308:
580:
1151:
1044:
561:
223:
56:
20:
722:
117:
743:
2683:
2422:
879:. Where there were cycles of illustrations in illuminated manuscripts, these were normally collected together at the start of the book, or of the Gospels, rather than appearing throughout the text at the relevant places, something hardly found in Western manuscripts at all, and slow to develop in printed bibles. In the East this was more common; the 6th-century Byzantine
631:
written names or titles were commonly included in the background of scenes in art; this was much less often done in the Early
Medieval West, probably not least because few laymen would have been able to read them and understand the Latin. The difficulties this could cause are shown in the 12 small
31:
with 21 scenes from
Annunciation to Resurrection: Top row: Annunciation, Nativity, Visit of the Three Magi, Flight to Egypt, Baptism of Christ, Raising of Lazarus, Entry to Jerusalem, Last Supper. Middle row: Washing of feet, Agony in the Garden, Arrest of Christ, Trial before the Sanhedrin, Trial
75:
They are often grouped in series or cycles of works in a variety of media, from book illustrations to large cycles of wall paintings, and most of the subjects forming the narrative cycles have also been the subjects of individual works, though with greatly varying frequency. By around 1000, the
713:'s famous study of 13th-century French cathedral art analyses many cycles, and discusses the lack of emphasis on the "public life is dismissed in four scenes, the Baptism, the Marriage at Cana, the Temptation and the Transfiguration, which moreover it is rare to find all together".
844:
contains eight miracles in its thirteen scenes. Neither of these features was to be typical of later art, but they are comparable to features of cycles in smaller objects of the period such as carved caskets and a gold pendant medallion of the late 6th century.
698:, though not specifically described in the Gospels, was thought to be implied by the accounts there of the episodes before and after. Vernacular art was less policed by the clergy, and works such as some medieval tiles from
651:, which were both easy to recognise as images, with Lazarus normally shown tightly wrapped in a white shroud, but standing up. Paintings in hospitals were more likely to show scenes of the miraculous cures. An exception is
99:
with that of Jesus. Subjects showing the life of Jesus during his active life as a teacher, before the days of the
Passion, were relatively few in medieval art, for a number of reasons. From the Renaissance, and in
636:; about a century after the book was created captions were added to these images by a monk, which may already misidentify one scene. It was around this time that miracle scenes, which had often been prominent in
883:
has an unframed miniature at the bottom of every surviving page, and this style of illustrating the
Gospels continued to be found in later Greek Gospel books, compelling the artist to devote more pictures to the
307:
1330:
Schiller has sections on each of these, and many other less common subjects. Mâle's
Chapter 2 analyses 13th-century French Cathedral scenes in the text, and an appendix listing the contents of many.
1104:
From the
Renaissance the numbers shown widened slightly, and the three main scenes of the Prodigal Son – the high living, herding the pigs, and the return – became the clear favourites.
852:
contain the only painted scenes to have survived in quantity, though many scenes have survived from the applied arts, especially ivories, and some in cast bronze. The period of Christ's
2458:
761:
536:
a fixed group of twelve scenes were often depicted as a set. These are sometimes described as the "Twelve Great Feasts", although three of them are different from the twelve modern
579:
2007:
32:
before Pilate, Flagellation. Bottom row: Ecce homo, Carrying the cross, Christ falls, Crucifixion, Deposition from the cross, Harrowing of Hell, Resurrection.
2451:
540:. Neither group includes Easter/the Resurrection, which had a unique higher status. The group in art are: Annunciation, Nativity, Presentation, Baptism,
537:
1150:
2002:
1997:
1644:
1607:, The Gothic Image: Religious Art in France of the Thirteenth Century, English translation of 3rd ed, 1913, Collins, London (and many other editions),
2553:
2107:
1559:
280:
2444:
616:, and no doubt also those scenes which lent themselves to a readily identifiable image tended to be preferred. Devotional practices such as the
2650:
1678:
1264:
tapestry designs for the
Sistine Chapel, a cycle of the lives of saints Peter and Paul, with some scenes from the Life of Christ (see also the
491:
1237:
2055:
2563:
2035:
1779:
1624:
1218:
291:
821:
80:
became largely settled in the
Western and Eastern churches, and was mainly based on the major feasts celebrated in the church calendars.
2672:
521:
2360:
1612:
1176:
1043:
1194:, cycle of 40 images, mostly full-page. The Nativity story has 7 scenes, and from the Annunciation to the Return from Egypt takes 13.
2568:
1599:
1585:
1548:
1395:
1069:, four were shown in medieval art almost to the exclusion of the others, but not normally mixed in with the narrative scenes of the
982:
608:
323:
1464:
2236:
2194:
2135:
1650:
2766:
2207:
2030:
1871:
1441:
1348:
1126:, a portrait of himself "as" the Son, revelling with his wife, is like many artists' depictions, a way of dignifying a genre
1122:
598:, both of which were given prominence by the devotional writers on whose works many cycles appear to be based. Of these, the
702:
can show fanciful apocryphal legends that either hardly ever appeared in church art, or were destroyed at some later date.
560:
2513:
2481:
2296:
1913:
1774:
1297:
200:
976:(16 scenes, 1507–1512). These were distributed all over Europe, and often used as patterns by less ambitious painters.
