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harsh criticism from religious conservatives and praise from more radical and progressive thinkers. Parisian audiences were sharply divided; with both loud booing and enthusiastic applause of approval often occurring simultaneously. This work inspired the creation of many more convent comedy plays by other writers soon after, including
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or featured nuns as the main characters; often as a means at criticizing or parodying religious practices and concepts. Both popular and critical reaction to Laujon's play was divisive, with the choice of presenting nuns and the setting of a convent as the subject of a secular comedy bringing both
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Ford, Caroline. "Story-telling and the social imagery of religious conflict in nineteenth-century French law courts". In Coss, Peter R. (ed.).
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de Reigny, Louis-Abel
Beffroy (1791). "Le Couvent, ou les fruits de caractère et de l'éducation".
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was the first "convent play"; a popular genre of secular play in France during the
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Almanach général de tous les spectacles de Paris et des provinces pour l’année
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Forms of
Enclosure: The Convent Plays of the French Revolution
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Le
Couvent, ou les Fruits du caractère et de l'éducation
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The
Convent, or the Fruits of Character and Education
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56:Vert-vert, ou le Perroquet de Nevers
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184:Cambridge University Press
180:The Moral World of the Law
27:) is a play in one act by
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216:French-language plays
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