373:, noting that it related to the same theme for which he had given the assignment. According to Lipkin's recollections, Levitan told him: 'I've been working on this subject for a long time, I wanted to call this thing 'Rus', but maybe it's a bit pretentious, it's better to keep it simple somehow.' According to literary scholar Andrei Turkov, Levitan's idea may have been connected to his work on illustrating the collection of Pushkin's works. This edition was being prepared by Pyotr Konchalovsky for the 100th anniversary of the poet's birth. Aleksei Fedorov-Davydov disagreed with Lipkin's claim that Levitan's sketch was thematically linked to Pushkin's 'The Cloud'. Fedorov-Davydov argued that 'the image of the painting in no way resembles this poem,' as the artist depicted light clouds rather than a cloud or the state of nature after a thunderstorm. According to Fedorov-Davydov, the landscape was 'least of all illustrative' and 'looked like real nature above all.'
942:
262:
593:
449:
604:
the canvas. According to
Aleksei Fedorov-Davydov, 'the theme of clouds with their movement, shadows and reflections begins to occupy an essential, if not equal, place in the general structure of the landscape, along with the image of the shores and surface of the lake covered with fields and enlivened by buildings;' this theme is an important part of the landscape image and 'a means of its expressiveness.' The clouds and other objects in the foreground (reeds and reflections in the water), which act as 'frames', are fragmented and cut off by the edge of the canvas: 'This
488:
837:
636:. To convey the restless ripples of the water, the artist applied repeated brushstrokes of various shades of blue, violet, grey-green and pink over the light blue preparatory layer. In certain areas, particularly in the depiction of reeds, the texture was confused due to repeated scribing on the relief hull layer without prior stripping. Additionally, overloading of the colour layer resulted in a loss of elasticity. Furthermore, the later prescriptions did not bond sufficiently with the lower layers, resulting in
813:
717:
733:
701:
347:
874:' – the artist 'reaffirmed the ideals with which his art was imbued and left it as a testament, alongside the new artistic problems, during the solving of which death overtook him.' Fedorov-Davydov noted that Levitan had succeeded in giving the composed landscape an apparent unity, but that at the same time the artist had not been able to fully overcome the painting's overload and connect 'all the complex and contradictory moments and means of solving his painting.'
825:
878:
2944:
309:
29:
612:
represents the image of a whole country – which is why
Levitan originally wanted to call it 'Rus.' Furthermore, the state of nature has been synthesised to some extent. The yellow hue of the leaves and the withered fields suggest that it is autumn, while the lighting and clouds resemble those of summer. It is possible that the artist intentionally chose a day during the '
853:(canvas, oil, 1898–1899, 27 × 36.5 cm, inv. Zh-552). It was displayed at the artist's posthumous exhibition in St. Petersburg and Moscow in 1901. Subsequently, it was held in the collections of I. I. Troyanovsky, K. I. Troyanovskaya, V. N. Vinogradov, and O. F. Vinogradova before being acquired by the Tretyakov Gallery in 1968.
620:
colours, while tree foliage is painted in orange-brown tones. Villages on the opposite shore of the lake feature red-brown houses, and churches are visible as white spots. The water is portrayed in blue with ripples and multi-coloured reflections. Levitan repainted the water many times, adding and removing
603:
Compared to the original sketch, where the sky was perceived as a background, the final version gives it a more prominent role. Numerous clouds appear to float out from the horizon, as if catching up with each other. This creates a feeling that they are moving towards the viewer and even going beyond
304:
dated 23 June 1898, Levitan reported: 'I live in a wonderful place here: on the shore of a very high huge lake, with forests all around me, and the lake is teeming with fish...' A similar description can be found in
Levitan's letter to the artist Elena Karzinkina, dated 5 July 1898: 'I live in a very
981:
is characterised by 'the search for an epic beginning with an almost impressionistic freshness of perception of nature and execution.' Kruglov wrote that, despite the painting being unfinished, it makes a complete impression, is one of the highlights of
Levitan's work, and is rightly regarded as 'a
619:
The painting's colour scheme is based on blue, brown, green, yellow, and violet tones. The artist aimed to use bright and pure colours, even painting white clouds in different tones – yellowish in illuminated areas and violet in shaded ones. Fields and meadows are depicted in yellow-brown and green
588:
and water ripples, with the shadow of a cloud cast upon them. The second plane depicts a sunlit expanse of water in a large lake. Finally, the third and farthest background shows elevated shores with fields, arable land, groves, and villages, including houses and churches. Clouds float in the blue
969:
According to Manin, the basis of the new method of understanding the world was 'the desire to capture the momentary state of the atmosphere, the variability of colours, the mobility of the air, and at the same time a sketchy manner of capturing feelings and experiences,' while the former scale of
611:
Art historians have noted the synthetic nature of the landscape depicted in the painting, which is manifested not only in the fact that it is 'composed' of several nature studies, but also in the 'collective, generalising nature of the image itself, its ideological synthesis,' in the fact that it
957:
was painted, it had not lost 'its high artistry and aesthetic effectiveness.' Maltseva noted that despite some pictorial incompleteness in
Levitan's landscape, it 'by itself further consolidates the image created by the artist's intended second, more expansive name' (meaning the alternative name
551:
had 'darkened, withered in some places, and lost much of its original luminosity and brightness.' Subsequently, the canvas underwent several restorations, including before
Levitan's personal exhibition of 1938 in Moscow and in 1958, when the leading restorer of the State Russian Museum, Anany
435:
at a rented cottage. There, Levitan caught a cold which led to a severe complication of heart disease. He returned to Moscow but was unable to recover and died on 22 July (4 August) 1900. Following his death, approximately 40 unfinished paintings (including
631:
is executed with large, broad strokes that emphasize the weight and materiality of the subject. The sunlit clouds and white church are particularly massive and corpulent. The artist employed a complex technique, including repeated corpuscular painting and
869:
one of the 'remarkable creations of
Levitan' and wrote that this canvas 'immediately makes a great and strong impression on the viewer, as a powerful and beautiful image of Russian nature.' According to Fedorov-Davydov, in this painting – Levitan's
910:
Levitan managed to give 'a collective image of his homeland' – in it you can see 'the past of Russia, its present, nature, and man,' in this work 'both the personal experiences of the artist, and the very festive beauty of the world merged.'
182:
Levitan managed to give 'a collective image of his homeland' – in it you can see 'the past of Russia, its present, nature, and man', in this work 'both the personal experiences of the artist, and the very festive beauty of the world merged.'
475:
and the second part in the premises of the Moscow
Society of Art Lovers. Directly after the exhibition, the canvas was bought by Adolf (Abel) Levitan (the artist's brother) for the Russian Museum of Emperor Alexander III (now the
365:(MUZHVZ) in September 1898, where he led the landscape class. According to the memories of one of Levitan's pupils, the artist Boris Lipkin, in early 1899, Levitan assigned his students the task of creating an illustration for
799:(canvas, oil, 48.6 × 69.7 cm or 48.8 × 69.7 cm, inv. Zh-1157). The sketch was acquired by the museum in 1954 from the Ministry of Culture of the RSFSR. It is dated 1898, 1899 or 1898–1899 in different sources.
