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Law of Desire

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434:, where he lives with his domineering German mother. As he promised, Pablo sends Antonio a letter signed Laura P, the name of a character inspired by his sister in a script he is writing. In his letter, Pablo tells Antonio that he loves Juan and intends to join him. However, Antonio, who is jealous and wants to get rid of Juan, gets there first. Antonio wants to possess everything that belongs to Pablo, and tries to have sex with Juan. When Juan rebukes his advances, Antonio throws him off a cliff. After killing his rival, Antonio quickly heads for his hometown. Pablo becomes a suspect in the crime because the police have found in Juan's fist a piece of clothing that matches a distinctive shirt owned by Pablo. In fact, Antonio was wearing an exact replica when he killed Juan. 1112: 951: 774: 1291:, has been immensely popular. It epitomizes Antonio's love for Pablo and he sings it during their last hour together. Almodóvar described the song as key in the film. A song of spurned love, its lyrics fit the plot referring in the film to Antonio's love for Pablo and his belief that Pablo would not find a purer love than his. 598:, the government representative for film production, that the ministry of culture gave 40 million pesetas to make the film and Lauren films contributed with 20 million and the rest from other sources. The film was a most modest production, with a total budget of 100 million pesetas, less than Almodóvar's previous film. 687:, Jorge de Cominges commented that: "Pedro Almodóvar's success is in putting together the different elements of such a wild story. In a quite brilliant manner he creates characters as impactful as the police detective and his son; and he turns the magnificent Carmen Maura into the most sensual woman you can imagine. 401:
to Ada, being a loving surrogate mother. The precocious Ada does not miss her cold mother. She is happier living with Tina and spending time with Pablo, on whom she has a crush. Tina, Ada, and Pablo form an unusual family unit. Pablo looks after them both. For his next project, Pablo writes an adaptation of
442:. Antonio's mother shows the police the letters her son received, signed Laura P. The mysterious Laura P becomes the prime suspect, but the police cannot find her. Antonio returns to Madrid and, in order to get closer to Pablo who is still in the hospital, seduces Tina who believes his love to be genuine. 1040:
is closely linked to two of Almodóvar's subsequent films. Religion and sexual abuse appear in the character of Ada who with Tina makes a cruz de mayo, a makeshift altar that mixes religious and pagan elements. Ada makes a vow of silence until certain wishes have been fulfilled. She also wants to make
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genre. However Almodóvar explained that the film did not follow the conventions of the genre: "In melodrama there have always been characters that are either good or bad, but today you can’t portray characters so simplistically. There aren’t good people and bad people, everything is more complex. Law
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commented: "The film has the exaggerated plot of an absurdist Hollywood romance, and even when it loses its beat (after a murder) there’s always something happening. This director manages to joke about the self-dramatizing that can go on at the movies, and at the same time reactivate it. The film is
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relationship ended, Tina returned to Madrid, coinciding with the death of their mother, and got reunited with Pablo. Tina has been grateful with Pablo who did not judge her. Tina also tells him that she has found a lover. Pablo gradually begins to recover; he realizes that Tina's new love is Antonio
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Pablo is very close to his transgender (referred to as transsexual in the film) sister Tina, a struggling actress. Tina has recently been abandoned by her lesbian lover, a model, who left her in charge of her ten-year-old daughter Ada. Frustrated in her relationship with men, Tina dedicates her time
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Almodóvar stated that his intention was to make a film about desire and passion: "What interested me most is passion for its own sake. It is a force you cannot control, which is stronger than you and which is as much a source of pain as of pleasure. In any case, it is so strong that it makes you do
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that led the path to the Almodóvar brothers to become producers following the model of selling the film before its release. ″With my first five films I had the impression of having had five children with five different fathers and of always fighting with each one of them, since my films belonged to
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artist who enjoyed considerable success. The song begs the lover not to leave and promises a different world should the lover stay. It is a song of despair full of poetic images. The singer promises to "offer you pearls of rain that come from countries where it doesn't rain, I will create a domain
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The character of Pablo serves as an alter ego for Almodóvar. Pablo is working on his new film whose main character is Laura P. The implausibility of its plot reflects the intricate and outrageous plot of Almodóvar's own film. When she was left by one of her lovers, Laura ran after him and broke an
