286:(ostensibly in honor of her recently deceased husband), and she famously refused to consummate the union for five years. After she finally gave birth to twins in 1545, she chose to live separately from her husband, and when modern historian Renato Lefevre sought to defend Margaret's honor against rumors of sexual impropriety, he stated, perhaps somewhat tellingly, that “not one of the scandalous rumors so frequent at that time touched her. If anything, one could say the contrary about her… that men were of no interest to her as such.” Although there is no evidence that would suggest that Margaret and Forteguerri ever consummated their relationship, their transgressions of their gender roles and prominent positions within a male-dominated society, their lack of interest in their husbands, and their tender relationship has led many to assume that these women were lovers in all but name.
154:. But rather than exhibit jealousy at Forteguerri's expression of love for another, Piccolomini celebrates it, lauding her poetry as "an example of a most ardent Love that exists… between two most unique and divine women." This is particularly surprising given Piccolomini's resentment of Forteguerri's second marriage in 1544—an event that wounded him so deeply that he would never again mention Forteguerri by name in his work (though some of his later poems speak rather dramatically of the "betrayal" of his beloved). It seems clear that Piccolomini's acceptance of Forteguerri's expressions of same-sex love was based on his belief that she was not experiencing true physical desire, but rather a divine (and entirely platonic) love for Margaret. However, while contemporary Sienese poets such as
231:(both of whose same-sex sexual preferences were well known during this period) were especially revered. Sappho was particularly championed as an exemplar of female poetic genius during the Renaissance, and same-sex female desire during this period was largely modeled after her. While some historians have argued that women's homoerotic relations were considered to be relatively harmless during this period because they led to no offspring (and thus did not threaten paternal heredity), the Renaissance view of what we would now term “lesbianism” was in actuality far more ambivalent, and it was typically divided into two categories. While chaste (if impassioned) female friendships were often considered to be a pure and almost holy form of love, same-sex
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intelligence, and beauty throughout her life. Laudomia
Forteguerri was the child of her father's second wife, and she had one older half-brother, Niccodemo Forteguerri, who would become a prominent Sienese captain in the siege of Siena. Alessandro Forteguerri married Virginia Pecci in 1515 after the death of Niccodemo's mother, and the couple had at least seven children together in addition to Laudomia. Forteguerri's parents were members of some of the most powerful feudal families of sixteenth-century Siena; the Forteguerri and Pecci clans were highly influential, and together they controlled much of the civic and ecclesiastical life of the city. Both of Forteguerri's parents were descendants of Siena's imperial counts and were members of the
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delay marriage until their mid-to-late twenties and to marry a man close to their own age, Italian noblewomen often married somewhat younger, as
Forteguerri did. Italian noblewomen also frequently married men who were up to ten years their senior, thus it was not at all unusual that Giulio was eight years older than the teenaged Forteguerri. Laudomia and Giulio had three children together, Olimpia Antonia (born in 1535), Antonia Anna (born in 1537), and Allesandro Antonio (born in 1539), and Giulio died some time around 1542. After being widowed, in 1544 Forteguerri remarried to Petruccio Petrucci, a member of the powerful
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211:, and Forteguerri's love for her would become well known throughout Italy and as far as France. Although there is some dispute about the exact date of Margaret's first meeting with Forteguerri, it occurred either in 1533 (when Forteguerri would have been seventeen years old and Margaret just ten) or 1536 (when Forteguerri would have been twenty years old and Margaret thirteen). Regardless of the specific date, the two certainly met before Margaret's marriage to
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they would have little chance of surviving the imminent
Imperial attack. Because of this, every able citizen was mobilized in the effort to build fortifications, and Laudomia Forteguerri herself led a group of 1,000 noble and artisan women to aid in the construction. The siege was even more brutal than the occupation had been, and it lasted a year and a half (26 January 1554 to 17 April 1555). By the time the Republic of Siena finally surrendered to
142:(as it continues to be today) and it contained the earliest complete star atlas that historians have been able to locate. It was also one of the first texts on astronomy that was widely accessible, as Piccolomini's chose not to publish this work in Latin—the standard language of academic literature during this period—but in Italian, so that Forteguerri would be able to fully comprehend it. He also composed the impressive philosophical work,
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era. However others have pointed out that the lack of eroticism in
Forteguerri's poems is not surprising, given that they were able to be published at all. Indeed, they note that, while Forteguerri's poems lack in overt sexual imagery, they display a strong depth of emotion and tenderness for Margaret, and in one sonnet Forteguerri even requests that Margaret send her a small portrait of herself.
