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Le Vingtième siècle. La vie électrique

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a perpetual state of fatigue and nervous stimulation, overstressed to the point of debility and illness. Again, Robida was not alone in suggesting that improved technologies of communication might increase friction between nations, thus increasing the likelihood of armed conflict—and the commercial opportunities thus created for arms dealers—especially in combination with dramatic increases in population facilitated by technology, but he was unusual in depicting such matters as routine aspects of everyday life, virtually taken for granted.
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when he and his bride embark on a pre-nuptial journey, Philox Lorris employs his colleague Sulfatin to break the relationship of the couple. Instead of the tour over the factories and scientific laboratories suggested by Philox Lorris and intended to fatigue the young pair, George takes Estelle and Sulfatin to a quiet village whose inhabitants resist modern technology and live in the traditions of the 19th century.
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been realized, it may have seemed more farcical in 1892 than it does now. Robida was only extrapolating visible trends in constructing his image of the future, but he probably assumed that he was extrapolating them to absurd extremes. On the other hand, modern readers can see that he did not go as far as he might have done in certain instances.
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nineteenth century took the combination of those devices to the extreme that he did in imagining a future where most communication would take place electrically by means of what he calls “la plaque du télé”, or the Tele screen, which would also serve as significant inputs of home entertainment, relaying music and theatrical performances.
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The notion that weapons of war would become increasingly sophisticated was also commonplace in French speculative fiction by 1892 — although it had not yet arrived in English-language fiction to any significant extent—and the idea that common-or-garden explosives might soon be supplemented and partly
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Other nineteenth-century writers also anticipated the rapid and enormously expansive development of technology in association with big business and envisaged drastic changes to the pace of everyday life in consequence, but no one else envisaged a state of affairs in which almost everyone might be in
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is most savagely critical of the way the world appeared to the author to be going, at least partially, and even when it eventually settles more contentedly into blatant and unrepentant farce, it retains a trenchant black edge. However, given that so many of its sarcastic anticipations have actually
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them on a political level, he organizes a large party at his house to which he invites various dignitaries, including Arsène de Marettes, a prominent political figure. George is asked to collect the video-recordings of the greatest singers and performers of the past and play them for the audience.
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family. George is planning to marry Estelle, a plan which encounters opposition from his father. The latter wants to marry George to either La Doctoresse Bardoz or La Senatrice Coupard, de la Sarthe, either of which is a woman of great accomplishments. George insists on his original intention, and
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was still more than a decade away in 1892.) That assumption leads to corollary architectural fancies with regard to the construction of the houses of the future and technologies of traffic control. If one leaves aside the focus on airships, what is being suggested—radically, at the time—is that in
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of the body due to an intensive mental work during his lifetime. Despite the instructions of Philox Lorris, Sulfatin does not meddle in the relationship of George and Estelle, apparently trying to make his boss disinherit George. This would make Sulfatin the sole successor of the great scientist.
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ensues; and many people including Philox Lorris and Sulfatin are poisoned. Luckily, the weapon is not lethal, and only incapacitates the affected. The house of Philox Lorris is transformed into a hospital where the guests (named the martyrs of the science in newspapers) occupy sick-beds. Philox
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Even in 1892, French speculative fiction abounded with caricatures of scientific geniuses whose turns of mind were very different from those of everyone else, especially with regard to the sentimental side of life. Robida's Philox Lorris is not at all unworldly in matters of business and is a
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was still a fanciful one, the idea of “broadcasting” even more so. Robida was by no means the only writer to anticipate a glorious future for electric lighting, domestic power supplies, phonographs and telephones—even telephones augmented with visual apparatus — but no one else writing in the
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Philox Lorris has an idea: he tries the vaccine on himself and in two days recovers completely. He repeats the application of the vaccine on the rest of the sick and achieves the desired effect. This makes a phenomenal advertisement of the vaccine which is immediately accepted as
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where George excels and advances in esteem of his bride even further. When George returns from his trip, more than ever convinced in the rightness of his decision to marry Estelle, his father becomes furious. Still, Philox Lorris believes he can alter the choice of his son.
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Meanwhile, Philox Lorris explains his inventions to politicians. Sulfatin who is assisting him with the demonstrations, confuses the health vaccine with the biological weapon and lets some of the latter escape into the room where the guests are gathered.