526:. However, it was not included in the catalogue and only appeared in the Leningrad section of the exhibition. The painting was exhibited during the 150th anniversary of Levitan's birth at the Benois Building of the
970:
thinking gave way to a sensitive listening to the life of nature, the desire to capture its 'mental state'.' Noting the dynamism of the brushstroke and the extraordinary brightness of the colours, Manin wrote that
471:, was first exhibited at Levitan's posthumous exhibition in Saint Petersburg and Moscow in 1901. The exhibition showcased over 140 paintings and numerous sketches, with the first part held in the halls of the
173:
to be 'a remarkable creation by
Levitan' and wrote that it 'immediately makes a great and strong impression on the viewer, as a powerful and beautiful image of Russian nature.' According to art historian
2749:
1837:
261:
411:
In 1889, entrepreneur and patron of the arts Sergei
Morozov allocated Levitan a house workshop in Bolshoy Trisvyatitelsky Lane in Moscow, where he worked on the final version of the painting
534:(October 2010 – March 2011). An opinion poll of visitors to the exhibition was conducted during the anniversary event. The poll results show that only two paintings from the Russian Museum,
958:'Rus.') According to Maltseva, 'the presence of a work with such a major mood in Levitan's oeuvre is natural,' as 'it organically blends with many of his landscapes from the last period.'
123:
was Levitan's last major work, which he painted shortly before his death. Although unfinished, this canvas is considered the main work of the late Levitan and is often referred to as his '
323:(canvas, oil, 1898, 91 × 59 cm, Penza Regional Art Gallery named after K. A. Savitsky). Researchers consider this painting as one of the preparatory works for the future painting
941:
343:, Levitan 'unconsciously reproduced <...> some kind of experienced visual impression', which could be 'the general experience he had at the Senezh Lake in the summer of 1898.'
305:
nice place: a big lake, mountains, forests, complete silence, even too much (but soon all this will be gone – the owners, the Olenins, will come), but still, it's very nice here.'
362:
974:'enriches the painting with the excited impressionist vibration of colour' and marks the transition from the earlier calm Levitan paintings to a lively movement.
687:(wood, oil, 12.5 × 27.3 cm, Inventory Zh-123, acquired in 1961 from Moscow collector A. V. Gordon. It was previously in the collection of N. A. Sokolov).
544:(10th place), were among the top ten favourite works of the artist. The other eight paintings in the top ten are part of the Tretyakov Gallery's collection.
423:. The scientist particularly liked the sketch for this painting, which stood out for its 'rich, iridescent range of colours.' Levitan worked on the canvas
522:. It was also displayed at the jubilee exhibition commemorating the 100th anniversary of the artist's birth, held in 1960–1961 in Moscow, Leningrad, and
592:
2730:
922:
immediacy of freshness and brightness of a sunny day' with a decorative and monumental approach that links this picture to the traditions of ancient
2865:
335:, and the composition of the landscape depicted on it. Fedorov-Davydov wrote that this landscape 'appears much more natural' than in the painting
2267:"История персональных выставок И. И. Левитана и подготовка в Третьяковской галерее выставки, приуроченной к 150-летию со дня рождения художника"
965:
noted that 'with obvious manifestation of the artist's pictorial quest, opens the art of the new century' in Levitan's last unfinished painting
757:(canvas on cardboard, oil, 1890s, 21.5 × 31.2 cm, Inventory Zh-1324; according to other data – 1899, 21 × 31.5 cm) in its collection.
127:'. The painting was first exhibited under the title 'Sunny Day' at Levitan's posthumous exhibition held in Saint Petersburg and Moscow in 1901.
2753:
1841:
2643:
2457:
2384:
2281:
369:'s poem 'The Cloud.' In the same year, in preparation for the student exhibition, Levitan showed Lipkin a large sketch made for the painting
776:, previously in the collection of N. Balashov). However, according to the compilers of the later catalogue of the Russian Museum, the study
448:
419:, accompanied by his wife and son, visited the artist's studio. Among the many unfinished paintings, Timiryazev saw a large painting titled
2966:
2947:
673:
768:(canvas, oil, 32 × 46.5 cm, collection of T. V. Geltser, previously in the collections of E. V. Geltser and A. N. Lyapunov) and
589:
sky and are reflected in the lake water. At the upper edge of the canvas, a large dark cloud joins a large white cloud to its right.
2705:
2661:
2617:
2549:
2476:
2431:
2412:
2365:
2344:
2316:
2116:
2192:. Vol. 1 (1918—1969). Moscow: Центральное филателистическое агентство «Союзпечать» Министерства связи СССР. 1983. p. 457.
624:
in the foreground. Upon closer inspection, the seemingly decorative colour zones are designed with subtle transitions and nuances.
1988:
918:
the main work of the late Levitan, noting that the artist achieved 'monumental lyricism of the image,' trying to combine 'almost
760:
The catalogue of Levitan's jubilee exhibition in 1960 listed two additional studies among the preparatory works for the painting
377:
2768:
2013:
2442:
2266:
661:
510:
The painting 'Lake' was subsequently exhibited at several exhibitions, including Levitan's personal exhibitions in 1938 at the
222:), which depicted a wide expanse of water. It is unclear whether it was a lake or a river. The artist worked on this canvas on
1463:
1362:
1282:
660:(paper on canvas, oil, 1898–1899, 14 × 18 cm, Inventory No. 5341, received in 1917 from the collection of the family of
196:
Levitan was interested in the subject of the lake from the early 1890s. In 1893, he painted a relatively large canvas titled
480:). On the reverse of the canvas is a note: 'Levitan No. 27 'Sunny Day' 2200 rubles.' A reproduction of the painting, titled
672:(paper on cardboard, oil, 17.6 × 26.2 cm, Inventory No. 9117, received in 1927 through the State Museum Fund from the
255:
2858:
792:
155:
146:(1894), which echoes the latter in subject matter. During the process of creating the painting, Levitan used numerous
753:(cardboard, oil, 1898–1899, 11.3 × 17 cm, Inventory Zh-167). The Altai Krai State Art Museum has a study titled
1722:
281:
2971:
677:
633:
577:
2981:
2897:
487:
472:
297:
1666:
2825:
2787:
2976:
862:
328:
166:
2734:
836:
2851:
812:
2806:
1747:
906:
is perceived as 'a true song of joyful, triumphant, festive nature.' According to Alpatov, in the canvas
108:(Inventory Zh-4262). The painting measures 149 × 208 cm. It is also known by other names, including
2889:
209:
896:, Levitan's pictorial skills 'look exceptionally mature and strengthened.' Unlike the earlier painting
716:
732:
385:
79:
556:
is currently exhibited in Room 40 of the Rossi wing alongside other works by Isaac Levitan, such as
700:
315:(Senezhskoye Gushchino) on the 1860 topographical map (Bogorodskoye is on the north-eastern shore).
962:
346:
223:
2638:. Vol. 6: Живопись второй половины XIX века (К—М). Saint Petersburg: Palace Editions. 2016.
898:
665:
416:
277:
214:
142:
136:
824:
2905:
2701:
2657:
2639:
2613:
2612:. Vol. 4: Живопись второй половины XIX века, book 1, А–М. Moscow: Красная площадь. 2001.
