30:
1714:
1026:(which had been previously suppressed on 5 September). Although it has not been possible to check the 1710 printed libretto, surely Anthony’s statement does not accord with all the other sources cited in this article, and in particular with Ballard’s 1714 'printed edition' of all the librettos of the opera, which reports, regarding the 51st performance, a structure in a prologue and the following four entrées:
128:
experimented with a total of two prologues and eight entrées and the opera ran for several dozen performances, reaching its 51st mounting on 14 October when it was restructured in a version with a shortened prologue and four entrées (which were to become five in the following month of
December).
131:
After its unprecedented success in 1710-1711, the opera was regularly revived over the next half-century (in 1712, 1713, 1721, 1731-1732, 1740, 1750-1751 and 1759), the different entrées being swapped around at various times, and provided ample opportunity for almost all the major artists who
127:
Campra and
Danchet's opera proved incredibly popular from the beginning, and, through a trial and error approach, "it perpetuated itself to the point where new entrées were written to replace the acts that seemed to be losing their appeal". Between June and December 1710, Campra and Danchet
120:, with its realistic locations and characters, and its comic plots, was seen as a viable alternative. The format of the new genre was exceedingly flexible: each entrée had its own independent intrigue and characters, and the various acts were loosely linked together by a tenuous thread (in
1357:
Les Festes Vénitiennes , Ballet en
Musique, par Monsieur Campra, Maître de Musique de la Chappelle du Roy ; Représenté pour la premiere fois, par l'Academie Royale de Musique. Le Mardy dix-septiéme Juin 1710. Conforme à la Remise au Théâtre, du Jeudy 14 Juin
965:, that the new spelling 'fêtes' appears to have gradually come into common use, as can be seen from the libretto reprinted by Delormel in 1759 with the newly-spelt title (the title-page is reproduced in
1488:
Dictionnaire des Théâtres de Paris, contenant toutes les pièces qui ont été représentées jusqu'à présent sur les différents Théâtres François et sur celui de l'Académie Royale de
Musique ...
1491:
1013:
According to
Anthony there were seven of them, but in fact there were eight, as is analytically stated below. The second prologue is just a shortened version of the original one.
1022:
Professor
Anthony writes that, according to "Ballard’s printed editions", the version given at the 51st performance on 14 (and not 10) October 1710 had five entrées, including
1427:
1047:
1758:
1086:
954:
1625:
1293:, I, p. 113. François Dumoulin was not a professional singer, but a first-rate member of the Ballet along with his three (step)brothers Henri, Pierre and David.
962:
961:(both accessible, the former only in part, at books.google.com). It is only after 1750, owing to the diffusion and enforcement of the third edition of the
938:
1569:
132:
appeared on the stage of the Paris Opéra in this period. Eventually, it chalked up the incredible number of about three hundred performances.
1466:
1382:
950:
108:
public was growing dissatisfied with the traditional "operatic fare consisting of lyric tragedies cast invariably in the mould created by
1313:
1743:
1717:
1388:
Cowart, Georgia (Summer 2001). "Carnival in Venice or
Protest in Paris? Louis XIV and the Politics of Subversion at the Paris Opéra".
1506:
1350:
1199:
Marcel was not a professional singer, but a first-rate member of the Ballet, evidently considered fit to perform a dancing master.
1533:
1748:
930:
1768:
1562:
1470:
77:
203:
1681:
1337:
1738:
88:", but it is one of the most important and successful instances of the new genre later classified by scholars as
1281:
as its last entrée during
December when the opera had already enjoyed 66 performances between June and November.
