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receives the treatment, Alex tries to keep Michèle from becoming aware of her family's attempts to find her by burning the posters; but he also sets fire to the van of the bill-sticker putting them up, and the man burns to death. When Alex goes to jail for this and Michèle has surgery, the pair have to separate; then, after his release, they meet up on the bridge for one last time. Alex's love for her is unchanged but Michèle has doubts and, enraged, Alex hurls both of them into the Seine. Underwater, they gaze at each other with new eyes in a moment of connection. A westbound barge picks them up, taking the pair onwards to the
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Alex's love for Michèle proves to have a dark side, however. As her vision deteriorates, she becomes increasingly dependent on him. When a possible treatment for her condition becomes available, Michèle's family use street posters and radio appeals to trace her. Fearing that she will leave him if she
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Several critics comment on the bridge's name: "Despite its name, it is the oldest surviving bridge in Paris... it was the first bridge in the city to break with the medieval tradition of constructing a row of houses along each side"; "Despite its name, it is the oldest bridge in Paris, although when
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suggests that potential
American distributors were put off by stories of the troubled production and cost overruns. The film played at some other festivals but did not go on release nationwide until 1999. Critics have however seen echoes of specific sequences in successful anglophone films released
470:
Estimates of the final budget vary: different sources have given it as 100, 130, 160 and 200 million francs. Fechner was adamant that it was 100 (which still made it the most expensive film made in France that year); Carax, promoting the film in
Britain in 1992, contested the figures that the media
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undertook to provide funding in order to finish the film. Unable to find financing partners, he provided his own money, purchasing both rights and debts of the picture. (In the completed film, "Christian
Fechner" is the name of the riverboat that rescues the two protagonists.) It was announced that
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From the beginning, shooting a movie on a public bridge in the centre of Paris was complicated. The production team wanted to block off the bridge for three months, but the application was rejected. Instead, a model was created by the set designer Michel
Vandestien. Initially, the intention was to
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and the way that homegrown movies were funded. During filming, a member of the public holding a knife approached a crew member, thinking he was Carax. Hostility had existed from an early stage: Wendy
Everett calls the granting of the original 32-million budget "a controversial move that attracted
449:
calculated that a further 80 would be needed to complete the project. Von Buren withdrew his funding late in 1989 with an estimated loss of 18 million francs. Yet again, production stopped. For nearly a year, the site in
Lansargues was almost deserted except for a guard; additionally, a number of
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Although the insurance company made a payment to cover the accident, this extra budget seemed too low given the extent of work required at the
Lansargues site. It soon became obvious that more money would be required. In December 1988, production shut down: at this point 14 minutes of footage had
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was likewise more balanced: "a film both glorious and goofy, inspiring affection and exasperation in nearly equal measure... It is not the masterpiece its defenders claim, nor is it the completely self-indulgent folly described by its critics. It has grand gestures and touching moments of truth,
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in 1989 was among the factors driving up the cost. Filming on the set was completed in
December 1990 and production finally ceased in March 1991. To Fechner and Carax's regret, in January 1991 the farmer who owned the site had the entire bridge set destroyed; it had attracted visitors as well as
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in the streets of Paris. According to Carax, she "insisted" on performing the dangerous water-skiing scene herself (at one point in filming she nearly drowned); she also put her career on hold to make herself available during the lengthy production delays, turning down job offers from
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In one account, the split happened because Carax wanted a tragic ending for the film with Michèle dead, and
Binoche objected to this ("He changed it for her, to something happier, but she left him anyway"), though in another it was Fechner who imposed a happy ending on the
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The film became notorious for its troubled and lengthy production and for the amount of money it was reported to have cost. It has been referred to several times as the most expensive French film ever made at the time of its release, although this has been contested.
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not only ran a rave review but devoted a special issue to the movie. A factor in the critical hostility was the amount of money reported to have been spent: media sources repeatedly called it the most expensive film in French history, though
Klawans points out that
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bridge in Paris. For various reasons, the film-makers ultimately built a scale replica of the bridge, which greatly increased the budget. Though it was released under its original title in other English-speaking territories, the North American title of the film is
1022:(17 March 1990). "Les amants du pont d'or: Un tournage interrompu deux fois, un décor qui n'en finit pas d'être construit, un feuilleton juridico-financier, "Les Amants du Pont Neuf" de Léos Carax est un film à hauts risques mais un film à sauver".