2545:
2472:
2453:
2427:
2408:
2380:
2361:
2340:
2312:
2277:
2119:. Государственный каталог Музейного фонда Российской Федерации — goskatalog.ru. Archived from
1991:. Государственный каталог Музейного фонда Российской Федерации — goskatalog.ru. Archived from
999:
739:
723:
707:
649:
511:
500:
457:
366:
354:
219:
159:
2750:"Интерактивный вид зала Государственного Русского музея, в котором находится картина "Озеро""
2255:
388:. He spent the remainder of spring and most of the summer there, creating paintings such as
381:
331:
recognised the complex and synthetic nature of the image presented by Levitan on the canvas
227:
147:
105:
83:
1019:
986:
889:
175:
2120:
547:
According to Levitan's contemporaries, ten years after the artist's death, the painting
292:. The estate was owned by the Olenin family – Vladimir Alexandrovich (great-grandson of
230:. The theme of the lake appears in several of the artist's works following his visit to
1992:
1023:
877:
773:
536:
527:
515:
477:
285:
239:
101:
2960:
2874:
2772:
2560:
2017:
919:
785:
613:
608:
technique gives the impression of a continuation of the painting outside the frame.'
605:
301:
293:
273:
97:
39:
2931:
1471:
1370:
432:
427:
until early May 1900. During this time, he visited his landscape class students in
272:
During the summer of 1898, Levitan resided in the Bogorodskoye estate, situated in
201:
57:
1290:
2016:. Государственный художественный музей Алтайского края — ghmak.ru. Archived from
953:
In the early 2000s, art historian Faina Maltseva wrote that in the century since
938:, because in it one hears not mournful but 'triumphantly major music of nature.'
818:
Lake. Windy Day (study, Vyatka Art Museum, named after V. M. and A. M. Vasnetsov)
2589:
531:
504:
312:
308:
289:
151:
749:
The Vyatka Art Museum, named after V. M. and A. M. Vasnetsov, houses the study
300:) and his wife Elizaveta Dmitrievna, née Skaryatina. In a letter to the writer
2573:
2407:. Русские живописцы XIX века (in Russian). Saint Petersburg: Художник России.
2292:
637:
616:', a period when 'the solemnity of autumn still retains the charm of summer.'
28:
2752:. Виртуальный тур по Русскому музею — virtual.rusmuseumvrm.ru. Archived from
2398:(in Russian). Penza: Приволжское книжное издательство (Пензенское отделение).
1840:. Виртуальный тур по Русскому музею — virtual.rusmuseumvrm.ru. Archived from
640:
and crumbling of the repeated inscriptions, which required restoration work.
2682:Исаак Ильич Левитан. Каталог выставки к столетию со дня рождения (1860—1960)
871:
519:
319:
In Bogorodskoye, Levitan painted several landscapes, including the painting
231:
124:
2628:Государственный Русский музей — Живопись, XVIII — начало XX века (каталог)
1726:
584:
consists of three distinct planes. The first plane is shaded and features
100:(1860–1900), which he worked on in 1899–1900. It is currently held in the
931:
780:
was not intended for the painting of the same name, but for the painting
621:
71:
149 cm × 208 cm (59 in × 82 in)
2829:
2791:
2671:
849:
The State Tretyakov Gallery houses the initial version of the painting
585:
2360:. Энциклопедия мирового искусства (in Russian). Moscow: Белый город.
2355:
2103:
2076:
1899:
1897:
923:
484:, was published in the magazine "The World of Art" (No. 1 for 1901).
428:
247:
205:
61:
2810:
2471:. Русские живописцы XIX века (in Russian). Moscow: Художник России.
2328:Техника масляной живописи русских мастеров с XVIII по начало XX века
902:, in which the grandeur of nature evokes a sense of human weakness,
404:. Levitan also worked on preparatory sketches for the future canvas
2788:"Исаак Ильич Левитан — Лучшие картины, пейзажи — Озеро. Русь, 1900"
2490:. Жизнь замечательных людей (in Russian). Moscow: Молодая гвардия.
876:
591:
447:
345:
260:
1872:
1870:
1265:
1263:
1261:
1259:
1231:
1229:
2843:
523:
2847:
2718:. Vol. 2 (Бойченко — Геонджиан). Moscow: Искусство. 1972.
1751:
440:) and around three hundred sketches were found in his studio.
2733:. Виртуальный Русский музей — rusmuseumvrm.ru. Archived from
2531:Фёдоров-Давыдов, А.А. (1975). "Картина И. Левитана «Озеро»".
1363:"Хмурый день (Озеро. Серый день). 1895 — Левитан Исаак Ильич"
408:. In August of the same year, the artist returned to Moscow.
268:(1898, Penza Regional Art Gallery named after K. A. Savitsky)
158:
and a small preliminary version of the painting, kept in the
2293:"О левитановском пейзаже и юбилейной левитановской выставке"
1022:("old style") is used to date events that took place in the
2337:Мастера русского пейзажа. Вторая половина XIX века. Часть 4
1246:
1244:
1704:
1702:
1283:"На озере (Тверская губерния). 1893 — Левитан Исаак Ильич"
2656:. Saint Petersburg: Государственный Русский музей. 1995.
2014:"Облака. 1890–е. Этюд к картине «Озеро» (1898—1900, ГРМ)"
2610:Государственная Третьяковская галерея — каталог собрания
2311:. Золотая галерея русской живописи. Moscow: Арт-Родник.
2087:
2085:
1784:
1782:
1780:
1151:
1149:
2690:Исаак Ильич Левитан. Документы, материалы, библиография
1088:
1086:
134:
is one of the artist's three largest works, along with
2260:. Массовая библиотека (in Russian). Moscow: Искусство.
2104:Горьковский государственный художественный музей (1986
2077:Горьковский государственный художественный музей (1986
1003:
as works filled with 'joy and a happy sense of life.'
2684:. Moscow: Издательство Академии художеств СССР. 1960.
363:
Moscow School of Painting, Sculpture and Architecture
2698:Памятники культуры. Новые открытия. Ежегодник — 2003
2673:Исаак Ильич Левитан. Письма, документы, воспоминания
2517:. Жизнь в искусстве (in Russian). Moscow: Искусство.
250:, 1895, 48 × 62 cm, State Russian Museum), and
2924:
2881:
2396:Картинная галерея им. К. А. Савицкого. Путеводитель
1824:
926:painting. Agreeing with Alpatov, Petrov wrote that
530:(April–July 2010) and the New Tretyakov Gallery on
376:In April 1899, Levitan travelled to the village of
75:
67:
53:
45:
35:
21:
2535:(in Russian). Moscow: Искусство. pp. 574–588.
