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Laika (band)

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difficulties of working with a former romantic partner on any project, as well as the obstacle of her current work. She has, however, admitted that it would be "great to finish (the album)" as well as to play some shows and tour some of the places which Laika did not visit during the band's active lifetime.
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At around this time, Fiedler and Fixsen ended their romantic relationship. Although they maintained their musical partnership, the band's working life began to become strained. In 2009, Fiedler commented that "we were a couple both personally and professionally for a long time โ€“ over ten years โ€“ and
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and a multi-instrumentalist predominantly playing guitar, keyboards and samplers. Moonshake's songwriting was split between Fiedler and co-vocalist David Callahan, who had a very different style: Callahan favoured an art-punk storytelling approach with a dub/funk undercurrent while Fiedler preferred
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John Frenett both left. Fiedler began working with Guy Fixsen as her writing and recording partner, as well as beginning a romantic relationship with him. The new partnership, with Frenett playing bass guitar, continued to develop the approach Fiedler had taken with her songs in Moonshake. The band
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Fixsen has claimed that Laika are "taking a break" with about half of an album already recorded, and that he and Fiedler will reconvene and complete the tracks at a future date. While Fiedler has not entirely discounted this suggestion or stated that Laika have formally split up, she has cited the
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In 2005, Fiedler opted to devote most of her time to law school, something which she has cited as ensuring that "the band stopped being a going concern". Fixsen also took time out in order to travel the world. There were no formal announcements of a Laika break-up but the band has not released
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The creative tensions in Moonshake ultimately became personal and the band broke up after a tour of the United States in 1993. While Callahan kept the Moonshake name and continued the band (along with the drummer Mig Morland and various guest musicians), Fiedler and the band's
508:, which was recorded by Fiedler and Fixsen alone but with Lou Ciccotelli remaining as the percussionist. The band were dismayed by the album's poor commercial reception, apparently selling less than any of its predecessors. Fiedler has subsequently blamed online 468:, was released in early 1997. Many of the previous album's more abrasive edges were smoothed away in favour of a sleeker, though not much less experimental, dance tone. The group continued to attract a lot of press attention, particularly when they supported 412:
The band quickly became popular interviewees in the alternative and underground music press, its music praised for mingling intricacy, polish and accessibility with experimentation and originality. In 1995, Fiedler described her band's music as "just like
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for Laika's sudden dip in sales, commenting: "We (had) sold steadily more and more until the last one which didn't do so well. And that coincided time-wise with everyone getting broadband. People were still coming to see the live shows, so go figure."
765: 1041: 391:). On recordings and in live shows, Fiedler and Fixsen shared guitar, keyboards and sampling, with Fiedler doing most of the vocals. The group's first album was the acclaimed 908: 1393: 313:
Margaret Fiedler moved from New York City to London in 1989 in search of music which better suited her interests. The first significant band she joined was
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Up until 2003, each Laika release had been a full band recording involving, at the very least, Elliott and Frenett as players. This changed in 2003 with
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as a similar example of a band driven by a central romantic partnership which suffered professionally once that relationship had ended.
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described Laika's sound as a "blend of machine-music and flesh-and-blood funk... combining the 'magical', superhuman effects of
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the personal side of that is over and sometimes it's difficult to work together", citing the recently defunct
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and other instruments. In 2003, Laika released a collection of singles, B-sides, and rarities entitled
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sounds that defies simple categorization. They were among the first wave of bands to be classified as
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on tour, and continued to be an underground favourite, despite not having a hit. A third album,
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Fixsen continues to work as a sound engineer and producer. He co-produced English musician
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In Laika's first incarnation, Fiedler, Fixsen, and Frenett were augmented by the
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with the 'warmth' that comes from real-time interaction between players".