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The mayor and police of Paris had authorised filming on the actual Pont Neuf for a period of three to four weeks ending 15 August 1988 (renovation work was to begin on 16 August, so the permit could not be extended). During rehearsals, lead actor
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31:
228:. The film follows a love story between two young vagrants: Alex, a would-be circus performer addicted to alcohol and sedatives, and Michèle, a painter with a disease that is slowly turning her blind. The streets, skies and waterways of
411:, who encouraged him to continue. In June 1989, Dominique Vignet, together with the Swiss millionaire Francis von Buren, agreed to invest 30 million francs based on the rushes filmed the previous year. In July, shooting began again.
319:), an older vagrant. Hans is initially hostile to Michèle, but he has secret reasons for this. When he warms to her, he uses his former life to help her realise her dream. The capital's festivities for the 1989 bicentennial of the
711:
struck similarly hyperbolic notes: "the sort of multi-leveled exhilaration that can be achieved on film when talented artists bother to give it a go... more flashes of legitimate brilliance than you'll find in a dozen helpings of
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called Binoche "mannered, utterly inauthentic" and Lavant "singularly unappealing", summing up Carax's work by asking "do we have to pretend that his films are about anything more than his second-hand image-mongering?"
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It became apparent that the new injection of cash was not enough for the total cost of construction and to finish the film; sources give the amount of money already spent by this point as 80-90 million francs, and
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calls this initial budget expensive but not excessive, saying for context that, although the average cost of a French film at this time was 13.5 million francs, 37 other films from 1988 were in the 20-50 million
495:. Carax later remembered that in dispirited periods, when he believed the film would never be completed, Binoche revived his morale; she herself remembered that she never lost faith that the film could be made.
491:. Binoche was one of the cast and crew members who combined to pay the security guard on the Lansargues site while filming stopped, and was personally involved in fundraising, meeting producers, lawyers and the
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Labarde, Christophe (31 August 1989). "Un Pont-Neuf en Camargue: Grâce à un sauvetage financier de dernière minute, Léos Carax pourra achever son film. Avec le plus grand décor jamais réalisé en France".
832:
Multiple sources make this statement. In France there was a political element to this, as some of the budget had been public money, and a heated debate arose in the French media about the conduct of
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before arriving in French theatres on 16 October 1991. The film had 867,197 admissions in France, where it was the 34th highest earning film of 1991. 260,000 of the tickets sold were in Paris alone.
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injured his hand so badly that filming could not be completed in the given time. After consultation with the insurers, the solution decided on was to extend the Lansargues model for daytime use.
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and Michèle makes a sketch of him. Later she is dazzled by one of his street exhibitions and the two become an item. The film portrays their harsh existence living on the bridge with Hans (
638:
felt that, for all its visual charm and unpredictability, the film flagged in its second half, but concluded, "when mediocrity runs riot, cinema desperately needs its movie movies, and
300:
and a disease which is slowly destroying her sight. Accompanied in her new environment only by a cat, she has grown up in a military family but is passionate about art and longs to see
371:
film the daylight scenes on the actual bridge, and the night-time scenes on the simplified model. At this point, the budget was estimated at 32 million francs. After scouting in
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happen in the background to the story: while the skies of Paris are lit up with an extravagant fireworks display, Alex steals a speedboat and takes Michèle water-skiing on the
1550:"Underneath the arches: Director Leos Carax recreated the centre of Paris in the middle of a field in the South of France for Les Amants du Pont Neuf. Sheila Johnston met him"
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1520:(30 January 1992). "When French film built a bridge too far: Les Amants du Pont Neuf began as a simple love story. But it turned into France's answer to Heaven's Gate".
873:
called Canby "one of the most powerful film critics in America. A bad review from him... was the death knell for any independent, or foreign, film in the United States".
659:. While praising the technical achievement of Vandestien's set design, and the power of the fireworks and speedboat sequences, he was cool about the film overall:
692:(1997), of two lovers embracing at the prow of a boat. Klawans concludes that, however few Americans were able to see it, film-makers were studying the movie.
474:
Carax and Binoche were a romantic couple at the start of filming, though by the time of release they had split. To prepare for her role, Binoche (like Lavant)
2379:) that characterise his style. Esposito tempered his criticisms of Carax's perceived failures as an individual with recognition of his talent, and compared
1358:(27 June 1990). "Les amants du Pont Neuf sauvés: Après un feuilleton juridico-financier, Christian Fechner a décidé de reprendre le film de Léos Carax".
