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Leïla Kilani

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35: 191:, the story "presented a personal perspective of Tangier, this physical, corporeal, sensual frontier, stirring with men and women who dream of a mythical somewhere that they cannot find on this side of the barrier.", the documentary took place in Tangier, a place where she had lived and depicted much of the political elements of young immigrants. Kilani has mentioned that inspiration for the documentary had to do with her fascination with Spain and the Spanish language. She has also mentioned in an interview with Le Monde, a French newspaper, that the term "Bruleur" was meant to signify the burning of an identity, specifically the identities of the young immigrants that are presented in the film. Kilani goes on to mention that the conditions of the country they are from are not enough to sustain their dreams therefore they must displace themselves and therefore burn their identities. 158:
Kilani's films often deal with the political and socio-economic nature of different places, often them being set in her home country. Her documentaries have depicted many of the issues that are faced in some of the affected regions in Morocco and also deals with the difficult living conditions.
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recounting the stories of families during his reign. This film maarewnattention to Kilani d the film han a prize in documentary at the 21st Pan-African Film and TV Festival in 2009. Tese documentaries would later on lead to Kilani's first feature-length film,
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the story of young immigrants, adjusting to life in Tangier, Morocco. Kilani would later go on to make more documentaries before directing her first feature film in 2011.
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has been described as a film about "two women flirting with crime in Tangiers", takes place in Tangiers and was first screened in Cannes in May 2011.
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Kilani had made documentaries that often depicted a part of her past life, for example in the film
513:(Drama), Ifham Mathet, Bahia Boutia El Oumani, Mustafa Shimdat, DKB Productions, Socco Chico Films 168: 63: 458: 417: 377: 344: 128: 201:
This documentary is a story taking place in the 70s with the reign of the Moroccan king,
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Leïla Kilani studied Mediterranean history and civilization in Paris and obtained a
155:(2011). Kilani was born in the city of Casablanca in the northern part of Africa. 421: 482: 462: 508: 139:
director, screenwriter, and producer. Kilani has worked on films such as
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One of her most well known documentary works is the film
406:"Sur la Planche (On The Edge) by Leila Kilani (review)" 85: 77: 69: 55: 47: 18: 372: 370: 368: 366: 364: 173:School for Advanced Studies in the Social Sciences 60:School for Advanced Studies in the Social Sciences 8: 434:: CS1 maint: multiple names: authors list ( 378:"Africultures - Biographie de Leïla Kilani" 33: 15: 243: 487:Cineuropa - the best of european cinema 404:Barlett, Oliver, Beti Ellerson (2014). 333: 427: 149:(2003), and directed the feature film 7: 399: 397: 73:Director, screenwriter, and producer 177:Tanger, La Reve De Bruleurs (2002), 132: 14: 551:Mass media people from Casablanca 189:Tanger, La Reve de Bruleur(2002) 1: 556:Moroccan women film producers 546:Moroccan women film directors 571:Moroccan women screenwriters 507:Kilani, Leila (2023-01-26), 221:which she wrote and directed 422:10.2979/blackcamera.6.1.223 51:1970 (age 53–54) 587: 259:Tanger, La Reve de Bruleur 32: 25: 163:Early life and education 26: 217:In 2023, Kilani's film 566:Moroccan screenwriters 561:Moroccan women writers 219:Birdland (Indivision), 345:"SPLA | Leïla Kilani" 315:Birdland (Indivision) 208:Sur La Planche (2011) 114:Birdland (Indivision) 41:Festival Paris Cinema 382:www.africultures.com 286:Our Forbidden Places 39:Leïla Kilani at the 197:Nos Lieux Interdits 142:Nos Lieux Interdits 96:Nos Lieux Interdits 483:"Review: Birdland" 135:; born 1970) is a 449:Fabre, Clarisse. 