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The story focuses on a complex love triangle between three men. Pablo, a successful gay film director, disappointed in his relationship with his young lover, Juan, concentrates in a new project, a monologue starring his transgender sister, Tina. Antonio, an uptight young man, falls possessively in
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Pablo drives down to see his dead lover, realizes that Antonio is responsible for the murder, and confronts him about it. They have an argument and Pablo drives off, pursued by the police. Blinded by tears, he crashes his car injuring his head. He awakes in a hospital, suffering from
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as Tina Quintero: Pablo's transgender sister. She is an actress with a dark past. Her failures with men have made her very vulnerable. She has recently been abandoned by her latest partner, a lesbian model. Tina's two greatest loves were her father and her spiritual
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and that she is in danger. He goes with the police to Tina's apartment where she is being held hostage by Antonio. Antonio threatens a bloodbath unless he can have an hour alone with Pablo. Pablo agrees and joins him. They make love and Antonio then commits
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To help her brother recover his memory, Tina tells him about their past. Born as a boy, in her adolescence she began an affair with their father. She ran away with him and had a sex change operation to please him, but he left her for another woman. When her
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love with the director, and in his passion would stop at nothing to obtain the object of his desire. The relationship between Pablo and Antonio is at the core of the film; however, the story of Pablo's sister, Tina, plays a strong role in the plot.
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wrote: I have never been keen on Almodóvar ... I find him too over the top, excessive, unreal... As if he lived in another world... on the other hand has achieved what at the outset seemed impossible. That is, a more than acceptable film". In
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composed by Bonezzi. The theme Gloria, from that film, is heard over the titles. Budget constraints did not allow Almodóvar to commission a full original soundtrack. Instead, he used classical pieces that were either free or cheap to obtain.
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her first communion. The scene in which Tina enters her former school where she sang as the soloist at church and confronts Father Constantino, the priest who abused her when she was a boy, formed a partial genesis for Almodóvar's later film
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as Pablo Quintero: a gay film director and writer. He has found professional success with a number of films with outrageous titles, but he is unhappy in his personal life since he feels his lover Juan does not love him the way he would
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working on a new project, while Juan would leave for his hometown in the south to work in a bar and stay with his family. Pablo is in love with Juan, but he realizes that his love is not returned with the intensity he desires.
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where love will be king, where love will be law, and where you will be queen". In the film the song is associated to Pablo's love for Juan. It is also later incorporated in the film during the scene in which Tina performs in
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as Father Constantino: He was Tina's confessor in the religious school where she studied when she was a boy. He sexually abused her when she sang in the church's choir as a child. He advises Tina to forget the
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was met with general positive reactions from film critics, and it was a hit with audiences, becoming Almodóvar's most successful film up to that point. It toured many international film festivals, winning the
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Antonio comes across a love letter addressed to Pablo, signed by Juan, but which in fact was written by Pablo to himself. The letter makes Antonio fall into a jealous rage, but he has to return to his native
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as an inspiration for the way in which his cinematographer Ángel Luis Fernández photographed Madrid. Tina's revelation of her torrid past to her amnesiac brother, although narrated but not shown, recalls
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as Juan: Pablo's regular lover. Aimless and unassertive, he does not love Pablo as much as Pablo loves him. For the summer, he decides to leave Madrid to join his family in the south of Spain to work in
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It took time for Spanish film critics to warm up to Almodóvar's work. His earlier films were recognized for the irreverence of their humor and social parody but were generally deemed as frivolous.
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as Antonio Benítez: He is an uptight young man from a conservative family. His father is a politician, his mother a very religious woman. He becomes obsessed with Pablo after watching his gay film
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as Ada: Tina's surrogate daughter. A precocious ten-year-old girl, she loves Tina who acts as her foster mother. Ada refuses to go back with her mother when she comes back to take her with her.
