120:
104:
112:
1438:
1448:
414:
entirety of Koželuch's career: the first was composed in 1773; the final three date from after 1810. The sonatas cater for different purposes. Some are exhibitionist works; some are simpler; some are cast in a
Romantic style that foreshadows Beethoven. In the third category, Koželuch was composing slow minor-key introductions to sonatas as much as 17 years before Beethoven composed his
42:
442:, especially his output from the 1790s, is among the more advanced of his works, often foreshadowing the expressionism of Beethoven. Musicologist Roger Hickman refers to this period of chamber music output as representing a more "daring character" on the part of the composer, and argues that these works "must have been noted by the young
458:
Koželuch probably composed most of his symphonies during his first decade in Vienna, a period in which his
Viennese contemporaries, including Mozart, were focusing on other genres. The musicologist Allan Badley labels Koželuch's symphonic compositions as "modest by the standards of the time". Badley
385:
and various liturgical works. Among his music there are also operas and works for ballet, which—with the exception of one opera —have yet to be heard in recent years. Numerous arrangements by him of
Scottish songs for the Edinburgh collector George Thomson were popular, and some of these have also
429:
Twenty-two Koželuch keyboard concertos survive. The musicologist
Richard Wigmore argues that they "conspicuously lack the melodic abundance, rich woodwind colouring and operatic-style dialogues of Mozart's great Viennese concertos", but nonetheless "beguile with their limpid grace, their sparkling
413:
idiom". Hogwood further states that "Koželuch's sonatas are, in the true sense, 'classics'—that is to say, 'models for imitation and study'—and display to perfection precisely those features that theorists required of a sonata at the end of the 18th century." The oeuvre of sonatas spans almost the
285:
to say the following of his status within Europe: "Leopold
Kozeluch is without question with young and old the generally most loved among our living composers, and this with justification". Koželuch's esteem in royal circles grew again in 1791, when he composed a well-received cantata commissioned
273:
following a quarrel with his employer, the
Archbishop of Salzburg. The Archbishop offered the position to Koželuch, but Koželuch refused, later expressing concerns to a friend that he might too have fallen victim to what he saw as Mozart's ill-treatment. In 1784, Koželuch expanded into publishing,
240:
for this purpose in 1778, where he quickly established himself as a pianist, albeit one who did not perform in public, composer and teacher. Pianist Kemp
English observes that in Vienna Koželuch "found himself in the right place at the right time", and was able to advance his career there with
430:
keyboard writing (often in just two parts), and their sense of proportion." Most are scored only for strings, oboes, horns and soloist—sparser than Mozart's scoring of his contemporaneous concertos—suggesting that the works were intended for small-scale performances.
274:
and soon formed his own firm, Musikalisches
Magazin, which would later come under the management of his brother Antonín Tomáš. Koželuch would use the firm, in combination with overseas partners, to publish many of his compositions.
865:
315:
Koželuch's compositional output declined after the turn of the century as he focused on his court duties, teaching, and the lucrative work of arranging
Scottish, Irish and Welsh folk songs for the publisher
170:
in 1778, where he was based for the remainder of his career. In Vienna he achieved renown as a composer, pianist and teacher, and from 1792 until his death in 1818 he held royal appointments as
1512:
221:. His father was Antonín Bartholomäus Koželuh, a shoemaker. He was baptised Jan Antonín, but by 1773 he had adopted the name Leopold to avoid confusion with his elder cousin, the composer
664:
900:
754:
Leopold Koželuch : Biographie und stilkritische
Untersuchung der Sonaten für Klavier, Violine und Violoncello nebst einem Beitrag zur Entwicklungsgeschichte des Klaviertrios
324:
reflected on Koželuch's reputation in a lecture in 1806, remarking that he had "sunk in unmerited neglect" while Mozart's reputation had enjoyed posthumous growth. In 1809,
963:
827:
1492:
225:. He also Germanised his surname to Koželuch. After starting his musical education in Velvary, Koželuch moved to Prague where he studied with his cousin and
860:"From Velvary, Bohemia, to the court in Vienna. The life of the imperial Kapellmeister Leopold Koželuh and a new complete edition of his keyboard sonatas."