941:, this medium was also used, usually with a small medallion for each scene, requiring a very compressed composition. The
764:. Below are the Works, above the post-Resurrection scenes. The birth and childhood scenes are on the front, as part of a
2578:
2402:
2164:
1703:
1373:
Vulpes Fossa Habent or the
Miracle of the Bent Woman in the Gospels of St. Augustine, Corpus Christi College, Cambridge,
988:
624:
341:
335:
104:
art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in
2548:
643:
However, some miracles commonly used as paradigms for
Christian doctrines continued to be represented, especially the
274:
2491:
2147:
2050:
1980:
1741:
1671:
1181:
756:. The middle section has the Passion sequence, beginning with the entry to Jerusalem (bottom left) and ending with
612:
were two of the most popular from the 14th century onwards. Another influence, especially in smaller churches, was
545:
222:
177:
48:
on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as
2662:
2615:
2518:
2179:
2082:
1098:
409:
196:
60:
1230:, a large combined Life of Christ and of the Virgin with nearly fifty scenes in total, on both sides of a panel
2727:
2538:
2486:
2229:
2102:
1903:
1841:
1302:
1082:
590:
After the Early Christian period, the selection of scenes to illustrate was led by the occasions celebrated as
374:
251:
168:
55:
867:
was the main type of manuscript to receive lavish illumination in this period, the emphasis was on depicting
2620:
2573:
2157:
1796:
1209:
1016:
783:. Miracles are very often shown, but the Crucifixion is absent until the 5th century, when it originated in
462:
424:
133:
19:
2630:
2598:
2397:
2324:
1990:
1759:
1206:
by Giotto, a large combined Life of Christ and of the Virgin in fresco with nearly forty narrative scenes.
1004:
849:
721:
447:
384:
182:
2771:
2722:
2717:
2635:
2528:
2523:
2503:
2496:
2279:
2212:
2117:
2097:
1932:
1846:
1736:
1664:
1292:
1170:
695:
633:
617:
544:, Transfiguration, Entry into Jerusalem, Crucifixion of Jesus, Harrowing of Hell, Ascension, Pentecost,
453:
206:
187:
173:
92:
652:
116:
2246:
2241:
2017:
1908:
1769:
1113:
807:
468:
430:
261:
162:
88:
2745:
2583:
2217:
1888:
1807:
1803:
1713:
1282:
926:
922:
868:
772:
637:
549:
350:
295:
1493:
2740:
2702:
2625:
2558:
2407:
2392:
2387:
2274:
2253:
2074:
2064:
1937:
1881:
1861:
1287:
1191:
968:: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in
816:
784:
541:
435:
418:
359:
286:
154:
96:
1227:
993:
814:
has a cycle from 432–430 on the birth and infancy of Christ together with other scenes from the
752:
734:
742:
2645:
2508:
2355:
2302:
2174:
2040:
1960:
1851:
1836:
1831:
1791:
1746:
1731:
1628:
1608:
1595:
1581:
1406:
1391:
1344:
1105:
1086:
1062:
1047:
961:
780:
687:
603:
473:
379:
238:
230:
210:
84:
49:
28:
2603:
2533:
2045:
2025:
1866:
1856:
1824:
1819:
1784:
1764:
1698:
1390:(1 volume version, edited by Herbert L. Kessler), 48–50, University of Chicago Press, 1988,
1265:
1261:
1203:
1155:
1135:
1066:
953:
903:
857:
691:
613:
568:
511:
414:
394:
315:
246:
105:
64:
2667:
2656:
2593:
2543:
2370:
2333:
1920:
1898:
1753:
1197:
1074:
930:
757:
591:
516:
505:
389:
368:
363:
345:
267:
226:
192:
68:
956:
had first scenes, then whole cycles, which were also one of the most common subjects for
787:, soon followed by the Nativity in much the form still seen in Orthodox icons today. The
270:, the first miracle recorded in the Gospels, and the only one at which Mary was present.
2682:
2425:
2365:
2224:
2125:
1985:
1975:
1970:
1965:
1472:
1248:
1094:
992:
are examples of a large number of scenes, in these case over twenty, shown in a single
946:
880:
876:
840:
is notable for still not containing, among its thirteen scenes, a Crucifixion, and the
479:
399:
83:
The most common subjects were grouped around the birth and childhood of Jesus, and the
52:, and also many types of portrait or devotional subjects without a narrative element.
2760:
2588:
2184:
2169:
1947:
1925:
1893:
1718:
1604:
1224:, a series of small panel paintings speculatively attributed to the circle of Cimabue
1139:
1127:
1028:
934:
918:
914:
710:
628:
533:
41:
1081:, mid 12th century) illustrated here provides an exception to this. These were: the
2707:
2307:
2285:
2258:
2130:
2087:
1726:
1185:
1090:
1054:
1007:, but prints and book illustrations were acceptable, as free from the suspicion of
977:
896:
799:
595:
584:
499:
234:
871:, and relatively few contained narrative cycles; these are in fact more common in
1638:
663:
originally had 29 scenes of the miracles (now 27), probably derived from a Greek
2712:
2291:
2152:
2142:
1876:
1653:
from Augusta State University – see under Jesus Christ, after alphabet of saints
933:) by art historians, and were very common, though most have now vanished. After
891:
864:
664:
495:
329:
77:
1200:, English manuscript of the mid-12th century, the prefatory cycle now dispersed
2312:
1812:
1383:
1252:
1231:
1078:
938:
899:
776:
706:
440:
354:
101:
1580:,1971 (English trans from German), Lund Humphries, London, p. 56 & figs,
2609:
2377:
1117:
1109:
1050:
973:
957:
671:
404:
1633:
2640:
1269:
1256:
1120:
depicted the story several times, although in at least one of his works,
1008:
795:
are both often found earlier, but the choice of scenes is very variable.