1419:
1633:
1555:
1424:
Recueil general des opera réprésentez par l'Academie Royale de
Musique, depuis son etablissement. Tome dixième
1499:
The Paris Opéra. An
Encyclopedia of Operas, Ballets, Composers, and Performers – Genesis and Glory, 1671-1715
1361:
1327:
1317:
21:
1697:
1444:
1336:, manuscript kept at and digitized by the Bibliothèque nationale de France (accessible for free online at
1326:, manuscript kept at and digitized by the Bibliothèque nationale de France (accessible for free online at
1601:
81:
1763:
1479:
349:
1593:
1436:
1290:
926:
109:
1405:
1178:
roles, the parts of the masters, of music and of dance, are actually notated in the score in the
1130:
449:
929:
and Pitou and appears in the earliest sources available online, such as the scores cited below,
1502:
1462:
1378:
1162:
was interpolated as the new second entrée, the prologue being suppressed, at the 23rd billing.
946:
152:
113:
29:
1441:
Bibliothèque Musicale du Théatre de l'Opéra. Catalogue Historique, Chronologique, Anecdotique
1397:
216:
1753:
1483:
1409:
73:
17:
1578:
1133:, is spelled 'saltinbanque' in the period librettos according to its Italian etymology: '
61:
56:
1334:
Le Bal // nouvelle // entrée // ajoutée aux // festes // venitiennes // Par // M. Campra
1665:
1229:
at the 51st billing when the prologue was also restored, albeit in an abridged version.
105:
64:. It consists of a prologue (later sometimes omitted, abridged or replaced) and three
1732:
198:
1673:
1221:
This entrée, which also includes, as a play within a play, another miniature opera,
905:
The spelling more often employed today, according to modern French orthography, is '
84:
in Paris. According to the usage of the time, it was originally simply billed as a "
281:
943:
Catalogue des imprimés musicaux anciens du Conservatoire Royal de Musique de Liège
1689:
1617:
1244:
1401:
1649:
1609:
1179:
402:
Third entrée: "Les saltinbanques de la place St Marc ou L'Amour saltinbanque"
1183:
230:
1490:, Paris, Rozet, 1767, VI, pp. 115–129 (accessible for free online in
160:
Prologue: "Le Triomphe de la Folie sur la Raison dans le temps de Carnaval"
1521:
1111:
1070:
966:
1377:, Grove (Oxford University Press), New York, 1997, II, pp. 175–176,
258:
69:
1443:, Tome 1, Paris, Librairie des bibliophiles, 1878 (accessible online in
1426:, Paris, Ballard, 1714, pp. 129–252 (accessible for free online in
955:
the complete entrée librettos as reproduced by Christoph Ballard in 1714
174:
935:
Gallica, Bibliothèque numérique della Bibliothèque Nationale de France
1641:
286:
93:
28:
1551:
1547:
1035:
68:(four or five in subsequent versions). All versions of the
1461:, Milan, Baldini Castoldi Dalai, 2007, pp. 469–470,
925:. On the other hand, the term 'festes' is still used by
406:"The acrobats of St Mark's Square, or Cupid the acrobat"
939:
the original libretto as assessed by Maurice Barthélémy
1360:, Paris, Ballard, 1731 (accessible for free online at
1349:, Paris, Ballard, 1711 (accessible for free online at
164:"The triumph of Folly over Reason during the Carnival"
476:
First entrée added at a later date: "La feste marine"
1585:
36:, plate introducing the reprint of the libretto in
1260:Zephyr is a character of the metatheatrical opera
913:'. The modern spelling is adopted for instance by
716:Adolphe/An actor of the Opera performing Zephyr
76:. It was first performed on 17 June 1710 by the
1106:
1104:
1102:
1100:
1098:
1096:
1243:The role interpreted by each character in the
1563:
1457:, in Piero Gelli and Filippo Poletti (eds.),
1390:Journal of the American Musicological Society
321:Second entrée: "Les sérénades et les joueurs"
8:
1264:, performed during the course of the entrée.
1239:
1237:
1235:
980:Cf. the period printed sources cited above.
