Knowledge (XXG)

Lai (poetic form)

Source đź“ť

449:, none of which have the same form. As a result, the accompanying music consists of sections which do not repeat. This distinguishes the lai from other common types of musically important verse of the period (for example, the 457:). Towards the end of its development in the 14th century, some lais repeat stanzas, but usually only in the longer examples. There is one very late example of a lai, written to mourn the defeat of the French at the 351: 718: 344: 49: 677: 57: 337: 739: 713:
The Broadview Anthology of British Literature, Volume 2: The Medieval Period. Peterborough, ON: Broadview Press. 2009.
734: 519: 574: 175: 45: 595: 22: 744: 601: 589: 549: 128: 53: 490:
composer survive, and they are among his most sophisticated and highly developed secular compositions.
625: 534: 483: 454: 431: 255: 250: 200: 170: 155: 82: 607: 749: 539: 458: 292: 165: 77: 619: 529: 514: 714: 579: 554: 524: 393: 389: 324: 205: 195: 190: 99: 613: 509: 466: 450: 287: 210: 185: 406:. The origin of the French term itself is unclear; perhaps it is itself a loan from German 544: 474: 272: 160: 267: 215: 30: 728: 560: 482:
reached its highest level of development as a musical and poetic form in the work of
134: 381: 282: 245: 235: 414: 111: 93: 646: 376: 180: 106: 651: 240: 116: 487: 308: 122: 656: 398: 302: 260: 87: 418:, "sport, play" and in modern Swedish (att leka = to play). The terms 446: 408: 297: 384:
couplets that often deals with tales of adventure and romance.
498: 396:, during the 13th and 14th centuries. The English term 557:(uncertain; works attributed to him may be anonymous) 345: 8: 676:Henry Garland; Mary Garland, eds. (2005) , 412:(reflected in archaic or dialectal English 380:) is a lyrical, narrative poem written in 352: 338: 17: 686:The Oxford Companion to German Literature 486:; 19 separate lais by this 14th-century 374:, "lyric lay", to distinguish it from a 708:Grove Music Online. Oxford Music Online 688:(3rd ed.), Oxford University Press 668: 402:is a 13th-century loan from Old French 36: 29: 7: 434:) appear to have been synonyms for 14: 469:) but no music for it survives. 1: 478:, all of them anonymous. The 472:There are four lais in the 766: 710:. Oxford University Press. 652:Roundelay § Etymology 575:Walther von der Vogelweide 388:were mainly composed in 596:Ulrich von Winterstetten 520:Charles, Duke of OrlĂ©ans 441:The poetic form of the 706:David Fallows. "Lai." 740:Medieval music genres 550:Philip the Chancellor 71:Movements and schools 626:Ulrich von Gutenburg 590:Rudolf von Rotenburg 535:Guillaume de Machaut 484:Guillaume de Machaut 445:usually has several 432:Johannes de Grocheio 602:Konrad von WĂĽrzburg 540:Guillaume li Vinier 459:Battle of Agincourt 325:Renaissance music → 735:Lais (poetic form) 620:Heinrich Frauenlob 530:Gautier de Dargies 719:978-1-55111-965-6 637: 636: 555:Philippe de Vitry 525:Gautier de Coincy 494:Composers of lais 362: 361: 100:Notre-Dame school 757: 698: 696: 695: 693: 673: 614:Johannes Hadlaub 569:German composers 510:Adam de Givenchi 504:French composers 499: 467:Pierre de Nesson 463:Lay de la guerre 354: 347: 340: 288:Liturgical drama 186:Adam de la Halle 18: 765: 764: 760: 759: 758: 756: 755: 754: 725: 724: 723: 702: 701: 691: 689: 675: 674: 670: 665: 643: 638: 545:Marie de France 515:Charles d'Anjou 496: 475:Roman de Fauvel 358: 316: 315: 314: 273:Gregorian chant 230: 222: 221: 220: 150: 142: 141: 140: 72: 62: 61: 12: 11: 5: 763: 761: 753: 752: 747: 742: 737: 727: 726: 722: 721: 711: 703: 700: 699: 667: 666: 664: 661: 660: 659: 654: 