852:
somewhere in
Vincennes with Joël and Jean-Michel; they were drunk, needless to say, and refused to open up to the police, who left and came back with reinforcements. In the confusion they lost the seal of the Letterist International. Linda not sentenced yet. Sarah still in the reformatory—but her sister, sixteen and a half, has taken her place. There have been other arrests, for narcotics, for who knows what else. It's getting very tiresome. There is G-E, who has just spent ten days in a nursing home where his parents sent him following a failed attempt to gas himself. He's back in the neighbourhood now. Serge is due out on 12 May. The day before yesterday I threw up royally outside Moineau's. The latest diversion in the neighbourhood is spending the night in the
447:
567:, painters, film-makers, revolutionaries, bohemians, alcoholics, petty criminals, lunatics, under-age girls and self-proclaimed failures. In the Summer of 1953, their average age was a mere twenty years, rising to twenty nine and a half in 1957. In their blend of intellectualism, protest and hedonism—though differing in other ways, for instance in their total rejection of spirituality—they might be viewed as French counterparts of the American
4691:
423:
435:
43:
642:, subsequently to become the official base of the Situationist International (but invariably referred to by both groups as "Rue de la Montagne-Geneviéve", signalling their disdain for religion). This was in fact the address of a bar, Tonneau d'Or, and indeed most of their time was spent either drinking in a number of bars in
638:(where Brau's father lived). Anyone collaborating with 'Isouian activities', they declared, would be automatically excluded, even if this was being done in defence of the LI. 'It is in the transcendence of arts that everything has yet to be done.' The official base of the group was at 32, Rue de la Montagne-Sainte-Geneviéve,
843:, dressed in a Dominican's habit, took to the pulpit and began to address the congregation, informing them, before anyone realised that anything was amiss, that God was dead, and that the Catholic Church was "appropriating our life force in the name of an empty heaven", and "infecting the world with its morality of death".
1027:
was a semi-fictionalised contemporary account of the scene, written in 1953 but lost until recently: it was published by
Editions Allia in 2006. Also recently published by the same house are a biography of Ivan Chtcheglov and a separate collection of his writings. In October 2010, an unpublished text
1245:
A vrai dire, il faut en finir avec toute notion de propriété personnelle en cette matière. Le surgissement d'autres nécessités rend caduques les réalisations 'géniales' précédentes. Elles deviennent des obstacles, de redoutables habitudes. La question n'est pas de savoir si nous sommes ou non-portés
733:
no. 8. They argued: "In truth, it is necessary to do away with the whole notion of personal property in this area. The emergence of new demands renders earlier 'great works' obsolete. They become obstacles, bad habits. It is not a question of whether we like them or not. We must pass them by." These
936:
Several others also passed through the LI during its five years of existence, including André-Frank Conord, Jacques Fillon, Abdelhafid Khatib, Henry de Béarn and Gaëtan M. Langlais. In addition, the central members (almost all of them men), would sometimes include their girlfriends' names (usually
851:
I am back! ... Where were things when you left? Joël has been out for a long time, on probation. Jean-Michel and Fred are now free, too (for stealing from parked cars—and under the influence, naturally). Little Eliane got out of police custody last week after a dramatic arrest in a maid's room
609:
entitled "No More Flat Feet", which concluded: "The footlights have melted the make-up of the supposedly brilliant mime. All we can see now is a lugubrious and mercenary old man. Go home Mister
Chaplin." Isou was keen to distance himself from his younger acolytes' tract. His own attitude was that
1086:(Stockport: Dewi Lewis Publishing, 1999). Ed van der Elsken was a Dutch photographer, who captured the scene around Moineau's during the period. Included among the people depicted in this book (first published 1956) are a few members and associates of the LI (particularly Mension and PapaĂŻ).