297:A (female) gondolier, representing Victory
1570:
1556:
1548:
1501:, Greenwood Press, Westport/London, 1983 (
1312:, manuscript kept at and digitized by the
1129:The French term 'saltimbanque', meaning a
931:the libretto published by Delormel in 1750
104:At the beginning of the 18th century, the
1170:
1168:
988:
986:
651:First performed on 5 September 1710
646:"The fortune-tellers of St Mark's Square"
1759:Opera world premieres at the Paris Opera
1137:', leaps on a bar (the temporary stage).
1061:Pitou, p. 224; Anthony; Lajarte, p. 113.
700:First performed on 14 October 1710
241:First entrée: "La feste des barqueroles"
139:
1000:
998:
898:
48:("Venetian Festivities"), also spelled
1344:Le triomphe de la folie , comedie mis
786:First performed in December 1710
560:First performed on 8 August 1710
7:
963:Dictionnaire de l'Académie française
689:Fourth entrée added at a later date:
549:Second entrée added at a later date:
485:First performed on 8 July 1710
116:", and the innovative nature of the
96:around the end of the 17th century.
1540:. L'Almanacco di Gherardo Casaglia
775:Fifth entrée added at a later date:
640:Third entrée added at a later date:
303:Mlle Hacqueville (or D'Huqueville)
695:"The Opera, or the singing master"
555:"The dance, or the dancing master"
14:
1375:The New Grove Dictionary of Opera
915:The New Grove Dictionary of Opera
149:Premiere Cast, 17 June 1710
1713:
1712:
1314:Bibliothèque nationale de France
1208:This entrée was substituted for
1146:This entrée was substituted for
691:"L'Opéra ou le maître à chanter"
642:"Les devins de la Place St Marc"
1718:Category:Operas by André Campra
1316:(accessible for free online at
945:, Liège, Mardaga, 1992, p. 34 (
1523:Le magazine de l'opéra baroque
1347:en musique par Monsieur Campra
1113:Le magazine de l'opéra baroque
1072:Le magazine de l'opéra baroque
968:Le magazine de l’opéra baroque
919:Le magazine de l'opéra baroque
551:"Le bal ou le maître à danser"
92:, which had become popular in
1:
1131:street (acrobatics) performer
1087:Recueil General Des Opera ...
1210:Les sérénades et les joueurs
1049:Recueil general des opera...
1038:, cf. below) as the second,
933:(all accessible at the site
909:', instead of the obsolete '
38:Recueil general des opera...
1682:Camille, reine des Volsques
1459:Dizionario dell'opera. 2008
1024:Les serenades et les jouers
1785:
1532:Casaglia, Gherardo (2005).
1410:10.1525/jams.2001.54.2.265
1402:10.1525/jams.2001.54.2.265
1373:, in Stanley Sadie (ed.),
846:Gabriel-Vincent Thévenard
662:Gabriel-Vincent Thévenard
571:Gabriel-Vincent Thévenard
338:Gabriel-Vincent Thévenard
78:Académie royale de musique
15:
1708:
1515:ed. Holden (Viking, 1993)
1148:La feste des barquerolles
777:"Le triomphe de la Folie"
774:
688:
639:
548:
475:
465:Amour acrobat (travesti)
401:
320:
245:"The festival of boaters"
240:
204:Gabriel-Vincent Thévenard
159:
16:For the 1719 painting by
1420:Jean-Nicolas de Francine
1150:at the 10th performance.
811:Marie-Catherine Poussin
673:Marie-Catherine Poussin
443:Marie-Catherine Poussin
179:Marie-Catherine Poussin
124:, the Venice location).
1310:Les Barquerolles Entrée
1275:Le triomphe de la Folie
862:Another Spaniard (man)
622:François-Robert Marcel
325:"Serenades and players"
60:by the French composer
1749:French-language operas
1744:Operas by André Campra
1513:The Viking Opera Guide
1469:(reproduced online at
1455:Fêtes vénitiennes, Les
1371:Fêtes vénitiennes, Les
1279:Les festes vénitiennes
1225:, was substituted for
1186:commonly used for the
1174:Sometimes reported as
781:"The triumph of Folly"
740:Lucie (A shepherdess)
389:A follower of Fortune
122:Les festes vénitiennes
45:Les festes vénitiennes
40:
34:Les Festes vénitiennes
1658:Les fêtes vénitiennes
1602:Le carnaval de Venise
1536:Les fêtes vénitiennes
1527:Les fêtes vénitiennes
1251:is given in brackets.