538:
was enthusiastic ("a film whose form, more than its content, oozes an emotion as pure and immediate as the unforgettable pre-war melodramas"), as was
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671:. Never has so much money been spent so heedlessly at the whim of so few... huge plywood cream puff of a movie... more exhausting than entertaining.
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943:
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Thompson, David (September 1992). "Once Upon a Time in Paris: David Thompson considers Leos Carax's extravagant 'Les amants du Pont Neuf'".
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called the expanded Pont-Neuf the biggest film set ever built in France. It had a full-scale model of the bridge at its centre and used
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When he started planning it in 1987, Leos Carax wanted to make a simple film, originally intending to shoot in black and white and via
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Klawans, who served on the festival's selection committee, believes that Canby's review harmed the film's USA distribution chances;
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and performing acrobatics (sometimes simultaneously). Michèle is a painter driven to a life on the streets because of a failed
1988:
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1916:(8 September 1992). "Cathy accentuates the positive: David Robinson meets Juliette Binoche, the star of the forthcoming
1913:
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Frain, Irene (17 October 1991). "Juliette Binoche: "J'ai l'impression d'etre dans un monde ou le desir ne suffit pas"".
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are used as a backdrop for the story in a series of set-pieces set during the French Bicentennial celebrations in 1989.
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626:("this strange, beautiful film... shows Carax as one of the most poetic, individual talents in European cinema"), and
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responded dismissively ("One hundred and sixty-million francs, and for what? One bridge, three tramps and a cat"),
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1887:"Juliette Binoche: Bonjour Tristesse? Her films are sad, but for the French actress, real life is much sunnier"
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620:("exciting and innovative... one of the most visually exhilarating and surprising films of recent years"),
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897:, DVDBeaver (illustrates the front covers of the North American Region 1 DVD and the British Region 2 DVD)
714:
646:
585:(also released in 1991) had a budget roughly equivalent to the 160 million francs mentioned in the media.
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to recreate the streets and buildings on either bank. Details included the bridge's equestrian statue of
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praised Binoche, and the film's visual style, but said that "The plot groans with lower-depths anomie";
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had been considerably larger and more costly (at 17 million), albeit more successful at the box office.
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Everett, Wendy (2006). "Les Amants du Pont-Neuf / The Lovers of Pont-Neuf". In Powrie, Phil (ed.).
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1440:"L'escalade de l'engagement: décideurs et responsabilité. Étude du cas 'Les Amants du Pont Neuf'"
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of the completed footage to create interest, and received praise from film-makers such as
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and the Paris area for locations to build the set, the film-makers settled on the town of
205:
2535:
2049:"Juliette Binoche Talks Working With Godard, Kieslowski, Denis, Carax & More – Macao"
728:
called the film "a go-for-broke dazzler"; he rated Binoche's performance higher than her
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shooting would recommence on 15 August 1990. Recreating the city's fireworks display for
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praised Binoche and Lavant's performances but not the film itself. Among film journals,
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storms followed over that winter causing massive water damage to the uncompleted set.
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2794:"Vincent Canby: Influential US critic whose wry judgment could make or break movies"
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2883:
2798:
2709:
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Toubiana, Serge (May 1991). "Entretien avec Juliette Binoche: La croix et la foi".
1993:
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one of the most extravagant and delirious follies perpetrated on French soil since
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had reported, while saying that he did not know the film's ultimate cost himself.
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money to the area, and the mayor of Lansargues had hoped it might be preserved.
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2984:(5 July 1999). "Short Takes: The Lovers on the Bridge Directed by Leos Carax".
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2850:"Unlikely 'Lovers' Go Wild in Paris / Grimy French film revels in excesses"
3121:
Hayes, Graeme (1999). "Representation, Masculinity, Nation: The Crises of
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it was built (1578-1606) it would have symbolised progress and modernity".
250:, and, in a mistranslation of the original title, the Australian title is
2772:
Brown, Geoff (10 September 1992). "The fastest but surely not the best".
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544:("magical, mad, uncompromising, like its creator... artistic miracle").
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The film divided critical opinion in France. In the popular press, while
445:
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332:
289:
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called the film an "unwieldy mixture of gorgeousness and incoherence".
707:
3151:(1999). "Les lois secrètes du cinémargent". In Creton, Laurent (ed.).
3036:
Marginalité, sexualité, contrôle: dans le cinéma français contemporain
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saluted it as "one of the most splendidly reckless films ever made".