1517:
344:
1532:
1507:
1497:
1482:
926:
910:
401:
argues that Koželuch's keyboard sonatas, especially those which open in minor keys, "substantially anticipated ... the tragic-pathetic manner" of
956:
1502:
840:
1527:
1487:
1552:
250:
312:
in 1791, marking another coincidence between his career and Mozart's and serving to advance himself further within Viennese society.
1537:
1441:
949:
810:
397:
Koželuch's substantial output of keyboard compositions reflected the promotion of his reputation as a specialist keyboard virtuoso.
981:
1547:
415:
297:
287:
254:
852:
Die Theorie der Sinfonie und die Beurteilung einzelner Sinfoniekomponisten bei den Musikschriftstellern des 18. Jahrhunderts
1284:
1557:
1109:
1542:
1194:
822:
258:
103:
896:. Praha : Státní hudební vydavatelství, 1964. 387 p. with bibliography pp. 379–87 and 10 pp. illustrations.
460:
308:(composer), and at double Mozart's salary. Koželuch would remain in the positions until his death. Koželuch joined a
226:
1239:
332:
857:
1522:
1174:
1124:
1119:
1069:
665:"Liner notes: KOŽELUCH, L.: Symphonies, Vol. 1 – P. I:3, 5, 6, 7 (Czech Chamber Philharmonic, Pardubice, Štilec)"
418:, while neither Mozart nor Haydn ever did so. Koželuch's composed his sonatas to be played on the newly emerging
317:
262:
466:
Almost all of Koželuch's choral works, including cantatas and five of his six operas, have been lost. His opera
261:, Empress of Brazil. His appointment to teach Archduchess Elizabeth was an official court position, succeeding
222:
119:
1269:
972:
236:. The success of these works led him to abandon plans to study law in favour of a musical career. He moved to
922:
714:
470:(presumably from 1792) was performed in Finland in 2018, for the first time since the death of the composer.
1428:
1139:
1010:
266:
179:
450:
date from this period. A set of six published as Opus 32 and Opus 33, they became known throughout Europe.
328:, a frequent disparager of rival composers, would write to Thomson referring to Koželuch as "Miserabilis".
1451:
1421:
1378:
246:
1341:
1274:
1144:
1074:
995:
357:, including a concerto for piano four-hands, arguably one of the best examples of this rare genre, two
1477:
1472:
1388:
1000:
832:
402:
325:
932:
1398:
1204:
1189:
1149:
1114:
1064:
1047:
1032:
936:
398:
292:
282:
1447:
1179:
1199:
878:
696:
296:
for the same occasion. Mozart's death later in the year afforded Koželuch another opportunity:
1403:
1357:
1159:
1129:
1094:
836:
806:
757:
358:
1234:
1169:
1084:
1027:
790:
1362:
1336:
1264:
1244:
1229:
1089:
1022:
86:
1042:
734:
632:
1305:
1279:
1249:
1219:
1184:
1099:
1057:
1015:
447:
443:
406:
370:
354:
321:
218:
135:
111:
17:
1466:
1393:
1254:
1164:
1134:
818:
439:
362:
242:
194:
1321:
1214:
1209:
1052:
1005:
911:"A Bohemian Composer Meets a Mozart Singer: Kozeluch's Rondò for Adriana Ferrarese"
426:. The popularity of the sonatas in turn helped to make the fortepiano fashionable.
278:
198:
805:. Fourth edition, 1996 (2004 reprint). Oxford, New York: Oxford University Press.
595:
232:
From 1771 to 1778, Koželuch wrote ballets and pantomimes which were performed in
1259:
1224:
1104:
1079:
459:
argues that Koželuch's symphonies are influenced by those of his Prague teacher
423:
309:
768:
Hickman, Roger (1986). "Leopold Kozeluch and the Viennese Quatuor Concertant".
281:
were at the height of their careers, Koželuch's reputation was such as to move
1383:
1326:
1037:
419:
366:
1331:
1300:
761:
715:"Leopold Koželuch (1747-1818): Complete Sonatas for Solo Keyboard, Vol. 7"
349:
Koželuch left around 400 compositions. Among these there are about thirty
781:
Hogwood, Christopher (2012). "The Keyboard Sonatas of Leopold Koželuch".
