159:
178:
31:
143:
84:—all among the most successful of the Dutch Baroque—became identifiable by their "fine" manner, exquisite techniques, and extreme attention to detail resulting in works with smooth surfaces completely lacking
68:
was used to differentiate between a painter practicing classic techniques and one who, for instance, is a house painter, in the nineteenth century it became a label for artists like
177:
57:
who, from about 1630 to 1710, strove to create as natural a reproduction of reality as possible in their meticulously executed, often small-scale works.
158:
222:
227:
142:
217:
201:
97:
164:
54:
88:
brush strokes. The application of paint contrasts with the textures and style of other Dutch painters, such as
109:
81:
77:
30:
183:
105:
93:
129:
113:
61:
200:
Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge 1630-1760, Leiden,
211:
117:
124:
101:
17:
89:
69:
34:
85:
127:
showing everyday life and activities, candle-lit nocturnal subjects, and
73:
96:. In this way they have more in common with earlier traditions in
29:
60:Although in the seventeenth century, as in modern
104:. Other artists working in the style include
49:(literally "fine-painters"), also called the
8:
188:Two men examining a sculpture by candlelight
135:
123:The fijnschilders are best known for
7:
27:17th-century Dutch artistic movement
100:, such as the detailed richness of
25:
176:
157:
141:
223:Art movements in Dutch painting
53:('Leidse Fijnschilders'), were
1:
202:Stedelijk Museum de Lakenhal
228:Art of the Dutch Golden Age
244:
218:Dutch Golden Age painters
55:Dutch Golden Age painters
110:Quirijn van Brekelenkam
98:Netherlandish painting
42:
82:Adriaen van der Werff
78:Frans van Mieris, Sr.
72:and his followers in
33:
51:Leiden Fijnschilders
133:"niche" paintings.
39:The Dutch Housewife
18:Leiden fijnschilder
184:Godfried Schalcken
106:Godfried Schalcken
94:Rembrandt van Rijn
92:and Dou's teacher
43:
16:(Redirected from
235:
180:
165:Frans van Mieris
161:
145:
137:Notable examples
21:
243:
242:
238:
237:
236:
234:
233:
232:
208:
207:
197:
190:
181:
172:
162:
153:
146:
116:and, at times,
114:Pieter Leermans
28:
23:
22:
15:
12:
11:
5:
241:
239:
231:
230:
225:
220:
210:
209:
206:
205:
196:
193:
192:
191:
182:
175:
173:
163:
156:
154:
147:
140:
138:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
240:
229:
226:
224:
221:
219:
216:
215:
213:
203:
199:
198:
194:
189:
185:
179:
174:
170:
166:
160:
155:
151:
150:Self portrait
144:
139:
136:
134:
132:
131:
126:
121:
119:
118:Gabriel Metsu
115:
111:
107:
103:
99:
95:
91:
87:
83:
79:
75:
71:
67:
63:
58:
56:
52:
48:
47:Fijnschilders
40:
36:
32:
19:
187:
168:
149:
148:Gerrit Dou,
130:trompe-l'œil
128:
125:genre scenes
122:
102:Jan van Eyck
66:fijnschilder
65:
59:
50:
46:
44:
38:
64:, the term
212:Categories
195:References
90:Frans Hals
70:Gerrit Dou
35:Gerard Dou
152:, c. 1650
86:painterly
169:The Duet
76:. Dou,
204:, 1988
171:, 1658
74:Leiden
41:, 1650
62:Dutch
80:and
45:The
214::
186:,
167:,
120:.
112:,
108:,
37:,
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
