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critic Mike Force wrote: "There was no need for drugs, or even the dazzling light show, since the music's fathoms-deep dubscapes and strategically predatory beats equaled the angular and smoky psychedelic visuals—each track already dazzled by a universe of deep-space stars, clouds of galactic gases,
635:
s Anupa Mistry regarded the album as "more sonically relaxed and triumphant" than the group's past two records and stated: "In mirroring and transcending the schizoid, rootless form of digital society, it's an attempt to help people cope with the culture." Speaking on the live premiere of the album
218:
announced he and
Maraire were working on a second album. Of the record's sound, he said "I don't know. I doubt that it will sound much like it. It will probably sound… I don't know. We've left that. That is kind of far behind us now. There will be some similarities I guess, because we are who we
556:
with the approachable in a manner few others would even attempt." Jeffries further stated: "It's a shame that such a vanguard effort is weakened by a few clever and jokey interludes that don't warrant a return, but that just leaves
Shabazz Palaces room for a proper masterpiece as the brilliant
567:
stated that the record "spans universes, sonically and otherwise," and is "Butler's most extreme refusal of the hip-hop status quo, boasting erratic instrumentals and subtle shit-talk toward haters subverting the canon." Reviewing for
36:
605:
critic Louis
Pattison described the record as "one with the confidence to reject tired old models and build its own future logic," further stating the result to be "mysterious, spiritual, and funky as shit." Craig Jenkins of
584:
works, but when they do, the results are spectacular. And even when they don't, the lovely sense that you're listening to an album genuinely unlike any other is pretty overwhelming."
2071:
574:, Kyle Anderson thought that "the slightly-loosened-up attitude helps turn shambolic backdoor bangers such as "They Come in Gold" into intimate headphone masterpieces."
2180:
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tugs those extremes as far as they've ever been pulled; that it never shows signs of wear speaks to the strength of the bond." Writing for
1405:
552:
critic David
Jeffries wrote: "With Lazaro frequently falling back on his warm and welcoming Butterfly-era flow, the album balances the
626:
pushes this well past nostalgia tripping – and while the verbal abstraction gets thick, there's serious pleasure in plumbing it."
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wrote: "The soul of
Shabazz Palaces is pairing next-gen sounds with classic brass-tacks show-and-prove emceeing, and
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1997:
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and
Thadillac. The album was produced by Shabazz Palaces and mixed by Blood at Protect and Exalt Labs in Seattle.
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1335:
1453:"What's Crappening? by Here Comes the Sun, Do Do Do Do - Seattle Music - The Stranger, Seattle's Only Newspaper"
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The album was first premiered at
Seattle's Pacific Science Center Laser Dome in April 2014.
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1564:"Shabazz Palaces return with cosmic musings on hip-hop, identity, and black consciousness"
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1406:"Shabazz Palaces Share "They Come in Gold", Detail New Album Lese Majesty | News"
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1776:"The Beautiful Game: Shabazz Palaces' Enthralling, Convoluted 'Lese Majesty'"
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rating out of 100 to reviews from mainstream critics, the album received an
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score of 81, which indicates "universal acclaim", based on 36 reviews.
114:
1629:"Shabazz Palaces: Lese Majesty review – spectacular, way-out hip-hop"
622:, Will Hermes remarked that "Butler's dazzling feel for 21st-century
194:, released on July 29, 2014. The album features contributions from
2158:
580:
critic Alexis
Petridis stated: "As it is, not every experiment on
43:
219:
are. Other than that, it's not gonna sound much like it at all."
2162:
1378:
601:
419:
2125:"Shabazz Palaces Chart History (Top R&B/Hip-Hop Albums)"
1619:
1617:
2107:"Shabazz Palaces Chart History (Independent Albums)"
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595:s Jim Carroll called the record "a brave, trancey,
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643:and the bright trails of wandering balls of ice."
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636:at Seattle's Pacific Science Center Laser Dome,
2070:: CS1 maint: others in cite AV media (notes) (
599:flow of sounds that never tires or runs awry."
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1506:"Reviews for Lese Majesty by Shabazz Palaces"
1252:Album personnel as adapted from liner notes:
8:
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534:has received acclaim from music critics. At
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1478:"Lese Majesty by Shabazz Palaces reviews"
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1161:Suite 8: Murkings on the Oxblood Starway
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23:2014 studio album by Shabazz Palaces
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1998:"Sputnikmusic's Top 50 Albums of 2014"
1428:"A Conversation With…Shabazz Palaces"
268:
235:
7:
1830:Mapes, Jillian (December 18, 2014).
1996:Spencer, Trey (December 15, 2014).
