237:"Dee can make a piece of drapery come alive and can make you feel the sensuous curves of an apple, a pear or a lemon, or the mystery of the spiral chamber of a conch shell" and, the same year, he himself commented on this quality in his art. "In my drawings," he wrote, "I strive for elegance and a quality of magic. With a large, open portion of the surface, I seek to create a special universe for each object, giving it a life of its own. Finding human characteristics in a pear or lemon viewing landscapes in a crumpled piece of paper, I try to evoke the feeling that all of nature is one." In 2015, his silverpoint drawing,
233:, a critic admired the painstaking still-life draftsmanship of the drawings and said the other work was "unlikely to make history." Three years later, the New Jersey State Museum displayed twenty-seven of his drawings and two masonite reliefs in a show held in the main gallery. A reviewer noted that Dee made his subjects "come alive," eliminating superfluous elements and rendering them with great realism. "The viewer," she wrote, "is not merely getting a detailed rendition of the object, but also a feeling for the essence of that object… Though incredibly detailed, Dee's work is very modern in its approach."
253:
In 1958, Dee was appointed as instructor of drawing and painting in the Newark School Fine & Industrial Art. He later became the school's principal instructor of realistic drawing, retiring in 1993. Thereafter he taught evening classes at the Visual Arts Center of New Jersey in Summit, N.J. and
894:
As a postscript, the museum has a smaller summer exhibition called "Forms in
Contemporary Art," an unpretentious survey of various abstract and representational manners well illustrated with paintings from the permanent collection. It included one called "White Reflections," by Leo Dee, that should
895:
not be missed. All I know about Mr. Dee is that he painted this picture and was born in 1931, but whoever he is, he has painted a trompe l'oeil of such staggering technical perfection and the same time of such high decorative character that one wonders where he keeps himself and his other pictures.
447:
article of
September 11, 1985, Sandra Earley discussed the difficulty of silverpoint technique which she calls "a medium so demanding that artists turn into virtual hermits, working months over one small drawing, building up tone and shadow with line after tiny, thin, precise line." She says Dee's
236:
During the 1980s and 1990s, Dee's drawings appeared in group exhibitions in New Jersey museums and galleries and critics continued to praise their fine draftsmanship and meticulous realism. His silverpoint work won praise, as well, for its "softness and spirituality." In 1978, a critic wrote that
262:
Dee was born on July 8, 1931, in Newark, New Jersey. His parents were Leo J. Dee and Elenor K. Dee. It is suggested that his maternal grandmother, an artist who had attended the predecessor of the school where Dee learned and later taught art, influenced his decision to become an artist himself.
515:
The exhibition was sponsored by a New York art organization called the
Drawing Society which had selected its contents from among a large number of submissions received from regional centers around the United States. As well as the one by Dee, the 100 drawings in the show included works by
600:
Details about Dee's parentage and early life are given in "Leo Dee (1931–2004)," by David B. Dearinger, which appeared first in 2005 in the "Resource
Library" section of the home page of the Boston Athenæum and which was taken from the catalog of an exhibition held in 2005 called
190:
1464:
298:
During the 1970s and 1980s, Dee exhibited frequently in New Jersey galleries and museums and occasionally, as well, in New York. This list is representative, not comprehensive. It comes from art web sites, galleries, a book, and many news accounts.
1200:"United States Census, 1940," database with images, FamilySearch; citing enumeration district (ED) 41-904, sheet 1B, family 14, NARA digital publication T627 (Washington, D.C.: National Archives and Records Administration, 2012), roll 2737
177:
wrote that the self-portrait was a "haunting image" having "great formal and emotional power." The technique soon became Dee's dominant style of drawing. A few years later when Newark Museum showed this drawing along with another called
273:
In 1993, Dee retired from his teaching position at the Newark School of Fine and
Industrial Arts and three years later, after short-term, part-time teaching stints in northern New Jersey, he and Elaine Evans moved permanently to
182:, critics remarked on the "superrealism" which he achieved, his "staggering technical perfection," and an apparent "intense concern for truth and purity." This technique shows up in a silverpoint drawing he made in 1964 called
569:, we are given directions to interpret the drawing as a metaphorical stand-in for a landscape. Careful control of the tool, silverpoint on prepared board, and a concentrated observation result in a trick-the-eye texture."
164:
In 1958, Dee was hired to teach life drawing at the Newark School of Fine and
Industrial Arts and soon thereafter a collage-drawing of his became the first of his works to be purchased by a major museum. This piece,
605:, held February 18 through April 30, 2005 at the Boston Athenæum. The article says that the name of Dee's maternal grandmother was Elenita Roloff Kennedy making it probable that his mother's maiden name was Kennedy.