2716:Художники народов СССР. Библиографический словарь
2377:Русская пейзажная живопись. Конец XVIII — XIX век
977:According to the art historian Vladimir Kruglov,
2654:Государственный Русский музей — Из истории музея
2636:Государственный Русский музей — каталог собрания
2602:Горьковский государственный художественный музей
2506:Товарищество передвижных художественных выставок
2497:Исаак Ильич Левитан. К 100-летию со дня рождения
1975:
1723:"Левитан в Русском музее: Чем ёлка лучше пальмы"
1667:"Снимки с произведений И. Левитана и И. Зулоага"
1313:
1220:
914:Art historian Vladimir Petrov called the canvas
415:. In early February 1900, the natural scientist
2826:"Исаак Ильич Левитан — Озеро. Русь (1899—1900)"
2152:
1951:
1927:
1903:
1876:
1861:
1725:. Фонтанка.ру — www.fontanka.ru. Archived from
1554:
1491:
1269:
1235:
1203:
1191:
1179:
1167:
1140:
1128:
842:Lake (sketch, Nizhny Novgorod State Art Museum)
552:Brindarov, restored the painting. The painting
2769:"Левитан Исаак Ильич — Озеро. Русь, 1899—1900"
2533:Русское и советское искусство. Статьи и очерки
1989:"Левитан Исаак Ильич — "Озеро. Ветреный день""
1750:. Музеи России — www.museum.ru. Archived from
830:Clouds (study, State Art Museum of Altai Krai)
2859:
1625:
1623:
982:masterpiece of domestic landscape painting.'
772:(paper on cardboard, oil, 15 × 22.5 cm,
8:
2574:"Хроника жизни и творчества Исаака Левитана"
2276:(in Russian). Moscow: Экспресс 24: 219–225.
1748:"Исаак Левитан. К 150-летию со дня рождения"
1653:
444:Posthumous exhibition and subsequent events
353:(first version of the painting, 1898–1899,
212:). In 1894, Levitan completed the painting
2866:
2852:
2844:
2443:"Выставка И. И. Левитана глазами зрителей"
1464:"Озеро. Весна. 1898 — Левитан Исаак Ильич"
805:A sketch and studies for the painting Lake
27:
18:
16:A painting by Russian artist Isaac Levitan
2499:(in Russian). Moscow: Советский художник.
2091:
1771:
1602:
1503:
1116:
676:; it was previously in the collection of
652:possesses three studies for the painting
192:Preceding events and work on the painting
2630:. Leningrad: Аврора and Искусство. 1980.
2379:(in Russian). Saint Petersburg: Аврора.
2202:
2140:
2061:
1963:
1939:
1888:
1708:
1450:
1349:
1155:
1065:
940:
486:
307:
254:(oil on canvas, 1890s, 48 × 80 cm,
238:(oil on canvas, 1895, 96 × 128 cm,
154:, including a large sketch, held in the
2524:Исаак Ильич Левитан. Жизнь и творчество
2226:
2164:
1414:
1250:
1104:
1092:
1037:
1011:
296:, State Secretary and President of the
2807:""Озеро" — последняя картина Левитана"
2452:(in Russian). Moscow: Инико: 606–618.
2238:
2176:
2049:
2037:
1800:
1788:
1693:
1641:
1629:
1614:
1590:
1578:
1566:
1542:
1530:
1518:
1438:
1426:
1402:
1390:
2214:
2072:
2070:
1915:
1689:
1687:
1514:
1512:
1309:
1307:
1216:
1214:
1212:
1077:
7:
2771:. www.art-catalog.ru. Archived from
1825:Художники народов СССР, vol. 2 (1972
1061:
1059:
1057:
1055:
1053:
795:collection includes a sketch titled
339:. According to him, in the painting
96:is a painting by the Russian artist
2544:(in Russian). Moscow: Белый город.
2426:(in Russian). Moscow: Белый город.
1812:
499:at the 2010–2011 exhibition at the
256:Rostov Regional Museum of Fine Arts
218:(oil on canvas, 150 × 206 cm,
2809:. isaak-levitan.ru. Archived from
2790:. isaak-levitan.ru. Archived from
2731:"Левитан И. И. — Озеро. 1899—1900"
2604:. Leningrad: Художник РСФСР. 1986.
934:pair' in relation to the painting
674:State Museum of Modern Western Art
14:
2339:(in Russian). Moscow: Искусство.
1976:Каталог ГТГ, vol. 4, book 1 (2001
1314:Каталог ГТГ, vol. 4, book 1 (2001
1221:Каталог ГТГ, vol. 4, book 1 (2001
234:in northern Italy. These include
2943:
2942:
2590:""Художник чудный и гениальный""
2542:Импрессионизм в русской живописи
2526:(in Russian). Moscow: Искусство.
2508:(in Russian). Moscow: Искусство.
2330:(in Russian). Moscow: Искусство.
1337:
1325:
1044:
835:
823:
811:
793:Nizhny Novgorod State Art Museum
731:
715:
699:
156:Nizhny Novgorod State Art Museum
2828:. www.rodon.org. Archived from
2117:"Левитан Исаак Ильич — "Озеро""
884:(1894, State Tretyakov Gallery)
284:(now within the city limits of
2522:Фёдоров-Давыдов, А.А. (1966).
2450:Третьяковские чтения 2010—2011
644:Studies, sketches and variants
361:Levitan began teaching at the
282:Podsolnechnaya railway station
1:
989:described Levitan's painting
693:Studies for the painting Lake
949:on a 1968 USSR postage stamp
784:(1890s, Apartment Museum of
280:, in close proximity to the
2190:Каталог почтовых марок СССР
888:According to art historian
2998:
2967:Paintings by Isaac Levitan
2692:. Moscow: Искусство. 1966.
2676:. Moscow: Искусство. 1956.
2265:Захаренкова, Л.И. (2010).
562:Moonlight Night. A Village
2940:
2596:(in Russian) (95): 30–43.
2274:Третьяковские чтения 2009
2062:Каталог ГРМ, vol. 6 (2016
1721:Лузина, О. (2010-04-30).
1350:Каталог ГРМ, vol. 6 (2016
1066:Каталог ГРМ, vol. 6 (2016
596:A detail of the painting
26:
2583:(in Russian) (3): 58–71.
2565:Культура Алтайского края
2504:Рогинская, Ф.С. (1989).
2486:Пророкова, С.А. (1960).
2467:Пилипенко, В.Н. (1994).
2441:Петрунина, Л.Я. (2012).
1415:Памятники культуры (2004
930:could be considered an '
473:Imperial Academy of Arts
298:Imperial Academy of Arts
169:considered the painting
2700:. Moscow: Наука. 2004.
2540:Филиппов, В.А. (2003).
2394:Молчанов, Б.Н. (1979).
2335:Мальцева, Ф.С. (2002).
2326:Лужецкая, А.Н. (1965).
2302:(in Russian) (3): 4–13.
1838:"Флигель Росси, зал 40"
863:Aleksei Fedorov-Davydov
740:State Tretyakov Gallery
724:State Tretyakov Gallery
722:The Last Rays. A Lake (
708:State Tretyakov Gallery
670:The Last Rays. The Lake
650:State Tretyakov Gallery
558:Golden Autumn. Slobodka
512:State Tretyakov Gallery
501:State Tretyakov Gallery
458:State Tretyakov Gallery
355:State Tretyakov Gallery
329:Aleksei Fedorov-Davydov
220:State Tretyakov Gallery
167:Aleksei Fedorov-Davydov
160:State Tretyakov Gallery
2495:Прытков, В.А. (1960).
2307:Круглов, В.Ф. (2001).
2291:Иовлева, Л.И. (2010).
2254:Алпатов, М.В. (1945).
950:
885:
600:
507:
460:
358:
316:
269:
2581:Третьяковская галерея
2572:Чижмак, М.С. (2010).