1859:"Gorilla vs. Bear's Albums of 2014"
974:Suite 4: Palace War Council Meeting
489:
2023:"The Wire's Top 50 Albums of 2014"
1374:"Shabazz Palaces – 'Lese Majesty'"
1117:Suite 7: High Climb to the Gallows
561:is so very close." Paula Mejia of
14:
1720:"Shabazz Palaces: Lese Majesty".
1593:Anderson, Kyle (August 1, 2014).
1372:Pattison, Louis (July 25, 2014).
1193:"Sonic MythMap for the Trip Back"
962:"The Ballad of Lt. Maj. Winnings"
669:
451:
389:
351:
289:
2246:Quazarz vs. the Jealous Machines
2239:Quazarz: Born on a Gangster Star
2085:"Shabazz Palaces Chart History (
1692:Jenkins, Craig (July 28, 2014).
1535:"Lese Majesty – Shabazz Palaces"
1017:"…down 155th in the MCM Snorkel"
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163:Quazarz: Born on a Gangster Star
1774:Mistry, Anupa (July 30, 2014).
1694:"Shabazz Palaces: Lese Majesty"
1663:"Shabazz Palaces: Lese Majesty"
1562:Mejia, Paula (July 29, 2014).
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16:For the offence or crime, see
1:
1430:. Hypetrak. February 25, 2013
1256:Shabazz Palaces – performer,
1237:"Palace Slide" (instrumental)
2133:. Retrieved April 20, 2020.
2115:. Retrieved April 20, 2020.
1969:"The 25 Best Albums of 2014"
1941:"The 50 Best Albums of 2014"
1832:"The 30 Best Albums of 2014"
1803:"The 50 Best Albums of 2014"
1346:
1328:
1310:
1138:"MindGlitch Keytar TM Theme"
1073:Suite 6: Federal Bureau Boys
2097:. Retrieved 19 March 2020.
1915:"The Top 50 Albums of 2014"
1726:(338): 114. September 2014.
198:’s Catherine Harris-White,
2331:
1336:Top R&B/Hip-Hop Albums
1205:Sub Pop pre-order bonus 7"
886:Suite 2: Touch & Agree
831:Suite 1: The Phasing Shift
15:
2253:The Don of Diamond Dreams
2196:
1887:"The Best Albums of 2014"
1408:. Pitchfork. June 5, 2014
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1274:Todd Westendorp – artwork
1271:Nep Sidhu – art direction
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1595:"Albums: August 8, 2014"
1029:Suite 5: Pleasure Milieu
2315:Shabazz Palaces albums
1284:Chart performance for
1105:"Suspicion of a Shape"
813:Top 50 Albums of 2014
796:Top 50 Albums of 2014
783:Top 25 Albums of 2014
766:Top 50 Albums of 2014
749:Top 50 Albums of 2014
734:Top 40 Albums of 2014
717:Top 35 Albums of 2014
700:Top 30 Albums of 2014
683:Top 50 Albums of 2014
2052:(Vinyl liner notes).
1094:"Colluding Oligarchs"
929:"Noetic Noiromantics"
210:In an interview with
2267:Exotic Birds of Prey
1919:Passion of the Weiss
1600:Entertainment Weekly
745:Passion of the Weiss
571:Entertainment Weekly
332:Entertainment Weekly
231:Professional ratings
80:Experimental hip hop
2066:cite AV media notes
1977:. December 11, 2014
1949:. December 17, 2014
1921:. December 12, 2014
1895:. November 26, 2014
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874:"They Come in Gold"
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2155:(list of releases)
1867:. December 2, 2014
1811:. December 9, 2014
1386:on August 19, 2014
1318:Independent Albums
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863:"Forerunner Foray"
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655:on year-end lists
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538:, which assigns a
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214:in February 2013,
2292:
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2260:Robed in Rareness
1743:(July 29, 2014).
1661:(July 25, 2014).
1627:(July 24, 2014).
1533:Jeffries, David.