1117:Les fêtes vénitiennes
1030:as the first entrée,
923:Dizionario dell’opera
724:Jean-Baptiste Buseau
584:Jean-Baptiste Buseau
480:"The marine festival"
397:Jean-Baptiste Buseau
82:Salle du Palais-Royal
51:Les fêtes vénitiennes
32:
1769:Operas set in Venice
1626:Iphigénie en Tauride
1212:at the 34th showing.
1032:L’Amour saltinbanque
1698:Achille et Déidamie
1324:Feste Marine Entrée
1273:The small 'comedy'
959:Recueil general ...
751:The singing master
384:Françoise Dujardin
308:A (male) gondolier
100:Performance history
20:of this title, see
1453:Raffaele Mellace,
1369:James R. Anthony,
1262:Le ballet de Flore
1249:Le ballet de Flore
1223:Le ballet de Flore
1042:as the third, and
835:Jacques Cochereau
800:François Dumoulin
735:Françoise Journet
613:A master of dance
600:A master of music
595:Françoise Journet
520:Françoise Journet
509:Jacques Cochereau
432:Jacques Cochereau
292:Jacques Cochereau
41:
1726:
1725:
1467:978-88-6073-184-5
1383:978-0-19-522186-2
951:978-2-87009-521-8
885:
884:
827:A Spaniard (man)
729:Leontine (Flore)
711:Charles Hardouin
419:Charles Hardouin
350:Françoise Journet
153:Louis de La Coste
22:Fêtes Vénitiennes
1776:
1716:
1715:
1594:L'Europe galante
1572:
1565:
1558:
1549:
1543:
1520:
1478:
1452:
1445:Internet Archive
1437:Théodore Lajarte
1435:
1418:
1413:
1362:Gallica – B.N.F.
1351:Gallica – B.N.F.
1338:Gallica – B.N.F.
1328:Gallica – B.N.F.
1318:Gallica – B.N.F.
1294:
1288:
1282:
1271:
1265:
1258:
1252:
1247:miniature opera
1241:
1230:
1219:
1213:
1206:
1200:
1197:
1191:
1182:(and not in the
1172:
1163:
1157:
1151:
1144:
1138:
1127:
1121:
1108:
1091:
1082:
1076:
1068:
1062:
1059:
1053:
1020:
1014:
1011:
1005:
1002:
993:
990:
981:
978:
972:
903:
822:Jean Dun 'père'
705:Damire (Boreas)
608:Louis Mantienne
496:Jean Dun 'père'
460:Louis Mantienne
252:A Venice doctor
236:Louis Mantienne
217:Charles Hardouin
140:
1784:
1783:
1779:
1778:
1777:
1775:
1774:
1773:
1729:
1728:
1727:
1722:
1704:
1581:
1576:
1541:
1518:
1484:Claude Parfaict
1476:
1450:
1433:
1416:
1387:
1306:Period scores:
1298:
1297:
1289:
1285:
1272:
1268:
1259:
1255:
1242:
1233:
1227:La feste marine
1220:
1216:
1207:
1203:
1198:
1194:
1173:
1166:
1158:
1154:
1145:
1141:
1128:
1124:
1109:
1094:
1083:
1079:
1069:
1065:
1060:
1056:
1046:as the fourth (
1021:
1017:
1012:
1008:
1003:
996:
991:
984:
979:
975:
904:
900:
890:
875:A Spanish girl
778:
776:
692:
690:
643:
641:
552:
550:
477:
403:
322:
242:
190:Mlle Desmatins
161:
150:
138:
102:
74:Antoine Danchet
25:
18:Antoine Watteau
12:
11:
5:
1782:
1780:
1772:
1771:
1766:
1761:
1756:
1751:
1746:
1741:
1739:Opéras-ballets
1731:
1730:
1724:
1723:
1721:
1720:
1709:
1706:
1705:
1703:
1702:
1694:
1686:
1678:
1670:
1662:
1654:
1646:
1638:
1630:
1622:
1614:
1606:
1598:
1589:
1587:
1583:
1582:
1577:
1575:
1574:
1567:
1560:
1552:
1546:
1545:
1530:
1516:
1510:
1495:
1474:
1448:
1431:
1414:
1396:(2): 265–302.