457:
311:
44:
comprises a number of different subjects showing events from the life of
1594:,1972 (English trans from German), Lund Humphries, London, figs 471–75,
494:, which was not represented directly in the 1st millennium. Instead the
95:. Many cycles covered only one of these groups, and others combined the
2436:
2318:
2202:
1241:
1032:
1023:(1521), where 13 matched pairs of woodcuts contrasted a scene from the
969:
872:
825:
1112:
of the Prodigal Son amongst the pigs (1496), a popular subject in the
2382:
2338:
1955:
1163:
1159:
942:
803:
747:
725:
660:
656:
572:
24:
1369:
917:
scenes on the other, the latter usually chosen for pre-figuring the
1639:
Thesis on the cycle in the Avila Bible by Monica Ann Walker-Vadillo
1517:, Dover Books, New York, 1963. All images at Harvard external link.
682:, although some minor details, like the boys climbing trees in the
371:– if included, usually the only Passion scene not to include Christ
2697:
1687:
1437:
1149:
1042:
741:
720:
699:
578:
559:
221:
115:
54:
45:
1528:
The Complete Engravings, Etchings and Drypoints of Albrecht Durer
1173:, Italian, about 600, now only a quarter survives. Many miracles.
811:
2440:
1660:
338:, much more popular as a single subject from the Renaissance on
326:, a late medieval development, not based on any Gospel episode.
949:
showing the Lives of Christ and Moses are an unusual variant.
888:. Scenes with miracles were more often found in cycles of the
632:
narrative scenes from the Gospel of Luke in the 6th-century
1027:
with an anti-Catholic scene. But otherwise scenes from the
640:, became much more rare in the art of the Western Church.
502:
finding an empty tomb was shown, or the next three scenes.
1188:
gospel book, with some 60 scenes, including many parables
1011:. Nonetheless, there were surprisingly few cycles of the
144:
The main scenes found in art during the Middle Ages are:
1656:
1215:, a series of small panel paintings attributed to Giotto
690:
was not an episode witnessed or mentioned by any of the
709:
the selection of scenes was at its most standardized.
913:
was often shown on one side of a church, paired with
283:, much more common in the Eastern than Western church
2690:
2474:
2348:
2267:
2193:
2116:
2073:
2016:
1946:
1712:
999:In Protestant areas production of paintings of the
775:contains a number of narrative scenes collected on
583:Untypical scene from a large 19th-century cycle by
152:These scenes also could form part of cycles of the
674:Gospels that remain a feature of the depiction of
996:image of Jerusalem; another is illustrated here.
856:still seems relatively prominent compared to the
314:of the life and death of Christ, from the early
229:, Morgan leaf M.521 (recto); mixed miracles and
627:did not score well on any of these counts. In
209:, the last episode of Jesus's childhood in the
2008:Names and titles of Jesus in the New Testament
1634:The Passion Cycle in the English Parish Church
964:produced a total of three print cycles of the
2452:
1672:
1436:Schiller, I, 153. The medallion was found at
875:and other types of book, especially from the
8:
1341:A History of Ideas and Images in Italian Art
538:Great feasts in the Eastern Orthodox Church
176:(Three Kings), sometimes combined with the
2459:
2445:
2437:
2003:New Testament places associated with Jesus
1998:Historical background of the New Testament
1679:
1665:
1657:
848:For the rest of the Early Medieval period
836:of Christ from the early 6th century. The
802:monumental cycles to have survived are in
76:choice of scenes for the remainder of the
1388:The Mosaic Decoration of San Marco Venice
2330:Jacob (paternal grandfather per Matthew)
694:but was approved by the Church, and the
306:
233:. The last square has the story of the
18:
1515:The Complete Woodcuts of Albrecht Durer
1314:
2564:Christ in the House of Martha and Mary
863:Although this was the period when the
1592:Iconography of Christian Art, Vol. II
1343:, p. 127, 1983, John Murray, London,
1101:also appear in Early Medieval works.
925:. Such schemes were later called the
264:, often divided into its three parts.
7:
1578:Iconography of Christian Art, Vol. I
1465:"Miracles, Augusta State University"
1142:) is one of his most popular works.
1019:made a famous propaganda set of the
828:has cycles on opposite walls of the
292:Jesus at the home of Martha and Mary
522:Ascension of Jesus in Christian art
124:shown in a number of small scenes,
108:and especially book illustrations.
2321:(traditional maternal grandfather)
2315:(traditional maternal grandmother)
1645:Dürer's three print Passion cycles
1251:, by a team of masters, including
14:
2569:Christ Taking Leave of His Mother
983:Scenes from the Passion of Christ
921:scene according to the theory of
609:Meditations on the Life of Christ
324:Christ taking leave of his Mother
165:, showing the conception of Jesus
2681:
2421:
2420:
1021:Passion of Christ and Antichrist
441:Side of Jesus pierced by a spear
2549:Christ and the Woman of Samaria
2327:(paternal grandfather per Luke)
1409:, Victoria & Albert Museum]
1146:Individual cycles with articles
820:, the dedicatee of the church.
