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of four notes.) The harmonies of the seven are intense, with lines weaving close together. Each was given a title by the composer, and there has been speculation that the group forms a narrative or musical journey, though any meaning remains unclear:
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pavan", which
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in 1604. It consists of a set of seven slow pieces which the composer calls tears ("teares" in
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John Leeds
Barroll, 'Inventing the Stuart Masque', David Bevington & Peter Holbrook,
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John
Dowland (1563-1626) - The King of Denmark Galliard Ă 5, Lachrimae, No.11
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John
Dowland (1563-1626) - M. George Whitehead His Almand, Lachrimae, No.21
454:. "John Dowland" 2nd Edition. University of California Press. 1982, p.124)
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Peter Holman with Paul O'Dette. "John
Dowland", Grove Music, ed. L. Macy.
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John
Dowland (1563-1626) - Mistress Nichols Almand Ă 5, Lachrimae, No.20
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states that the book can be purchased from the "author's house" in
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Lachrimae or Seaven Teares
Figured in Seaven Passionate Pavans
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spelling) plus other pieces including some livelier numbers.
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As the title page suggests, the music is scored for five
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Lachrimæ or seaven teares figured in seaven passionate
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1604 collection of instrumental music by John
Dowland
78:"Aut Furit, aut Lachrimat, quem non Fortuna beavit"
50:is a collection of instrumental music composed by
111:The seven pavans are variations on a theme, the "
313:“The Earle of Essex Galiard” P42, dedicated to
352:From 1598 Dowland was employed as lutenist to
331:“M Thomas Collier his Galiard with 2 Trebles”
96:(that is, members of the violin family), and
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141:Lachrimæ antiquae novæ (Old Tears Renewed)
273:The “divers other” compositions are: two
517:"John Dowland: Lachrimæ, or Seven Tears"
400:with Elizabeth Kenny (lute) directed by
125:(1600) and begins with a "falling tear"
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381:Prince Henry's Welcome at Winchester
491:Politics of the Stuart Court Masque
310:“The King of Denmarks Galiard” P40
328:“M Nicholas Gryffith his Galiard”
315:Robert Devereux, 2nd Earl of Essex
264:Problems playing these files? See
177:Lachrimæ amantis (A Lover’s Tears)
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334:“Captaine Piper his Galiard” P88
319:“Sir John Souch his Galiard” P26
154:Lachrimæ gementes (Sighing Tears)
343:“M George Whitehead his Almand”
322:“M Henry Noell his Galiard” P34
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325:“M Giles Hoby his Galiard” P29
164:Lachrimæ coactae (Forced Tears)
299:“Semper Dowland semper Dolens”
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304:“Sir Henry Umptons Funerall”
256:Performed by Phillip W. Serna
135:Lachrimæ antiquae (Old Tears)
307:“M John Langtons Pavan” P14
159:Lachrimæ tristes (Sad Tears)
39:, with divers other pavans,
552:Collections by John Dowland
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493:(Cambridge, 1998), p. 123.
182:Lachrimæ veræ (True Tears)
425:Dowland: Lachrimae (1604)
394:Lachrimae, or Seven Tears
340:“Mss Nichols Almand” P52
285:(“galiards”), two sombre
279:(“almands”), nine lively
506:(Cambridge, 1999), p. 4.
504:Dowland: Lachrimae, 1604
354:Christian IV of Denmark
337:“M Bucton his Galiard”
567:Music with dedications
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54:. It was published by
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364:. In the case of the
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396:by the viol consort
367:Second Book of Songs
122:Second Book of Songs
392:Recordings include
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188:Other compositions
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433:978-0-521-58196-7
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60:Early Modern
52:John Dowland
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562:Music books
470:Opera Today
362:Fetter Lane
348:Publication
56:John Windet
557:1604 works
546:Categories
408:References
388:Recordings
276:allemandes
266:media help
372:Lachrimae
358:Lachrimae
282:galliards
105:Lachrimae
45:allemands
41:galliards
530:24 April
398:Phantasm
113:Lachrimæ
67:Lachrimæ
475:28 July
94:violins
74:epigram
526:. 2017
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297:Pavan
291:pirate
287:pavans
168:parody
145:parody
107:pavans
37:pavans
524:. BBC
439:Notes
127:motif
90:viols
71:Latin
532:2022
477:2014
429:ISBN
415:ISBN
98:lute
43:and
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301:P9
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