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unclear whether the heretical
Calvinist views that Forteguerri espouses in this dialogue are representative of her actual beliefs, or if she is used by Piccolomini simply as a foil for the orthodox portrayal of Girolama Piccolomini, Forteguerri is undoubtedly presented as a strong woman with a refined intellect in this literary work.
28:. She is considered by some historians to be Italy's earliest lesbian writer, and she was famous for her beauty, wit, and intelligence. In January 1553, Forteguerri led a group of women in helping with the construction of a defensive bastion to protect her city against an anticipated attack from Imperial Spanish forces. The
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However many historians have pointed out that the valorization of homoerotic friendship during this period, combined with the common practice of same-sex bed sharing, would have provided many opportunities for homoerotic sexual exploration within such ostensibly “chaste” female relationships. Because
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in 1536, and they quickly formed an intense bond. In spite of
Margaret's extreme youth, many claimed that their attraction was instantaneous; indeed, Piccolomini declared, “As soon as Laudomia saw Madama and was seen by her… suddenly with the most ardent flames of Love each burned for the other, and
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Although
Margaret's feelings for Forteguerri are less clear, as none of the letters between the two women have survived, her lack of interest in—and even aversion to—her husbands makes it seem plausible that Margaret could have reciprocated Forteguerri's feelings. Margaret had no children from her
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were beginning to appear. Many scholars have noted that
Forteguerri, who was highly politically astute, would have recognized the strategic importance of an Imperial ally during this tumultuous period, and argue that such earnest and effusive expressions of platonic love were fairly typical of this
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Alessandro
Piccolomini, was also inspired by Forteguerri. He was infatuated with the brilliant poet, and in spite of Forteguerri's apparent lack of romantic interest in him, she would be viewed as Piccolomini's great love throughout his life. When Forteguerri lamented the fact that, as a woman, she
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Forteguerri married Giulio di
Alessandro Colombini (a member of another powerful Noveschi family) in her late teens, and while the exact date of the wedding is uncertain, it is known to have occurred before 1535. Although it was common for many women in Northwestern Europe during the Renaissance to
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was thus highly influential within Sienese academic circles. Many scholars believe that this work was not based on an actual event, as Piccolomini claimed it was, but that it was rather constructed by the author so as to alleviate rumors of heresy surrounding the Piccolomini family. Although it is
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finally became involved in 1530, using the political turmoil of Siena as an excuse to occupy the city. The occupation was brutal, and in 1552 the people of Siena rose up against the Imperial forces and were able to expel their Spanish occupiers from the city. However, the Sienese people knew that
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Piccolomini was by far the most zealous supporter of Forteguerri's public image and literary works, and his glowing analysis of her sonnets in his 1541 lecture in Padua would later be published and widely circulated. Perhaps the most important aspect of this lecture was Piccolomini's "outing" of
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However some modern scholars have questioned Forteguerri's seeming lesbianism, arguing that the sonnets she composed for Margaret may not have been genuine expressions of same-sex love and desire, but a calculated political strategy designed by Forteguerri to curry the favor of Margaret's royal
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during this era. Remarriage was very common during the Renaissance, but widows often had more latitude in their marital choices, so it is perhaps telling that Forteguerri's new husband was much closer to her own age, at just two years her senior. As was the custom during this time, Laudomia's
40:
Laudomia Forteguerri was born in 1515 to Alessandro di Niccodemo Forteguerri and Virginia di Giuli Pecci. At her baptism it was observed that Forteguerri was "unique in the world and of rare beauty"—a fitting entrance into society for a woman who would be noted for her exceptional charm,
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was viewed as sinful, unnatural, and even monstrous. Forteguerri's feelings for Margaret were generally categorized as the former kind of love, and contemporary poet Firenzuola even lauds the divine purity and chastity of these two women in his 1541
75:. However Forteguerri did not only create esteemed literature, but she also inspired it; Forteguerri was famous for her beauty and intellect, and she became a muse for several prominent Sienese writers. The first known text to feature Forteguerri is
335:, the once proud city lay in ruins, marking the end of the Republic of Siena Although there is no record of Laudomia after 1555, her legacy lived on long, and she would forever be remembered for her bravery in the face of her city's destruction.