332:, Christ's entry into Jerusalem
2031:Quest for the historical Jesus
1442:Istanbul Archaeological Museum
1123:The Prodigal Son in the Tavern
678:have fewer equivalents in the
670:The scenes originating in the
659:where a 12th-century cycle of
23:16th-century Italian cycle in
1:
2514:Rest on the Flight into Egypt
1530:, Dover Books, New York, 1972
1298:List of New Testament stories
1238:Vyšší Brod (Hohenfurth) cycle
594:, and those mentioned in the
237:in 8 scenes, the penultimate
201:Rest on the Flight into Egypt
125:
2539:Miraculous Draught of Fishes
1003:stopped very soon after the
989:Advent and Triumph of Christ
567:from the large cycle in the
336:Jesus and the money changers
148:Birth and childhood sequence
2668:Incredulity of Saint Thomas
1130:or tavern scene. His late
1073:, though the page from the
620:also influenced selection.
275:Samaritan woman at the well
2790:
2574:Purification of the Temple
2524:Presentation in the Temple
2492:Adoration of the Shepherds
1981:Five Discourses of Matthew
1561:Return of the Prodigal Son
1182:Codex Aureus of Echternach
1132:Return of the Prodigal Son
546:Dormition of the Theotokos
528:Byzantine set of 12 scenes
465:, or "Anointing of Christ"
294:, sometimes seen from the
178:Adoration of the Shepherds
71:, 1st third of 5th century
2736:
2679:
2616:Christ Carrying the Cross
2519:Massacre of the Innocents
2416:
1694:
1099:Labourers in the Vineyard
895:and other apostles, from
486:Resurrection to Ascension
410:Christ carrying the Cross
197:Massacre of the Innocents
61:Massacre of the Innocents
2728:List of statues of Jesus
2529:Christ Among the Doctors
2208:In comparative mythology
1303:List of statues of Jesus
1083:Wise and Foolish Virgins
779:and in paintings in the
390:The Crowning with Thorns
375:Sanhedrin Trial of Jesus
281:Transfiguration of Jesus
277:is occasionally depicted
252:Miraculous catch of fish
169:Nativity of Jesus in art
40:as a narrative cycle in
2361:Interactions with women
1647:from Harvard Art Museum
1017:Lucas Cranach the Elder
850:illuminated manuscripts
730:Temptation on the Mount
425:Crucifixion in the arts
2631:Descent from the Cross
2371:Mary, sister of Martha
1991:Oral gospel traditions
1166:
1058:
1053:of the parable of the
1035:were more often seen.
952:From the 15th century
929:(and in book form the
822:Sant'Appollinare Nuovo
769:
760:, top right, 2nd row;
739:
602:("Life of Christ") by
587:
576:
450:(Deposition of Christ)
448:Descent from the Cross
385:Flagellation of Christ
319:
254:, more often found in
242:
199:. Later sometimes the
183:Circumcision of Christ
141:
72:
33:
16:Set of subjects in art
2767:Life of Christ in art
2723:Life of Christ Museum
2718:Stations of the Cross
2497:Adoration of the Magi
2098:Life of Christ Museum
2093:Life of Christ in art
1651:Christian Iconography
1293:Life of Christ Museum
1171:St. Augustine Gospels
1153:
1046:
789:Adoration of the Magi
745:
724:
696:Lamentation of Christ
686:, are tolerated. The
634:St. Augustine Gospels
618:Stations of the Cross
582:
563:
492:Resurrection of Jesus
454:Lamentation of Christ
310:
225:
207:Finding in the Temple
188:Presentation of Jesus
174:Adoration of the Magi
119:
59:Ivory panel with the
58:
22:
2468:Life of Jesus in art
1914:Sayings on the cross
1872:Entry into Jerusalem
1625:The Romanesque cycle
1549:Gerard van Honthorst
1222:(circle of Cimabue?)
1114:Northern Renaissance
1061:Of the thirty or so
945:on the walls of the
937:became important in
869:Evangelist portraits
808:Santa Maria Maggiore
592:Feasts of the Church
565:Entry into Jerusalem
476:, not in the Gospels
469:Entombment of Christ
431:Raising of the Cross
380:Christ before Pilate
262:Temptation of Christ
163:Annunciation to Mary
136:(lower left) to the
130:Entry into Jerusalem
2584:Agony in the Garden
2403:Race and appearance
2341:(traditional uncle)
2247:Jesus the Splendour
1889:Agony in the Garden
1804:Sermon on the Mount
1526:Strauss, Walter L.
