566:, Promenadeplatz where he included one of his first works for which he would later coin the name "table paintings". The table paintings commenced with the table (structure) which was never predetermined and was made intuitively. After the table was made Carroll then began to create the structure that grew from the table using pieces of wood from the artist's studio. Carroll thought of the structure as drawing, which could continually be altered and added to or subtracted from (erasure). The form which is connected to the table by screws was often disconnected and moved around until another form appeared that interested the artist, and at this point the structure was reconnected to the table. This process went on for months. Once a form was found Carroll often then closed one or more of the forms using newspaper and glue or cardboard. All during this process the structure and the forms were painted. More often than not the work was then completely taken apart and reassembled on the table to begin again until a form (gesture) was found that could have never been predicted. Due to this lengthy process few of these table paintings ever reached completion.
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381:) in New York City. In 1994 he participated once again with Udo Kittelmann in his exhibition "The state of things" in the Kolnischer Kunstverein in Koln, Germany. Later in 1995 Carroll exhibited in the Guggenheim Museum's exhibition "Material Imagination" in New York City. In 2000 he participated in "Panza, legacy of a collector" at MOCA in Los Angeles. In 2005 he participated in 50 years of documenta, in Kassel, Germany. In 2007 and 2008 he had solo museum exhibitions at Hotel des Arts in Toulon, France, and at the
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243:(26 October 1954 – 21 May 2019) was an Australian-born American painter who established a career on both sides of the Atlantic. His works are held in museums around the world and he notably was included in major exhibitions such as Documenta IX and the Venice Biennale In his early career Carroll worked as an illustrator for
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In the late 1990s
Carroll started to explore paintings that would move away from the orthodoxy of the frame, preferring instead to make works whose form and architecture would push towards the sculptural though Carroll always regarded himself as a painter, albeit one where the works depth and
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Though perhaps best known for his table paintings, Carroll also worked ceaselessly with unconventional and inexpensive materials to create ‘White Oval
Painting’ series (2015–2017), which consists of oval-shaped canvases painted with house paint and dust from his studio.
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and later worked as a chef to pay for his studies at
Moorpark Junior College and then later the Art Center College of Design in Pasadena, where he studied art on a full scholarship.
305:'s album covers. However it is Carroll's career as a painter that is most significant. His approach to materials, to the scale and structure of the objects is highly distinctive.
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Carroll exhibited widely in Europe and the United States, and is represented in the permanent collections of a number of museums and public galleries, including the
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dimension allowed him to insert cavities and hidden spaces into the face and sides of the painting expanding the body and narrative possibilities for the work.
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with his own family. In 1988 he had his first solo exhibition of his paintings at Stux
Gallery in New York City. In 1989 he was invited by
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as one of nine young
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Although tangential to his practice as a painter, Carroll's designs for Slayer's album covers
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mutilated with missing limbs, in a sea of blood with severed heads.
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Lawrence
Carroll, Installation, documenta IX, Kassel, Germany, 1992
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and others. In 1992 he was invited by Jan Hoet to participate in
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placed in the "top 10 heavy metal album covers of all time" by
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in
Hamburg, Germany, alongside international artists such as
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for a project called "getting lost" Raum der Stille, in the
736:"The Top Ten Greatest Heavy Metal Album Covers of All Time"
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Popoff, Martin , Dunn, Sam and McFadyen, Scot (June 2006).
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Lawrence
Carroll, table painting, Malibu, California, 2002
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and many other private and public collections worldwide.
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Carroll was born to George and Mary
Carroll (Gaynor) in
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717:"Fondazione Musei Civici Venezia - Lawrence Carroll"
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Lawrence
Carroll, table painting, Venice, 2008–2009
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16:Australian-born American painter (1954–2019)
558:In 2002 Carroll created an installation in
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856:Australian emigrants to the United States
542:Learn how and when to remove this message
109:Learn how and when to remove this message
602:Lawrence Carroll, table painting, Venice
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410:Museum of Contemporary Art, Los Angeles
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673:"An exclusive oral history of Slayer"
210:Painter and early career as designer
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47:adding citations to reliable sources
779:"India bans 'offensive' rock album"
861:20th-century American male artists
697:Paik, Sherry (12 September 2021).
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650:"ART IN REVIEW; Lawrence Carroll"
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466:(2006) were notable.
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