1385:
1367:
1366:
1365:
1354:
1341:
1331:
1321:
1303:
1302:
1296:
1295:
1283:
1266:
1253:
1245:metatheatrical
1231:
1214:
1201:
1192:
1164:
1152:
1139:
1135:salta in banco
1122:
1092:
1077:
1063:
1054:
1015:
1006:
1004:Pitou, p. 223.
994:
982:
973:
897:
896:
895:
894:
889:
886:
883:
882:
879:
876:
872:
871:
868:
863:
859:
858:
855:
852:
848:
847:
844:
843:bass-baritone
841:
837:
836:
833:
828:
824:
823:
820:
819:bass-baritone
817:
813:
812:
809:
806:
802:
801:
798:
792:
788:
787:
784:
772:
771:
768:
767:bass-baritone
765:
761:
760:
757:
752:
748:
747:
744:
741:
737:
736:
733:
730:
726:
725:
722:
717:
713:
712:
709:
708:bass-baritone
706:
702:
701:
698:
686:
685:
682:
679:
678:A gipsy woman
675:
674:
671:
668:
664:
663:
660:
659:bass-baritone
657:
653:
652:
649:
637:
636:
633:
628:
624:
623:
620:
614:
610:
609:
606:
601:
597:
596:
593:
590:
586:
585:
582:
577:
573:
572:
569:
568:bass-baritone
566:
562:
561:
558:
546:
545:
542:
537:
533:
532:
529:
526:
522:
521:
518:
515:
511:
510:
507:
502:
498:
497:
494:
493:bass-baritone
491:
487:
486:
483:
473:
472:
469:
466:
462:
461:
458:
453:
445:
444:
441:
438:
434:
433:
430:
425:
421:
420:
417:
416:bass-baritone
414:
410:
409:
399:
398:
395:
390:
386:
385:
382:
379:
375:
374:
371:
368:
364:
363:
360:
357:
353:
352:
347:
344:
340:
339:
336:
335:bass-baritone
333:
329:
328:
318:
317:
314:
309:
305:
304:
301:
298:
294:
293:
290:
278:
274:
273:
270:
267:
263:
262:
256:
255:bass-baritone
253:
249:
248:
238:
237:
234:
224:
220:
219:
214:
213:bass-baritone
211:
207:
206:
201:
196:
192:
191:
188:
185:
181:
180:
177:
172:
168:
167:
157:
156:
147:
144:
137:
134:
101:
98:
13:
10:
9:
6:
4:
3:
2:
1781:
1770:
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1736:
1734:
1719:
1711:
1710:
1707:
1700:
1699:
1695:
1692:
1691:
1687:
1684:
1683:
1679:
1676:
1675:
1671:
1668:
1667:
1663:
1660:
1659:
1655:
1652:
1651:
1647:
1644:
1643:
1639:
1636:
1635:
1631:
1628:
1627:
1623:
1620:
1619:
1615:
1612:
1611:
1607:
1604:
1603:
1599:
1596:
1595:
1591:
1590:
1588:
1584:
1580:
1573:
1568:
1566:
1561:
1559:
1554:
1553:
1550:
1539:
1537:
1531:
1529:
1528:
1524:
1517:
1514:
1511:
1508:
1507:0-313-21420-4
1504:
1500:
1497:Spire Pitou,
1496:
1493:
1489:
1485:
1481:
1475:
1472:
1471:Opera Manager
1468:
1464:
1460:
1456:
1449:
1446:
1442:
1438:
1432:
1429:
1425:
1421:
1415:
1411:
1407:
1403:
1399:
1395:
1391:
1386:
1384:
1380:
1376:
1372:
1368:
1363:
1359:
1355:
1352:
1348:
1345:
1342:
1339:
1335:
1332:
1329:
1325:
1322:
1319:
1315:
1311:
1308:
1307:
1305:
1304:
1300:
1299:
1292:
1287:
1284:
1280:
1277:was added to
1276:
1270:
1267:
1263:
1257:
1254:
1250:
1246:
1240:
1238:
1236:
1232:
1228:
1224:
1218:
1215:
1211:
1205:
1202:
1196:
1193:
1189:
1185:
1181:
1177:
1171:
1169:
1165:
1161:
1156:
1153:
1149:
1143:
1140:
1136:
1132:
1126:
1123:
1120:and Parfaict.