1283:Chronology of Jesus
1057:with his pigs, 1536
773:Early Christian art
638:Early Christian art
550:Death of the Virgin
351:Agony in the Garden
296:Counter-Reformation
2703:Depiction of Jesus
2559:Raising of Lazarus
2388:Rejection of Jesus
2065:Christ myth theory
1882:Farewell Discourse
1427:Schiller, II, 26–7
1368:Lewine, Carol F.;
1359:Schiller, I, 152–3
1288:Depiction of Jesus
1192:St. Albans Psalter
1167:
1059:
817:Life of the Virgin
770:
766:Life of the Virgin
740:
684:Entry to Jerusalem
676:Life of the Virgin
653:St Mark's Basilica
649:Raising of Lazarus
625:miracles of Christ
588:
577:
542:Raising of Lazarus
360:Betrayal of Christ
320:
287:Raising of Lazarus
243:
155:Life of the Virgin
142:
112:Most common scenes
97:Life of the Virgin
73:
34:
2754:
2753:
2646:Harrowing of Hell
2604:Mocking of Christ
2534:Baptism of Christ
2509:Flight into Egypt
2434:
2433:
2356:Language of Jesus
2303:Brothers of Jesus
2175:Session of Christ
2051:Mara bar Serapion
1852:Great Commandment
1747:Flight into Egypt
1629:St Albans Psalter
1494:"Vatican Museums"
1087:Dives and Lazarus
1067:canonical Gospels
1063:parables of Jesus
1048:Hans Sebald Beham
966:Passion of Christ
909:In painting, the
877:Romanesque period
781:Catacombs of Rome
688:Harrowing of Hell
604:Ludolph of Saxony
474:Harrowing of Hell
303:Passion of Christ
239:Dives and Lazarus
231:parables of Jesus
211:Canonical Gospels
87:, leading to his
85:Passion of Christ
65:Baptism of Christ
50:Christ in Majesty
29:Gaudenzio Ferrari
2779:
2685:
2663:Supper at Emmaus
2594:Taking of Christ
2544:Marriage at Cana
2461:
2454:
2447:
2438:
2424:
2423:
2299:(alleged father)
2153:Person of Christ
2026:Historical Jesus
1857:Olivet Discourse
1785:Great Commission
1681:
1674:
1667:
1658:
1564:
1557:
1551:
1546:
1540:
1537:
1531:
1524:
1518:
1511:
1505:
1504:
1502:
1501:
1490:
1484:
1483:
1481:
1480:
1471:. Archived from
1460:
1454:
1453:Schiller, I, 154
1451:
1445:
1434:
1428:
1425:
1419:
1416:
1410:
1404:
1398:
1381:
1375:
1366:
1360:
1357:
1351:
1337:
1331:
1328:
1322:
1321:Schiller, I, 152
1319:
1266:Brancacci Chapel
1262:Raphael Cartoons
1204:Scrovegni Chapel
1156:Scrovegni Chapel
1154:Interior of the
1136:Hermitage Museum
927:Poor Man's Bible
904:Raphael Cartoons
858:High Middle Ages
692:Four Evangelists
614:liturgical drama
569:Scrovegni Chapel
556:Choice of scenes
512:Supper at Emmaus
415:Veil of Veronica
395:Mocking of Jesus
316:Gondarine period
247:Baptism of Jesus
127:
2789:
2788:
2782:
2781:
2780:
2778:
2777:
2776:
2757:
2756:
2755:
2750:
2732:
2686:
2677:
2657:Noli me tangere
2554:Transfiguration
2470:
2465:
2435:
2430:
2412:
2344:
2263:
2195:In other faiths
2189:
2112:
2108:Transfiguration
2069:
2012:
1942:
1842:Transfiguration
1716:
1708:
1690:
1685:
1641:File size 6.5MB
1621:
1573:
1568:
1567:
1558:
1554:
1547:
1543:
1538:
1534:
1525:
1521:
1512:
1508:
1499:
1497:
1496:. Mv.vatican.va
1492:
1491:
1487:
1478:
1476:
1462:
1461:
1457:
1452:
1448:
1435:
1431:
1426:
1422:
1417:
1413:
1405:
1401:
1382:
1378:
1367:
1363:
1358:
1354:
1338:
1334:
1329:
1325:
1320:
1316:
1311:
1279:
1228:Maestà (Duccio)
1198:Eadwine Psalter
1184:, 11th-century
1148:
1075:Eadwine Psalter
1041:
994:bird's eye view
931:Biblia Pauperum
758:Noli me tangere
719:
645:Wedding at Cana
558:
530:
517:Doubting Thomas
506:Noli me tangere
488:
369:Denial of Peter
364:Arrest of Jesus
346:Washing of feet
305:
268:Wedding at Cana
227:Eadwine Psalter
220:
193:Flight to Egypt
150:
128:1490, from the
114:
69:Wedding at Cana
17:
12:
11:
5:
2787:
2786:
2783:
2775:
2774:
2769:
2759:
2758:
2752:
2751:
2749:
2748:
2743:
2737:
2734:
2733:
2731:
2730:
2725:
2720:
2715:
2710:
2705:
2700:
2694:
2692:
2688:
2687:
2680:
2678:
2676:
2675:
2670:
2665:
2660:
2653:
2648:
2643:
2638:
2633:
2628:
2623:
2618:
2613:
2606:
2601:
2596:
2591:
2586:
2581:
2576:
2571:
2566:
2561:
2556:
2551:
2546:
2541:
2536:
2531:
2526:
2521:
2516:
2511:
2506:
2501:
2500:
2499:
2494:
2484:
2478:
2476:
2472:
2471:
2466:
2464:
2463:
2456:
2449:
2441:
2432:
2431:
2429:
2428:
2417:
2414:
2413:
2411:
2410:
2405:
2400:
2395:
2390:
2385:
2380:
2375:
2374:
2373:
2368:
2366:Mary Magdalene
2358:
2352:
2350:
2346:
2345:
2343:
2342:
2336:
2331:
2328:
2322:
2316:
2310:
2305:
2300:
2294:
2289:
2288:(legal father)
2283:
2277:
2271:
2269:
2265:
2264:
2262:
2261:
2256:
2251:
2250:
2249:
2239:
2234:
2233:
2232:
2222:
2221:
2220:
2210:
2205:
2199:
2197:
2191:
2190:
2188:
2187:
2182:
2177:
2172:
2167:
2162:
2161:
2160:
2155:
2150:
2140:
2139:
2138:
2133:
2122:
2120:
2114:
2113:
2111:
2110:
2105:
2100:
2095:
2090:
2085:
2079:
2077:
2071:
2070:
2068:
2067:
2062:
2061:
2060:
2059:
2058:
2053:
2048:
2043:
2033:
2022:
2020:
2014:
2013:
2011:
2010:
2005:
2000:
1995:
1994:
1993:
1988:
1986:Gospel harmony
1983:
1978:
1973:
1968:
1963:
1952:
1950:
1944:
1943:
1941:
1940:
1935:
1930:
1929:
1928:
1918:
1917:
1916:
1906:
1901:
1896:
1891:
1886:
1885:
1884:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1828:
1827:
1817:
1816:
1815:
1801:
1800:
1799:
1789:
1788:
1787:
1782:
1772:
1767:
1762:
1757:
1751:
1750:
1749:
1744:
1739:
1729:
1723:
1721:
1710:
1709:
1707:
1706:
1704:List of topics
1701:
1695:
1692:
1691:
1686:
1684:
1683:
1676:
1669:
1661:
1655:
1654:
1648:
1642:
1636:
1631:
1620:
1619:External links
1617:
1616:
1615:
1613:978-0064300322
1602:
1588:
1572:
1569:
1566:
1565:
1552:
1541:
1532:
1519:
1513:Kurth, Willi.