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Forteguerri was an active and influential figure in Sienese society, and one historian even claims that she was the first woman whose poetry was discussed openly in an academic setting during a 1541 lecture held by
138:), an influential two-part compendium of information on the subject that he dedicated to her. This compendium is considered an important text in the history of astronomy, as it marked the first time that
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of the Republic came to an end in the 1520s, an intense struggle for power broke out between the city's leading factions as they all tried to take its place. The fighting escalated, and
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children by Giulio were sent to live with the Colombini family; she and her new husband had no children together, and little is known regarding their married life.
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ultimately lead to the fall of the independent Republic. Forteguerri became a legendary figure in Sienese history and her legacy has lived on long after her death.
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father. Politically, this would make some sense; trouble was brewing between the Republic of Siena and its longtime rival, the Duchy of Florence, and signs of the
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was actually not at all uncommon during Forteguerri's time. The Renaissance experienced a revival of ancient Greek and Roman literature, and the works of
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had been experiencing increasing political turmoil as the sixteenth-century went on, and by the 1550s, the city was involved in full scale-war. When the
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themes. Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to
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even attempted to intervene at the beginning of the sixteenth-century on behalf of the Notrevechi party (to which the Forteguerri family belonged);
45:, a powerful group that had ruled Siena in the thirteenth and fourteenth centuries. Thus Forteguerri enjoyed a highly elite status within the city.
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Forteguerri was known throughout Siena for her poetry, and her work continues to be noted by modern scholars, particularly for its strong
24:(1515–1555, Siena, Italy) was an accomplished Italian poet and a member of one of the most powerful families in the sixteenth-century
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view of Forteguerri's love for Margaret, the relationship between these two women cannot be written off as merely platonic.
99:, which served as the center of Sienese aristocratic cultural and intellectual life during the mid-sixteenth-century . The
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Publishing Women: Salons, the Presses, and the Counter-Reformation in Sixteenth-century Italy.
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Forteguerri, as all of the sonnets he discusses are dedicated to Forteguerri's great love,
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family was highly influential in Siena during this time, and Marc'Antonio helped found the
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Robin, Diana, Anne R. Larsen, and Carole Levin. "Forteguerri, Laudomia (1515–1556?)."
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relationship (although that term would not be invented until the nineteenth-century).
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the most manifest sign of this was that they went to visit each other many times.”
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Siena's Fortino Delle Donne ("The Women's Fort") that Forteguerri helped construct
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McClure, George W. "The Academy of the Intronati and Sienese Women (1525–1555)."
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Amazons to Fighter Pilots: A Biographical Dictionary of Military Women (Volume 2)
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The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-century Siena.
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Same-sex Desire in the English Renaissance: A Sourcebook of Texts, 1470–1650.
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On the Organization of the Entire Life of a Man Born Noble and in a Free City
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Bennett, Judith M. "'Lesbian-Like' and the Social History of Lesbianisms."
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of this, Forteguerri and Margaret are often cited as examples of an early
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Robin, Diana. "Laudomia Forteguerri's Canzoniere and the Fall of Siena."
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Eisenbichler, Konrad. "Laudomia Forteguerri: Constructions of a Woman."
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Encyclopedia of Women in the Renaissance: Italy, France, and England.
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Cox, Virginia. "Laodomia Forteguerri to Margaret of Austria (1559)."