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on 7 February 1987. It was the most commercially successful Spanish film at the local box office in 1987, and it was the Spanish film of that year most widely distributed abroad surpassing
2478: 937:. Almodóvar refers to a Latin American sentimentality more openly melodramatic than in Spain as reflected in Almodóvar's preference for choosing Latin American boleros for his films. 594:
made it more difficult to find funding for its production. Initially, the brothers could not get support from the ministry of culture. It was thanks to the personal intervention of
651:. In Spain it won Fotogramas de Plata as Best Film and the National award for cinematography for Carmen Maura for her performance as Tina; other awards for the film came from 2121: 2569: 422:
episode. Pablo is still in love with his long-time lover, Juan. Antonio misunderstands Pablo's intentions and takes their encounter as a relationship. He soon reveals his
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Antonio Gutti criticized the film's emphasis on the homosexual as too sustained and felt that Almodóvar's irresistible humor did not appear. Angel Fernandez Santos in
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as Antonio's mother: A German by birth, she is a religious fanatic and a strict, overprotective mother. She gives misleading information to the police about Laura P.
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as the Inspector: He is a liberal, who takes an easy approach to his work in contrast to his zealot son, the detective. (played by Guillén's actual son)
322:, exploring the unrestrained force of desire. The film's themes include love, loss, gender, family, sexuality, and the close link between life and art. 1875: 1182: 2599: 2574: 1905: 418:. At the end of the evening, they go home together and have sex. For Antonio this is his first homosexual experience, while Pablo considers it just a 360: 1581: 1207:) as incidental music. Organ religious music takes Tina to her past in the scene where she confronts the priest who abused her when she was a boy. 532:
as the Doctor: He takes a personal interest in Pablo and Tina's well-being and tries to help them not only medically, but also to avoid the police.
2114: 1321:. "Who will erase from your life the memory of me, and will allow this love to be forgotten? This love made out of blood and pain, poor love..." 2619: 2614: 627: 392:, has just been released. At the opening night party, he discusses with his much younger lover, Juan, their summer plans. Pablo would stay in 2544: 2336: 1728: 1705: 1682: 1659: 1636: 1613: 1392: 2629: 2539: 2534: 2470: 414:
At the play's opening night, Pablo meets Antonio, a young man who has been obsessed with the director since he watched the gay theme film
2609: 1235:. First recorded in 1959, it is one of Brel's best known songs and has been recorded by many artists. Almodóvar chose a version sung by 681:
considered that the film contained "such an excess of incidents and events that their sheer number neutralizes some of its quality". In
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Reinforcing the links between life and art, Ada's mother has left Tina to elope with a photographer. Almodóvar cited American painter
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In the video arcade scene in which Antonio tries to be seductive, he lights both his and Pablo's cigarette. This is a reference to
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them, from a financial point of view, but also on an artistic level, that is, on the level of a conception″, Almodóvar commented.
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The director also mentioned that it was influenced by the Hollywood melodramas of the 1940s and 1950s particularly those made by
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ankle. She had her leg amputated, so that others would feel guilty, but even thus, her thirst for vengeance was not quenched.
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as Ada's mother: She is a lesbian statuesque model who left Tina for a male photographer and now plans to move permanently to
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toured many festival circuits. It won the award for best director at the Rio de Janeiro film festival; best new director at
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makes up in surface energy, with a lively cast, a turbulent plot and a textbook-worthy collection of case histories".
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The film was released on DVD in the United States on 3 November 2009, originally as part of the box set pack
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Two songs are shown prominently in the film underlining the emotional relationship between the characters:
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concluded: "The film bristles with energy and bright interludes before the lugubrious plot takes over…".
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the key film in his life and career. It follows the more serious tone set by Almodóvar's previous film,
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is a film which is as satisfying as it is amusing. An outstanding achievement." Manuel Hidalgo wrote: "
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as Antonio. It was the first film Almodóvar made independently with his own production company
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festive. It doesn’t disguise its narcissism; it turns it into bright-colored tragicomedy".
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Pablo Quintero is a successful gay film and theatrical director whose latest work,
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explores the conflict within a director between voyeurism and passionate love".