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relentlessly efficient opportunist, well aware of the power of advertising and the necessity of having friends in parliament; in that sense, he is not merely a symbol of science, but of the close alliance of science with what is nowadays known as the
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displaced by poison gases was already familiar, but no one other than Robida described in such detail, and with such sardonic vitriol, the day when the chemical artillery would be in danger of being rendered redundant in its turn by the
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on a national level. George marries Estella, and Philox Lorris has to save his face before La Doctoresse Bardoz and La Senatrice Coupard, de la Sarthe having previously offered the hand of George to both. He escapes the looming
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the twentieth century, large numbers of people will have their own private vehicles, and that houses, public buildings and the environment in general will have to undergo sweeping changes in order to accommodate those vehicles.
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Philox Lorris into his plot. A great emphasis is put on how the new technology has transformed the French society and individual lives of people. The novel is written in a lively tone and contains many
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An electric storm raging in France as a result of the breakdown at one of the electric stations accidentally puts in contact George Lorris and Estelle Lacombe who meet each other via the
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Unfortunately, as the party begins and the videos are played out, the sound quality turns out to be mediocre. The voices recorded on the tapes sound as if their owners caught a
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as an afterthought which added little that was new to the image of life in the mid-twentieth century and was milder in its satire. Of the three major elements of the series,
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The most significant specific element of non-resemblance is the fact that virtually all traffic in Robida's twentieth century is air traffic, and most of that consists of
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was only fourteen years old and the cylinders employed by early manufacturers had yet to be replaced by the flat disks employed when the machine mutated into the
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The harmful consequences of science going out of control: for example, the electric storm created by the malfunction at one of the electric stations and the
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for the roman scientifique section of the magazine with that specific brief. The author subsequently added a fourth long story to the series in the novella
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from 28 November 1891 to 30 July 1892 and published in book form by La Librairie Illustrée in 1892. It was advertised as a continuation of the
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Lorris and Sulfatin quarrel, but soon notice that Adrien La Héronnière recently cured by Sulfatin by the vaccine is immune to the poison.
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had been patented only a year before the phonograph, and it too was still in its infancy in 1891. Although patents for
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by managing to marry La Senatrice Coupard, de la Sarthe to Sulfatin and La Doctoresse Bardoz to Adrien La Héronnière.
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Sulfatin takes along on a journey his ward and patient, an invalid Adrien La Héronnière who is suffering from the
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no longer qualifies as a work of futuristic fiction and cannot really qualify even as an exercise in
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Le phonographe - a device through which two people can talk at a distance and reminiscent of a
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Les tubes - a form of transportation operating above the city and reminiscent of modern
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that appear erroneous in retrospect if the novel is mistakenly construed as prophecy.
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that is meant to give boost to one's health. To promote these achievements and
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The debilitating effect that an intensive mental labor can have on humans
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that serve for individual transportation and can move through the air
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Philox Lorris is working on his two novel scientific applications: a
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The importance of scientific education and increasing complexity of
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Philox Lorris seeing the failure of his plans, engages George in
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had been granted previously, it was not until the 1880s that
