161:
29:
227:", but others not. In the two panels the figures are about the same size, and the horizons at the same level, and no other panels of these dimensions are attributed to David or his workshop. Both panels are planed down at the back, and may originally have been painted on both sides, as parts of the wings of an altarpiece on the
271:
If they were separated at this point, they were reunited by 1831, when their certain history begins, in the collection of Karl Aders, a German merchant resident in London. Both were auctioned again in August 1835 and bought by a Dr Willis, later passing to a surgeon, Joseph Henry Green, who lived in
199:'s approach to realism. David was innovative in his depiction of religious subjects, which he represented not as icons but rather as approachable individuals. Additionally, David was known for the originality of his treatment of color and light.
280:. Green died in 1863 and his widow (Anne Eliza, d. 1879) bequeathed all the Dutch and Flemish paintings in the collection to the National Gallery, who received them in 1880. No loans to outside exhibitions are recorded since (to 1998).
267:
was merely described as "Flemish". They fetched £4 and £4,12 shillings respectively, but different buyers are recorded. Both paintings have a pink paper label inscribed "King 157" pasted on their reverses.
160:
540:
657:
583:
565:
574:
515:
177:
277:
593:
460:
647:
642:
637:
484:
118:
550:
418:
609:
152:. Four other grieving figures are present; they may be Saint Anne, the mother of the Virgin, and women who followed Christ.
525:
492:
175:
While its exact dating is debated, it seems likely that it was completed between 1515 and 1523. This painting and David's
114:
28:
558:
211:, but this goes no further back than early 19th-century London. Whether the two originally formed part of the same
453:
169:
500:
632:
430:
508:
446:
228:
183:
110:
347:
652:
325:
181:, also in the National Gallery (NG 1079), were two wings from a single altarpiece. The theme of the
533:
247:
may have been in a sale of the pictures of
Frederick Benjamin King (a bankrupt sugar-refiner) at
232:
414:
149:
82:
276:, a little way north of London. Both paintings were exhibited in the huge and important
223:"is inconsistent in style and some parts can be reconciled with the underdrawing of the
141:
626:
273:
248:
300:
469:
256:
220:
196:
133:
121:
64:
39:
207:
For all the known history of the painting it has been together with the NG 1079
188:
145:
212:
74:
63 cm × 61.5 cm (25 in × 24.2 in)
260:
137:
86:
435:, fully digitized text from The Metropolitan Museum of Art libraries
191:
art, although this treatment, dating back to a subject known as the
235:, with a central panel about four times the size of these ones.
159:
442:
438:
124:, originally a wing of a now dismantled and lost altarpiece.
148:
holds him in her arms, weeping for his death watched over by
432:
Gerard David : purity of vision in an age of transition
219:
is some 3 cm larger in both dimensions, and its
215:
is not quite certain, but it seems most likely. The
195:, is unusual for the period. David was influenced by
278:
Art
Treasures Exhibition, held in Manchester in 1857
476:
93:
78:
70:
60:
45:
35:
21:
413:, National Gallery Catalogues (new series), 1998,
255:described as by "J. de Maubeuge", that is to say
454:
411:The Fifteenth Century Netherlandish Paintings
8:
251:in London in June 1830, where Lot 82 was an
109:is a painting of the common subject of the
461:
447:
439:
18:
320:
318:
289:
658:Paintings of the Lamentation of Christ
168:(c. 1515–1520) by Gerard David in the
295:
293:
7:
14:
551:Virgin and Child with Four Angels
27:
1:
585:Rest on the Flight into Egypt
576:Rest on the Flight into Egypt
567:Rest on the Flight into Egypt
542:Rest on the Flight into Egypt
517:Rest on the Flight into Egypt
493:Triptych of the Sedano family
648:Paintings of the Virgin Mary
348:"Gerard David - Lamentation"
303:. Metropolitan Museum of Art
243:Both this and the companion
643:Paintings of Mary Magdalene
328:. Google Arts & Culture
187:was common in medieval and
674:
485:Adoration of the Shepherds
170:Philadelphia Museum of Art
638:Paintings by Gerard David
501:The Judgement of Cambyses
26:
132:It portrays the body of
16:Painting by Gerard David
144:is at his feet, as the
594:Adoration of the Kings
509:The Line of Saint Anne
178:Adoration of the Kings
172:
526:The Baptism of Christ
184:Lamentation of Christ
163:
111:Lamentation of Christ
106:Lamentation of Christ
22:Lamentation of Christ
140:and being anointed.
562:(c. 1510–1520)
559:Agony in the Garden
554:(c. 1510–1515)
529:(c. 1502–1508)
521:(c. 1501–1520)
350:. National Gallery.
203:Original altarpiece
193:Anointing of Christ
544:(Washington, D.C.)