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was Almodóvar's first work centered on homosexual relationships. He considers
1249: 874: 431: 1344:-rated films available for rent or purchase, YouTube falsely labeled it as 41: 741:, Richard Corliss called the film "a bleak comic and defiantly romantic". 1762: 1358:
List of lesbian, gay, bisexual, or transgender-related films by storyline
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for Pablo's escape in his car. Almodóvar also used his own composition
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is Pedro Almodóvar's most homogeneous, controlled and finished film".
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in the latter part of 1986. It was the first film that came out from
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as the Detective: He is an uptight conservative, eager about his job.
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was better received than its predecessor. Ernesto Pardo writing for
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puts two cigarettes into his mouth and lights one for Bette Davis.
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aesthetic universe of pop culture, media, and trash as found in
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of Desire is a melodrama which breaks the rules of the genre".
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things which are truly monstrous or absolutely extraordinary".
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was written by the French Belgian singer, actor and filmmaker
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San Francisco International Gay and Lesbian film festival
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All the Colours of the World Are Between Black and White
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The outrageous titles of Pablo's film seem to belong to
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Almodóvar has spoken of his aspiration for the films of
1191:'s tenth symphony is used for the opening credits and 380:, the first film by Almodóvar to be acted in English. 885:
particularly in the way he mixes genres, such as in
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Unsourced material may be challenged and 344:grew into the basis for three later films: 2122: 2108: 2100: 1801: 1787: 1779: 40: 31: 1906:Women on the Verge of a Nervous Breakdown 1671:All About Almodóvar: A Passion for Cinema 1160:Learn how and when to remove this message 999:Learn how and when to remove this message 858:Learn how and when to remove this message 361:Women on the Verge of a Nervous Breakdown 2550:Films about film directors and producers 1287:, written by Los Panchos's second voice 370:; and a short film version of Cocteau's 358:, which inspired Almodóvar's next film, 1627:. Contemporary Film Directors. Urbana: 1369: 617:, Almodóvar's sixth film, premiered in 1492:: CS1 maint: archived copy as title ( 1485: 2337:The Amazing Truth About Queen Raquela 1180:. Almodóvar simply reused music from 7: 2471:Three Tidy Tigers Tied a Tie Tighter 1138:adding citations to reliable sources 977:adding citations to reliable sources 796:adding citations to reliable sources 2605:LGBTQ-related comedy thriller films 2570:Films produced by Agustín Almodóvar 1694:Law of Desire: A Queer Film Classic 2133:winners for Best LGBT Feature Film 1582:"Indiewire's Law of Desire Review" 645:Berlin International Film Festival 25: 2565:Films directed by Pedro Almodóvar 2436:Brief Story from the Green Planet 2321:The Blossoming of Maximo Oliveros 1876:What Have I Done to Deserve This? 1183:What Have I Done to Deserve This? 590:The homosexual subject matter in 411:, to be performed by his sister. 