548:) was the form the group themselves used, as in their 1955 sticker: 'If you believe you have genius, or if you think you have only a brilliant intelligence, write the letterist internationale.' Though the spelling 'Lettrist' is also common in English, authors and translators such as
941:(1935–?). An alumna of the same Auteuil orphanage the letterists had attempted to liberate, she was first the girlfriend of Debord, then the wife of Mension, and finally the wife of Brau. Debord recalled her fondly in many of his later films and writings, and she herself (as
819:
Debord's legendary 1953 graffito, "Ne travaillez jamais!" ("Never work!"), inscribed on a wall at the corner of the Rue de
Mazarine and Rue de Seine. The slogan would later reappear in May 1968, and summed up the ethos of both the LI and the Situationist International after
688:). In the latter, Chtcheglov advocated a new city where, as he wrote, "each person will live in his own personal 'cathedral'. There will be rooms that produce dreams better than drugs, and houses where it will be impossible to do anything but love." He declared, "
610:
Chaplin deserved respect as one of the great creators of the cinematic art. The breakaway group felt that he was no longer relevant, and they turned Isou's own words back against him: "We appreciated the importance of
Chaplin's work
661:", to designate what they saw as a pattern of emotive force-fields that would permeate a city. The dérive would enable them to map out these forces, and these results could then be used as a basis upon which to build a system of
729:, a technique of reutilising plagiarised material (literary, artistic, cinematic, etc.) for a new and usually radical purpose. The defining LI text here was the 1956 "A User's Guide to DĂ©tournement", by Debord and Wolman, from
734:
techniques were subsequently used extensively by the
Situationists. In addition, such characteristically situationist concepts as the construction of situations and the supersession of art were first developed by the LI.
625:
in June 1952, even before the
Chaplin intervention and the public split from Isou, it was not formally established until 7 December 1952. The four signatories of the Chaplin tract (Debord and Wolman, together with
571:, particularly in the form it took during exactly the same period, i.e. before anyone from either group achieved notoriety, and were still having the adventures that would inform their later works and ideas.
614:, but we know that today novelty lies elsewhere, and 'truths which no longer entertain become lies' (Isou)." As they proceeded to explain, "the most urgent exercise of liberty is the destruction of idols".
484:
4533:
866:(1989): "Between the rue du Four and the rue de Buci, where our youth so completely went astray as a few glasses were drunk, one could feel certain that we would never do any better."
653:, or drift, where they would wander like clouds through the urban environment for hours or sometimes even days on end. During their wanderings in the Summer of 1953, an "illiterate
3158:
1051:
1273:
847:
An extract from a letter of Gil Wolman to Jean-Louis Brau, of 20 July 1953, gives a clear impression of what the group and their associates tended to get up to from day to day:
990:
appeared in
November 1957 and July 1959, now with the revised subtitle "Information bulletin of the Situationist International". Each issue comprised between one and four
788:(IMIB), and important links between the two groups were consolidated. Wolman himself was excluded from the LI shortly afterwards, but the remaining members, Debord and
477:
1000:, though not an LI publication, published some of their most important articles. All of these texts, together with a few other miscellaneous tracts, are reprinted in
1629:
785:
324:
749:
no. 12), they were hit hard by an earthquake there on 9 September 1954, although initial reports that most of them had been killed turned out to be unfounded (
3521:
470:
4028:
154:
1523:
1168:
270:
338:
2046:
4310:
3248:
2845:
2279:
2330:
1115:
797:
1890:
1499:
4720:
4035:
3487:
2611:
2012:
1957:
1622:
1573:
3665:
2516:
1322:
3744:
3739:
2075:
824:
Although pre-dating the formation of the LI (but directly involving Serge Berna, and inspiring the others), one might also mention:
346:
1153:
2750:
2002:
48:
4170:
3643:
1934:
1850:
280:
3923:
3472:
1951:
1660:
1615:
682:'s "Formulary for a New Urbanism" (written October 1953, but not published until June 1958 in the first issue of the journal
262:
248:
4730:
3012:
2765:
832:, causing a small-scale riot in protest at how "youth suffers in slavery, or is super-exploited by the seniority system."
4394:
3766:
3607:
3435:
2240:
2152:
2125:
1565:
1538:
1431:
287:
100:
1028:
from the LI has just been released that recalls the adventures of the letterists between 1945 and
February 1953 :
4055:
2422:
1596:
125:
3709:
4352:
3968:
3791:
3165:
2779:
2755:
2308:
2267:
1980:
860:
Decades later, Debord would nostalgically (though also somewhat ambiguously) sum up the spirit of the times in his
684:
538:
332:
34:
816:, on no other grounds than that its lights were shining through his bedroom window and keeping him awake at night.