1506:
1485:
1463:Dick Stracke.
1455:
1446:
1440:and is in the
1429:
1420:
1411:
1399:
1376:
1361:
1352:
1332:
1323:
1313:
1312:
1310:
1307:
1306:
1305:
1300:
1295:
1290:
1285:
1278:
1275:
1274:
1273:
1259:
1249:Sistine Chapel
1245:
1235:
1225:
1220:Life of Christ
1216:
1211:Life of Christ
1207:
1201:
1195:
1189:
1179:
1174:
1147:
1144:
1108:made a famous
1106:Albrecht Dürer
1095:Good Samaritan
1040:
1037:
962:Albrecht Dürer
947:Sistine Chapel
881:Sinope Gospels
718:
715:
680:Life of Christ
557:
554:
529:
526:
525:
524:
519:
514:
508:
503:
487:
484:
483:
482:
480:Man of Sorrows
477:
471:
466:
460:
451:
445:
444:
443:
438:
433:
422:
412:
407:
402:
400:Pensive Christ
397:
392:
387:
382:
377:
372:
366:
357:
348:
339:
333:
327:
304:
301:
300:
299:
289:
284:
278:
271:
265:
259:
249:
219:
218:Mission period
216:
215:
214:
204:
190:
185:
180:
171:
166:
149:
146:
113:
110:
38:life of Christ
15:
13:
10:
9:
6:
4:
3:
2:
2785:
2784:
2773:
2770:
2768:
2765:
2764:
2762:
2747:
2744:
2742:
2739:
2738:
2735:
2729:
2726:
2724:
2721:
2719:
2716:
2714:
2711:
2709:
2706:
2704:
2701:
2699:
2696:
2695:
2693:
2689:
2684:
2674:
2671:
2669:
2666:
2664:
2661:
2659:
2658:
2654:
2652:
2649:
2647:
2644:
2642:
2639:
2637:
2634:
2632:
2629:
2627:
2624:
2622:
2619:
2617:
2614:
2612:
2611:
2607:
2605:
2602:
2600:
2597:
2595:
2592:
2590:
2589:Kiss of Judas
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2552:
2550:
2547:
2545:
2542:
2540:
2537:
2535:
2532:
2530:
2527:
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2498:
2495:
2493:
2490:
2489:
2488:
2485:
2483:
2480:
2479:
2477:
2473:
2469:
2462:
2457:
2455:
2450:
2448:
2443:
2442:
2439:
2427:
2419:
2418:
2415:
2409:
2406:
2404:
2401:
2399:
2398:Mental health
2396:
2394:
2391:
2389:
2386:
2384:
2381:
2379:
2376:
2372:
2369:
2367:
2364:
2363:
2362:
2359:
2357:
2354:
2353:
2351:
2347:
2340:
2337:
2335:
2332:
2329:
2326:
2323:
2320:
2317:
2314:
2311:
2309:
2306:
2304:
2301:
2298:
2295:
2293:
2290:
2287:
2284:
2281:
2278:
2276:
2273:
2272:
2270:
2266:
2260:
2257:
2255:
2252:
2248:
2245:
2244:
2243:
2240:
2238:
2235:
2231:
2228:
2227:
2226:
2223:
2219:
2218:In the Talmud
2216:
2215:
2214:
2211:
2209:
2206:
2204:
2201:
2200:
2198:
2196:
2192:
2186:
2185:Cosmic Christ
2183:
2181:
2178:
2176:
2173:
2171:
2170:Second Coming
2168:
2166:
2163:
2159:
2158:Pre-existence
2156:
2154:
2151:
2149:
2146:
2145:
2144:
2141:
2137:
2134:
2132:
2129:
2128:
2127:
2124:
2123:
2121:
2119:
2115:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2091:
2089:
2086:
2084:
2081:
2080:
2078:
2076:
2072:
2066:
2063:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2038:
2037:
2034:
2032:
2029:
2028:
2027:
2024:
2023:
2021:
2019:
2015:
2009:
2006:
2004:
2001:
1999:
1996:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1958:
1957:
1954:
1953:
1951:
1949:
1948:New Testament
1945:
1939:
1936:
1934:
1931:
1927:
1924:
1923:
1922:
1919:
1915:
1912:
1911:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1887:
1883:
1880:
1879:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1826:
1825:Lord's Prayer
1823:
1822:
1821:
1818:
1814:
1811:
1810:
1809:
1805:
1802:
1798:
1795:
1794:
1793:
1790:
1786:
1783:
1781:
1778:
1777:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1760:Unknown years
1758:
1755:
1752:
1748:
1745:
1743:
1742:Date of birth
1740:
1738:
1735:
1734:
1733:
1730:
1728:
1725:
1724:
1722:
1720:
1715:
1711:
1705:
1702:
1700:
1697:
1696:
1693:
1689:
1682:
1677:
1675:
1670:
1668:
1663:
1662:
1659:
1652:
1649:
1646:
1643:
1640:
1637:
1635:
1632:
1630:
1626:
1623:
1622:
1618:
1614:
1610:
1606:
1603:
1601:
1600:0-85331-324-5
1597:
1593:
1589:
1587:
1586:0-85331-270-2
1583:
1579:
1575:
1574:
1570:
1563:
1562:
1556:
1553:
1550:
1545:
1542:
1536:
1533:
1529:
1523:
1520:
1516:
1510:
1507:
1495:
1489:
1486:
1475:on 2012-02-12
1474:
1470:
1466:
1459:
1456:
1450:
1447:
1444:, Inv. no 82.
