582: 1569: 1297:"How Chris Marker's Radical SciFi Film, La Jetée, Changed the Life of Cyberpunk Prophet, William Gibson" 1044: 1210: 1689: 1682: 1588: 1012:
Black and Blue: The Bruising Passion of Camera Lucida, La Jetée, Sans soleil, and Hiroshima mon amour
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combination DVD / Blu-ray, which features the option of hearing the English or French narration.
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as the 50th greatest film of all time. In 2022, it took the spot of 67th greatest film on the
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first in its list of "Top 10 time-travel movies". In 2012, in correspondence with the
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future, he is given a power unit sufficient to regenerate his own destroyed society.
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experiment in time travel. It is 28 minutes long and shot in black and white.
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critics' poll, and 35th greatest film on the director's poll, respectively.
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evokes 'là j'étais' (there I was)". By "u-topia", Mavor does not refer to "
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was included by producer Steven Schneider in the 2003 film reference book
1547: 1541: 1119: 812: 478: 462: 438: 378: 1552: 17: 982:"Chris Marker's La Jetee Analysis: Mortality and the Illusion of Time" 725:(acknowledging this debt in the opening credits). The 2003 short film 524:(film stills, storyline and narration) is constantly in the backdrop. 474: 742:, which is told entirely through still photographs, was inspired by 1076:
The empty square of Chris Marker: a structural analysis on La Jetée
477:" as the word is commonly used; she also describes an ambiguity of 676: 700:. The final track on the album, "Je viens de la", is inspired by 1187: 1165:"Buenos Aires International Festival of Independent Cinema 2009" 1149: 1094: 816: 721:(1995) was inspired by and takes several concepts directly from 1614: 1424:"A Changed Two Door Cinema Club Launched Their Album in London" 408:
adds to the intensity of the film. With the use of cut-ins and
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screened the film at the launch party for their 2016 album
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was inspired by and borrows several concepts directly from
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He further observes that Marker himself did not refer to
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series was influenced by the look of the technology in
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creates mental continuity." The soundtrack adds to the
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and describes the journey of the film's protagonist.
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as "taking place in a no-place (u-topia) in no-time (
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of movement within the film and the change of time.
1211:"'La Jetee,' 1962 | Top 10 Time-Travel Movies" 465:)" which she connects to the time and place of the 212: 204: 194: 170: 162: 148: 138: 130: 113: 103: 79: 69: 61: 51: 34: 655:recorded the track "La Jetée" for their 1997 album 1394:"Kode 9, MFO & Ms Haptic present 'Her Ghost'" 944:. The same scene also appears in Terry Gilliam's 563:International Documentary Film Festival Amsterdam 1445:"Independent Lens . SHORT, NOT SWEET . La Puppé" 878:"Entretien avec Antoine Bonfanti, Cadrage 2004" 617:considers the film one of his main influences. 559:Mannheim-Heidelberg International Film Festival 489: 374:and the motion-picture segment was shot with a 395:which Marker also references in his 1983 film 276:for short film. The 1995 science fiction film 1626: 1145:"La Jetée (Short 1962) - Release info - IMDb" 259:Constructed almost entirely from still photos 8: 1633: 1619: 1611: 40: 31: 1846:French avant-garde and experimental films 1400:. MUTEK. 