348:appears in a stage production of 2600:LGBTQ-related comedy-drama films 2575:Films scored by Bernardo Bonezzi 1648:Almodóvar: Labyrinths of Passion 1263:Central to the film is the song 1110: 949: 772: 308:Shot in the later part of 1986, 1544:Maslin, Janet (27 March 1987). 1525:Kael, Pauline (12 April 1987). 1513:Almodóvar: Labyrinth of Passion 1449:Almodóvar: Labyrinth of Passion 1436:Almodóvar: Labyrinth of Passion 783:needs additional citations for 720:said: "What it lacks in depth, 1: 2620:Spanish erotic thriller films 2615:Spanish comedy thriller films 1675:University of Minnesota Press 281:film written and directed by 2545:1980s Spanish-language films 2273:Water Drops on Burning Rocks 1629:University of Illinois Press 27:1987 film by Pedro Almodóvar 2630:Spanish LGBTQ-related films 2540:1980s erotic thriller films 2535:1980s comedy thriller films 1715:Smith, Paul Julian (2000). 1225:, a Latin-American bolero. 1221:, a French torch song, and 483:The Paradigms of the Mussel 416:The Paradigms of the Mussel 390:The Paradigms of the Mussel 2651: 2610:Spanish comedy-drama films 2297:A Thousand Clouds of Peace 1377:Rosewarne, Lauren (2014). 1294:The Italian romantic song 628:The House of Bernarda Alba 2625:Spanish independent films 2281:Hedwig and the Angry Inch 1839: 1817: 1205:I am going to be a mother 566:s international release. 204:7 February 1987 101:Miguel Ángel Pérez Campos 67: 51: 46:Theatrical release poster 39: 2525:1987 LGBTQ-related films 1623:D' Lugo, Marvin (2006). 1527:"Manypeeplia Upsidownia" 1084:'s outrageous claims in 2560:Films about trans women 2515:1987 comedy-drama films 1946:The Flower of My Secret 1916:Tie Me Up! Tie Me Down! 1646:Edwards, Gwyne (2001). 1600:Allinson, Mark (2001). 518:Fernando Guillén Cuervo 2580:Films set in Andalusia 2520:1987 independent films 2364:The Kids Are All Right 2345:Raging Sun, Raging Sky 1823:Awards and nominations 1692:Quiroga, José (2009). 1420:Almodóvar on Almodóvar 1348:in order to carry it. 1094:'s 1959 adaptation of 751:called it "a swirling 554:Though written before 426:character as a lover. 272: 260:P240.3 million (Spain) 1309:The film closes with 1283:formed in the 1940s. 1176:has been credited to 1087:Suddenly, Last Summer 935:Federico Garcia Lorca 647:and Best Film at the 596:Fernando Méndez-Leite 2590:Films shot in Madrid 2555:Films about siblings 2230:The Watermelon Woman 1856:Labyrinth of Passion 1383:. Lanham, Maryland: 1134:improve this section 1092:Joseph L. Mankiewicz 973:improve this section 883:Francis Ford Coppola 792:improve this article 277:) is a 1987 Spanish 138:Ángel Luis Fernández 2635:1980s Spanish films 2585:Films set in Madrid 2530:1987 thriller films 2313:A Year Without Love 2155:The Last of England 2076:Strange Way of Life 1966:All About My Mother 1340:'s refusal to make 1279:, a Latin American 1189:Dmitri Shostakovich 1064:(1942) directed by 873:is anchored in the 562:was produced after 2380:Keep the Lights On 2086:The Room Next Door 2016:The Skin I Live In 1809:Films directed by 1698:Arsenal Pulp Press 1584:. 