3551:
3430:
3386:
2794:
2437:
2405:
718:. They produced a broad range of proposals: the abolition of museums and the placing of art in bars, keeping the
643:
406:
965:
741:
section of the LI was established in April 1953 by Hadj
Mohamed Dahou, Cheik Ben Dhine and Ait Diafer. Based at
4725:
4298:
3953:
3796:
3781:
3592:
3462:
3336:
3128:
3083:
3044:
2985:
2956:
2356:
1492:
856:—another of Joël's bright ideas. I have a good many projects which are liable to remain just that—projects. ...
765:
3452:
2252:
978:
1232:
937:
first names only) among the signatories to their texts. Worthy of special mention among these girlfriends is
4476:
3653:
3597:
3585:
3408:
3403:
2963:
2567:
2410:
2325:
2191:
1985:
781:
110:
1082:
665:. Among their most important texts on these matters were Debord's "Theory of the DĂ©rive" (published in the
4694:
4587:
4235:
4185:
4145:
4108:
4008:
3648:
2968:
2946:
2806:
2120:
2115:
1315:
549:
212:
1353:
953:
808:
Besides the Charlie Chaplin protest, some of the more noteworthy/startling activities of the LI include:
4225:
4200:
4165:
4101:
4023:
3801:
3776:
3756:
3391:
3270:
3175:
1734:
1656:
597:
396:
4735:
4347:
3928:
3697:
3602:
3396:
3326:
3242:
3116:
2919:
2895:
2745:
2545:
2235:
2070:
1975:
1909:
1840:
1759:
1749:
1739:
1697:
1162:
1023:(1961), present fictionalised accounts of her life with Debord during this period. Patrick Straram's
996:
929:
917:
887:
789:
698:
674:
627:
518:
509:-based collective of radical artists and cultural theorists between 1952 and 1957. It was created by
376:
197:
162:
1094:
The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International
4570:
4155:
4071:
4040:
3918:
3893:
3881:
3682:
3568:
3415:
3088:
2760:
2366:
2303:
2289:
2167:
2087:
2065:
1607:
1485:
1381:
923:
840:
793:
602:
391:
366:
135:
70:
938:
4612:
4315:
4220:
4160:
3903:
3825:
3761:
3575:
3536:
3492:
3379:
3331:
3280:
3207:
3034:
2821:
2596:
2470:
2400:
2262:
2257:
2034:
1799:
1764:
1421:
1104:
942:
911:
899:
853:
631:
522:
177:
120:
115:
4670:
3851:
3531:
722:
open all night, opening the roofs of Paris like pavements with escalators to help gain access.
4715:
4340:
4293:
4263:
4123:
3993:
3908:
3898:
3714:
3563:
3546:
3420:
3039:
3017:
3002:
2973:
2926:
2789:
2735:
2725:
2606:
2577:
2284:
2196:
2186:
2173:
2162:
1825:
1774:
1754:
1729:
1685:
1374:
1308:
1111:
1077:
893:
836:
715:
381:
227:
217:
202:
187:
1148:
4676:
4622:
4580:
4283:
4076:
3621:
3499:
3212:
3195:
3153:
3148:
3143:
3061:
3007:
2730:
2675:
2572:
2540:
2511:
2390:
2383:
2378:
2351:
2213:
2208:
1885:
1646:
1395:
662:
451:
439:
427:
140:
130:
4649:
4597:
4454:
4379:
4303:
4128:
4118:
4013:
3998:
3978:
3861:
3771:
3734:
3719:
3467:
3374:
3316:
3138:
3133:
2890:
2859:
2811:
2501:
2432:
2417:
2245:
2223:
2144:
2092:
2082:
2054:
2007:
1990:
1914:
1855:
1845:
1789:
1784:
1015:
gathers many LI texts, including some never before published. Michèle Bernstein's novels,
905:
679:
658:
592:
588:
568:
457:
167:
105:
2481:
1011:, was directly concerned with the early days of the LI. The new Gallimard edition of his
726:
689:
90:
16:
Parisian collective of radical artists and cultural theorists, precursor to Situationists
1295:
968:
was founded more recently and is independent of (though inspired by) the earlier group.
