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90:—images fashionable throughout Europe for private religious meditation in that age. The original sequence of the emblems is unclear, although the panels as arranged under their Latin "headings" are as originally devised. In addition to their importance for the study of emblems in general, they are significant because the Drurys were patrons of the poet and divine
75:, probably by Sir Robert, before 1615; and when the Hardwick House contents were sold in 1924, they were purchased for and installed in Christchurch Mansion when it had already become the home of the Fine and Decorative Arts collections of the
108:. The epigrammatic and verbally or visually paradoxical themes of the paintings are, however, linked more directly to the themes and techniques of meditation developed in the writings and sermons of the preacher
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247:
Mantz, D.C., S.E. Gardner and E.M. Ramsden, "'The
Benefit of an Image, Without the Offence': Anglo-Dutch Emblematics and Hall's Liberation of the Lyric Soul" in
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Partner, Jane, "Vision, appearance and skin colour in the painted emblems from
Hawstead Hall," Word & image, 25/2 (2009): 178-191.
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They originally decorated a painted closet, about 7 feet (2.1 m) square, adjacent to a bedroom in
Hawstead Place, near
209:"Of the Progress of the Soul: The Second Anniversary. An Anatomy of the World. John Donne. 1896. The Poems of John Donne"
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40:) is a series of painted wooden panels of early 17th-century date, currently installed in the room over the porch of
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Part of the emblematic panelling from Lady Drury's painted closet, originally at
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Christchurch
Mansion (Colchester & Ipswich Museums), Museum Booklet.
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following the death in 1610 of their daughter
Elizabeth Drury—namely,
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112:, who was chaplain and spiritual advisor to Lady Drury at Hawstead.
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150:
The
History and Antiquities of Hawstead and Hardwicke
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187:. Aldershot, UK: Ashgate Press. pp. 149–153.
252:Anglo-Dutch Relations in the Field of the Emblem
238:Poets and the Visual Arts in Renaissance England
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185:The Painted Closet of Lady Anne Bacon Drury
63:, Lady Drury, wife of Sir Robert Drury of
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71:, who died in 1624. They were removed to
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59:. It is believed they were made for
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300:Paintings in the East of England
82:The panels contain a series of
16:Series of painted wooden panels
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86:of the kind associated with
295:St Margaret's Ward, Ipswich
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249:Westerweel, Bart (1997).
242:University of Texas Press
101:An Anatomy of the World
285:17th-century paintings
183:Meakin, H. L. (2013).
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94:, who wrote his two
42:Christchurch Mansion
29:near Bury St Edmunds
36:(also known as the
34:Lady Drury's Closet
290:History of Suffolk
127:Boetius a Bolswert
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280:English paintings
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274:Categories
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133:References
92:John Donne
61:Anne Drury
255:. BRILL.
116:See also
69:Hardwick
65:Hawstead
244:(1984).
231:Sources
218:24 June
152:(1813).
84:emblems
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46:Ipswich
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