695:: Volume 1 (2009), p. 168. "As Jennifer Bloxam has suggested in a recent study of motets by Compere, Obrecht and Brumel that incorporate the text and tune of an Italian lauda, Beata es Maria, perhaps these melodies circulated as part of the Italian lauda tradition ..."
640:(2005), p. 166. "Much closer in form to the English carol are the Italian lauda and the Spanish villancico. Both lyric genres are interesting, not because they can be assumed to have in any way contributed to the rise and popularity of the English carol ..."
729:: Volume 2, p. 612. "These pieces often are called Latin laude, but their relationship to the Italian lauda is tenuous. The best-known are the thirteen songs for the nativity or for the Virgin recorded in a fourteenth-century antiphonary from Bobbio."
682:(1977). "Like the English carol, the Italian lauda occupies the middle ground between folk-song and learned lyric; it is the production of an individual author, but directed to an audience without special education or refinement, and patterned ..."
627:(1973), p. 36. "Lacking the international flavor of other European lyric monodies, the Italian lauda in its simplicity more nearly resembles improvisation and reflects the popular oral tradition."
666:(2007), p. 9. "Their influence can be found in the origin of several forms of devotional music in the Middle Ages, including the Italian lauda, the Franch noel or the English carol."
369:
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remained popular into the nineteenth century. The lauda was often associated with
Christmas, and so is in part equivalent to the English carol, French noel, Spanish
748:
456:, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as
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in the early 13th century, and settled in northern Italy where their music was influential in the development of the
Italian secular style.
362:
67:
797:
782:
768:
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568:, have sometimes been called "Latin laude," however which more closely resemble Latin language version of the Italian ballata.
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653:(2003), p. 333. "See Strohm, REM, 327â39: the English cantilena and carol, the Italian lauda, and the Central European cantio"
840:
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was to increase the intelligibility of text, and the simple, easily understood laude provided an ideal example.
716:'s beautiful translation (1867) in Vaughan William's setting has become one of the few classics of modern ..."
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708:, p. 81. "The last of these appears to have been the Italian lauda "Discendi, amor santo" by
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spread widely throughout Europe during the 13th and 14th centuries as the music of the
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807:. Chicago, Illinois: University of Chicago, 2009. UMI number 3386989, Pro Quest.
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129:
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481:, and picked up the vernacular language in each country it affected, including
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777:, ed. Don Randel. Cambridge, Massachusetts: Harvard University Press, 1986.
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512:(and others) had prohibited the dissemination of any other style of sacred
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752:. Vol. x (1st ed.). London: Macmillan. pp. 538â543.
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409:
315:
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The
Canzonetta Spirituale in the late sixteenth century in Italy
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Devotional music in the
Iberian world, 1450â1800: the villancico
625:
Italian ars nova music: a bibliographic guide to modern editions
556:. However, tunes and lyrics continued to influence later music.
405:
693:
Early Music
History: Studies in Medieval and Early Modern Music
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Song Latin songs, notably 13 Latin antiphons preserved in the
29:"Laude" redirects here. For village in the Netherlands, see
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type developed in the early fifteenth century. The early
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had a resurgence of popularity again at the time of the
552:declined in importance with the development of the
560:Latin songs with some characteristics of the lauda
749:The New Grove Dictionary of Music and Musicians
531:during his sojourns in Italy around this time.
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8:
452:was probably influenced by the music of the
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792:. New York: W.W. Norton & Co., 1978.
763:. New York: W.W. Norton & Co., 1954.
541:, since one of the musical goals of the
725:Christopher Kleinhenz, John W. Barker.
638:A companion to the Middle English lyric
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54:
47:
727:Medieval Italy : an encyclopedia
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775:The New Harvard Dictionary of Music
746:, ed. (1980). "Lauda spirituale".
527:are based on melodies he heard in
25:
662:Tess Knighton, Ălvaro Torrente.
400:was the most important form of
706:Hymns and the Christian "Myth"
651:The Motet in the Age of Du Fay
432:Origin and spread of the lauda
1:
475:; this form was known as the
444:(single-voice) form, but a
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500:After 1480 the singing of
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504:was extremely popular in
467:A monophonic form of the
761:Music in the Renaissance
680:The early English carols
836:Italian styles of music
676:Richard Leighton Greene
623:Viola Luther Hagopian.
605:Deutsche Harmonia Mundi
636:Thomas Gibson Duncan.
841:Medieval music genres
821:Italian music history
89:Movements and schools
803:John Joseph Fiore,
788:Richard H. Hoppin,
712:(d.1434), of which
572:Selected recordings
539:Counter-Reformation
462:Albigensian Crusade
343:Renaissance music â
649:Julie E. Cumming.
586:Alexander Demophon
31:Laude, Netherlands
831:Renaissance music
596:, and Anonymous.
590:Francesco Landini
582:Jacopo da Bologna
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167:Major figures
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412:in the late
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286:Geisslerlied
264:Formes fixes
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70: /
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516:. Many of
495:Scandinavia
473:flagellants
454:troubadours
418:Renaissance
247:Major forms
112:Ars antiqua
68:Instruments
826:Song forms
815:Categories
611:References
510:Savonarola
446:polyphonic
442:monophonic
426:villancico
402:vernacular
125:Troubadour
96:Saint Gall
518:Josquin's
259:Conductus
234:Dunstaple
184:Hildegard
135:Minnesang
76:Theorists
64:Composers
554:oratorio
506:Florence
458:Provence
416:era and
414:medieval
327:Planctus
311:Madrigal
147:Trecento
141:Ars nova
130:Trouvère
55:Overview
41:a series
39:Part of
491:England
483:Germany
404:sacred
321:Organum
279:Virelai
274:Rondeau
269:Ballade
229:Ciconia
224:Landini
219:Machaut
199:PĂŠrotin
194:Walther
189:Bernart
106:Goliard
796:
781:
767:
525:masses
521:motets
487:Poland
440:was a
209:Franco
174:Notker
72:Theory
550:lauda
535:Laude
529:laude
502:laude
469:lauda
450:lauda
438:lauda
422:Laude
410:Italy
394:) or
391:laude
385:lauda
316:Motet
301:Lauda
254:Canso
214:Vitry
179:Guido
18:Laude
794:ISBN
779:ISBN
765:ISBN
548:The
523:and
493:and
406:song
382:The
420:.
408:in
296:Lai
817::
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588:,
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497:.
489:,
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43:on
800:.
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771:.
371:e
364:t
357:v
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74:(
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20:)
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