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It is only in the 1960s that a song called "Samba Malató", compiled in Lima by
Nicomedes Santa Cruz, and recorded by his Conjunto "Cumanana" became popular. Since then, dance groups have recreated a choreography for this dance, as the original was lost.
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After this success, other landós emerged such as "A saca camote con el pie" and "Taita
Guaranguito", collected in the areas of Cañete and Chincha. Over the years, various composers popularized various landós.
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There are theories of the origin of this genre. According to the
Peruvian reciter and ethnomusicologist
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found in many
African-based rhythms (L = low pitch, H = high pitch):
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However, another pattern for the hand bell is often favoured:
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The basic rhythm of Landó is a two-bar figure, played on the
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159:(1925-1992), the word "landó" derives from
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204:This pattern is closely related to a
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234:Rafael SANTA CRUZ (2006-10-01),
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217:H H H . H H | H . H H H .
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143:in the
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133:Landó
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