2559:Царёва, Н.С. (2020).
2513:Турков, А.М. (1974).
2422:Петров, В.А. (2000).
2403:Петров, В.А. (1992).
2300:Третьяковская галерея
1555:Фёдоров-Давыдов (1966
944:
880:
788:, Saint Petersburg).
595:
490:
451:
349:
311:
264:
210:Radishchev Art Museum
208:, 109 × 163 cm,
2588:Чурак, Г.С. (2010).
2567:(in Russian): 36–39.
2375:Манин, В.С. (2012).
2354:Манин, В.С. (2001).
2153:Фёдоров-Давыдов 1966
1952:Фёдоров-Давыдов 1966
1928:Фёдоров-Давыдов 1966
1904:Фёдоров-Давыдов 1966
1877:Фёдоров-Давыдов 1966
1862:Фёдоров-Давыдов 1975
1813:Из истории ГРМ (1995
1492:Фёдоров-Давыдов 1966
1270:Фёдоров-Давыдов 1975
1236:Фёдоров-Давыдов 1966
1204:Фёдоров-Давыдов 1975
1192:Фёдоров-Давыдов 1966
1180:Фёдоров-Давыдов 1975
1168:Фёдоров-Давыдов 1966
1141:Фёдоров-Давыдов 1966
1129:Фёдоров-Давыдов 1975
865:called the painting
774:State Russian Museum
738:A Clear Autumn Day (
528:State Russian Museum
516:State Russian Museum
478:State Russian Museum
386:Novgorod Governorate
288:), on the shores of
240:State Russian Museum
102:State Russian Museum
80:State Russian Museum
2515:Исаак Ильич Левитан
2405:Исаак Ильич Левитан
2064:, pp. 105–106)
1906:, pp. 308–309.
1533:, pp. 148–149.
1521:, pp. 218–219)
1316:, pp. 360–361)
1182:, pp. 575–576.
764:, dated 1898–1899:
514:and in 1939 at the
2469:Пейзажная живопись
2239:И.И. Левитан (1956
2050:И.И. Левитан (1960
1694:И.И. Левитан (1966
1630:И.И. Левитан (1966
1591:И.И. Левитан (1966
1567:И.И. Левитан (1966
1519:И.И. Левитан (1956
1468:www.art-catalog.ru
1439:И.И. Левитан (1956
1427:И.И. Левитан (1956
1391:И.И. Левитан (1956
1367:www.art-catalog.ru
1287:www.art-catalog.ru
951:
936:Over Eternal Peace
899:Over Eternal Peace
892:, in the painting
886:
882:Over Eternal Peace
861:The art historian
666:Margarita Morozova
601:
508:
467:, under the title
461:
431:, who worked on a
417:Kliment Timiryazev
359:
337:Over Eternal Peace
317:
278:Moscow Governorate
270:
215:Over Eternal Peace
178:, in the painting
143:Over Eternal Peace
2972:Russian paintings
2954:
2953:
2906:Fresh Wind. Volga
2645:978-5-93332-565-9
2459:978-5-89580-106-2
2386:978-5-7300-0847-2
2283:978-5-89580-105-5
1918:, pp. 42–43.
1569:, pp. 63–64)
1338:Каталог ГРМ (1980
1326:Каталог ГРМ (1980
1253:, pp. 28–29.
1045:Каталог ГРМ (1980
1000:Fresh Wind. Volga
367:Alexander Pushkin
89:
88:
2989:
2946:
2945:
2868:
2861:
2854:
2845:
2840:
2838:
2837:
2821:
2819:
2818:
2802:
2800:
2799:
2783:
2781:
2780:
2764:
2762:
2761:
2745:
2743:
2742:
2719:
2711:
2693:
2685:
2677:
2667:
2649:
2631:
2623:
2605:
2597:
2584:
2578:
2568:
2561:"Живая традиция"
2555:
2536:
2527:
2518:
2509:
2500:
2491:
2482:
2463:
2447:
2437:
2418:
2399:
2390:
2371:
2350:
2331:
2322:
2303:
2297:
2287:
2271:
2261:
2242:
2236:
2230:
2224:
2218:
2212:
2206:
2200:
2194:
2193:
2186:
2180:
2174:
2168:
2167:, p. 27—28.
2162:
2156:
2150:
2144:
2138:
2132:
2131:
2129:
2128:
2113:
2107:
2101:
2095:
2089:
2080:
2074:
2065:
2059:
2053:
2047:
2041:
2035:
2029:
2028:
2026:
2025:
2010:
2004:
2003:
2001:
2000:
1985:
1979:
1973:
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1901:
1892:
1886:
1880:
1874:
1865:
1859:
1853:
1852:
1850:
1849:
1834:
1828:
1822:
1816:
1810:
1804:
1798:
1792:
1786:
1775:
1769:
1763:
1762:
1760:
1759:
1744:
1738:
1737:
1735:
1734:
1718:
1712:
1706:
1697:
1691:
1682:
1681:
1671:
1663:
1657:
1654:Захаренкова 2010
1651:
1645:
1639:
1633:
1627:
1618:
1612:
1606:
1600:
1594:
1588:
1582:
1581:, p. 69—70.