9 November 2011. 1570:. 26 October 1985. 1172:The Soundtrack of 1096:Tennessee Williams 931:Los Contemporáneos 895:and family drama. 735:In his review for 726:Jonathan Rosenbaum 714:The New York Times 711:In her review for 405:'s monologue-play 2595:Gay-related films 2497: 2496: 2487:All Shall Be Well 2420:A Fantastic Woman 2097: 2096: 1730:978-1-8598-4304-8 1707:978-1-5515-2262-3 1684:978-0-8166-4961-7 1661:978-0-7206-1121-2 1638:978-0-2520-7361-8 1615:978-1-8606-4507-5 1394:978-0-7391-8367-0 1170: 1169: 1162: 1009: 1008: 1001: 868: 867: 860: 842: 748:New York magazine 264: 263: 97:Agustín Almodóvar 16:(Redirected from 2642: 2455:No Hard Feelings 2396:The Way He Looks 2289:Walking on Water 2124: 2117: 2110: 2101: 2090: 2080: 2070: 2066:Parallel Mothers 2060: 2050: 2040: 2030: 2020: 2010: 2000: 1990: 1980: 1970: 1960: 1950: 1940: 1930: 1920: 1910: 1900: 1890: 1880: 1870: 1860: 1850: 1832: 1825: 1803: 1796: 1789: 1780: 1734: 1711: 1688: 1665: 1642: 1619: 1586: 1585: 1578: 1572: 1571: 1560: 1554: 1553: 1541: 1535: 1534: 1522: 1516: 1509: 1498: 1497: 1491: 1483: 1481: 1479: 1474:on 17 March 2012 1473: 1467:. 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Retrieved 1469:the original 1456: 1448: 1443: 1435: 1419: 1399:Google Books 1397:– via 1379: 1372: 1335: 1330: 1328: 1314: 1310: 1308: 1299: 1295: 1293: 1284: 1268: 1264: 1262: 1253: 1246:Jean Cocteau 1233:Jacques Brel 1228: 1227: 1222: 1216: 1214: 1204: 1200: 1181: 1173: 1171: 1156: 1147: 1132:Please help 1120: 1085: 1074: 1070:Paul Henreid 1061:Now, Voyager 1059: 1053: 1049: 1042: 1037: 1031: 1030:(1974), and 1025: 1019: 1010: 995: 986: 971:Please help 959: 926: 920: 917:Jean Cocteau 914: 907: 904:Billy Wilder 900:Douglas Sirk 897: 891:which mixes 886: 880: 870: 869: 854: 845: 835: 828: 821: 814: 802: 790:Please help 785:verification 782: 753:Cri de Coeur 752: 746: 736: 734: 721: 718:Janet Maslin 712: 710: 702: 699:Pauline Kael 697: 692: 688: 684:El Periodico 683: 676: 672: 667: 663: 661: 632: 626: 614: 613: 602: 600: 591: 589: 583: 570:was shot in 567: 563: 559: 555: 553: 536:Germán Cobos 482: 472:Carmen Maura 444: 436: 428: 415: 413: 406: 399: 389: 387: 371: 365: 359: 353: 350:Jean Cocteau 346:Carmen Maura 341: 339: 325: 324: 317: 313: 309: 307: 303: 293:as Tina and 291:Carmen Maura 273: 267: 266: 265: 221:Running time 212: (Spain) 197:Release date 191:Lauren Films 147:José Salcedo 121:Carmen Maura 61: 29: 2238:All Over Me 2131:Teddy Award 1976:Talk to Her 1866:Dark Habits 1606:I.B. Tauris 1325:DVD release 1277:Los Panchos 1056:Bette Davis 1013:John Waters 641:Teddy Award 637:Los Angeles 623:Mario Camus 376:, starring 331:Teddy Award 285:. Starring 252:100 million 225:102 minutes 90:Produced by 72:Directed by 2510:1987 films 2504:Categories 2428:Hard Paint 2404:Nasty Baby 2182:Coming Out 1956:Live Flesh 1926:High Heels 1719:. London: 1652:Peter Owen 1650:. London: 1604:. London: 1364:References 1331:Viva Pedro 1269:I doubt it 1241:bossa nova 941:Influences 818:newspapers 673:Cinco Dias 550:Production 545:as TV Host 524:Helga Liné 448:incestuous 424:possessive 289:as Pablo, 271:(Spanish: 257:Box office 208:1987-02-07 179:Laurenfilm 164:Production 82:Written by 2305:Wild Side 1511:Edwards, 1447:Edwards, 1434:Edwards, 1418:Strauss, 1250:monologue 1150:July 2023 1121:does not 1098:'s play. 1068:in which 989:July 2023 960:does not 875:melodrama 848:July 2023 610:Reception 475:director. 