1443:
1439:
1433:
1430:
1424:
1421:
1415:
1412:
1408:
1403:
1400:
1397:
1396:0-226-14292-2
1393:
1389:
1385:
1380:
1377:
1374:
1371:
1365:
1362:
1356:
1353:
1350:
1346:
1342:
1339:Hall, James,
1336:
1333:
1327:
1324:
1318:
1315:
1308:
1304:
1301:
1299:
1296:
1294:
1291:
1289:
1286:
1284:
1281:
1280:
1276:
1271:
1267:
1263:
1260:
1258:
1254:
1250:
1247:Walls of the
1246:
1243:
1239:
1236:
1233:
1229:
1226:
1223:
1221:
1217:
1214:
1212:
1208:
1205:
1202:
1199:
1196:
1193:
1190:
1187:
1183:
1180:
1178:
1175:
1172:
1169:
1168:
1165:
1161:
1158:with a large
1157:
1152:
1145:
1143:
1141:
1140:St Petersburg
1137:
1133:
1129:
1128:merry company
1125:
1124:
1119:
1115:
1111:
1107:
1102:
1100:
1096:
1092:
1088:
1084:
1080:
1076:
1072:
1068:
1064:
1056:
1052:
1049:
1045:
1038:
1036:
1034:
1030:
1029:Old Testament
1026:
1022:
1018:
1014:
1010:
1006:
1002:
997:
995:
991:
990:
985:
984:
979:
975:
972:, and one in
971:
967:
963:
959:
955:
950:
948:
944:
940:
936:
935:stained-glass
932:
928:
924:
920:
919:New Testament
916:
915:Old Testament
912:
907:
905:
901:
898:
894:
893:
887:
882:
878:
874:
870:
866:
861:
859:
855:
851:
846:
843:
839:
835:
831:
827:
823:
819:
818:
813:
809:
805:
801:
796:
794:
790:
786:
782:
778:
774:
767:
763:
759:
755:
754:
749:
744:
737:
736:
731:
727:
723:
716:
714:
712:
708:
707:Gothic period
703:
701:
697:
693:
689:
685:
681:
677:
673:
668:
666:
662:
658:
654:
650:
646:
641:
639:
635:
630:
629:Byzantine art
626:
621:
619:
615:
611:
610:
605:
601:
597:
593:
586:
581:
574:
570:
566:
562:
555:
553:
551:
547:
543:
539:
535:
534:Byzantine art
527:
523:
520:
518:
515:
513:
509:
507:
504:
501:
497:
493:
490:
489:
485:
481:
478:
475:
472:
470:
467:
464:
461:
459:
455:
452:
449:
446:
442:
439:
437:
434:
432:
429:
428:
427:, including:
426:
423:
420:
416:
413:
411:
408:
406:
403:
401:
398:
396:
393:
391:
388:
386:
383:
381:
378:
376:
373:
370:
367:
365:
361:
358:
356:
352:
349:
347:
343:
340:
337:
334:
331:
328:
325:
322:
321:
317:
313:
309:
302:
297:
293:
290:
288:
285:
282:
279:
276:
272:
269:
266:
263:
260:
257:
253:
250:
248:
245:
244:
240:
236:
232:
228:
224:
217:
212:
208:
205:
202:
198:
194:
191:
189:
186:
184:
181:
179:
175:
172:
170:
167:
164:
161:
160:
159:
157:
156:
147:
145:
139:
135:
131:
123:
118:
111:
109:
107:
103:
98:
94:
90:
86:
81:
79:
70:
66:
62:
57:
53:
51:
47:
43:
42:Christian art
39:
30:
26:
21:
2772:Medieval art
2746:Christianity
2708:Christ Child
2655:
2651:Resurrection
2626:Stabat Mater
2608:
2599:Flagellation
2504:Circumcision
2482:Annunciation
2467:
2308:Holy Kinship
2259:Master Jesus
2237:Baháʼí Faith
2131:Christianity
2118:Christianity
2092:
2088:Christ Child
2083:Bibliography
1933:Resurrection
1847:Homelessness
1756:(apocryphal)
1737:Virgin birth
1727:Annunciation
1719:Jesus's life
1591:
1590:G Schiller,
1577:
1576:G Schiller,
1560:
1555:
1544:
1535:
1527:
1522:
1514:
1509:
1498:. Retrieved
1488:
1477:. Retrieved
1473:the original
1468:
1458:
1449:
1432:
1423:
1414:
1402:
1387:
1379:
1372:
1364:
1355:
1340:
1335:
1326:
1317:
1240:, 9 panels,
1219:
1210:
1177:Castelseprio
1131:
1121:
1103:
1091:Prodigal Son
1070:
1060:
1055:Prodigal Son
1024:
1020:
1012:
1000:
998:
987:
981:
978:Hans Memling
965:
951:
910:
908:
897:late antique
889:
885:
862:
853:
847:
841:
837:
833:
829:
815:
800:Late Antique
797:
792:
788:
771:
765:
751:
746:The rear of
733:
729:
704:
683:
679:
675:
669:
648:
644:
642:
622:
607:
600:Vita Christi
599:
596:Nicene Creed
589:
585:James Tissot
564:
531:
500:Myrrhbearers
436:Stabat Mater
318:in Ethiopia.
