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discover what is ever there. Delightful architecture is not concerned with shape, style, colour, materials, simplicity, clarity, fit, order, or whatever else, in the first place its chief concern is only one, to reveal the wondrous texture of life in our magical world so that we may discover, through knowledge, sensitivity and insight, the invisible significance beyond the visible signs.
415:. Kollar's design was ranked the highest out of all Australian entries and was met with high appraisal by judges for its ‘skilful planning’. However, Kollar continually championed Utzon's design, even when Utzon omitted himself from the project, recognizing that the Sydney Opera House Utzon had designed was seen as important in a newly liberated
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Beyond the physical and human plane there is a vast realm that contains man’s deeply rooted desire to reach higher than himself… When architectural thought is focussed upon this plane, it unveils some aspect or part of the perennial Truth, recognisable beyond its own time and context with
Universal
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The
University of New South Wales Faculty of the Built Environment annually awards a student with the L. Peter Kollar Memorial Prize for "excellent scholarship making a significant contribution to the promotion of human dignity and social and environmental responsibility with respect for the whole
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Delightful architecture is a reminder of the wonders of the world, of the joys of life... the wonder of life is not added to but is found within life itself; if it be veiled by our insensibility, by our ignorance or superficiality, one would need to draw ‘away’ or ‘part’ the veil, to reveal, to
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He graduated in 1953 and four years later, in June 1957, Kollar accepted an appointment as a lecturer in architecture. His ‘Principles of Design’ lectures were said to have had a profound subject matter which focused on the nature of the
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informed by a deep understanding of great
Spiritual Traditions of the world. Over the years Kollar developed a suite of courses that complemented and elaborated on these principles.
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human person in a whole world - the tripartite human nature comprising spirit, mind and body in a world with its corresponding spiritual, subtle and physical dimensions."
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and rhythm, a carefully considered relationship between the whole and its many parts, and sensitivity to the various phases or events in the human condition.
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with the
British Australian Lead Manufacturers, but in February 1951 he obtained a position of more personal interest to him — that of architectural
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Much has been made of the imaginative and daring choice of the four competition judges in
January 1957. However, other entries by architects like
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Editor of "Building a masterpiece: The Sydney Opera House" Anne Watson commented on the competition entries including that of Kollar's stating:
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In 1949, eight months before completing his degree, Kollar fled
Hungary after the communist takeover of his country. He then spent some time in
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Photo taken in the staff room at UNSW in the 70's whilst Kollar was talking with Paul Walsh, one of Kollar's ‘acolytes’ and a very close friend
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Kollar asserts the primacy of intellect over circumstances; the root of beautiful architecture is in not in material reality but in
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319:. Much of Kollar's written work is concerned with the duality of Function and Beauty; he argues that there is, hypothetically, an
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419:. The Opera House design Kollar created are some of the highlights in Kollar's papers, which were deposited at UNSW Archives.
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wherein
Function equals Truth and Truth equals Beauty. He references architectural history only in the spiritual context:
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He remained a member of the university's academic community until his death. In that time he served the university as
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validity. This is the hallmark of architectural masterpieces that thus become endowed with everlasting significance.
220:, in 1926, Peter Kollar completed his secondary schooling in Hungary in 1944. The following year he enrolled in the
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Peter Kollar was studying an
Associate Diploma (Architecture) part-time when the course was transferred from
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Kollar asserts that this universal delight is only achievable through harmony, lucidity, analogy, ordered
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Symbolism in Hindu
Architecture as revealed in the Shri Minakshi Sundareswar (photographs by Alan Croker)
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Central to Kollar's philosophy is the notion that architecture has a responsibility to facilitate human
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621:"Sydney Opera House Marks 50 Years Since Its Design With Exhibition of Competing Architects' Entries"
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Kensington, New South Wales: University of New South Wales, Faculty of
Architecture, c1987
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Kensington, New South Wales: University of New South Wales, Faculty of Architecture, c1985
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in 1951, thus beginning what was to become a long-term association with this university.
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553:. Sydney: Powerhouse Publishing in association with Lund Humphries. p. 50.
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competition in 1956, in collaboration with associate and fellow Hungarian
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Mechanics of composite structures (co-authored with George Springer)
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Schweitzer, Vivien; Westphal, Matthew (15 February 2007).
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Kollar's most notable work was the concept design of the
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migrant reception centre in Sydney in late October 1950.
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University of NSW, The L. Peter Kollar Memorial Prize
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Academic staff of the University of New South Wales
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539:New Delhi: Aryan Books International, 2001
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469:Kollar, L. Peter (October–December 1958).
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192:Learn how and when to remove this message
645:Architecture in Australia: Four Lectures
471:Architecture in Australia: Four Lectures
283:New South Wales University of Technology
251:in September 1950, initially staying at
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305:Macquarie Park Cemetery and Crematorium
266:Kollar's first job in Sydney was as a
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694:University of New South Wales alumni
170:adding citations to reliable sources
489:Patterns of Delightful Architecture
387:Patterns of Delightful Architecture
363:Patterns of Delightful Architecture
704:20th-century Australian architects
662:The L. Peter Kollar Memorial Prize
237:International Refugee Organization
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647:. 1958 October–December, pp78-83
255:, a migrant reception centre in
226:Technical University of Budapest
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92:Technical University of Budapest
34:László Peter Kollar (1926-2000)
118:(1926–2000) was an Australian
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497:University of New South Wales
128:University of New South Wales
573:Newsletter of UNSW Archives
381:On Post-modern Architecture
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487:Kollar, L. Peter (1985).
384:On the Whole and the Part
344:and spiritual awareness.
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564:Bird, Katie (May 2005).
373:Selected published works
317:enlightenment philosophy
279:Sydney Technical College
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356:K. Peter Kollar, 1985.
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473:. pp. 2, 78–83.
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116:László Peter Kollar
22:László Peter Kollar
643:Kollar, L. Peter.
401:Sydney Opera House
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669:competition Entry
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164:Please help
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689:2000 deaths
684:1926 births
77:Nationality
71:, Australia
678:Categories
604:16 October
493:Kensington
456:References
413:Jørn Utzon
106:Occupation
566:"Origins"
272:draftsman
261:Villawood
253:Bonegilla
249:Australia
153:does not
124:professor
120:architect
109:Architect
439:—
367:geometry
354:—
333:—
321:equation
298:lecturer
268:labourer
257:Victoria
214:Budapest
212:Born in
47:Budapest
664:, 2005,
629:7 April
579:7 April
361:In his
342:delight
281:to the
245:Germany
241:Austria
218:Hungary
174:removed
159:sources
126:at the
51:Hungary
447:Awards
65:Sydney
569:(PDF)
233:Italy
631:2011
606:2015
581:2011
243:and
157:any
155:cite
122:and
58:Died
43:1926
40:Born
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