1173: 1145: 1074: 885: 858: 596: 584: 543: 538: 529:. Laika is also no longer listed in the roster on the Too Pure homepage. 442:, we wanted to take rock rhythms and turn them upside down. 7 is great!" 422: 414: 372: 331: 318: 255: 180: 290:, both to critical praise. Laika released two subsequent albums, 2000's 604: 418: 417:, but much much faster" and declared her distaste for the then-current 766:
Buffy the Vampire Slayer: Radio Sunnydale โ€“ Music from the TV Series
482:'s backing band on an extensive world tour promoting Harvey's album 489: 388: 360: 1042:"History Lesson: Laika, Moonshake and the great Margaret Fiedler" 446: 275: 1271: 258:. Laika's experimental style blended diverse genres, including 913: 909:"Laika's Spooky Electronics Enhance Imaginative Lyrical Tales" 579:
Musically, the band drew from a variety of sources, including
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a more enveloping and abstract approach drawing on rhythmic
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on their 2008 tour of Europe and North America, replacing
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Guy Fixsen, who had also worked with bands including
397:, released on Too Pure in 1994. Shortly afterwards, 1339: 190: 186: 176: 166: 140: 132: 125: 51:. Unsourced material may be challenged and removed. 1036: 1034: 1032: 1030: 1028: 1026: 234:were an English band formed in 1993 and helmed by 722:"Black Cat Bone" (2000, Too Pure; 12" vinyl only) 300:, after which they entered an indefinite hiatus. 246:(drums), Louise Elliott (flute, saxophone), and 756:"Looking for the Jackalope (236 Remix)" (from 1283: 1011:. Vol. 4, no. 39. 24 September 1995 847: 845: 843: 841: 839: 837: 8: 1132: 1130: 1128: 533:Post-Laika work and possible future activity 1226:(23 July 1994). "R U Ready to Post-Rock?". 1069: 1067: 938: 936: 485:Stories from the City, Stories from the Sea 367:1994โ€“2000: Active recording and performance 1290: 1276: 1268: 1252:Discography from official Too Pure website 122: 943:Paoletta, Michael, ed. (26 August 2000). 595:and organic approach to songwriting with 111:Learn how and when to remove this message 1257:Biography from official Too Pure website 953:. Vol. 112, no. 35. p. 21 779: 735:"If You Miss (Laika Virgin Mix)" (from 363:, the first animal to orbit the Earth. 359:named themselves after the Russian dog 823: 813: 730:Tracks on various artists compilations 7: 1085:from the original on 13 January 2020 49:adding citations to reliable sources 1394:English experimental musical groups 689:Lost in Space: Volume 1 (1993โ€“2002) 551:, working in copyright law for the 494:Lost in Space: Volume 1 (1993โ€“2002) 488:. On this tour, she played guitar, 317:, in which she was one of two lead 1404:Musical groups established in 1993 1169:"Sounds of the Satellites โ€“ Laika" 676:Wherever I Am I Am What Is Missing 527:Wherever I Am I Am What Is Missing 506:Wherever I Am I Am What Is Missing 445:In 1996, Laika contributed to the 298:Wherever I Am I Am What Is Missing 284:in 1994, and followed with 1997's 278:. They released their debut album 14: 1264:by Laurent Orseau (Black Session) 1048:. 26 October 2009. Archived from 854:"Laika โ€“ Biography & History" 611:, creating a complex layered and 500:2003: Final recordings and hiatus 907:Schroeder, Amy (9 August 2000). 751:Whore: Various Artists Play Wire 629:profiling the genre, journalist 25: 1389:English electronic music groups 1384:English alternative rock groups 438:. So, influenced by bands like 379:Louise Elliott and the drummer 36:needs additional citations for 1409:1993 establishments in England 1195:Abebe, Nitsuh (11 July 2005). 1104:Raposa, David (8 March 2010). 1: 985:. No. 29. pp. 14โ€“15 452:Offbeat: A Red Hot Soundtrip 1075:"margaret fiedler mcginnis" 945:"Laika: Good Looking Blues" 725:"Badtimes" (2000, Too Pure) 615:blend of beats and diverse 1425: 1348:Silver Apples of the Moon 1305: 790:Remembering the Space Age 749:"German Shepherds" (from 742:"Lower Than Stars" (from 719:"Uneasy" (2000, Too Pure) 653:Silver Apples of the Moon 394:Silver Apples of the Moon 281:Silver Apples of the Moon 1399:English post-rock groups 1355:Sounds of the Satellites 787:Dick, Steven J. (2008). 661:Sounds of the Satellites 465:Sounds of the Satellites 287:Sounds of the Satellites 763:"Black Cat Bone" (from 623:; in a 1994 article in 1046:The Dumbing of America 559:for English rock band 462:Laika's second album, 1197:"The Lost Generation" 982:CMJ New Music Monthly 1106:"LoneLady: Nerve Up" 457:Red Hot Organization 45:improve this article 769:(UK version), 2003) 737:Macro Dub Infection 344:My Bloody Valentine 1362:Good Looking Blues 708:Almost Sleeping EP 669:Good Looking Blues 475:Good Looking Blues 455:, produced by the 293:Good Looking Blues 1371: 1370: 1232:. pp. 42โ€“43. 229: 228: 121: 120: 113: 95: 60:"Laika" band 1416: 1311:Margaret Fiedler 1292: 1285: 1278: 1269: 1247:Official website 1234: 1233: 1220: 1214: 1213: 1211: 1209: 1192: 1186: 1185: 1183: 1181: 1164: 1158: 1157: 1155: 1153: 1144:. Archived from 1142:Magsmcginnis.com 1134: 1123: 1122: 1120: 1118: 1101: 1095: 1094: 1092: 1090: 1079:Magsmcginnis.com 1071: 1062: 1061: 1059: 1057: 1038: 1021: 1020: 1018: 1016: 1001: 995: 994: 992: 990: 975:(January 1996). 969: 963: 962: 960: 958: 940: 931: 930: 928: 926: 917:. 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Index


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"Laika" band
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Electronic
experimental
post-rock
Too Pure
Margaret Fiedler
John Frenett
Lou Ciccotelli
Rob Ellis
Margaret Fiedler
John Frenett
Lou Ciccotelli
Rob Ellis
Moonshake
Too Pure
electronica
krautrock
dub
hip hop
jazz

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