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The pair's paths first cross when Alex has passed out, drunk, on the
305:
916:
632:("a glorious monument to the follies of megalomaniac film-making").
558:
made wounding comments about the film and Carax personally, as did
3100:
L'âge moderne du cinéma français: De la Nouvelle Vague à nos jours
2018:
Billson, Anne (13 September 1992). "Half stupid, wholly bananas".
342:
324:
229:
1447:
1382:
Toubiana, Serge (July 1990). "Éditorial: Le pari du Pont-Neuf".
695:
When the film finally went on general release in America, after
3228:
1608:
Ostria, Vincent (October 1991). "Entretien avec Denis Lavant".
2927:"A Daring 'Bridge' Over Pair of Troubled Souls in 1989 Paris"
361:
had been a small affair (costing 3 million francs), whereas
2630:"A beginner's guide to Leos Carax in eight YouTube videos"
1581:"Un lieu un tournage (3/4): La Seine a coulé à Lansargues"
1416:
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268:, Paris's oldest bridge, while it was closed for repairs,
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686:(1996), of Binoche being lifted up to see a painting; in
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Bourguignon, Thomas (November 1991). "L'amour en Seine:
1806:(in French). No. 14664. 16 October 1991. p. 1.
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perched precariously on a foundation of horsefeathers."
2707:(10 September 1992). "Camping it up with Christopher".
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in southern France. Construction began in August 1988.
940:"Lovers on the ninth bridge = Les Amants du Pont-Neuf"
840:
widespread criticism and more than a little jealousy".
431:
department store with working lights, the entrance to
3127:
French Cinema in the 1990s: Continuity and Difference
2397:
Taboulay, Camille (October 1991). "Explosante-fixe".
2340:
Baignères, Claude (16 October 1991). "Zola congélé".
2604:"Blu-ray: 'The Lovers on the Bridge' on Kino Lorber"
2496:"Juliette Binoche Plays a Riddle Without a Solution"
2199:
Fevret, Christian; Kaganski, Serge (December 1991).
596:
in September 1992, and received positive reviews in
592:
needed to do well in overseas markets. It opened in
399:
been shot. In this interim period, Carax circulated
3038:(in French). Paris: L'Harmattan. pp. 157–187.
1450:: Éditions Management et Sociétés. pp. 89–110.
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2246:(in French). Latresne: Bord de l'eau. p. 14.
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2013:
2011:
912:"The Films That Made Me: Les Amants du Pont Neuf"
2480:. No. 42679. 10 September 1992. p. 14.
2244:Le cinéma de Leos Carax: L’experience du déjà-vu
2082:"Grunge and fireworks in 'Lovers on the Bridge'"
661:
498:The film was the subject of two documentaries:
2367:Zimmer calls Carax neurotic and narcissistic (
2106:
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3240:
2755:(September 1992). "Les amants du Pont-Neuf".
2414:
2412:
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1827:
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500:Enquête sur un film au-dessus de tout soupçon
8:
3155:(in French). Paris: Nathan. pp. 45–55.
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3006:Contemporary French Cinema: An Introduction
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1238:"Lovers on the Streets of Paris, Literally"
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2403:(in French). No. 448. pp. 16–17.
2365:(in French). No. 475. pp. 21–22.
2188:(in French). No. 443. pp. 36–40.
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2121:(in French). No. 369. pp. 37–38.
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1614:(in French). No. 448. pp. 18–20.
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1442:. In Ingham, Marc; Koenig, Gérard (eds.).
1388:(in French). No. 434. pp. 14–15.
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1150:(in French). No. 967. pp. 58–64.
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1054:(in French). No. 995. pp. 67–68.
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347:The film is set on the Pont Neuf in Paris.
284:). Alex is a street performer addicted to
29:
20:
2419:Baumgarten, Marjorie (26 November 1999).
2202:"Leos Carax: à l'impossible, on est tenu"
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256:(instead of "Lovers on the New Bridge").
3080:. London: Wallflower. pp. 207–215.
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2346:(in French). No. 14664. p. 22.
2287:(in French). No. 55. pp. 61–62
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2211:(in French). No. 32. pp. 90–99
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1284:(in French). No. 14000. p. 31.
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938:Australian Centre for the Moving Image.
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3125:(Carax, 1991)". In Powrie, Phil (ed.).
2679:
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308:before her vision disappears entirely.
272:depicts a love story between two young
3008:(2nd ed.). Manchester; New York:
2724:Johnston, Sheila (10 September 1992).