11 December 2013. Archived from 1732:One Day in the Life of Andrei Arsenevich 1120:"La Jetee (1962) Awards & Festivals" 1576:La Jetée: The Philosophy of Time Travel 1236:"The Top 50 Greatest Films of All Time" 869: 574:1001 Movies You Must See Before You Die 545:for "Best Short Film". That same year, 453:, her study of postwar French fiction, 343:Janine Kleina as Woman From The Future 1587:, an essay by Jonathan Romney at the 1114: 1112: 729:is both an homage to and a parody of 240: 7: 361:is constructed almost entirely from 1348:"Sigue Sigue Sputnikworld: singles" 980:Ignoramous, Lamos (11 April 2014). 551:Locarno International Film Festival 245:) is a 1962 French science fiction 1594:Platonic Themes in Chris Marker's 846:List of films featuring time loops 781:of the initial installment of the 25: 1599:by Sander Lee at Senses of Cinema 1354:. 9 December 2002. Archived from 1043:Hinkson, Jake (3 November 2014). 1796:Films produced by Anatole Dauman 1078:. Architecture school of Athens. 1045:"There's No Escape Out of Time: 555:Trieste Science+Fiction Festival 533:Release, awards, and recognition 1248:. 1 August 2012. Archived from 1209:Cruz, Gilbert (18 March 2010). 1791:Films directed by Chris Marker 1: 1841:Films scored by Trevor Duncan 1806:French post-apocalyptic films 880:. Cadrage.net. Archived from 365:photographs playing out as a 1811:French science fiction films 1739:The Case of the Grinning Cat 1506:– via www.youtube.com. 1826:Science fiction short films 1771:1960s science fiction films 959:"Terry Gilliam on La Jetée" 906:(in French). Archived from 904:"De l'autre côté du miroir" 496:Hinkson also addresses the 1862: 1821:Metaphysical fiction films 1584:La Jetée: Unchained Melody 1074:Karpouzis, Yannis (2019). 932:", special feature on the 179:16 February 1962 1649: 1496:Fallout Classic Revisited 1475:. Daily Dead. 9 July 2021 1322:"World Premiere LA JETÉE" 690:Northern Irish rock band 512:Yannis Karpouzis makes a 46:Theatrical release poster 39: 1520:. New York: Zone Books. 746:. The 2018 Spanish film 340:as Woman From The Future 253:and associated with the 1786:Films about time travel 1607:review by Simon Sellars 1090:"Prix Jean Vigo (1963)" 651:The Chicago-based band 613:Science fiction writer 328:Davos Hanich as The Man 1516:Marker, Chris (1992). 1328:. Chicago Fringe Opera 1326:chicagofringeopera.com 1246:British Film Institute 766:film, was inspired by 736:The 2007 Mexican film 595:British Film Institute 494: 349:as Man From The Future 1766:1960s dystopian films 1604:Retrospecto: La Jetée 1570:Turner Classic Movies 1055:. Tor Books/Macmillan 657:The Unstable Molecule 238:French pronunciation: 1781:Existentialist films 1690:A Grin Without a Cat 1589:Criterion Collection 1433:. 16 September 2016. 969:– via YouTube. 934:Criterion Collection 829:La Jetée/Sans soleil 825:Criterion Collection 810:La Jetée/Sans soleil 749:Entre Oscuros Sueños 692:Two Door Cinema Club 659:. On the 1998 album 549:was included in the 528:Reception and legacy 759:Friend of the World 630:Sigue Sigue Sputnik 334:as The Experimenter 257:artistic movement. 1836:1960s French films 1816:French short films 1801:Films set in Paris 1718:The Last Bolshevik 1641:Works directed by 1358:on 9 December 2002 961:. 28 November 2012 852:The Glass Fortress 636:" is an homage to 609:In popular culture 505:as a film, but as 296:Palais de Chaillot 1748: 1747: 1526:978-0-942299-67-0 1272:"La Jetée (1962)" 1241:Sight & Sound 1183:"La Jetée (1962)" 1022:978-0-8223-5271-6 683:in 2011, for the 603:Sight & Sound 590:Sight & Sound 363:optically printed 229: 228: 16:(Redirected from 1853: 1711:The Owl's Legacy 1662:Statues Also Die 1635: 1628: 1621: 1612: 1529: 1514: 1508: 1507: 1505: 1503: 1491: 1485: 1484: 1482: 1480: 1469: 1463: 1462: 1460: 1458: 1441: 1435: 1434: 1420: 1414: 1413: 1411: 1409: 1390: 1384: 1374: 1368: 1367: 1365: 1363: 1352:sputnikworld.com 1344: 1338: 1337: 1335: 1333: 1318: 1312: 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Index

La jetée

Chris Marker
Anatole Dauman
Hélène Châtelain
Jacques Ledoux
Jean Négroni
Trevor Duncan
[laʒəte]
featurette
Chris Marker
Left Bank
Constructed almost entirely from still photos
stable time loop
post-nuclear war
Prix Jean Vigo
12 Monkeys
Jean Négroni
Hélène Châtelain
Jacques Ledoux
Ligia Branice
William Klein
optically printed
photomontage
Pentax Spotmatic
35 mm
Arriflex
voice-over
Alfred Hitchcock
Vertigo

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