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1149:"Motion Sickness"
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85:conscious hip hop
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2217:Studio albums
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59:July 29, 2014
58:
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27:
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2232:Lese Majesty
2231:
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2223:
2200:
2148:Lese Majesty
2146:
2129:
2120:
2111:
2102:
2093:
2086:
2080:
2050:Lese Majesty
2049:
2044:
2032:. Retrieved
2026:
2017:
2005:. Retrieved
2002:Sputnikmusic
2001:
1991:
1979:. Retrieved
1972:
1963:
1951:. Retrieved
1944:
1935:
1923:. Retrieved
1918:
1909:
1897:. Retrieved
1892:The Guardian
1890:
1881:
1869:. Retrieved
1862:
1853:
1841:. Retrieved
1835:
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1813:. Retrieved
1806:
1797:
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1779:
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1748:
1741:Hermes, Will
1721:
1715:
1703:. Retrieved
1697:
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1659:Carroll, Jim
1638:. Retrieved
1634:The Guardian
1632:
1604:. Retrieved
1598:
1573:. Retrieved
1567:
1544:November 16,
1542:. Retrieved
1513:. Retrieved
1487:December 19,
1485:. Retrieved
1472:
1460:. Retrieved
1457:The Stranger
1432:. Retrieved
1422:
1410:. Retrieved
1400:
1388:. Retrieved
1384:the original
1377:
1340:
1322:
1304:
1286:Lese Majesty
1285:
1251:
918:"Harem Aria"
806:
776:
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729:The Guardian
727:
710:
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660:Publication
653:Lese Majesty
652:
639:The Stranger
637:
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613:
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586:
582:Lese Majesty
581:
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559:Lese Majesty
558:
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344:The Guardian
342:
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211:
209:
186:by American
184:studio album
179:Lese Majesty
178:
177:
176:
161:
154:Lese Majesty
153:
152:
145:Live at KEXP
143:
44:Studio album
29:Lese Majesty
18:Lèse-majesté
2310:2014 albums
2284:Discography
995:"Soundview"
624:psychedelia
2299:Categories
1837:Flavorwire
1510:Metacritic
1354:References
695:Flavorwire
540:normalized
536:Metacritic
260:Metacritic
206:Background
200:Erik Blood
134:chronology
2130:Billboard
2112:Billboard
2094:Billboard
2087:Billboard
2034:April 25,
2007:April 25,
1981:April 25,
1953:April 12,
1946:Pitchfork
1925:April 25,
1899:April 25,
1871:April 25,
1843:April 25,
1815:April 25,
1787:April 27,
1699:Pitchfork
1674:April 27,
1606:April 27,
1575:April 27,
1390:April 27,
1341:Billboard
1323:Billboard
1305:Billboard
1297:position
1248:Personnel
1006:"Ishmael"
761:Pitchfork
663:Accolade
609:Pitchfork
432:Pitchfork
226:Reception
67:2012–2014
2225:Black Up
2028:The Wire
1756:July 29,
1705:July 28,
1640:July 29,
1539:AllMusic
1515:July 28,
1462:July 28,
1434:July 28,
1412:July 28,
1258:producer
808:The Wire
550:AllMusic
283:AllMusic
212:Hypetrak
122:Producer
64:Recorded
56:Released
46: by
2153:Discogs
2060:. 2014.
2058:Sub Pop
1061:"#CAKE"
941:Suite 3
544:average
188:hip hop
167:(2017)
158:(2014)
149:(2012)
115:Sub Pop
1279:Charts
1267:mixing
1218:Length
1174:Length
1130:Length
1086:Length
1042:Length
987:Length
954:Length
899:Length
844:Length
437:8.2/10
277:Rating
274:Source
264:81/100
254:7.9/10
244:Rating
241:Source
93:Length
2089:200)"
1215:Title
1171:Title
1127:Title
1083:Title
1039:Title
984:Title
951:Title
896:Title
841:Title
666:Rank
633:'
597:psych
593:'
554:avant
110:Label
73:Genre
2072:link
2036:2020
2009:2020
1983:2020
1955:2022
1927:2020
1901:2020
1873:2020
1845:2020
1817:2020
1789:2018
1781:Spin
1758:2014
1707:2014
1676:2018
1642:2014
1608:2018
1577:2018
1546:2019
1517:2014
1489:2019
1464:2014
1436:2014
1414:2014
1392:2018
1295:Peak
1240:4:02
1229:4:02
1196:2:08
1185:3:43
1152:3:49
1141:1:22
1108:1:41
1097:2:09
1064:4:02
1053:0:39
1020:2:12
1009:4:35
998:0:40
965:1:42
932:1:35
921:1:58
910:1:32
877:3:22
866:3:48
855:3:56
670:Ref.
629:Spin
525:9/10
520:Spin
425:8/10
190:duo
2151:at
1379:NME
1347:10
1334:US
1316:US
1311:58
1307:200
1302:US
1211:No.
1190:18.
1179:17.
1167:No.
1146:16.
1135:15.
1123:No.
1102:14.
1091:13.
1079:No.
1058:12.
1047:11.
1035:No.
1014:10.
980:No.
947:No.
892:No.
837:No.
799:28
786:16
769:35
752:14
737:32
703:26
686:32
602:NME
420:NME
2301::
2127:.
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2068:}}
2064:{{
2056:.
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1376:.
1362:^
1344:)
1329:7
1326:)
1265:–
1234:2.
1223:1.
1003:9.
992:8.
959:7.
926:6.
915:5.
904:4.
871:3.
860:2.
849:1.
816:7
720:1
337:B+
325:A−
102:53
98:44
2182:e
2175:t
2168:v
2074:)
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2011:.
1985:.
1957:.
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1338:(
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444:Q
100::
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