804:"United States Social Security Death Index," database, FamilySearch; citing U.S. Social Security Administration, Death Master File, database (Alexandria, Virginia: National Technical Information Service, ongoing)
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156:
When Newark's Rabin & Krueger
Gallery gave Dee his first solo exhibition in 1957, he was making paintings in an abstract style. However, impressed by the gallery's display of silverpoint drawings by
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where they had previously spent summer vacations. There, he continued to make silverpoint drawings using elements in the local landscape for his subjects. He died in Truro on
November 22, 2004.
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technique where verisimilitude is the goal." In 1975, Dee was given a solo exhibition at the Coe Kerr
Gallery, New York. The show brought together some of his paintings and
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The statement appeared in the exhibition catalog that accompanied the solo exhibition of Dee's drawings and reliefs in the main gallery of the
Trenton State Museum in 1978.
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The authors say: "A torn segment of an envelope is realistically rendered; an isolated detail of the crumpled paper emerges from the blank picture plane. By the title,
144:, showed Dee how to create realistic drawings in fine detail and the other, Hans Weingaertner, showed him how to make paintings having "precise and quiet form" and
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As his professional name, Dee used Leo Dee or sometimes Leo J. Dee. When young, he was known as Leo J. Dee, Jr. His friends and family called him Joe Dee.
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1967 group, "Geometric Art: An Exhibition of Paintings and Constructions by Fourteen Contemporary New Jersey Artists," New Jersey State Museum, Trenton
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drawings "seem almost photographic in their precision, yet there is a softness and vulnerability that raises them above photographic reproduction."
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technique by means of which he was able to give the appearance of collage by the precise application of very fine lines. A critic for the
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1998 group, "For Beauty and for Truth: The William and Abigail Gerdts Collection of American Still Life," Berry-Hill Galleries, New York
124:. While a student at that school, he took classes from instructors who had established reputations in their respective fields, including
1112:
Sell, S. and Chapman, H. Drawing in Silver and Gold: Leonardo to Jasper Johns. p.229. Princeton University Press, Princeton NJ. 2015.
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544:. Glueck wrote: "This viewer's favorites were two small-format drawings that seemed to work down to the nub of each artist's style:
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473:. He said that Dee's self-portrait was one of the finest in the show and he wished there were more of his drawings on view.
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767:) for the exhibition Power Line: The Art of Leo Dee, held February 18 through April 30, 2005 at the Boston Athenæum.
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1196:"Leo J Dee in household of Leo J Dee, Assembly District 4, Queens, New York City, Queens, New York, United States"
270:, the author of an essay on Dee that appeared in the catalog for Dee's solo show at the Coe Kerr Gallery in 1975.
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1970 group, "Fourth Invitational Painting and Sculpture Exhibition," Van Deusen Gallery, Kent State University
384:
2015 group, "Drawing in Silver and Gold: Leonardo to Jasper Johns," National Gallery of Art, Washington, D.C.
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Theodore E. Stebbins, Jr. (Spring 1977). "Collecting American Art for Yale, 1968–1976: A Curatorial Report".
582:. The article contains a more comprehensive appreciation of Dee's work than appeared in other news accounts.
458:
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In 1963, Dee married the art historian and museum curator, Elaine Evans. She had previously been married to
242:
109:
673:
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The Art of Leo Dee: Exhibition December 2, 1978 Through January 7, 1979, New Jersey State Museum, Trenton
1128:"The biography of Leo Joseph DEE: information and auctions for the artworks by the artist Leo Joseph DEE"
1381:
1062:
Vivien Raynor (1992-06-28). "Art: In Show of New Noland Paintings, Consistency Takes Unexpected Forms".
914:
Grace Glueck (1966-11-26). "Art: Drawing Society's Road Show: 100 Works Arrive for Final Stop of Tour".
1219:
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John Russell (1975-11-22). "Art: In Show of New Noland Paintings, Consistency Takes Unexpected Forms".
1270:
92:, he achieved first regional and then national prominence for his "incredibly detailed" and realistic
1527:
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221:, a silverpoint drawing which the authors of an art book describe as "a contemporary handling of the
117:
60:
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John Canaday (1963-06-02). "Good Show in Newark: Museum Examines an American Period Double Virtue".
120:
and, returning to civilian life, re-entered the Newark School of Fine and Industrial Arts under the
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1966 group, "100 contemporary drawings," Drawing Society and American Federation of Arts, New York
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1966 group, "Meticulous Realism," Tawes Art Center, University of Maryland, College Park, Maryland
369:
1991 group, "11th New Jersey Arts Annual Exhibition," Montclair Art Museum, Montclair, New Jersey
1127:
105:
89:
42:
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Vivien Raynor (1991-08-18). "Art: A Celebration of Prints and, Nearby, a Sampling of Folk Art".
