128:. It is generally considered to be the definitive scholarly work on Carroll's (real name Charles Lutwidge Dodgson) life. Cohen's approach is mainly chronological, with some chapters grouped by theme, such as those on Carroll's religion, his love of little girls, and his guilty feelings. Cohen, a Carroll scholar for 30 years, opts to use Dodgson's first name, Charles, throughout the work, because it "seems most appropriate in a book dealing with the intimacy of his life".
139:"We cannot know to what extent sexual urges lay behind Charles's preference for drawing and photographing children in the nude. He contended that the preference was entirely aesthetic. But given his emotional attachment to children as well as his aesthetic appreciation of their forms, his assertion that his interest was strictly artistic is naĂŻve. He probably felt more than he dared acknowledge, even to himself."
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of the child prevalent in that era. Contrariwise, a website set up by opponents (including Leach) of the traditional
Carroll image, reports that while Cohen acknowledges the paedophilic nature of Carroll's image, he "Inexplicably he lists the numbers of intimate woman-friends that Dodgson had through
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criticises Cohen's interpretation of
Carroll's relationship with his archdeacon father; his "insecure grasp of 19th-century ecclesiastical history"; his prose, which Warwick called clichéd; and his choice to use Dodgson's first name, which Warwick said was not used even by Dodgson's most intimate
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reported that there were issues with inconsistent references. Miles Edward Friend compares Cohen's handling of the material to
Carroll's boat trips with the children, saying, "With Cohen at the tiller, we are deftly guided through the flow of Carroll's life." Ronald Warwick in
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Using
Beloved Classics to Deepen Reading Comprehension: Rich Lessons and Literature Response Activities That Improve Kids' Reading Comprehension, Build Writing Skills, and Really Engage Each and Every Reader
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While attributing the source of
Carroll's chaotic emotional life to his sexual urges, Cohen opined that they were also responsible for his creative works.
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writes that "This beautifully written bio never shies away from the house-of-mirrors complexity of its subject." An issue of
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171:(1998) criticises the book for what they say is a poor treatment of Carroll's involvement in controversies at the
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The book generally assumes that
Carroll's love of little girls was not just emotional but sexual—that he was a
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his life, yet still concludes that his existence revolved exclusively around friendships with small girls!"
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In the Shadow of the
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347:. carrollmyth.com (Contrariwise). Retrieved 9 September 2010.
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The Alice
Companion: A Guide to Lewis Carroll's Alice Books
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