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obliged Ashton to understate the dancers' gestures and moves. A Personage is seen at a masked ball with his lady friend. They meet another couple, and they turn out to be his wife and her lover. After some changing of partners, at the end the wife and husband are a pair while the lover and mistress
125:, and seven years on "was fully in command of the resources that could enable him to realise such a work" – witty, sophisticated and of its time. Later projects to collaborate between Ashton and Poulenc did not come to fruition.
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52:, who worked with Ashton on many other ballets during his career, and became, in his words, "not only my dearest friend but my greatest artistic collaborator and adviser".
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and Betty Cuff as Two Young Girls and Anna
Brunton, Elisabeth Ruxton and Tamara Svetlova as Three Ladies with Fans. At the premiere the music was played by Helen Gaskell,
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33:. Ashton's biographer describes it as a miniature masterpiece, an inspired fusion of scenery, steps and music.
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The original cast at the Ballet Club on the 5 March 1933 consisted of
Frederick Ashton as A Personage,
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The ballet reflected the social and sexual manners of
Ashston's world, and the limited size of the
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David
Vaughan comments that Ashton had wanted Poulenc to compose the score for his first ballet,
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to buy corrugated iron for the columns in the set; the full cost of the production was ÂŁ60.
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Genné, Beth (1996), "My
Dearest Friend, My Greatest Collaborator",
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Papermac (Macmillan
Publishers Ltd), London, 1983, p146.
48:) and scenery (evoking an Arts Club Ball) were by
167:Faber & Faber Ltd, London, 1996, p153-155.
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165:Secret Muses: The Life of Frederick Ashton.
149:A & C Black Ltd, London, 1977, p84-7.
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242:Ballets designed by Sophie Fedorovitch
44:The black and white costumes (made by
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56:recalled going to an ironmongers in
18:Les Masques, ou Changement de dames
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147:Frederick Ashton and his Ballets.
88:Trio for oboe, bassoon and piano
214:Quicksilver: an autobiography.
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232:Ballets by Frederick Ashton
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180:Following Sir Fred's Steps
25:of 1933 choreographed by
94:in 1926, dedicated to
237:1933 ballet premieres
122:A Tragedy of Fashion
67:as His Lady Friend,
113:Soirées de Nazelles
83:and Charles Lynch.
77:Elisabeth Schooling
50:Sophie Fedorovitch
41:are also united.
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96:Manuel de Falla
58:Shepherd's Bush
38:Mercury Theatre
31:Francis Poulenc
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46:Matilda Etches
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29:to music by
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81:Cecil James
73:Walter Gore
21:is a short
226:Categories
129:References
86:Poulenc's
104:Andante
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100:Presto
92:Cannes
23:ballet
108:Rondo
185:ISBN
106:and
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