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had only recently been detected in 1886, and the notion of
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situations. The original French edition included multiple
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Among the social phenomena predicted in the novel are:
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forces on Europe in 1941 (la grande invasion chinoise)
92: 84: 74: 64: 56: 46: 36: 26: 191:When Robida began writing the novel in 1891, the 140:style reflecting Robida's other occupation as a 8: 136:drawn by the author which are executed in a 21: 20: 504:The Cambridge History of Science Fiction 215:developed commercially viable products. 495: 356:The technological devices mentioned in 413:of women and the creation of feminine 358:Le Vingtième siècle. La vie électrique 109:Le Vingtième siècle. La vie électrique 41:Le Vingtième Siècle. La vie électrique 506:. Cambridge University Press. p. 61. 234:corps medical offensive medical corps 171:, and was presumably commissioned by 7: 268:, but it can and does qualify as a “ 360:and non-existent in 1890 include: 14: 155:by Albert Robida, translated as 477:Elibron Classics series, 2006. 466:Elibron Classics series, 2006. 255:(of course, the development of 167:sequence which had begun with 1: 535:French science fiction novels 119:written by the French author 98:La Guerre au vingtième siècle 322:. This is due to Sulfatin's 540:1890 science fiction novels 242:military-industrial complex 16:1890 novel by Albert Robida 566: 456:of the biological weapons 389:Sous-marine - a military 393:reminiscent of a modern 502:Canavan, Gerry (2018). 382:Hélicoptère, aéronef - 257:heavier-than-air flight 545:Works by Albert Robida 352:Technological devices 438:scientific knowledge 205:electric light bulbs 177:La Science illustrée 161:La Science Illustrée 159:, was serialized in 550:Fiction set in 1955 266:alternative history 221:wireless telegraphy 169:Le Vingtième siècle 37:Original title 23: 530:1890 French novels 420:Biological warfare 299:military maneuvers 253:dirigible airships 181:Un Potache en 1950 512:978-1-31-669437-4 415:political parties 377:Le téléphonoscope 324:absent-mindedness 307:biological weapon 262:La Vie électrique 246:La Vie Électrique 185:La Vie électrique 153:La Vie électrique 105: 104: 85:Publication place 557: 514: 500: 445:The invasion of 401:Social phenomena 235: 175:, the editor of 165:Vingtième siècle 93:Preceded by 76:Publication date 51:Brian Stableford 24: 565: 564: 560: 559: 558: 556: 555: 554: 520: 519: 518: 517: 501: 497: 492: 463: 461:Recent editions 403: 354: 278: 233: 150: 114:science fiction 77: 69:Science fiction 17: 12: 11: 5: 563: 561: 553: 552: 547: 542: 537: 532: 522: 521: 516: 515: 494: 493: 491: 488: 487: 486: 475: 462: 459: 458: 457: 450: 443: 440: 434: 417: 402: 399: 398: 397: 387: 380: 374: 368: 353: 350: 282:téléphonoscope 277: 274: 149: 146: 103: 102: 94: 90: 89: 86: 82: 81: 78: 75: 72: 71: 66: 62: 61: 58: 54: 53: 48: 44: 43: 38: 34: 33: 28: 22:Electric Life 15: 13: 10: 9: 6: 4: 3: 2: 562: 551: 548: 546: 543: 541: 538: 536: 533: 531: 528: 527: 525: 513: 509: 505: 499: 496: 489: 484: 483:0-543-90535-7 480: 476: 473: 472:0-543-90536-5 469: 465: 464: 460: 455: 451: 448: 444: 441: 439: 435: 433: 430:) borders on 429: 425: 421: 418: 416: 412: 408: 407: 406: 400: 396: 392: 388: 385: 381: 378: 375: 373: 369: 367: 366:rapid transit 363: 362: 361: 359: 351: 349: 347: 342: 336: 333: 327: 325: 321: 316: 312: 308: 303: 300: 295: 290: 287: 283: 275: 273: 271: 267: 263: 258: 254: 249: 247: 243: 237: 229: 225: 222: 218: 214: 213:Thomas Edison 210: 206: 202: 198: 194: 189: 186: 182: 178: 174: 173:Louis Figuier 170: 166: 162: 158: 157:Electric Life 154: 147: 145: 143: 139: 135: 134:illustrations 131: 126: 122: 121:Albert Robida 118: 115: 111: 110: 101: 99: 95: 91: 87: 83: 79: 73: 70: 67: 63: 59: 55: 52: 49: 45: 42: 39: 35: 32: 31:Albert Robida 29: 25: 19: 503: 498: 411:emancipation 404: 357: 355: 337: 328: 304: 291: 286:middle class 279: 276:Plot summary 261: 250: 245: 238: 230: 226: 190: 184: 180: 176: 168: 164: 160: 156: 152: 151: 142:caricaturist 112:(1890) is a 108: 107: 106: 96: 40: 18: 474:(paperback) 272:” fantasy. 217:Radio waves 209:Joseph Swan 524:Categories 490:References 485:(hardback) 428:human race 391:watercraft 294:exhaustion 197:gramophone 193:phonograph 148:Background 47:Translator 395:submarine 372:telephone 270:steampunk 201:telephone 138:satirical 125:scientist 384:vehicles 346:lawsuits 57:Language 454:leakage 447:Chinese 432:fascism 341:panacea 311:vaccine 510:  481:  470:  424:combat 309:and a 199:. The 100:  88:France 60:French 27:Author 332:Panic 315:lobby 130:comic 117:novel 65:Genre 508:ISBN 479:ISBN 468:ISBN 409:The 320:cold 211:and 80:1891 526:: 144:.

Index

Albert Robida
Brian Stableford
Science fiction
La Guerre au vingtième siècle
science fiction
novel
Albert Robida
scientist
comic
illustrations
satirical
caricaturist
Louis Figuier
phonograph
gramophone
telephone
electric light bulbs
Joseph Swan
Thomas Edison
Radio waves
wireless telegraphy
military-industrial complex
dirigible airships
heavier-than-air flight
alternative history
steampunk
téléphonoscope
middle class
exhaustion
military maneuvers

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