4659:
4627:
4575:
4523:
4506:
4496:
4424:
4086:
3963:
3933:
3830:
3818:
3692:
3626:
3558:
3425:
3321:
3024:
2720:
2703:
2660:
2601:
2465:
2395:
2109:
2102:
2024:
1941:
1794:
1458:
829:
386:
222:
192:
95:
75:
646:, principally at Chez Moineau on the Rue du Four, or else simply walking the streets.
4709:
4560:
4528:
4389:
4384:
4367:
4195:
4190:
4175:
4150:
4140:
4091:
4045:
3751:
3729:
3660:
3526:
3355:
3258:
3234:
3217:
3190:
3185:
3170:
2951:
2941:
2936:
2840:
2589:
2550:
2489:
2315:
2272:
1970:
1902:
1744:
1722:
1638:
1546:
1402:
1367:
1157:
1089:
881:
719:
654:
635:
622:
557:
514:
401:
4639:
4592:
4548:
4538:
4501:
4471:
4434:
4409:
4399:
4362:
4205:
3988:
3856:
3580:
3509:
3306:
3229:
3095:
2980:
2931:
2835:
2816:
2784:
2681:
2621:
2616:
2361:
2181:
2019:
1877:
1860:
1820:
1815:
1769:
1707:
1388:
1360:
1062:
1058:
1046:
813:
769:
580:
564:
530:
313:
207:
4634:
2495:
757:
section was also established in late 1954, but were almost immediately excluded (
4555:
4518:
4459:
4335:
4330:
4325:
4273:
4268:
4210:
4135:
4113:
4050:
4003:
3943:
3913:
3835:
3677:
3515:
3504:
3477:
3447:
3311:
3285:
3202:
3123:
3111:
3066:
3056:
3051:
3029:
2990:
2826:
2801:
2774:
2715:
2686:
2648:
2555:
2523:
2475:
2203:
2131:
1924:
1865:
1779:
1717:
1677:
1530:
1465:
754:
591:). The schism developed when the 'left-wing' of the Letterist group disrupted a
553:
318:
255:
4602:
4429:
4414:
4374:
4320:
4288:
4180:
4018:
3973:
3866:
3672:
3482:
3350:
3071:
2873:
2665:
2653:
2506:
2427:
2294:
2060:
1965:
1919:
1897:
1712:
1702:
1690:
1642:
1508:
1346:
991:
875:
777:
693:
669:
618:
526:
510:
371:
182:
172:
4664:
4654:
4617:
4449:
4439:
4419:
4404:
4245:
4215:
3948:
3871:
3290:
3076:
2913:
2670:
2371:
2320:
2218:
2029:
1835:
1806:
1043:(London: Verso, 2002). The most compendious source of information on the LI.
862:
80:
702:, no. 6, September 1955), Debord described a colleague's drift through the
650:
85:
692:
must be built", a remark which would later inspire the name of the famous
42:
4644:
4565:
4513:
4444:
4357:
4278:
4230:
4096:
4081:
3938:
3876:
3808:
3702:
3687:
3361:
3275:
3265:
3253:
2997:
2852:
2460:
2157:
2097:
1929:
1331:
1290:
1128:
584:
534:
65:
25:
828:
A 1950 letterist attempt at the "liberation" of a Catholic orphanage at
649:
There was a serious purpose behind their ambulation. They developed the
434:
3983:
3786:
3724:
3541:
3440:
3180:
2907:
2902:
2740:
2628:
2584:
2346:
2041:
878:(1931–1994) (generally using the name 'Guy-Ernest' during this period).
738:
707:
666:
606:
796:
where, on 28 July 1957, the LI officially fused with the IMIB and the
4607:
4466:
4240:
3958:
3888:
3457:
3369:
3224:
2455:
1997:
711:
1002:
Documents Relatifs A La Fondation De L'Internationale Situationniste
1108:
L'arpenteur de la ville: L'utopie situationniste et Patrick Straram
982:
bulletin between 1952 and 1954, followed by twenty eight issues of
2691:
1946:
1830:
773:
742:
639:
506:
4543:
3345:
703:
696:
night-club. In "Introduction to a Critique of Urban Geography" (
1611:
1481:
1304:
1477:
617:
Although the LI had in fact already been covertly formed by
1300:
902:(1926-2010) (aka Midhou or just Mohamed Dahou) Joined 1953.