534:Cervara Altarpiece
396:Campbell, 134, 139
387:Campbell, 134, 139
259:, who was born in
233:Life of the Virgin
173:
620:
619:
409:Campbell, Lorne,
378:Campbell, 144–145
101:
100:
665:
610:Virgin and Child
463:
456:
449:
440:
397:
394:
388:
385:
379:
376:
370:
367:
361:
358:
352:
351:
344:
338:
337:
335:
333:
322:
313:
312:
310:
308:
297:
83:National Gallery
56:
54:
31:
19:
673:
672:
668:
667:
666:
664:
663:
662:
623:
622:
621:
616:
587:(New York City)
472:
467:
427:
406:
401:
400:
395:
391:
386:
382:
377:
373:
368:
364:
359:
355:
346:
345:
341:
331:
329:
324:
323:
316:
306:
304:
299:
298:
291:
286:
241:
205:
158:
136:wrapped in his
130:
117:and manuscript
52:
50:
17:
12:
11:
5:
671:
669:
661:
660:
655:
650:
645:
640:
635:
633:1515 paintings
625:
624:
618:
617:
615:
614:
613:(c. 1520)
606:
598:
590:
589:(c. 1515)
581:
580:(c. 1515)
572:
571:(c. 1515)
563:
555:
547:
546:(c. 1510)
538:
530:
522:
513:
512:(c. 1500)
505:
497:
496:(c. 1495)
489:
480:
478:
474:
473:
468:
466:
465:
458:
451:
443:
437:
436:
426:
425:External links
423:
422:
421:
405:
402:
399:
398:
389:
380:
371:
362:
353:
339:
314:
301:"Gerard David"
288:
287:
285:
282:
240:
237:
229:Life of Christ
204:
201:
157:
154:
142:Mary Magdalene
129:
126:
99:
98:
95:
91:
90:
80:
76:
75:
72:
68:
67:
62:
58:
57:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
670:
659:
656:
654:
651:
649:
646:
644:
641:
639:
636:
634:
631:
630:
628:
612:
611:
607:
604:
603:
599:
596:
595:
591:
588:
586:
582:
579:
577:
573:
570:
568:
564:
561:
560:
556:
553:
552:
548:
545:
543:
539:
536:
535:
531:
528:
527:
523:
520:
518:
514:
511:
510:
506:
503:
502:
498:
495:
494:
490:
487:
486:
482:
481:
479:
475:
471:
464:
459:
457:
452:
450:
445:
444:
441:
434:
433:
429:
428:
424:
420:
419:9781857091717
416:
412:
408:
407:
403:
393:
390:
384:
381:
375:
372:
369:Campbell, 144
366:
363:
360:Campbell, 145
357:
354:
349:
343:
340:
327:
326:"Lamentation"
321:
319:
315:
302:
296:
294:
290:
283:
281:
279:
275:
274:Monken Hadley
269:
266:
262:
258:
254:
250:
246:
238:
236:
234:
230:
226:
222:
218:
214:
210:
202:
200:
198:
194:
190:
186:
185:
180:
179:
171:
167:
162:
155:
153:
151:
147:
143:
139:
135:
127:
125:
123:
120:
116:
112:
108:
107:
96:
92:
88:
84:
81:
77:
73:
69:
66:
63:
59:
48:
44:
41:
38:
34:
30:
25:
20:
608:
601:
600:
592:
584:
575:
566:
557:
549:
541:
532:
524:
516:
507:
499:
491:
483:
470:Gerard David
431:
410:
392:
383:
374:
365:
356:
342:
330:. Retrieved
305:. Retrieved
270:
264:
257:Jan Gossaert
252:
244:
242:
224:
221:underdrawing
216:
208:
206:
197:Jan van Eyck
192:
182:
176:
174:
165:
131:
122:Gerard David
105:
104:
102:
40:Gerard David
653:Altarpieces
605:(1515–1523)
602:Lamentation
597:(1515–1523)
332:10 December
307:10 December
265:Lamentation
217:Lamentation
189:Renaissance
166:Lamentation
146:Virgin Mary
128:Description
119:illuminator
627:Categories
404:References
249:Christie's
239:Provenance
150:Saint John
71:Dimensions
65:Oil on oak
569:(Antwerp)
477:Paintings
253:Adoration
245:Adoration
225:Adoration
213:polyptych
209:Adoration
94:Accession
53:1515-1523
49:1515-1523
578:(Madrid)
519:(Lisbon)
261:Maubeuge
164:Another
79:Location
263:. The
115:painter
113:by the
51: (
537:(1507)
504:(1498)
488:(1490)
417:
138:shroud
134:Christ
97:NG1078
87:London
61:Medium
36:Artist
284:Notes
156:Style
415:ISBN
334:2014
309:2014
103:The
89:, UK
46:Year
231:or
629::
317:^
292:^
85:,
462:e
455:t
448:v
336:.
311:.
55:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
