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69:. Almamen attempts to guard his daughter's Jewish heritage by keeping her away from her Moorish lover, Muza. He inadvertently delivers her into the hands of the Christian monarchs, and Leila is subjected to the procedures of conversion by the queen's intermediary, Donna Inez. In the double story line, the conquest of Muslim Granada runs parallel to the conversion of the Jewish Leila. The characters meet at the altar of a convent in which Leila is about to take her vows as a nun, and her father kills her. The domestic plot parallels the Christianization of Spain.
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53:— beginning in the summer of 1491. It was originally published in an expensive form, with many engraved illustrations. The preface to the 1860 edition explains that the novel has been less popular than his other works of fiction due to the prejudice against literary works that are thought to owe their value, in part, to the illustrations.
65:, as the double title suggests, there is a double storyline: the domestic story of the daughter (Leila) and the public story of the nation. Leila's father, Almamen, switches allegiances between Christian and Moor in what eventually becomes the famous
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1838 historical romance novel by Edward Bulwer-Lytton
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Not So Bad as We Seem, or, Many Sides to a
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563:Novels by Edward Bulwer-Lytton
457:It was a dark and stormy night
122:Lytton, Edward Bulwer (1860).
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73:Adaptations
51:Middle Ages
557:Categories
88:References
518:talk page
399:(brother)
297:Godolphin
205:Richelieu
405:(mother)
273:Devereux
249:Falkland
82:L'ebreo
43:Granada
411:(wife)
385:People
364:Places
356:(1871)
348:(1849)
340:(1843)
332:(1842)
329:Zanoni
324:(1838)
316:(1837)
308:(1834)
300:(1833)
292:(1832)
284:(1830)
276:(1829)
268:(1828)
260:(1828)
257:Pelham
252:(1827)
241:Novels
224:(1851)
216:(1840)
208:(1839)
200:(1838)
192:(1837)
84:opera
417:(son)
213:Money
181:Plays
63:Leila
47:Spain
504:stub
353:Vril
57:Plot
61:In
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