258:of apostles.
255:
235:Prodigal Son
153:
151:
143:
140:(centre top)
137:
132:through the
129:
121:
93:Resurrection
82:
74:
37:
35:
2741:Visual arts
2713:Holy Family
2636:Lamentation
2621:Crucifixion
2579:Last Supper
2334:Descendants
2292:Holy Family
2275:Genealogies
2242:Manichaeism
2148:Incarnation
2143:Christology
2136:1st century
2018:Historicity
1909:Crucifixion
1877:Last Supper
1384:Demus, Otto
1005:Reformation
892:Saint Peter
865:Gospel book
738:(1308-1311)
665:gospel book
510:Meeting or
496:Three Marys
342:Last Supper
330:Palm Sunday
134:Golden Gate
89:Crucifixion
78:Middle Ages
2761:Categories
2180:Son of God
2075:Depictions
1813:Beatitudes
1770:Temptation
1714:Chronology
1605:Emile Mâle
1571:References
1500:2012-06-05
1479:2012-06-05
1407:Tring tile
1349:0719539714
1253:Botticelli
1232:altarpiece
1079:Canterbury
958:blockbooks
939:Gothic art
900:sarcophagi
777:sarcophagi
711:Emile Mâle
672:apocryphal
575:, c. 1266.
463:Epitaphios
355:Gethsemane
102:Protestant
2673:Ascension
2610:Ecce homo
2408:Sexuality
2393:Criticism
2378:Christmas
2254:Mandaeism
2230:Ahmadiyya
1938:Ascension
1862:Anointing
1797:Disciples
1780:Selecting
1539:Mâle, 195
1418:Mâle, 177
1162:cycle by
1118:Rembrandt
1110:engraving
1051:engraving
974:engraving
798:The only
785:Palestine
732:from his
419:Holy Face
405:Ecce homo
195:, or the
138:Ascension
2487:Nativity
2426:Category
2297:Panthera
2282:(mother)
2041:Josephus
1894:Betrayal
1837:Miracles
1832:Parables
1792:Ministry
1775:Apostles
1732:Nativity
1277:See also
1270:Masaccio
1257:Perugino
1242:Bohemian
1213:(Giotto)
1186:Ottonian
1093:and the
1039:Parables
1033:parables
1009:idolatry
923:typology
890:life of
873:psalters
791:and the
762:sequence
606:and the
312:Triptych
298:onwards.
241:in four.
2691:Related
2349:Related
2319:Joachim
2213:Judaism
2203:Jesuism
2103:Statues
2056:Gospels
2046:Tacitus
2036:Sources
1961:Matthew
1956:Gospels
1867:Passion
1820:Prayers
1765:Baptism
1754:Infancy
1699:Outline
1627:in the
1469:Aug.edu
1134:(1662,
1097:. The
1065:in the
970:woodcut
943:frescos
902:to the
838:Passion
834:Passion
826:Ravenna
793:Baptism
705:By the
661:mosaics
122:Passion
2475:Topics
2383:Easter
2339:Clopas
2286:Joseph
2268:Family
2165:Relics
2126:Christ
1921:Burial
1899:Arrest
1611:
1598:
1584:
1394:
1347:
1244:Gothic
1164:Giotto
1160:fresco
1116:, and
1089:, the
954:prints
804:mosaic
753:Maestà
748:Duccio
735:Maestà
726:Duccio
717:Cycles
657:Venice
573:Giotto
344:, and
106:prints
67:, and
25:fresco
2698:Jesus
2641:Pietà
2225:Islam
1904:Trial
1808:Plain
1688:Jesus
1438:Adana
1370:JSTOR
1309:Notes
886:Works
854:Works
842:Works
830:Works
700:Tring
458:Pietà
256:Lives
46:Jesus
2325:Heli
2313:Anne
2280:Mary
1976:John
1971:Luke
1966:Mark
1926:Tomb
1609:ISBN
1596:ISBN
1582:ISBN
1392:ISBN
1345:ISBN
1255:and
1071:Life
1031:and
1025:Life
1013:Life
1001:Life
986:and
911:Life
860:.
832:and
812:Rome
750:'s
647:and
623:The
456:and
362:and
273:The
120:The
91:and
36:The
1717:of
1268:by
1015:.
980:'s
960:.
824:in
810:in
728:'s
655:in
571:by
552:).
532:In
498:or
353:of
27:by
2763::
1467:.
1386:,
1138:,
1085:,
906:.
806::
667:.
158::
126:c.
63:,
2460:e
2453:t
2446:v
1806:/
1680:e
1673:t
1666:v
1503:.
1482:.
1272:)
1234:.
1077:(
768:.
548:(
421:)
417:(
213:.
203:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