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207:. Margaret was a prominent Duchess and the illegitimate child of
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Parlour Games and the Public Life of Women in Renaissance Italy.
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Notre Dame: University of Notre Dame Press, 2012. 101–64. Print.
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Baltimore: Johns Hopkins University Press, 2013. 288. Print.
355:. Westport, Connecticut: Greenwood Press. pp. 402–403.
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was barred from studying the science of astronomy, he wrote
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Chicago: University of Chicago Press, 2007. 124–159. Print.
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Toronto: University of Toronto Press, 2013. 35–51. Print.
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Marc’Antonio Piccolomini's cousin, the philosopher and
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and dressed in black for her subsequent marriage to
1060:Lyric Poetry by Women of the Italian Renaissance.
189:Where nature placed all its most perfect things,
140:stellar luminosity was classified alphabetically
193:I speak of my goddess, Marguerite of Austria."
1090:Santa Barbara: ABC-CLIO, 2007. 151–53. Print.
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256:To beseech you. Nor do I want anything else
251:With no hope ever to come out of my misery?
258:But that you keep me close to my goddess."
249:"Why do you keep me in this wretched state
174:Sonnets, Sapphism, and Margaret of Austria
1055:New York: Routledge, 2004. 271–90. Print.
1051:Borris, Kenneth. "Laudomia Forteguerri."
298:Giorgio Vasari – The Battle of Scanniglio
254:...Listen to my words, how they are ready
191:When it set out to create so much beauty,
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213:Alessandro de' Medici, Duke of Florence
1048:9.1–2 (2000): 1–24. Web. 14 Dec. 2014.
187:"Happy plant, so cherished in heaven
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238:Dialoghi delle bellezze delle donne.
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1165:16th-century Italian LGBTQ people
166:would largely echo Piccolomini's
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1069:London: J. Murray, 1902. Print.
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624:
621:
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612:
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579:
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561:
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531:
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362:0-313-29197-7
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296:
289:
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284:Duke of Parma
281:
277:
271:
268:
261:
246:
244:
239:
234:
230:
226:
222:
221:homoeroticism
217:
214:
210:
206:
202:
196:
180:
173:
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147:
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1094:
1087:
1080:
1073:
1066:
1059:
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1028:
1019:
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983:
974:
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956:
947:
938:
929:
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902:
893:
884:
875:
866:
857:
848:
839:
830:
821:
812:
803:
794:
785:
780:Bennett 5–6.
776:
767:
758:
749:
740:
731:
722:
713:
704:
695:
686:
677:
668:
659:
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632:
623:
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389:
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352:
346:
316:Petrucci era
309:
274:marriage to
272:
263:
248:
237:
218:
198:
186:
148:
143:
135:
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126:
122:
114:
101:Ragionamento
100:
89:Franzi Marzi
81:Ragionamento
80:
61:
47:
39:
21:
20:
18:
16:Italian poet
1140:1555 deaths
1135:1515 births
969:McClure 49.
960:McClure 49.
951:McClure 49.
807:Borris 280.
762:Borris 280.
753:Borris 280.
726:Borris 279.
699:Borris 280.
681:Borris 280.
663:Borris 280.
564:McClure 43.
93:Piccolomini
1129:Categories
1039:References
1032:Robin 126.
1023:Robin 124.
996:McClure 49
978:Robin 149.
924:Borris 282
906:Borris 282
879:Robin 151.
861:Robin 150.
636:McClure 38
591:McClure 36
582:Robin 132.
573:Robin 132.
555:Robin 131.
438:Douglas 35
411:McClure 51
69:Infiamatti
36:Early life
987:Robin 158
834:Borris 4.
816:Borris 2.
789:Borris 1.
233:tribadism
229:Socrates
117:humanist
43:Noveschi
243:lesbian
201:Sapphic
67:at the
359:
282:, the
225:Sappho
162:, and
91:. The
339:Notes
219:Such
73:Padua
1117:and
357:ISBN
310:The
227:and
134:and
125:and
87:and
79:’s
1131::
158:,
365:.
130:(
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