374:
350:
270:
241:
carefully cultivated connections. He composed a cantata for the death of
190:
794:
382:
214:
159:
66:
41:
389:
Milan Poštolka, a musicologist, catalogued Koželuch's works in 1964.
237:
233:
186:
167:
163:
152:
941:
202:
118:
110:
102:
193:
for keyboard, the instrument in which he specialised, as well as
945:
409:, and that in them he "created the internationally praised
335:, became a prominent pianist and composer based in Vienna.
229:, the latter teaching him in the keyboard and composition.
166:
to further his musical education, before moving again to
905:(1794): Viennese Ballet Reborn in the Spirit of Noverre"
1371:
1350:
1314:
1293:
988:
93:
74:
48:
32:
463:in their orchestration and thematic organisation.
1513:18th-century composers from the Holy Roman Empire
577:
575:
504:
502:
500:
381:, has recently been produced and recorded), nine
617:
615:
613:
565:
563:
553:
551:
532:
530:
828:The New Grove Dictionary of Music and Musicians
817:Poštolka, Milan (2001). "Leopold Kozeluch". In
633:"Piano Concertos Nos 1, 5 & 6: Liner notes"
520:
518:
516:
514:
889:London. v. 26 no. 1, Jan. 1945, p. 47-50.
269:resigned his appointment as court organist in
957:
300:offered him Mozart's positions in his court,
8:
699:(in Swedish). Hufvudstadsbladet. p. 20.
331:Koželuch died on 7 May 1818. His daughter,
964:
950:
942:
490:
488:
486:
484:
482:
107:Birth house of Leopold Koželuch in Velvary
40:
29:
927:International Music Score Library Project
801:Kennedy, Michael and Bourne, Joyce, eds.
589:
587:
185:Koželuch's compositional output included
854:. Leipzig: Breitkopf & Härtel, 1925.
345:List of compositions by Leopold Koželuch
478:
803:The Concise Oxford Dictionary of Music
213:Koželuch was born on 26 June 1747 in
134:
7:
764:. (Exemplare: Universität Wien, ÖNB)
277:By 1790, a time at which Mozart and
251:Archduchess Elisabeth of Württemberg
1493:18th-century musicians from Bohemia
894:Leopold Koželuh : život a dílo
151:; 26 June 1747 – 7 May 1818) was a
123:Vienna – Burgtheater Michaelerplatz
1518:Composers from the Austrian Empire
697:"Ett tvåhundra år gammat operfynd"
245:in 1780. His pupils would include
25:
1533:19th-century Czech male musicians
416:Piano Sonata No. 8 ("Pathetique")
1508:Czech Classical-period composers
1498:19th-century classical composers
1483:18th-century classical composers
1446:
1437:
1436:
903:La ritrovata figlia di Ottone II
982:List of Classical-era composers
923:Free scores by Leopold Koželuch
259:Maria Leopoldine von Österreich
933:Musical Manuscripts Collection
695:Granberg, Jan (5 March 2018).
1:
864:16/2 (2016), pp. 7–11. (
27:Bohemian composer (1747–1818)
1503:19th-century Czech musicians
155:composer and music teacher.
1528:People from Kladno District
1488:18th-century male musicians
901:"Muzzarelli, Kozeluch, and
756:. Dissertation. Wien 1968,
290:in Prague. Mozart composed
1574:
1553:Czech male opera composers
342:
333:Catherina Cibbini-Kozeluch
136:[ˈlɛopoltˈkoʒɛlux]
1416:
979:
631:Wigmore, Richard (2017).
263:Georg Christoph Wagenseil
39:
1538:String quartet composers
831:(2nd ed.). London:
255:Archduchess Marie Louise
770:College Music Symposium
733:Golding, Robin (1999).
267:Wolfgang Amadeus Mozart
180:Wolfgang Amadeus Mozart
115:Prague – Kotzen Theatre
1379:Common practice period
752:Christa Flamm-Harten:
735:"Kozeluch: Symphonies"
713:English, Kemp (2017).