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2655:
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1444:Perspectives en Management Stratégique
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944:Australian Centre for the Moving Image
566:calls "auteurist critics" was warmer:
2874:
2872:
1946:"Juliette Binoche: 'Life is to love'"
1664:Film Follies: The Cinema Out of Order
1548:Johnston, Sheila (3 September 1992).
963:
861:would equal if not exceed its budget.
642:, flaws and all, is the real McCoy".
204:
7:
2150:, la tragédie grecque d'Elia Kazan"
1476:Gumbel, Andrew (15 November 1991).
1044:Pascal, Michel (12 October 1991). "
3175:Stars and Stardom in French Cinema
3053:Daly, Fergus; Dowd, Garin (2003).
2474:"The strange confusions of love".
2375:) and describes the affectations (
1854:Bloom, Phillipa (1 January 2000).
1048:: Pont d'or pour enfant prodige".
14:
2357:Zimmer, Jacques (October 1991). "
742:. In contrast, Charles Taylor in
2953:Taylor, Charles (29 June 1999).
2820:Lipper, Hal (13 November 1991).
2307:"Les Amants du Pont-Neuf (1991)"
2144:Médioni, Gilles (29 July 2020).
1856:"Les Amants du Pont-Neuf Review"
1140:Mallat, Robert (1 April 1991). "
736:, as did Marjorie Baumgarten in
614:, though more enthusiastic were
506:by Laurent Canches (both 1991).
435:, and a replica of the adjacent
2534:Tobias, Scott (19 April 2002).
2047:Grater, Tom (9 December 2019).
1579:Coste, Vincent (28 July 2016).
910:Markey, Paul (15 August 2018).
823:This was at Carax's insistence.
292:; he scrapes together money by
2848:Graham, Bob (8 October 1999).
699:had championed it, Klawans in
649:, however, influential critic
588:In order to recoup its costs,
562:, but the reaction among what
16:1991 French film by Leos Carax
1:
3030:(2000). "Filmer l'exclusion:
2778:. No. 64434. p. 33.
2602:Axmaker, Sean (3 June 2021).
2080:Tatara, Paul (30 July 1999).
1930:. No. 64432. p. 33.
1800:"Le robot et les clochards".
3374:Films directed by Leos Carax
2726:"Throwing sand in your eyes"
2574:Gibbs, Ed (19 August 2012).
2024:. No. 1633. p. 63.
1838:(in French). pp. 40–43.
1719:"Bridge Over Troubled Water"
1028:(in French). pp. 13–14.
3364:1990s French-language films
3359:French romantic drama films
3059:Manchester University Press
3010:Manchester University Press
2990:. No. 154. p. 84.
1944:Adams, Tim (11 June 2017).
667:played the milkmaid at the
645:When it played at the 1992
455:the Cannes festival in 1990
3400:
2884:"The Lovers On the Bridge"
2628:Chen, Nick (7 July 2021).
2421:"The Lovers on the Bridge"
1753:"The Lovers on the Bridge"
1081:"The Lovers on the Bridge"
514:The film premiered at the
253:Lovers on the Ninth Bridge
206:[lez‿amɑ̃dypɔ̃nœf]
3354:1991 romantic drama films
3263:
2822:"Another French infusion"
2581:The Sydney Morning Herald
2387:: Zimmer did not do this.
1478:"So Beautiful and Costly"
516:1991 Cannes Film Festival
427:, a facade of the nearby
28:
3215:The Lovers on the Bridge
3057:. Manchester; New York:
2279:"Les amants et le robot"
1989:"Being Juliette Binoche"
1438:Royer, Isabelle (1999).
1364:(in French). p. 12.
1144:: L'odyssée d'un film".
894:The Lovers on the Bridge
858:The Horseman on the Roof
304:'s self-portrait in the
247:The Lovers on the Bridge
239:The title refers to the
3285:Les Amants du Pont-Neuf
3204:Les Amants du Pont-Neuf
3131:Oxford University Press
3123:Les Amants du Pont-Neuf
3032:Les amants du Pont-Neuf
2855:San Francisco Chronicle
2658:, pp. 789, 790–91.