649: 642: 639: 635: 634: 630: 629: 623: 617: 611: 608:Der von Gliers 605: 599: 593: 587: 580:Der Tannhäuser 577: 565: 564: 563: 558: 552: 547: 542: 537: 532: 527: 522: 517: 512: 497: 495: 492: 360: 359: 357: 356: 349: 342: 334: 331: 330: 329: 328: 318: 317: 313: 312: 305: 300: 295: 290: 285: 280: 275: 270: 265: 264: 263: 258: 253: 243: 238: 232: 231: 228: 227: 224: 223: 219: 218: 213: 208: 203: 198: 193: 188: 183: 178: 173: 168: 163: 158: 152: 151: 148: 147: 144: 143: 139: 138: 131: 126: 119: 114: 109: 104: 103: 102: 90: 85: 80: 74: 73: 70: 69: 66: 65: 64: 63: 44: 39: 38: 34: 33: 31:Medieval music 27: 26: 13: 10: 9: 6: 4: 3: 2: 762: 751: 748: 746: 745:French poetry 743: 741: 738: 736: 733: 732: 730: 720: 716: 712: 709: 705: 704: 687: 683: 681: 672: 669: 662: 658: 655: 653: 650: 648: 645: 644: 640: 633: 627: 624: 621: 618: 615: 612: 609: 606: 603: 600: 597: 594: 591: 588: 585: 581: 578: 576: 573: 572: 571: 570: 566: 562: 561:Thomas Herier 559: 556: 553: 551: 548: 546: 543: 541: 538: 536: 533: 531: 528: 526: 523: 521: 518: 516: 513: 511: 508: 507: 506: 505: 501: 500: 493: 491: 489: 485: 481: 477: 476: 470: 468: 464: 460: 456: 452: 448: 444: 439: 437: 433: 429: 425: 421: 417: 416: 411: 410: 405: 401: 400: 395: 391: 387: 383: 379: 378: 373: 369: 368: 355: 350: 348: 343: 341: 336: 335: 333: 332: 327: 326: 322: 321: 320: 319: 311: 310: 306: 304: 301: 299: 296: 294: 291: 289: 286: 284: 281: 279: 276: 274: 271: 269: 266: 262: 259: 257: 254: 252: 249: 248: 247: 244: 242: 239: 237: 234: 233: 226: 225: 217: 214: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 179: 177: 174: 172: 169: 167: 164: 162: 159: 157: 154: 153: 149:Major figures 146: 145: 137: 136: 135:Ars subtilior 132: 130: 127: 125: 124: 120: 118: 115: 113: 110: 108: 105: 101: 98: 97: 96: 95: 91: 89: 86: 84: 83:Saint Martial 81: 79: 76: 75: 68: 67: 59: 55: 51: 47: 43: 42: 41: 40: 35: 32: 28: 24: 20: 19: 16: 707: 690:, retrieved 685: 679: 671: 631: 583: 568: 567: 503: 502: 479: 473: 471: 462: 442: 440: 435: 430:(as used by 427: 423: 419: 413: 407: 403: 397: 385: 382:octosyllabic 375: 371: 366: 365: 363: 323: 307: 277: 268:Geisslerlied 246:Formes fixes 133: 121: 92: 52: / 48: / 15: 692:30 December 372:lay lyrique 229:Major forms 94:Ars antiqua 50:Instruments 750:Song forms 729:Categories 663:References 647:Breton lai 377:lai breton 107:Troubadour 78:Saint Gall 582:(wrote 6 461:(1415), ( 241:Conductus 216:Dunstaple 166:Hildegard 117:Minnesang 58:Theorists 46:Composers 641:See also 488:ars nova 453:and the 309:Planctus 293:Madrigal 129:Trecento 123:Ars nova 112:Trouvère 37:Overview 23:a series 21:Part of 657:Virelai 622:(>1) 616:(>1) 610:(>1) 604:(>1) 455:ballade 451:rondeau 447:stanzas 394:Germany 303:Organum 261:Virelai 256:Rondeau 251:Ballade 211:Ciconia 206:Landini 201:Machaut 181:PĂ©rotin 176:Walther 171:Bernart 88:Goliard 717:  632: 584:Leiche 428:notula 390:France 191:Franco 156:Notker 54:Theory 680:Leich 465:, by 409:Leich 298:Motet 283:Lauda 236:Canso 196:Vitry 161:Guido 715:ISBN 694:2020 426:and 424:nota 420:note 415:lake 392:and 386:Lais 370:(or 628:(1) 598:(5) 592:(5) 480:lai 443:lai 436:lai 404:lai 399:lay 367:lai 278:Lai 731:: 684:, 438:. 422:, 364:A 25:on 697:. 682:" 678:" 586:) 353:e 346:t 339:v 60:) 56:(

Index

a series
Medieval music
Composers
Instruments
Theory
Theorists
Saint Gall
Saint Martial
Goliard
Ars antiqua
Notre-Dame school
Troubadour
Trouvère
Minnesang
Ars nova
Trecento
Ars subtilior
Notker
Guido
Hildegard
Bernart
Walther
PĂ©rotin
Adam de la Halle
Franco
Vitry
Machaut
Landini
Ciconia
Dunstaple

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