286:for the coronation of
247:Maria Theresia Paradis
124:
116:
108:
18:Leopold Anton Kozeluch
1548:Czech opera composers
1342:Turkish music (style)
996:First Viennese School
862:Czech Music Quarterly
461:František Xaver Dušek
454:Orchestral and choral
304:(music director) and
227:František Xaver Dušek
174:(music director) and
143:, alternatively also
122:
114:
106:
1389:Age of Enlightenment
850:Sondheimer, Robert:
833:Macmillan Publishers
326:Ludwig van Beethoven
302:Kammer Kapellmeister
172:Kammer Kapellmeister
132:Czech pronunciation:
1558:Composers for piano
1301:Classical orchestra
937:Harry Ransom Center
879:Deutsch, Otto Erich
446:". Koželuch's only
399:Christopher Hogwood
306:Hofmusik Compositor
293:La clemenza di Tito
283:Ernst Ludwig Gerber
223:Jan Antonín Koželuh
176:Hofmusik Compositor
141:Jan Antonín Koželuh
53:Jan Antonín Koželuh
1543:Oratorio composers
887:Music and letters.
883:Kozeluch Ritrovato
858:Vytlačil, Lukáš M.
635:. Hyperion Records
598:. Hyperion Records
596:"Leopold Kozeluch"
594:Wigmore, Richard.
359:clarinet concertos
288:Emperor Leopold II
125:
117:
109:
1460:
1459:
892:Poštolka, Milan.
842:978-1-56159-239-5
795:10.1093/em/cas116
217:, in present-day
149:Leopold Kotzeluch
101:
100:
16:(Redirected from
1565:
1523:Czech Freemasons
1450:
1440:
1439:
973:Classical period
966:
959:
952:
943:
846:
798:
777:
749:
747:
745:
739:
729:
727:
725:
719:
701:
700:
692:
686:
683:
677:
676:
674:
672:
660:
654:
651:
645:
644:
642:
640:
628:
622:
619:
608:
607:
605:
603:
591:
582:
579:
570:
567:
558:
555:
546:
543:
537:
534:
525:
522:
509:
506:
495:
492:
422:rather than the
298:Emperor Franz II
138:
133:
128:Leopold Koželuch
81:
62:
60:
44:
34:Leopold Koželuch
30:
21:
1573:
1572:
1568:
1567:
1566:
1564:
1563:
1562:
1463:
1462:
1461:
1456:
1433:
1425:
1412:
1367:
1363:Galant Schemata
1346:
1337:Sensitive style
1310:
1294:Instrumentation
1289:
1023:Mannheim school
984:
975:
970:
919:
875:
873:Further reading
843:
816:
780:
767:
743:
741:
737:
732:
723:
721:
717:
712:
709:
704:
694:
693:
689:
684:
680:
670:
668:
663:Badley, Allan.
662:
661:
657:
652:
648:
638:
636:
630:
629:
625:
620:
611:
601:
599:
593:
592:
585:
581:Hogwood, p. 623
580:
573:
568:
561:
556:
549:
545:Hogwood, p. 626
544:
540:
535:
528:
523:
512:
508:Hogwood, p. 621
507:
498:
493:
480:
476:
456:
448:string quartets
436:
395:
386:been recorded.
379:Moisè in Egitto
377:(one of which,
371:string quartets
355:piano concertos
347:
341:
211:
178:(composer), as
158:He was born in
145:Leopold Koželuh
131:
89:
87:Austrian Empire
83:
79:
70:
64:
58:
56:
55:
54:
35:
28:
23:
22:
15:
12:
11:
5:
1571:
1569:
1561:
1560:
1555:
1550:
1545:
1540:
1535:
1530:
1525:
1520:
1515:
1510:
1505:
1500:
1495:
1490:
1485:
1480:
1475:
1465:
1464:
1458:
1457:
1455:
1454:
1444:
1429:Romantic music
1426:
1418:
1417:
1414:
1413:
1411:
1410:
1409:
1408:
1407:
1406:
1401:
1396:
1381:
1375:
1373:
1369:
1368:
1366:
1365:
1360:
1358:Notes inégales
1354:
1352:
1348:
1347:
1345:
1344:
1339:
1334:
1329:
1324:
1318:
1316:
1312:
1311:
1309:
1308:
1306:String quartet
1303:
1297:
1295:
1291:
1290:
1288:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1252:
1247:
1242:
1237:
1232:
1227:
1222:
1217:
1212:
1207:
1202:
1197:
1192:
1187:
1182:
1177:
1175:Martín y Soler
1172:
1167:
1162:
1157:
1152:
1147:
1142:
1137:
1132:
1127:
1122:
1117:
1112:
1107:
1102:
1097:
1092:
1087:
1082:
1077:
1072:
1067:
1062:
1061:
1060:
1055:
1050:
1045:
1040:
1035:
1030:
1020:
1019:
1018:
1013:
1008:
1003:
992:
990:
986:
985:
980:
977:
976:
971:
969:
968:
961:
954:
946:
940:
939:
930:
918:
917:External links
915:
914:
913:
909:John A. Rice,
907:
899:John A. Rice,
897:
890:
874:
871:
870:
869:
855:
848:
841:
819:Sadie, Stanley
814:
799:
789:(4): 621–637.