634:) agreed on a constitution for the group during a visit to
725:
Another important notion developed by the LI, was that of
4534:
Art in the Protestant Reformation and Counter-Reformation
537:
group. The group went on to join others in forming the
932:(1930–1985) (known as "Bull Dog Brau"). Excluded 1953.
745:('the most letterist city in the world' according to
764:
In September 1956, Wolman represented the LI at the
4489:
4254:
4064:
3844:
3636:
3620:
3299:
3104:
2883:
2872:
2702:
2639:
2532:
2448:
2339:
2143:
1876:
1676:
1667:
1584:
1557:
1515:
1443:
1412:
1338:
908:(1933–1998) (known as "Gilles Ivain"). quit 1954.
945:) produced a book on the Situationists in 1968,
714:. This is still a favourite methodology amongst
563:The group was a motley assortment of novelists,
541:, taking some key techniques and ideas with it.
1231:Debord, Guy-Ernest; Wolman, Gil J. (May 1956).
947:Le situationnisme ou la nouvelle internationale
786:International Movement for an Imaginist Bauhaus
737:In addition to the central Parisian group, an
1623:
1493:
1316:
1007:Debord's 1959 collaboration with Asger Jorn,
478:
8:
1274:Musée D'Art Moderne, Saint-Etienne Métropole
579:The LI was the first breakaway faction from
560:use the 'Letterist International' spelling.
1110:. (Les Éditions Triptyque, Montreal, 2003)
986:from 1954 to 1957. A further two issues of
3633:
2880:
1673:
1630:
1616:
1608:
1500:
1486:
1478:
1323:
1309:
1301:
1032:(Paris: Jean-Paul Rocher, Ă©diteur, 2010).
956:founded a Second Letterist International (
485:
471:
20:
587:. (They would be followed in turn by the
1524:Report on the Construction of Situations
800:to form the Situationist International.
776:. This conference had been organised by
1140:
32:
4311:Contemporary Indigenous Australian art
1246:Ă les aimer. Nous devons passer outre.
812:Ivan Chtcheglov's plan to blow up the
2331:Art of the late 16th century in Milan
798:London Psychogeographical Association
7:
976:The LI published four issues of the
605:in October 1952. They distributed a
1296:Debord and Wolman's 'Why Letterism'
3666:Vienna School of Fantastic Realism
2517:Neoclassical architecture in Milan
1235:(in French). biblioteque-virtuelle
920:(1934–88). Joined 1953, quit 1954.
14:
3740:American Figurative Expressionism
2076:International Gothic art in Italy
962:Deuxième Internationale Lettriste
347:Second Situationist International
4690:
4689:
3249:Neue KĂĽnstlervereinigung MĂĽnchen
952:Jean-Louis Brau, Gil Wolman and
445:
433:
421:
41:
4171:Tunisian collaborative painting
3644:International Typographic Style
1233:"Mode d'emploi du détournement"
281:The Revolution of Everyday Life
3924:The Caribbean Artists Movement
1208:, no. 1, emphasis in original.
1074:(London: Jonathan Cape, 2001).
839:of Easter Sunday, 1950, where
657:" suggested to them the term "
263:On the Poverty of Student Life
1:
2280:Dutch and Flemish Renaissance
1194:Internationale situationniste
1182:Internationale situationniste
926:. (1934–2006). Excluded 1954.
710:, blindly following a map of
685:Internationale Situationniste
678:, no. 9, November 1956), and
325:International Movement for an
4395:Modern European ink painting
3767:Bay Area Figurative Movement
1574:The Society of the Spectacle
1566:Hurlements en faveur de Sade
1539:The Society of the Spectacle
1432:Hurlements en faveur de Sade
288:The Society of the Spectacle
249:Can Dialectics Break Bricks?
4056:Artificial intelligence art
1067:(Stirling: Ak Press, 1991).
884:(1929–1995). Excluded 1957.