1119:
1118:
1114:
1107:
1105:
1103:
1101:
1099:
1097:
1093:
1089:
1088:
1084:According to
1081:
1078:
1074:
1073:
1067:
1064:
1058:
1055:
1051:
1050:
1045:
1041:
1037:
1033:
1029:
1025:
1019:
1016:
1010:
1007:
1001:
999:
995:
989:
987:
983:
977:
974:
970:
969:
964:
960:
956:
952:
948:
944:
940:
936:
932:
928:
924:
920:
916:
912:
908:
902:
899:
892:
891:
887:
880:
877:
874:
873:
869:
867:
864:
861:
860:
856:
853:
850:
849:
845:
842:
839:
838:
834:
832:
829:
826:
825:
821:
818:
815:
814:
810:
807:
804:
803:
799:
797:
793:
790:
789:
785:
782:
773:
769:
766:
763:
762:
759:(not stated)
758:
756:
753:
750:
749:
745:
742:
739:
738:
734:
731:
728:
727:
723:
721:
718:
715:
714:
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683:
680:
677:
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669:
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658:
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650:
647:
638:
635:(not stated)
634:
632:
629:
626:
625:
621:
619:
615:
612:
611:
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583:
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235:
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228:
225:
222:
221:
218:
215:
212:
209:
208:
205:
202:
200:
199:bass-baritone
197:
194:
193:
189:
186:
183:
182:
178:
176:
173:
170:
169:
165:
158:
154:
148:
145:
142:
141:
135:
133:
129:
125:
123:
119:
115:
111:
107:
99:
97:
95:
91:
87:
83:
79:
75:
71:
67:
63:
59:
58:
53:
52:
47:
46:
39:
35:
31:
27:
23:
19:
1696:
1688:
1680:
1672:
1664:
1657:
1656:
1648:
1640:
1632:
1624:
1616:
1608:
1600:
1592:
1579:André Campra
1542:(in Italian)
1535:
1526:
1522:
1512:
1498:
1492:books.google
1487:
1458:
1454:
1451:(in Italian)
1440:
1428:books.google
1423:
1393:
1389:
1374:
1370:
1356:
1346:
1343:
1333:
1323:
1309:
1286:
1278:
1274:
1269:
1261:
1256:
1248:
1226:
1222:
1217:
1209:
1204:
1195:
1188:haute-contre
1187:
1176:haute-contre
1175:
1159:
1155:
1147:
1142:
1134:
1125:
1116:
1112:
1085:
1080:
1071:
1066:
1057:
1048:
1043:
1039:
1031:
1027:
1023:
1018:
1009:
976:
967:
958:
942:
934:
922:
918:
914:
910:
906:
901:
865:
840:A Frenchman
831:haute-contre
830:
795:
780:
755:haute-contre
754:
720:haute-contre
719:
694:
645:
631:haute-contre
630:
617:
603:
580:haute-contre
579:
554:
540:haute-contre
539:
505:haute-contre
504:
479:
455:
428:haute-contre
427:
405:
393:haute-contre
392:
362:Mlle Pestel
324:
312:haute-contre
311:
282:haute-contre
280:
244:
226:
163:
151:(Conductor:
130:
126:
121:
118:opéra-ballet
117:
103:
90:opéra-ballet
89:
85:
65:
62:André Campra
57:opéra-ballet
55:
50:
49:
44:
43:
42:
37:
33:
26:
1764:1710 operas
1519:(in French)
1477:(in French)
1434:(in French)
1417:(in French)
146:Voice type
106:Paris Opéra
1733:Categories
1650:Hippodamie
1180:tenor clef
1052:, p. 132).