326: 325: 122: 121: 78:Years active 578: 521: 520: 519: 518: 504: 498: 497: 495: 494: 479: 473: 472: 470: 469: 446: 440: 439: 433: 425: 401: 392: 391: 389: 388: 374: 359: 358: 356: 355: 341: 244: 241: 240: 236: 134: 88: 37: 16: 586: 585: 581: 580: 579: 577: 576: 575: 526: 525: 524: 516: 514: 506: 505: 501: 492: 490: 481: 480: 476: 467: 465: 448: 447: 443: 426: 403: 402: 395: 386: 384: 376: 375: 362: 353: 351: 343: 342: 335: 331: 242: 238: 234: 232: 231: 185: 169:master's degree 165: 118: 86: 64:master's degree 43: 28: 21: 12: 11: 5: 584: 582: 574: 573: 568: 563: 558: 553: 548: 543: 538: 528: 527: 523: 522: 499: 474: 451:"Leïla Kilani" 441: 416:(6): 223–224. 393: 360: 332: 330: 327: 324: 323: 320: 317: 311: 310: 307: 304: 296: 295: 292: 289: 281: 280: 277: 274: 268: 267: 264: 261: 255: 254: 251: 248: 230: 227: 212:Sur La Planche 184: 181: 164: 161: 133:لَيْلَى كيلاني 120: 119: 117: 116: 111: 109:Sur La Planche 106: 99: 91: 89: 83: 82: 79: 75: 74: 71: 67: 66: 57: 53: 52: 49: 45: 44: 38: 30: 29: 27:لَيْلَى كيلاني 23: 22: 19: 13: 10: 9: 6: 4: 3: 2: 583: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 537: 536:Living people 534: 533: 531: 512: 511: 503: 500: 488: 484: 478: 475: 464: 460: 457:(in French). 456: 452: 445: 442: 437: 431: 423: 419: 415: 411: 407: 400: 398: 394: 383: 379: 373: 371: 369: 367: 365: 361: 350: 346: 340: 338: 334: 328: 322:Feature Film 321: 318: 316: 313: 312: 309:Feature Film 308: 305: 303: 302: 298: 297: 293: 290: 288: 287: 283: 282: 278: 275: 273: 270: 269: 265: 262: 260: 257: 256: 252: 249: 246: 245: 237: 228: 226: 224: 220: 215: 213: 209: 204: 200: 198: 192: 190: 182: 180: 178: 174: 170: 162: 160: 156: 154: 153: 148: 144: 143: 138: 130: 126: 115: 112: 110: 107: 105: 104: 100: 98: 97: 93: 92: 90: 84: 80: 76: 72: 70:Occupation(s) 68: 65: 61: 58: 54: 50: 46: 42: 36: 31: 24: 17: 515:, retrieved 509: 502: 491:. Retrieved 489:. 2023-01-27 486: 477: 466:. Retrieved 454: 444: 430:cite journal 413: 410:Black Camera 409: 385:. Retrieved 381: 352:. Retrieved 349:www.spla.pro 348: 314: 299: 294:Documentary 284: 279:Documentary 272:Zad Moultaka 271: 266:Documentary 258: 222: 218: 216: 211: 207: 195: 193: 188: 186: 176: 166: 157: 150: 147:Zad Moultaka 146: 140: 125:Leïla Kilani 124: 123: 113: 108: 101: 94: 87:Notable work 20:Leïla Kilani 541:1970 births 455:Le Monde.fr 301:On the Edge 229:Filmography 152:On the Edge 103:On the Edge 530:Categories 517:2023-08-10 510:Indivision 493:2023-08-10 468:2016-02-25 387:2016-02-09 354:2016-03-04 329:References 225:came out. 463:1950-6244 203:Hassan II 56:Education 145:(2008), 137:Moroccan 199:(2008). 171:at the 461:  253:Notes 247:Title 233:": --> 183:Career 129:Arabic 319:2023 306:2011 291:2008 276:2003 263:2002 250:Year 81:2000- 459:ISSN 436:link 235:edit 48:Born 418:doi 532:: 485:. 453:. 432:}} 428:{{ 412:. 408:. 396:^ 380:. 363:^ 347:. 336:^ 210:. 131:: 62:, 496:. 471:. 438:) 424:. 420:: 414:6 390:. 357:. 239:] 223:, 127:(

Index


Festival Paris Cinema
School for Advanced Studies in the Social Sciences
master's degree
Nos Lieux Interdits
On the Edge
Arabic
Moroccan
Nos Lieux Interdits
On the Edge
master's degree
School for Advanced Studies in the Social Sciences
Nos Lieux Interdits
Hassan II
Our Forbidden Places
On the Edge


"SPLA | Leïla Kilani"





"Africultures - Biographie de Leïla Kilani"


"Sur la Planche (On The Edge) by Leila Kilani (review)"
doi
10.2979/blackcamera.6.1.223

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