136:(sculpture), and Ben Cunningham (color theory). Among them were two artists associated with the
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In 1966, a drawing of Dee's appeared in a touring exhibition of 100 drawings sponsored by the
647:
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1984 group, "B Orwell's '1984' Interpreted By New Jersey Artists," Newark Museum, New Jersey
217:
as one of her two favorites. A few years later, the art gallery at Yale University purchased
537:
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1247:"Leo Dee (1931–2004) American; "Musician", an Original Abstract Silverpoint Drawing, 1964"
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as well as the silverpoint drawings for which he had achieved recognition. Writing in the
141:
393:
This list is representative, not comprehensive. It comes from art web sites and museums.
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1980 group, "New Jersey Masters, 1980," Gill/St. Bernard's School, Gladstone, New Jersey
1098:
Laurence Barrymore (2015-05-21). "Arts in Review – Art: Precious Metal, Delicate Work".
631:
Rachel Mullen (1978-12-14). "In the Galleries: Two Excellent Exhibits at State Museum".
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movement whose teaching had lasting influence on Dee's mature style. One of the two,
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2005 solo, "Power Line: The Art of Leo Dee," Boston Athenæum, Boston, Massachusetts
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was periodically a visiting instructor at Seton Hall University, South Orange, N.J.
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drawings which conveyed "the softest and most subtle transitions of tonal values."
88:(July 8, 1931 – November 22, 2004) was an American artist and teacher. A native of
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The critic was John Caldwell reviewing an exhibition that also featured works by
462:
93:
779:
Sandra Earley (1985-09-11). "The Gallery: Art: The Siren Song of Silverpoint".
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873:
John Caldwell (1981-03-01). "Art: Two Newark Art Dealers Remembered at Kean".
375:
1994 group, "More Than Meets the Eye," Morris Museum, Morristown, New Jersey
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1982 group, "The accessible joys of American still life," touring exhibition
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The critic was Rachel Mullen, writing in a local paper, the Warren Township
545:
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1985 group, "The Fine Line," Norton Museum of Art, West Palm Beach, Florida
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1966 group, "Yesterday and Tomorrow," Mark of the Phoenix Gallery, New York
121:
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1985 group, "Fifth New Jersey Artists Biennial," Newark Museum, New Jersey
1080:
Grace Glueck (1998-05-29). "Tasting Fruits at a Painterly Produce Stand".
197:, 2003, silverpoint on paper, 40.6 x 30.5 cm., Museum of Fine Arts, Boston
747:
306:
1957 group, "New Talents," Newark Foam Rubber Center, Newark, New Jersey
279:
1011:
John Caldwell (1982-05-16). "Art: Trenton: Elegant, yet humane, space".
161:, he subsequently made a transition to an austere style in that medium.
967:
The art of Leo Dee: exhibition November 5th through November 29th, 1975
339:
1978 solo, "29 Drawings by Leo Dee," New Jersey State Museum, Trenton
226:
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1991 group, "102 Prints," Newark Public Library, Newark, New Jersey
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1966 group, "Art From New Jersey," New Jersey State Museum, Trenton
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1964 group, traveling exhibition of contemporary American drawings
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1963 group, "Forms in Contemporary Art," Newark Museum, New Jersey
342:
1979 solo, "The Art of Leo Dee," New Jersey State Museum, Trenton
188:
112:, graduating in 1950 with a three-year scholarship to attend the
372:
1992 group, "Aspects of Realism," Trenton State Museum, Trenton
336:
1975 solo, retrospective exhibition, Coe Kerr Gallery, New York
1314:"Power Line: The Art of Leo Dee, February 17 – April 30, 2005"
1026:
Vivien Raynor (1991-07-21). "Art: Invitations and Momentum".
626:
624:
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552:, and Leo J. Dee's pencil drawing of a withering apple half,
116:. Drafted into the U.S. Army in 1953, he served two years in
1494:"From the Harvard Art Museums' collections: Muslin Drapery"
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Drawing in Silver and Gold: From Leonardo to Jasper Johns
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1981 group, Kean College Art Gallery, Union, New Jersey
1155:. Warren township, New Jersey. 1978-08-31. p. 41.
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1000:. Warren township, New Jersey. 1978-12-21. p. 91.
548:'s delicately colored crayon and pencil abstraction,
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essay was excerpted from the illustrated catalogue (
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1957 solo, Rabin & Krueger, Newark, New Jersey
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409:Hunter Museum of American Art, Chattanooga, Tenn.
406:Fogg Museum, Harvard University, Cambridge, Mass.
241:, c. 1972, was exhibited in a group show at the
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418:Philadelphia Museum of Art, Philadelphia, Penn.
424:Utah Museum of Fine Arts, Salt Lake City, Utah
427:Yale University Art Gallery, New Haven, Conn.