1028:Les devins
888:References
851:Columbine
791:Harlequin
536:A mariner
223:Démocrite
210:Héraclite
1634:Télémaque
1184:alto clef
857:Mlle Dun
816:A doctor
770:Courteil
764:Rodolphe
746:Mlle Dun
684:Mlle Dun
627:A masker
531:Mlle Dun
471:Mlle Dun
373:Mlle Dun
343:Isabelle
272:Mlle Dun
231:baritenor
195:Carnival
1690:Les âges
1666:Idoménée
1618:Tancrède
1525:, page:
1480:François
1115:, page:
1110:Source:
992:Anthony.
878:soprano
854:soprano
808:soprano
743:soprano
732:soprano
681:soprano
670:soprano
656:Lèandre
592:soprano
544:Guesdon
528:soprano
517:soprano
514:Cephise
501:Dorante
490:Astophe
468:soprano
450:travesti
448:Nérine (
440:soprano
437:Léonore
413:Filindo
381:soprano
378:Fortune
370:soprano
359:soprano
346:soprano
332:Léandre
316:Guesdon
300:soprano
269:soprano
259:Jean Dun
187:soprano
114:Quinault
70:libretto
54:, is an
1674:Télèphe
1610:Hésione
1422:(ed.),
1301:Sources
1291:Lajarte
1190:voice).
1040:L’Opéra
953:), and
927:Lajarte
794:dancer/
616:dancer/
589:Iphise
576:Themir
565:Alamir
424:Eraste
356:Lucile
277:Damiro
261:'père'
184:Reason
175:soprano
80:in the
72:are by
66:entrées
1754:Operas
1701:(1735)
1693:(1718)
1685:(1717)
1677:(1713)
1669:(1712)
1661:(1710)
1653:(1708)
1645:(1705)
1642:Alcine
1637:(1704)
1629:(1704)
1621:(1702)
1613:(1700)
1605:(1699)
1597:(1697)
1586:Operas
1505:
1465:
1408:
1381:
1160:Le bal
1044:Le bal
949:
911:festes
866:taille
805:Folly
796:taille
667:Zélie
618:taille
604:taille
525:Doris
456:taille
367:Irène
285:(high
266:Lilla
227:taille
171:Folly
143:Roles
86:ballet
1406:JSTOR
907:fêtes
893:Notes
287:tenor
136:Roles
110:Lully
94:Paris
1503:ISBN
1482:and
1463:ISBN
1379:ISBN
1358:1731
947:ISBN
921:and
112:and
1398:doi
1036:sic
957:in
941:in
937:),
1735::
1486:,
1439:,
1404:.
1394:54
1392:.
1234:^
1167:^
1095:^
997:^
985:^
971:).
917:,
881:?
870:?
783:)
697:)
648:)
557:)
482:)
452:)
408:)
327:)
289:)
247:)
233:)
166:)
155:)
1571:e
1564:t
1557:v
1544:.
1538:"
1534:"
1509:)
1494:)
1473:)
1447:)
1430:)
1412:.
1400::
1364:)
1353:)
1340:)
1330:)
1320:)
1090:.
1075:.
1034:(
779:(
693:(
644:(
553:(
478:(
404:(
323:(
243:(
229:(
162:(
24:.
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