2359:Les amants du Pont-Neuf
2113:Les Amants du Pont-Neuf
1918:Les Amants du Pont Neuf
1185:"Boy Meets Girl (1984)"
1142:Les amants du Pont-Neuf
1046:Les amants du Pont-Neuf
640:Les Amants du Pont Neuf
504:Le Pont-Neuf des amants
433:the local Métro station
313:Boulevard de Sébastopol
270:Les Amants du Pont-Neuf
197:Les Amants du Pont-Neuf
24:Les Amants du Pont-Neuf
2955:"Lovers on the Bridge"
2536:"Lovers on the Bridge"
2361:: Histoire de l'œil".
2242:Pichon, Alban (2009).
2148:Au-delà de la mer Egée
673:
653:reviewed the film for
647:New York Film Festival
502:by Olivier Guiton and
348:
3153:Le cinéma et l'argent
3034:, Léos Carax, 1990".
2524:, pp. 45, 54–55.
1207:"Mauvais sang (1986)"
725:The Los Angeles Times
346:
202:French pronunciation:
3177:. London; New York:
3133:. pp. 199–210.
3129:. Oxford; New York:
3102:(in French). Paris:
3078:The Cinema of France
3004:Austin, Guy (2008).
2889:Entertainment Weekly
2494:(20 December 1992).
2459:Daly & Dowd 2003
2449:, pp. 157, 159.
2426:The Austin Chronicle
2230:Daly & Dowd 2003
2021:The Sunday Telegraph
1972:Daly & Dowd 2003
1885:(27 February 1994).
1666:. London; New York:
1421:Daly & Dowd 2003
849:Within a few years,
766:Entertainment Weekly
739:The Austin Chronicle
629:The Sunday Telegraph
572:was favourable, and
489:Krzysztof Kieślowski
355:. His first feature
317:Klaus Michael Grüber
90:Klaus Michael Grüber
3369:Films about bridges
3171:Vincendeau, Ginette
3096:Frodon, Jean-Michel
2792:(17 October 2000).
2753:Vincendeau, Ginette
2576:"Pardon the French"
2477:The Daily Telegraph
1892:The Washington Post
1751:(3 November 1999).
1670:. pp. 171–73.
834:Minister of Culture
734:The English Patient
683:The English Patient
680:in the interim: in
623:The Daily Telegraph
493:Minister of Culture
439:with actual trees.
209:) is a 1991 French
103:Jean-Yves Escoffier
3384:1990s French films
3379:Films set in Paris
3255:Films directed by
2501:The New York Times
2363:La Revue du Cinéma
2208:Les Inrockuptibles
1243:The New York Times
1236:(6 October 1992).
1209:. Jpbox-office.com
1187:. Jpbox-office.com
801:Jean-Michel Frodon
656:The New York Times
560:La Revue du Cinéma
421:forced perspective
349:
3336:
3335:
3162:9-78209-1-90321-7
3019:978-0-7190-4611-7
2932:Los Angeles Times
2880:Schwarzbaum, Lisa
2761:. pp. 46–47.
2400:Cahiers du Cinéma
2330:, pp. 45–46.
2277:(November 1991).
2185:Cahiers du Cinéma
1922:Wuthering Heights
1758:Chicago Sun-Times
1611:Cahiers du Cinéma
1385:Cahiers du Cinéma
732:-winning work in
575:Cahiers du Cinéma
459:Christian Fechner
321:French Revolution
216:film directed by
193:
192:
121:Les Rita Mitsouko
67:Christian Fechner
3391:
3249:
3242:
3235:
3226:
3192:
3166:
3144:
3117:
3091:
3072:
3049:
3028:Beugnet, Martine
3023:
2992:
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2982:Corliss, Richard
2978:
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2944:
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2882:(16 July 1999).
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2015:
2006:
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2003:
2001:
1987:(31 July 2011).
1981:
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1366:
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1356:Heymann, Danièle
1352:
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1331:
1316:
1315:
1314:. pp. 6–11.
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761:Lisa Schwarzbaum
665:Marie-Antoinette
437:Vert-Galant park
405:Steven Spielberg
335:and a new life.
282:Juliette Binoche
222:Juliette Binoche
208:
203:
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80:Juliette Binoche
33:
21:
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3220:Rotten Tomatoes
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2935:
2925:(2 July 1999).
2921:
2920:
2916:
2910:Vincendeau 2000
2908:
2904:
2894:
2892:
2878:
2877:
2870:
2860:
2858:
2847:
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2827:Tampa Bay Times
2819:
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2804:
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2788:
2787:
2783:
2771:
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2758:Sight and Sound
2751:
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2736:
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2731:The Independent
2723:
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2692:Vincendeau 2000
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2132:Vincendeau 2000
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2017:
2016:
2009:
1999:
1997:
1983:
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1914:Robinson, David
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1727:
1717:(1 July 1999).