778:
765:
750:
730:
708:
705:
703:
702:
687:
685:Golding, p. 5.
678:
655:
653:Hickman, p. 51
646:
623:
609:
583:
571:
569:Vytlačil, p. 9
559:
557:Hickman, p. 42
547:
538:
536:Vytlačil, p. 8
526:
510:
496:
477:
475:
472:
455:
452:
435:
432:
394:
391:
365:, sixty-three
363:violin sonatas
361:, twenty-four
340:
337:
322:William Crotch
318:George Thomson
219:Czech Republic
210:
207:
182:'s successor.
99:
98:
95:
91:
90:
84:
82:(aged 70)
76:
72:
71:
65:
52:
50:
46:
45:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1570:
1559:
1556:
1554:
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1534:
1531:
1529:
1526:
1524:
1521:
1519:
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1496:
1494:
1491:
1489:
1486:
1484:
1481:
1479:
1476:
1474:
1471:
1470:
1468:
1453:
1449:
1445:
1443:
1435:
1434:
1431:
1430:
1424:
1423:
1422:Baroque music
1415:
1405:
1402:
1400:
1397:
1395:
1392:
1391:
1390:
1387:
1386:
1385:
1382:
1380:
1377:
1376:
1374:
1370:
1364:
1361:
1359:
1356:
1355:
1353:
1349:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1319:
1317:
1313:
1307:
1304:
1302:
1299:
1298:
1296:
1292:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1256:
1253:
1251:
1248:
1246:
1243:
1241:
1240:Saint-Georges
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1211:
1208:
1206:
1203:
1201:
1198:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1123:
1121:
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1073:
1071:
1070:C. P. E. Bach
1068:
1066:
1063:
1059:
1056:
1054:
1051:
1049:
1046:
1044:
1041:
1039:
1036:
1034:
1031:
1029:
1026:
1025:
1024:
1021:
1017:
1014:
1012:
1009:
1007:
1004:
1002:
999:
998:
997:
994:
993:
991:
987:
983:
978:
974:
967:
962:
960:
955:
953:
948:
947:
944:
938:
934:
931:
928:
924:
921:
920:
916:
912:
908:
906:
904:
898:
895:
891:
888:
884:
880:
877:
876:
872:
867:
863:
859:
856:
853:
849:
844:
838:
834:
830:
829:
824:
823:Tyrrell, John
820:
815:
812:
811:0-19-860884-5
808:
804:
800:
796:
792:
788:
784:
779:
775:
771:
766:
763:
759:
755:
751:
736:
731:
720:. Grand Piano
716:
711:
710:
706:
698:
691:
688:
682:
679:
666:
659:
656:
650:
647:
634:
627:
624:
621:English, p. 5
618:
616:
614:
610:
597:
590:
588:
584:
578:
576:
572:
566:
564:
560:
554:
552:
548:
542:
539:
533:
531:
527:
524:English, p. 4
521:
519:
517:
515:
511:
505:
503:
501:
497:
491:
489:
487:
485:
483:
479:
473:
471:
469:
464:
462:
453:
451:
449:
445:
441:
440:chamber music
433:
431:
427:
425:
421:
417:
412:
408:
404:
400:
392:
390:
387:
384:
380:
376:
372:
368:
364:
360:
356:
353:, twenty-two
352:
346:
338:
336:
334:
329:
327:
323:
319:
313:
311:
310:masonic lodge
307:
303:
299:
295:
294:
289:
284:
280:
275:
272:
268:
264:
260:
256:
252:
248:
244:
243:Maria Theresa
239:
235:
230:
228:
224:
220:
216:
208:
206:
204:
200:
196:
195:chamber music
192:
188:
183:
181:
177:
173:
169:
165:
162:and moved to
161:
156:
154:
150:
146:
142:
137:
129:
121:
113:
105:
96:
92:
88:
77:
73:
68:
51:
47:
43:
38:
31:
19:
1427:
1420:
1322:Galant music
1154:
902:
893:
886:
882:
866:on-line here
861:
851:
826:
802:
786:
782:
773:
769:
753:
742:. Retrieved
722:. Retrieved
690:
681:
669:. Retrieved
658:
649:
637:. Retrieved
626:
600:. Retrieved
541:
467:
465:
457:
437:
428:
410:
396:
388:
378:
348:
330:
314:
305:
301:
291:
279:Joseph Haydn
276:
231:
212:
199:choral music
184:
175:
171:
157:
148:
144:
140:
127:
126:
80:(1818-05-07)
63:26 June 1747
1478:1818 deaths
1473:1747 births
1140:Hoffmeister
1110:Dittersdorf
783:Early Music
468:Gustav Wasa
438:Koželuch's
424:harpsichord
367:piano trios
265:. In 1781,
1467:Categories
1384:Classicism
1372:Background
1351:Techniques
1327:Intermezzo
1285:Zingarelli
1190:Mysliveček
1085:Boccherini
1075:J. C. Bach
1058:J. Stamitz
1053:C. Stamitz
474:References
420:fortepiano
351:symphonies
343:See also:
94:Occupation
78:7 May 1818
59:1747-06-26
1399:Economics
1332:Pastorale
1280:Wranitzky
1200:Paisiello
1185:L. Mozart
1090:Cherubini
1033:Cannabich
1001:Beethoven
989:Composers
762:667990749
740:. Chandos
411:cantabile
403:Beethoven
375:oratorios
191:concertos
69:, Bohemia
1442:Category
1419: ←
1235:Sacchini
1205:Piccinni
1160:Kreutzer
1155:Koželuch
1135:M. Haydn
1130:Gyrowetz
1100:Clementi
1095:Cimarosa
1080:G. Benda
1016:Schubert
825:(eds.).
744:12 March
724:11 March
671:11 March
639:14 March
602:11 March
494:Poštolka
444:Schubert
407:Schubert
393:Keyboard
383:cantatas
271:Salzburg
97:Composer
85:Vienna,
1432:→
1404:Physics
1265:Traetta
1245:Salieri
1230:Rosetti
1165:Krommer
1048:Richter
935:at the
929:(IMSLP)
925:at the
707:Sources
667:. Naxos
434:Chamber
215:Velvary
187:sonatas
160:Velvary
139:, born
67:Velvary
1452:Portal
1315:Genres
1275:Wanhal
1270:Viotti
1215:Reicha
1210:Pleyel
1195:Neruda
1170:Kuhlau
1145:Hummel
1125:Gossec
1115:Dussek
1105:Czerny
1043:Fränzl
1011:Mozart
839:
809:
760:
373:, two
369:, six
238:Vienna
234:Prague
168:Vienna
164:Prague
1260:Spohr
1255:Soler
1250:Sarti
1180:Méhul
1150:Kraus
1120:Gluck
1006:Haydn
738:(PDF)
718:(PDF)
339:Works
203:opera
153:Czech
1225:Rode
1220:Ries
1065:Abel
1038:Fils
1028:Beck
837:ISBN
807:ISBN
758:OCLC
746:2017
726:2017
673:2017
641:2017
604:2017
405:and
257:and
209:Life
201:and
189:and
75:Died
49:Born
1394:Art
791:doi
1469::
885:.
881:.
835:.
821:;
787:40
785:.
774:26
772:.
612:^
586:^
574:^
562:^
550:^
529:^
513:^
499:^
481:^
320:.
253:,
249:,
205:.
197:,
147:,
965:e
958:t
951:v
868:)
847:
845:.
813:.
797:.
793::
776:.
748:.
728:.
675:.
643:.
606:.
130:(
61:)
57:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