432:Andalusia 166:companies 143:Edited by 1763:AllMovie 1488:cite web 1352:See also 1336:Despite 1058:'s film 1036:(1977). 1024:(1972), 906:'s 1950 759:Analysis 580:El Deseo 564:Matador' 299:El Deseo 238:Language 175:El Deseo 153:Music by 109:Starring 2214:Go Fish 2036:Julieta 1886:Matador 1515:, p. 73 1451:, p. 74 1438:, p. 72 1422:, p. 63 1346:rated R 1338:YouTube 1285:Lo Dudo 1265:Lo Dudo 1223:Lo Dudo 1142:removed 1127:sources 981:removed 966:sources 832:scholar 678:El País 657:Belgium 584:Matador 556:Matador 453:suicide 440:amnesia 403:Cocteau 319:Matador 241:Spanish 230:Country 206: ( 57:Spanish 2490:(2024) 2482:(2023) 2474:(2022) 2466:(2021) 2458:(2020) 2439:(2019) 2431:(2018) 2423:(2017) 2415:(2016) 2412:Tomcat 2407:(2015) 2399:(2014) 2391:(2013) 2383:(2012) 2375:(2011) 2372:Absent 2367:(2010) 2348:(2009) 2340:(2008) 2332:(2007) 2324:(2006) 2316:(2005) 2308:(2004) 2300:(2003) 2292:(2002) 2284:(2001) 2276:(2000) 2257:(1999) 2249:(1998) 2241:(1997) 2233:(1996) 2225:(1995) 2217:(1994) 2209:(1993) 2201:(1992) 2193:(1991) 2190:Poison 2185:(1990) 2166:(1989) 2158:(1988) 2150:(1987) 2089:(2024) 2079:(2023) 2069:(2021) 2059:(2020) 2049:(2019) 2039:(2016) 2029:(2013) 2019:(2011) 2009:(2009) 1999:(2006) 1996:Volver 1989:(2004) 1979:(2002) 1969:(1999) 1959:(1997) 1949:(1995) 1939:(1993) 1929:(1991) 1919:(1990) 1909:(1988) 1899:(1987) 1889:(1986) 1879:(1984) 1869:(1983) 1859:(1982) 1849:(1980) 1727:  1704:  1681:  1658:  1635:  1612:  1478:7 June 1391:  1273:bolero 834:  827:  820:  813:  805:  639:; the 619:Madrid 572:Madrid 394:Madrid 335:Berlin 246:Budget 2447:2020s 2356:2010s 2265:2000s 2174:1990s 2139:1980s 1721:Verso 1472:(PDF) 1465:(PDF) 1342:NC-17 1252:play 1211:Songs 1197:Tango 1102:Music 1016:' 839:JSTOR 825:books 764:Genre 728:from 668:Segre 653:Italy 576:Cádiz 539:past. 506:Milan 468:like. 420:lusty 233:Spain 1936:Kika 1752:IMDb 1725:ISBN 1702:ISBN 1679:ISBN 1656:ISBN 1633:ISBN 1610:ISBN 1494:link 1480:2014 1389:ISBN 1281:trio 1271:) a 1239:, a 1125:any 1123:cite 964:any 962:cite 902:and 811:news 745:in 655:and 574:and 492:bar. 459:Cast 384:Plot 1772:at 1761:at 1750:at 1275:by 1248:'s 1195:'s 1136:by 975:by 794:by 701:in 625:'s 352:'s 333:in 2506:: 1723:. 1700:. 1677:. 1654:. 1631:. 1608:. 1566:. 1548:. 1529:. 1502:^ 1490:}} 1486:{{ 1427:^ 1407:^ 1090:, 1047:. 659:. 631:. 558:, 455:. 301:. 2123:e 2116:t 2109:v 1802:e 1795:t 1788:v 1733:. 1710:. 1687:. 1664:. 1641:. 1618:. 1552:. 1533:. 1496:) 1482:. 1401:. 1313:( 1298:( 1267:( 1256:( 1203:( 1163:) 1157:( 1152:) 1148:( 1144:. 1130:. 1002:) 996:( 991:) 987:( 983:. 969:. 925:( 861:) 855:( 850:) 846:( 836:· 829:· 822:· 815:· 788:. 508:. 250:P 210:) 20:)

Index

La ley del deseo

Spanish
Pedro Almodóvar
Agustín Almodóvar
Eusebio Poncela
Carmen Maura
Antonio Banderas
José Salcedo
Bernardo Bonezzi
El Deseo
P
comedy thriller
Pedro Almodóvar
Eusebio Poncela
Carmen Maura
Antonio Banderas
El Deseo
Matador
Teddy Award
Berlin
Carmen Maura
Jean Cocteau
The Human Voice
Women on the Verge of a Nervous Breakdown
Bad Education
The Human Voice
Tilda Swinton
Madrid
Cocteau

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