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The film was released in an era when there was little sexual censorship of comedies in
Argentina. Complaints were largely absent despite it being heavily advertised. However, in neighbouring Peru, there were street protests against the film leading to its banning as a "moral danger" to children.
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Débora D'Antonio, "State, filmmaking, and sexuality during the military dictatorship in
Argentina (1976–1983)", p. 136, ch. 6 in, Juan Grigera, Luciana Zorzoli (eds),
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This article related to an
Argentine film of the 1970s is a
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for the military dictatorship, as was
Sofovich in general.
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The film was criticised by socialists for acting as an
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De la fuga a la fuga: diccionario de films policiales
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160:The Argentinian Dictatorship and its Legacy
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181:"Sofovich, del sel y la mujer-objeto"
137:Roberto Blanco Pazos, Raúl Clemente,
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282:Argentine adventure comedy films
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297:Argentine crime comedy films
287:1970s Spanish-language films
201:Las Muñecas que hacen ¡pum!
141:, p. 342, Corregidor, 2004
82:Las Muñecas que hacen ¡pum!
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183:, 'Alternativa Socialista
33:Las Muñecas que hacen pum
18:Las Muñecas que hacen pum
185:, p. 13, 26 March 2015.
87:The Dolls that go Boom!
292:1970s Argentine films
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119:apologist
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