1576:
1570:
1564:
1558:
1552:
1546:
1540:
1534:
1528:
1522:
1516:
1507:
1501:
1495:
1489:
1483:
1482:
1480:
1479:
1470:. Archived from
1460:
1454:
1448:
1442:
1436:
1430:
1424:
1418:
1412:
1406:
1400:
1394:
1388:
1382:
1381:
1379:
1378:
1369:. Archived from
1359:
1353:
1347:
1341:
1335:
1329:
1323:
1317:
1311:
1302:
1301:
1299:
1298:
1289:. Archived from
1279:
1273:
1267:
1254:
1248:
1239:
1233:
1224:
1218:
1207:
1201:
1195:
1189:
1183:
1177:
1171:
1165:
1159:
1153:
1144:
1138:
1132:
1126:
1120:
1114:
1108:
1102:
1096:
1090:
1081:
1075:
1069:
1063:
1048:
1042:
1027:
1016:
839:
827:
815:
735:
719:
703:
685:Clear Autumn Day
580:of the painting
540:(7th place) and
394:Twilight. Stacks
382:Krestetsky Uyezd
327:. Art historian
106:Saint Petersburg
84:Saint Petersburg
31:
19:
2997:
2996:
2992:
2991:
2990:
2988:
2987:
2986:
2982:1890s paintings
2957:
2956:
2955:
2950:
2936:
2920:
2877:
2872:
2835:
2833:
2824:
2816:
2814:
2805:
2797:
2795:
2786:
2778:
2776:
2767:
2759:
2757:
2748:
2740:
2738:
2729:
2726:
2714:
2708:
2696:
2688:
2680:
2670:
2664:
2652:
2646:
2634:
2626:
2620:
2608:
2600:
2587:
2576:
2571:
2558:
2552:
2539:
2530:
2521:
2512:
2503:
2494:
2485:
2479:
2466:
2460:
2445:
2440:
2434:
2421:
2415:
2402:
2393:
2387:
2374:
2368:
2353:
2347:
2334:
2325:
2319:
2306:
2295:
2290:
2284:
2269:
2264:
2253:
2250:
2245:
2237:
2233:
2225:
2221:
2213:
2209:
2201:
2197:
2188:
2187:
2183:
2175:
2171:
2163:
2159:
2151:
2147:
2139:
2135:
2126:
2124:
2115:
2114:
2110:
2102:
2098:
2090:
2083:
2075:
2068:
2060:
2056:
2048:
2044:
2036:
2032:
2023:
2021:
2012:
2011:
2007:
1998:
1996:
1987:
1986:
1982:
1974:
1970:
1962:
1958:
1950:
1946:
1938:
1934:
1926:
1922:
1914:
1910:
1902:
1895:
1887:
1883:
1875:
1868:
1860:
1856:
1847:
1845:
1836:
1835:
1831:
1823:
1819:
1811:
1807:
1799:
1795:
1787:
1778:
1770:
1766:
1757:
1755:
1746:
1745:
1741:
1732:
1730:
1720:
1719:
1715:
1707:
1700:
1692:
1685:
1669:
1665:
1664:
1660:
1652:
1648:
1640:
1636:
1628:
1621:
1613:
1609:
1601:
1597:
1589:
1585:
1577:
1573:
1565:
1561:
1553:
1549:
1541:
1537:
1529:
1525:
1517:
1510:
1502:
1498:
1490:
1486:
1477:
1475:
1462:
1461:
1457:
1449:
1445:
1437:
1433:
1425:
1421:
1413:
1409:
1401:
1397:
1389:
1385:
1376:
1374:
1361:
1360:
1356:
1348:
1344:
1336:
1332:
1324:
1320:
1312:
1305:
1296:
1294:
1281:
1280:
1276:
1268:
1257:
1249:
1242:
1234:
1227:
1219:
1210:
1202:
1198:
1190:
1186:
1178:
1174:
1166:
1162:
1154:
1147:
1139:
1135:
1127:
1123:
1115:
1111:
1103:
1099:
1091:
1084:
1076:
1072:
1064:
1051:
1043:
1039:
1035:
1030:
1020:Julian calendar
1017:
1013:
1009:
987:Konstantin Yuon
920:impressionistic
890:Mikhail Alpatov
859:
847:
846:
845:
844:
843:
840:
832:
831:
828:
820:
819:
816:
807:
806:
751:Lake. Windy Day
747:
746:
745:
744:
743:
736:
728:
727:
720:
712:
711:
704:
695:
694:
662:Mikhail Morozov
646:
606:impressionistic
574:
446:
228:Vyshny Volochok
194:
189:
176:Mikhail Alpatov
114:Sunny Day. Lake
17:
12:
11:
5:
2995:
2993:
2985:
2984:
2979:
2977:Russian Museum
2974:
2969:
2959:
2958:
2952:
2951:
2941:
2938:
2937:
2935:
2934:
2928:
2926:
2922:
2921:
2919:
2918:
2910:
2902:
2894:
2885:
2883:
2879:
2878:
2873:
2871:
2870:
2863:
2856:
2848:
2842:
2841:
2822:
2803:
2784:
2765:
2746:
2725:
2724:External links
2722:
2721:
2720:
2712:
2706:
2694:
2686:
2678:
2668:
2662:
2650:
2644:
2632:
2624:
2618:
2606:
2598:
2585:
2569:
2556:
2550:
2537:
2528:
2519:
2510:
2501:
2492:
2483:
2477:
2464:
2458:
2438:
2432:
2419:
2413:
2400:
2391:
2385:
2372:
2366:
2357:Русский пейзаж
2351:
2345:
2332:
2323:
2317:
2304:
2288:
2282:
2262:
2249:
2246:
2244:
2243:
2241:, p. 196)
2231:
2219:
2217:, p. 303.
2207:
2195:
2181:
2169:
2157:
2155:, p. 313.
2145:
2133:
2108:
2096:
2092:Пилипенко 1994
2081:
2066:
2054:
2042:
2030:
2005:
1980:
1978:, p. 368)
1968:
1966:, p. 261.
1956:
1954:, p. 312.
1944:
1942:, p. 139.
1932:
1930:, p. 311.
1920:
1908:
1893:
1891:, p. 138.
1881:
1879:, p. 308.
1866:
1864:, p. 580.
1854:
1829:
1817:
1815:, p. 272)
1805:
1793:
1791:, p. 107.
1776:
1774:, p. 616.
1772:Петрунина 2012
1764:
1739:
1713:
1711:, p. 262.
1698:
1696:, p. 129)
1683:
1680:(1): 21. 1901.
1658:
1656:, p. 222.
1646:
1634:
1619:
1617:, p. 153.
1607:
1605:, p. 218.
1603:Пророкова 1960
1595:
1583:
1571:
1559:
1557:, p. 391)
1547:
1545:, p. 149.
1535:
1523:
1508:
1506:, p. 235.
1504:Пророкова 1960
1496:
1494:, p. 297.
1484:
1455:
1443:
1431:
1419:
1407:
1395:
1393:, p. 313)
1383:
1354:
1352:, p. 104)
1342:
1340:, p. 178)
1330:
1328:, p. 178)
1318:
1303:
1274:
1272:, p. 576.
1255:
1240:
1238:, p. 314.
1225:
1223:, p. 369)
1208:
1206:, p. 575.
1196:
1194:, p. 294.
1184:
1172:
1170:, p. 296.
1160:
1145:
1143:, p. 293.
1133:
1131:, p. 574.
1121:
1119:, p. 313.
1117:Рогинская 1989
1109:
1097:
1082:
1080:, p. 228.
1070:
1068:, p. 106)
1049:
1047:, p. 179)
1036:
1034:
1031:
1029:
1028:
1024:Russian Empire
1010:
1008:
1005:
961:Art historian
858:
855:
841:
834:
833:
829:
822:
821:
817:
810:
809:
808:
804:
803:
802:
801:
737:
730:
729:
721:
714:
713:
705:
698:
697:
696:
692:
691:
690:
689:
645:
642:
573:
570:
537:Overgrown Pond
445:
442:
398:Summer Evening
390:Twilight. Moon
286:Solnechnogorsk
193:
190:
188:
185:
165:Art historian
87:
86:
77:
73:
72:
69:
65:
64:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
2994:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2964:
2962:
2949:
2939:
2933:
2930:
2929:
2927:
2923:
2916:
2915:
2911:
2908:
2907:
2903:
2900:
2899:
2898:Evening Bells
2895:
2892:
2891:
2887:
2886:
2884:
2880:
2876:
2875:Isaac Levitan
2869:
2864:
2862:
2857:
2855:
2850:
2849:
2846:
2832:on 2013-04-15
2831:
2827:
2823:
2813:on 2013-04-17
2812:
2808:
2804:
2794:on 2013-04-17
2793:
2789:
2785:
2775:on 2016-09-28
2774:
2770:
2766:
2756:on 2017-11-09
2755:
2751:
2747:
2737:on 2017-11-07
2736:
2732:
2728:
2727:
2723:
2717:
2713:
2709:
2707:5-02-032662-3
2703:
2699:
2695:
2691:
2687:
2683:
2679:
2675:
2674:
2669:
2665:
2663:5-900872-04-1
2659:
2655:
2651:
2647:
2641:
2637:
2633:
2629:
2625:
2621:
2619:5-900743-56-X
2615:
2611:
2607:
2603:
2599:
2595:
2594:Наше наследие
2591:
2586:
2582:
2575:
2570:
2566:
2562:
2557:
2553:
2551:5-7793-0577-3
2547:
2543:
2538:
2534:
2529:
2525:
2520:
2516:
2511:
2507:
2502:
2498:
2493:
2489:
2484:
2480:
2478:5-7370-0315-9
2474:
2470:
2465:
2461:
2455:
2451:
2444:
2439:
2435:
2433:5-7793-0250-2
2429:
2425:
2424:Исаак Левитан
2420:
2416:
2414:5-7370-0212-8
2410:
2406:
2401:
2397:
2392:
2388:
2382:
2378:
2373:
2369:
2367:5-7793-0293-6
2363:
2359:
2358:
2352:
2348:
2346:9785210013484
2342:
2338:
2333:
2329:
2324:
2320:
2318:5-88896-051-9
2314:
2310:
2309:Исаак Левитан
2305:
2301:
2294:
2289:
2285:
2279:
2275:
2268:
2263:
2259:
2258:
2252:
2251:
2247:
2240:
2235:
2232:
2229:, p. 17.