421:Springfield Museum of Art, Springfield, Mass.
8:
1171:"The Accessible Joys Of American Still Life"
1151:"New Class Offerings At Summit Art Center".
932:Teel Sale; Claudia Betti (19 January 2007).
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1357:"Display ad: Mark of the Phoenix Gallery".
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635:. Warren township, New Jersey. p. 105.
652:. Princeton University Press. p. 93.
18:
1271:"Freedom: The Art of Stephen Scott Young"
964:Leo Joseph Dee; Coe Kerr Gallery (1975).
646:Hugo Chapman; Stacey Sell (26 May 2015).
403:Fannie E. Rippel Foundation, Newark, N.J.
245:and noted for its microscopic precision.
114:Newark School of Fine and Industrial Arts
825:"Art: Transplanted Romanticist at Kean"
616:
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354:1982 group, Coe Kerr Gallery, New York
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412:New Jersey State Museum, Trenton, N.J.
309:1959 group, Newark Museum, New Jersey
7:
1558:20th-century American male artists
744:Traditional Fine Arts Organization
14:
938:. Cengage Learning. p. 150.
1533:Painters from Newark, New Jersey
1302:. New Jersey State Museum. 1978.
1220:"Face of Experience: Elaine Dee"
935:Drawing: A Contemporary Approach
854:Smithsonian American Art Museum
397:Columbus Museum, Columbus, Ohio
213:, singled out a drawing called
108:, on July 8, 1931. He attended
1553:Newark Arts High School alumni
1538:20th-century American painters
1440:UMFA: Utah Museum of Fine Arts
1227:Truro Log, Town of Truro, Mass
800:"Leo J. Dee, 22 November 2004"
603:Power Line: The Art of Leo Dee
1:
1469:Hunter Museum of American Art
1177:. Washington, D.C. p. M1
205:. Reviewing the show for the
169:, revealed his skill in the
1338:"Mullen Books: American Art"
823:Vivien Raynor (1992-06-28).
1169:Paul Richard (1982-03-14).
494:, Donald Malafronte in the
415:Newark Museum, Newark, N.J.
203:American Federation of Arts
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1436:"Leo Joseph Dee, American"
1361:. 1966-09-11. p. 161.
400:Cooper-Hewitt Museum, N.Y.
554:Death and Transfiguration
486:(1963). The critics were
484:Forms in Contemporary Art
215:Death and Transfiguration
1278:Christie's Private Sales
1548:American modern artists
1102:. New York. p. D5.
243:National Gallery of Art
110:Newark Arts High School
100:Early life and training
1543:American male painters
1389:Cite journal requires
783:. New York. p. 1.
198:
1409:"Annual Report, 2005"
740:"Leo Dee (1931–2004)"
192:
128:(portrait painting),
1416:Montclair Art Museum
996:"In the Galleries".
850:"Charles L. Goeller"
738:David B. Dearinger.
482:The show was called
276:Truro, Massachusetts
258:Personal information
180:Reflections in White
61:Truro, Massachusetts
1498:Harvard Art Museums
1100:Wall Street Journal
970:. Coe Kerr Gallery.
781:Wall Street Journal
750:on December 4, 2015
445:Wall Street Journal
674:"Leo Dee – Artist"
496:Newark Star-Ledger
492:Newark Sunday News
199:
106:Newark, New Jersey
90:Newark, New Jersey
79:Artist and teacher
43:Newark, New Jersey
945:978-0-495-09491-3
659:978-0-691-16612-4
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268:William H. Gerdts
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53:November 22, 2004
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130:James Rosati
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55:(2004-11-22)
39:July 8, 1931
1528:2004 deaths
1523:1931 births
1251:The HighBoy
389:Collections
294:Exhibitions
286:Other names
249:Art teacher
94:silverpoint
68:Nationality
1517:Categories
1503:2015-10-22
1479:2015-10-22
1450:2015-10-22
1421:2015-10-22
1343:2015-10-22
1323:2015-10-22
1283:2015-10-28
1256:2015-10-21
1232:2015-10-20
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1137:2015-10-21
859:2015-10-26
835:2015-10-21
809:2015-10-18
754:2015-10-02
683:2015-10-20
678:askart.com
612:References
118:Fort Meade
35:1931-07-08
546:Larry Zox
193:Leo Dee,
148:realism.
122:G.I. Bill
280:Cape Cod
184:Musician
71:American
502:in the
227:reliefs
86:Leo Dee
23:Leo Dee
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540:, and
498:, and
469:, and
1412:(PDF)
1274:(PDF)
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463:Moses
443:In a
432:Notes
1395:help
940:ISBN
761:ISBN
654:ISBN
465:and
132:and
50:Died
29:Born
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