1715:Klawans, Stuart
1713:
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1660:Klawans, Stuart
1658:
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1555:The Independent
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1483:Tampa Bay Times
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1077:Sterritt, David
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751:Richard Corliss
697:Martin Scorsese
617:Sight and Sound
605:The Independent
524:
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409:Patrice Chéreau
341:
280:) and Michèle (
264:Set around the
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3269:Boy Meets Girl
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3197:External links
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2790:Malcolm, Derek
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2705:Malcolm, Derek
2696:
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1985:Barnett, Laura
1976:
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1883:Waxman, Sharon
1874:
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1770:RogerEbert.com
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429:La Samaritaine
401:videocassettes
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2713:. p. 28.
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2635:Dazed Digital
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2608:Parallax View
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2541:The A.V. Club
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1526:. p. 28.
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1518:Rambali, Paul
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550:Marc Esposito
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3277:Mauvais Sang
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3174:
3152:
3149:Moullet, Luc
3126:
3122:
3099:
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3054:
3035:
3031:
3005:
2998:Bibliography
2985:
2976:
2964:. Retrieved
2958:
2948:
2936:. Retrieved
2930:
2917:
2905:
2893:. Retrieved
2887:
2859:. Retrieved
2853:
2843:
2831:. Retrieved
2825:
2815:
2803:. Retrieved
2799:The Guardian
2797:
2784:
2773:
2767:
2756:
2747:
2735:. Retrieved
2729:
2719:
2710:The Guardian
2708:
2699:
2687:
2680:Moullet 1999
2675:
2663:
2651:
2639:. Retrieved
2633:
2623:
2611:. Retrieved
2607:
2597:
2585:. Retrieved
2579:
2569:
2557:
2545:. Retrieved
2539:
2529:
2522:Moullet 1999
2517:
2505:. Retrieved
2499:
2492:Riding, Alan
2486:
2475:
2454:
2447:Beugnet 2000
2442:
2430:. Retrieved
2424:
2398:
2392:
2385:Mauvais Sang
2384:
2380:
2376:
2372:
2368:
2362:
2358:
2352:
2341:
2335:
2328:Moullet 1999
2323:
2311:. Retrieved
2301:
2289:. Retrieved
2282:
2243:
2237:
2225:
2213:. Retrieved
2206:
2194:
2183:
2160:. Retrieved
2153:
2147:
2139:
2127:
2116:
2112:
2091:. Retrieved
2085:
2058:. Retrieved
2052:
2042:
2035:Everett 2006
2030:
2019:
1998:. Retrieved
1994:The Guardian
1992:
1979:
1967:
1955:. Retrieved
1951:The Guardian
1949:
1925:
1921:
1917:
1908:
1896:. Retrieved
1890:
1877:
1865:. Retrieved
1859:
1833:
1817:Moullet 1999
1812:
1801:
1795:
1768:– via
1762:. Retrieved
1756:
1749:Ebert, Roger
1728:. Retrieved
1722:
1663:
1609:
1603:
1591:. Retrieved
1584:
1559:. Retrieved
1553:
1523:The Guardian
1521:
1487:. Retrieved
1481:
1443:
1406:Beugnet 2000
1383:
1359:
1334:Everett 2006
1309:
1279:
1247:. Retrieved
1241:
1211:. Retrieved
1201:
1189:. Retrieved
1179:
1145:
1141:
1090:. Retrieved
1084:
1049:
1045:
1023:
976:Everett 2006
971:
959:
947:. Retrieved
933:
921:. Retrieved
915:
893:
888:
866:
856:
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845:
828:
819:
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720:Kevin Thomas
713:
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621:
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599:The Guardian
597:
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553:
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533:
527:
525:
513:
503:
499:
497:
473:
469:
464:Bastille Day
452:
444:
441:
414:
413:
397:
393:Denis Lavant
389:
369:
364:Mauvais Sang
362:
356:
350:
329:
310:
298:relationship
278:Denis Lavant
269:
263:
252:
251:
246:
245:
238:
234:
226:Denis Lavant
196:
195:
194:
169:Running time
146:Release date
85:Denis Lavant
18:
3326:It's Not Me
3310:Holy Motors
3299:"Merde" in
2966:19 December
2861:25 December
2833:30 December
2668:Austin 2008
2656:Frodon 1995
2613:19 December
2562:Austin 2008
2373:narcissique
2313:11 February
2215:6 September
2158:(in French)
2155:Paris Match
2060:4 September
1835:Paris Match
1788:Frodon 1995
1632:Frodon 1995
1593:30 December
1589:(in French)
1213:30 December
1191:30 December
1172:Frodon 1995
949:2 September
771:Roger Ebert
476:rough-slept
220:, starring
173:125 minutes
125:David Bowie
63:Produced by
45:Directed by
3349:1991 films
3343:Categories
3257:Leos Carax
3140:0198159587
3113:208067112X
3104:Flammarion
3055:Leos Carax
3045:2738485553
2938:29 October
2895:30 October
2805:29 October
2381:Les Amants
2377:afféteries
2369:névrotique
1920:and a new
1724:The Nation
1677:0304700533
1586:Midi Libre
964:Hayes 1999
881:References
715:Armageddon
702:The Nation
590:Les Amants
485:Elia Kazan
381:department
377:Lansargues
339:Production
218:Leos Carax
58:Leos Carax
55:Written by
49:Leos Carax
3179:Continuum
2775:The Times
2737:28 August
2641:14 August
2587:30 August
2547:13 August
2507:14 August
2432:13 August
2343:Le Figaro
2291:30 August
2162:14 August
2093:28 August
2000:13 August
1957:28 August
1927:The Times
1898:18 August
1867:13 August
1803:Le Figaro
1764:13 August
1561:13 August
1281:Le Figaro
1092:13 August
923:13 August
837:Jack Lang
814:director.
635:The Times
546:Le Figaro
529:L'Express
522:Reception
416:Le Figaro
379:, in the
302:Rembrandt
290:sedatives
266:Pont Neuf
241:Pont Neuf
129:Arvo Pärt
109:Edited by
3173:(2000).
3098:(1995).
2054:Deadline
1730:9 August
1662:(1999).
1489:6 August
1361:Le Monde
1249:6 August
1147:Le Point
1086:Cineaste
1079:(2017).
1051:Le Point
1025:Le Monde
852:Germinal
804:bracket.
582:Van Gogh
541:Le Point
535:Le Monde
446:Le Monde
425:Henri IV
333:Atlantic
276:, Alex (
274:vagrants
211:romantic
186:Language
117:Music by
73:Starring
3318:Annette
2118:Positif
2087:CNN.com
1668:Cassell
708:CNN.com
689:Titanic
594:Britain
569:Positif
510:Release
385:Hérault
373:Orléans
353:Super 8
286:alcohol
178:Country
155: (
139:Gaumont
37:Gaumont
3329:(2024)
3321:(2021)
3313:(2012)
3305:(2008)
3302:Tokyo!
3296:(1999)
3293:Pola X
3288:(1991)
3280:(1986)
3272:(1984)
3185:
3159:
3137:
3110:
3084:
3065:
3042:
3016:
2284:Studio
2250:
1861:Empire
1674:
611:Empire
555:Studio
306:Louvre
189:French
181:France
2960:Salon
778:Notes
745:Salon
730:Oscar
325:Seine
230:Paris
214:drama
3209:IMDb
3183:ISBN
3157:ISBN
3135:ISBN
3108:ISBN
3082:ISBN
3063:ISBN
3040:ISBN
3014:ISBN
2987:Time
2968:2023
2940:2023
2897:2023
2863:2023
2835:2023
2807:2023
2739:2023
2643:2023
2615:2023
2589:2023
2549:2023
2509:2023
2434:2023
2371:and
2315:2013
2293:2023
2248:ISBN
2217:2023
2164:2023
2095:2023
2062:2023
2002:2023
1959:2023
1900:2023
1869:2023
1766:2023
1732:2023
1672:ISBN
1595:2023
1563:2023
1491:2023
1448:Caen
1251:2023
1215:2023
1193:2023
1094:2023
951:2023
925:2023
855:and
756:Time
608:and
487:and
407:and
288:and
260:Plot
224:and
157:1991
153:1991
39:1991
3218:at
3207:at
2115:".
1924:".
917:RTÉ
763:in
753:in
722:in
718:".
552:in
453:At
383:of
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3061:.
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2103:^
2084:.
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2051:.
2010:^
1991:.
1948:.
1936:^
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1858:.
1844:^
1824:^
1778:^
1755:.
1740:^
1721:.
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1320:^
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1259:^
1240:.
1223:^
1156:^
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902:^
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200:(
159:)
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