2228:
2223:
2220:
2216:
2211:
2208:
2205:, p. 41.
2204:
2203:Мальцева 2002
2199:
2196:
2191:
2185:
2182:
2179:, p. 46.
2178:
2173:
2170:
2166:
2161:
2158:
2154:
2149:
2146:
2143:, p. 82.
2142:
2141:Мальцева 2002
2137:
2134:
2123:on 2019-06-22
2122:
2118:
2112:
2109:
2106:, p. 13)
2105:
2100:
2097:
2093:
2088:
2086:
2082:
2078:
2073:
2071:
2067:
2063:
2058:
2055:
2052:, p. 66)
2051:
2046:
2043:
2040:, p. 37.
2039:
2034:
2031:
2020:on 2021-12-01
2019:
2015:
2009:
2006:
1995:on 2019-06-22
1994:
1990:
1984:
1981:
1977:
1972:
1969:
1965:
1964:Лужецкая 1965
1960:
1957:
1953:
1948:
1945:
1941:
1940:Филиппов 2003
1936:
1933:
1929:
1924:
1921:
1917:
1912:
1909:
1905:
1900:
1898:
1894:
1890:
1889:Филиппов 2003
1885:
1882:
1878:
1873:
1871:
1867:
1863:
1858:
1855:
1844:on 2017-11-09
1843:
1839:
1833:
1830:
1827:, p. 68)
1826:
1821:
1818:
1814:
1809:
1806:
1803:, p. 62.
1802:
1797:
1794:
1790:
1785:
1783:
1781:
1777:
1773:
1768:
1765:
1754:on 2017-05-04
1753:
1749:
1743:
1740:
1729:on 2018-04-02
1728:
1724:
1717:
1714:
1710:
1709:Лужецкая 1965
1705:
1703:
1699:
1695:
1690:
1688:
1684:
1679:
1675:
1674:Мир искусства
1668:
1662:
1659:
1655:
1650:
1647:
1644:, p. 71.
1643:
1638:
1635:
1632:, p. 67)
1631:
1626:
1624:
1620:
1616:
1611:
1608:
1604:
1599:
1596:
1593:, p. 41)
1592:
1587:
1584:
1580:
1575:
1572:
1568:
1563:
1560:
1556:
1551:
1548:
1544:
1539:
1536:
1532:
1527:
1524:
1520:
1515:
1513:
1509:
1505:
1500:
1497:
1493:
1488:
1485:
1474:on 2018-04-12
1473:
1469:
1465:
1459:
1456:
1453:, p. 70.
1452:
1451:Молчанов 1979
1447:
1444:
1441:, p. 88)
1440:
1435:
1432:
1429:, p. 87)
1428:
1423:
1420:
1417:, p. 52)
1416:
1411:
1408:
1405:, p. 69.
1404:
1399:
1396:
1392:
1387:
1384:
1373:on 2016-07-11
1372:
1368:
1364:
1358:
1355:
1351:
1346:
1343:
1339:
1334:
1331:
1327:
1322:
1319:
1315:
1310:
1308:
1304:
1293:on 2018-04-15
1292:
1288:
1284:
1278:
1275:
1271:
1266:
1264:
1262:
1260:
1256:
1252:
1247:
1245:
1241:
1237:
1232:
1230:
1226:
1222:
1217:
1215:
1213:
1209:
1205:
1200:
1197:
1193:
1188:
1185:
1181:
1176:
1173:
1169:
1164:
1161:
1158:, p. 40.
1157:
1156:Мальцева 2002
1152:
1150:
1146:
1142:
1137:
1134:
1130:
1125:
1122:
1118:
1113:
1110:
1107:, p. 11.
1106:
1101:
1098:
1095:, p. 13.
1094:
1089:
1087:
1083:
1079:
1074:
1071:
1067:
1062:
1060:
1058:
1056:
1054:
1050:
1046:
1041:
1038:
1032:
1025:
1021:
1015:
1012:
1006:
1004:
1002:
1001:
996:
993:, along with
992:
988:
983:
980:
975:
973:
968:
964:
959:
956:
948:
945:The painting
943:
939:
937:
933:
929:
925:
921:
917:
912:
909:
905:
901:
900:
895:
891:
883:
879:
875:
873:
868:
864:
856:
854:
852:
838:
826:
814:
800:
798:
794:
789:
787:
786:Isaak Brodsky
783:
779:
775:
771:
767:
766:Autumn. River
763:
758:
756:
752:
741:
734:
725:
718:
709:
702:
688:
686:
683:
679:
675:
671:
667:
663:
659:
655:
651:
643:
641:
639:
635:
630:
627:The painting
625:
623:
617:
615:
614:Indian summer
609:
607:
599:
594:
590:
587:
583:
579:
571:
569:
567:
563:
559:
555:
550:
545:
543:
539:
538:
533:
529:
525:
521:
517:
513:
506:
502:
498:
494:
493:Golden Autumn
489:
485:
483:
479:
474:
470:
466:
463:The painting
459:
455:
452:The painting
450:
443:
441:
439:
434:
430:
426:
422:
418:
414:
409:
407:
403:
399:
395:
391:
387:
383:
379:
374:
372:
368:
364:
356:
352:
348:
344:
342:
338:
334:
330:
326:
322:
314:
310:
306:
303:
302:Anton Chekhov
299:
295:
294:Alexey Olenin
291:
287:
283:
279:
275:
274:Klinsky Uyezd
267:
263:
259:
257:
253:
249:
245:
241:
237:
233:
229:
225:
221:
217:
216:
211:
207:
203:
199:
191:
186:
184:
181:
177:
172:
168:
163:
161:
157:
153:
149:
145:
144:
139:
138:
133:
130:The painting
128:
126:
122:
119:The painting
117:
115:
111:
107:
103:
99:
98:Isaac Levitan
95:
94:
85:
81:
78:
74:
70:
66:
63:
59:
56:
52:
48:
44:
41:
40:Isaac Levitan
38:
34:
30:
25:
20:
2932:3566 Levitan
2913:
2912:
2904:
2896:
2888:
2834:. Retrieved
2830:the original
2815:. Retrieved
2811:the original
2796:. Retrieved
2792:the original
2777:. Retrieved
2773:the original
2758:. Retrieved
2754:the original
2739:. Retrieved
2735:the original
2715:
2697:
2689:
2681:
2672:
2653:
2635:
2627:
2609:
2601:
2593:
2580:
2564:
2541:
2532:
2523:
2514:
2505:
2496:
2487:
2468:
2449:
2423:
2404:
2395:
2376:
2356:
2336:
2327:
2308:
2299:
2273:
2256:
2248:Bibliography
2234:
2227:Круглов 2001
2222:
2210:
2198:
2189:
2184:
2172:
2165:Алпатов 1945
2160:
2148:
2136:
2125:. Retrieved
2121:the original
2111:
2099:
2079:, p. 8)
2057:
2045:
2033:
2022:. Retrieved
2018:the original
2008:
1997:. Retrieved
1993:the original
1983:
1971:
1959:
1947:
1935:
1923:
1911:
1884:
1857:
1846:. Retrieved
1842:the original
1832:
1820:
1808:
1796:
1767:
1756:. Retrieved
1752:the original
1742:
1731:. Retrieved
1727:the original
1716:
1677:
1673:
1661:
1649:
1637:
1610:
1598:
1586:
1574:
1562:
1550:
1538:
1526:
1499:
1487:
1476:. Retrieved
1472:the original
1467:
1458:
1446:
1434:
1422:
1410:
1398:
1386:
1375:. Retrieved
1371:the original
1366:
1357:
1345:
1333:
1321:
1295:. Retrieved
1291:the original
1286:
1277:
1251:Алпатов 1945
1199:
1187:
1175:
1163:
1136:
1124:
1112:
1105:Прытков 1960
1100:
1093:Иовлева 2010
1073:
1040:
1014:
998:
994:
990:
984:
978:
976:
971:
966:
963:Vitaly Manin
960:
954:
952:
946:
935:
927:
915:
913:
907:
903:
897:
893:
887:
881:
866:
860:
850:
848:
796:
790:
781:
777:
769:
765:
761:
759:
754:
750:
748:
684:
681:
678:Ivan Morozov
669:
657:
653:
647:
628:
626:
622:water lilies
618:
610:
602:
597:
581:
575:
565:
561:
557:
553:
548:
546:
541:
535:
509:
496:
492:
481:
468:
464:
462:
453:
437:
424:
420:
412:
410:
405:
401:
397:
393:
389:
375:
370:
360:
350:
340:
336:
332:
324:
321:Lake. Spring
320:
318:
271:
266:Lake. Spring
265:
251:
243:
235:
224:Lake Udomlya
213:
197:
195:
179:
170:
164:
141:
135:
131:
129:
120:
118:
113:
109:
92:
91:
90:
2177:Петров 2000
2038:Царёва 2020
1801:Петров 2000
1789:Петров 1992
1642:Чижмак 2010
1615:Турков 1974
1579:Чижмак 2010
1543:Турков 1974
1531:Турков 1974
1403:Чижмак 2010
706:Windy Day (
638:craquelures
578:composition
572:Description
532:Krymsky Val
505:Krymsky Val
313:Senezh Lake
290:Senezh Lake
252:Forest Lake
198:At the Lake
140:(1892) and
137:At the Pool
2961:Categories
2890:Vladimirka
2836:2018-04-13
2817:2018-03-16
2798:2018-04-15
2779:2018-04-15
2760:2017-11-08
2741:2017-11-08
2215:Манин 2012
2127:2021-12-01
2024:2021-12-01
1999:2021-12-01
1916:Чурак 2010
1848:2018-04-01
1758:2021-08-06
1733:2021-08-18
1478:2018-04-12
1377:2018-04-15
1297:2018-04-15
1078:Манин 2001
1033:References
967:Lake. Rus.
491:Paintings
244:Gloomy Day
68:Dimensions
2882:Paintings
932:antinomic
872:swan song
658:Windy Day
520:Leningrad
469:Sunny Day
433:plein-air
236:Lake Como
232:Lake Como
125:swan song
110:Lake. Rus
49:1899–1900
2948:Category
782:Gray Day
402:Twilight
378:Okulovka
148:sketches
76:Location
2925:Related
2917:(1890s)
2488:Левитан
2257:Левитан
985:Artist
857:Reviews
634:glazing
586:bulrush
566:Silence
456:in the
187:History
152:studies
2909:(1895)
2901:(1892)
2893:(1892)
2704:
2660:
2642:
2616:
2548:
2475:
2456:
2430:
2411:
2383:
2364:
2343:
2315:
2280:
997:, and
924:fresco
755:Clouds
680:) and
564:, and
429:Khimki
400:, and
248:pastel
206:canvas
62:canvas
54:Medium
36:Artist
2577:(PDF)
2446:(PDF)
2296:(PDF)
2270:(PDF)
1670:(PDF)
1007:Notes
995:March
226:near
2914:Lake
2702:ISBN
2658:ISBN
2640:ISBN
2614:ISBN
2546:ISBN
2473:ISBN
2454:ISBN
2428:ISBN
2409:ISBN
2381:ISBN
2362:ISBN
2341:ISBN
2313:ISBN
2278:ISBN
1018:The
991:Lake
979:Lake
972:Lake
955:Lake
947:Lake
928:Lake
916:Lake
908:Lake
904:Lake
894:Lake
867:Lake
851:Lake
797:Lake
791:The
778:Lake
770:Lake
762:Lake
664:and
654:Lake
648:The
629:Lake
598:Lake
582:Lake
576:The
554:Lake
549:Lake
542:Lake
524:Kyiv
497:Lake
495:and
482:Lake
465:Lake
454:Lake
438:Lake
425:Lake
421:Lake
413:Lake
406:Lake
371:Lake
351:Lake
341:Lake
333:Lake
325:Lake
180:Lake
171:Lake
150:and
132:Lake
121:Lake
112:and
93:Lake
46:Year
22:Lake
668:),
518:in
503:on
380:in
258:).
242:),
204:on
202:oil
104:in
60:on
58:Oil
2963::
2592:.
2579:.
2563:.
2448:.
2298:.
2272:.
2084:^
2069:^
1896:^
1869:^
1779:^
1701:^
1686:^
1676:.
1672:.
1622:^
1511:^
1466:.
1365:.
1306:^
1285:.
1258:^
1243:^
1228:^
1211:^
1148:^
1085:^
1052:^
656::
568:.
560:,
396:,
392:,
384:,
276:,
162:.
116:.
82:,
2867:e
2860:t
2853:v
2839:.
2820:.
2801:.
2782:.
2763:.
2744:.
2710:.
2666:.
2648:.
2622:.
2554:.
2481:.
2462:.
2436:.
2417:.
2389:.
2370:.
2349:.
2321:.
2286:.
2130:.
2094:.
2027:.
2002:.
1851:.
1761:.
1736:.
1678:5
1481:.
1380:.
1300:.
1026:.
870:'
742:)
726:)
710:)
682:A
357:)
246:(
200:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