4752:
4721:Situationist International
3969:Post-painterly abstraction
3792:Situationist International
3166:Pennsylvania Impressionism
1025:Les bouteilles se couchent
966:New Lettrist International
539:Situationist International
333:Situationist International
271:Report on the Construction
35:Situationist International
4685:
3552:California Scene Painting
3431:California Scene Painting
3387:Figurative Constructivism
2438:Poussinists and Rubenists
1654:
1291:A few LI texts in English
1147:Kaufmann, Vincent (2011)
1096:. (New York: Verso, 2011)
914:(1925?–?). Excluded 1953.
896:(1925–1984). Joined 1955.
766:World Congress of Artists
407:Youth International Party
49:It is forbidden to forbid
4650:Prehistoric European art
4299:Contemporary African art
3782:Gendai Bijutsu Kondankai
3710:GeneraciĂłn de la Ruptura
3337:Universal Constructivism
3129:California Impressionism
3084:American Barbizon school
1206:Internationale lettriste
1055:(London: Penguin, 1989).
1030:Visages de l'avant-garde
1004:(Editions Allia, 1985).
979:Internationale Lettriste
327:Imaginist Bauhaus (IMIB)
4477:Walking Artists Network
3814:Letterist International
3654:Washington Color School
2568:Arts in the Philippines
1592:Letterist International
1452:Letterist International
1017:Tous les chevaux du roi
792:, subsequently visited
499:Letterist International
339:Council for Maintaining
309:Letterist International
4588:Illuminated manuscript
4236:The Designers Republic
4186:Neue Slowenische Kunst
4109:Pattern and Decoration
4009:Institutional critique
3649:Abstract expressionism
2629:Latin American Baroque
2585:Colonial Asian Baroque
1270:Figures de la négation
1166:. English translation
1064:The Assault on Culture
1039:Mension, Jean-Michel.
858:
644:Saint-Germain-des-Prés
550:Donald Nicholson-Smith
213:Gianfranco Sanguinetti
4226:Artist-run initiative
4201:Young British Artists
4166:New European Painting
4102:Moscow Conceptualists
4024:Feminist art movement
3802:Ukrainian underground
3777:Gutai Art Association
3176:Ten American Painters
2680:Western influence in
1657:List of art movements
1083:Love on the Left Bank
890:(1932–). Joined 1954.
849:
595:press conference for
397:Libertarian socialism
4731:French art movements
4036:Saqqakhaneh movement
3929:Chicano art movement
3797:Soviet Nonconformist
3603:Boston Expressionism
3586:Abstraction-Création
3404:Arbeitsrat fĂĽr Kunst
3397:Cologne Progressives
3117:Art Nouveau in Milan
2920:Anglo-Japanese style
2896:National romanticism
2326:Fontainebleau School
2236:Northern Renaissance
2071:International Gothic
452:Communism portal
440:Socialism portal
428:Anarchism portal
198:Constant Nieuwenhuys
4571:Hierarchy of genres
4136:Saint Soleil School
4072:Post-conceptual art
4041:The Stars Art Group
3919:Black Arts Movement
3882:Neo-Dada Organizers
3683:Lyrical abstraction
3416:Australian tonalism
3089:California Tonalism
2761:Hudson River School
2564:Colonial Asian art
2304:English Renaissance
2253:Ghent–Bruges school
2241:Early Netherlandish
2153:Italian Renaissance
2066:Gothic art in Milan
1257:Quoted in Mension,
1035:Sources in English
924:Jean-Michel Mension
392:Libertarian Marxism
367:Anarchist communism
71:Class consciousness
4613:Landscape painting
4221:New Leipzig School
4161:Neo-conceptual art
3909:Art & Language
3904:Capitalist realism
3826:Florida Highwaymen
3762:Hard-edge painting
3576:Streamline Moderne
3537:Harlem Renaissance
3380:Novecento Italiano
3208:Deutscher Werkbund
3035:Post-Impressionism
2597:Latin American art
2401:Guild of Romanists
2263:German Renaissance
2258:Northern Mannerism
1422:Venom and Eternity
1078:van der Elsken, Ed
900:Hadj Mohamed Dahou
575:History and theory
178:Jacqueline de Jong
121:Situationist prank
116:Situation (Sartre)
4703:
4702:
4485:
4484:
4341:Corporate Memphis
4294:Classical Realism
4264:Amazonian pop art
4156:Appropriation art
4124:Neo-expressionism
3994:Environmental art
3899:Nouvelle tendance
3616:
3615:
3564:Socialist realism
3421:Dresden Secession
3040:Neo-Impressionism
3003:Decadent movement
2974:Heidelberg School
2868:
2867:
2766:American luminism
2751:DĂĽsseldorf School
2746:Shoreham Ancients
2736:Nazarene movement
2726:Danish Golden Age
2607:Indochristian art
2285:Antwerp Mannerism
2174:Pittura infamante
2168:Florentine School
2163:Proto-Renaissance
1605:
1604:
1475:
1474:
1163:Institut français
1116:978-2-89031-476-4
894:Alexander Trocchi
888:Michèle Bernstein
837:Notre-Dame Affair
790:Michèle Bernstein
716:psychogeographers
495:
494:
382:Council communism
218:Alexander Trocchi
203:Charles Radcliffe
163:Michèle Bernstein
4743:
4693:
4692:
4677:Western painting
4623:Modern sculpture
4581:History painting
4284:Art intervention
4077:Installation art
3894:Nouveau réalisme
3634:
3608:Leningrad School
3500:Mexican muralism
3473:Grosvenor School
3213:American Realism
3196:Der Blaue Reiter
3154:Berlin Secession
3149:Vienna Secession
3144:Munich Secession
3062:Pont-Aven School
2881:
2731:Troubadour style
2709:(c. 1770 – 1862)
2676:Qing handicrafts
2642:Western elements
2573:Letras y figuras
2546:African-American
2541:African diaspora
2512:Directoire style
2423:Heptanese school
2406:Dutch Golden Age
2391:Stroganov School
2384:Lutheran Baroque
2379:Louis XIII style
2352:Baroque in Milan
2214:Bolognese School
2209:High Renaissance
2192:Forlivese School
2187:Ferrarese School
1910:Migration Period
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1172:by Martin Richet
1156:23 July 2011 at
1145:
1070:Hussey, Andrew.
954:François Dufrêne
794:Cosio d'Arroscia
663:unitary urbanism
603:HĂ´tel Ritz Paris
589:Ultra-Letterists
487:
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360:Related articles
141:World revolution
136:Workers' council
131:Unitary urbanism
101:Internationalism
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4726:Psychogeography
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4598:Interactive art
4481:
4455:SoFlo Superflat
4380:Kitsch movement
4304:Africanfuturism
4256:
4250:
4129:Transavantgarde
4060:
4014:Light and Space
3999:Performance art
3979:Psychedelic art
3862:Nueva Presencia
3852:Otra FiguraciĂłn
3840:
3772:Les Plasticiens
3757:New York School
3735:Action painting
3720:Metcalf Chateau
3629:
3624:
3612:
3532:Cercle et Carré
3468:New Objectivity
3375:Return to order
3317:School of Paris
3295:
3139:School of Paris
3100:
2986:Arts and Crafts
2891:Neo-romanticism
2876:
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2860:Etching revival
2812:Barbizon school
2756:Pre-Raphaelites
2708:
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2502:Louis XVI style
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2433:Louis XIV style
2396:Animal painting
2357:Flemish Baroque
2335:
2246:World landscape
2197:Venetian School
2139:
2126:Majorcan school
2093:Novgorod School
2083:Lucchese School
2055:Opus Anglicanum
2047:Norman-Sicilian
1991:Italo-Byzantine
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1052:Lipstick Traces
997:Les Lèvres Nues
974:
964:) in 1964. The
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918:Patrick Straram
906:Ivan Chtcheglov
872:
806:
731:Les Lèvres Nues
699:Les Lèvres Nues
680:Ivan Chtcheglov
675:Les Lèvres Nues
659:Psychogeography
628:Jean-Louis Brau
612:in its own time
593:Charlie Chaplin
577:
569:Beat Generation
519:Jean-Louis Brau
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195:
190:
188:Attila Kotányi
185:
180:
175:
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165:
159:
158:
153:
152:
149:
148:
144:
143:
138:
133:
128:
123:
118:
113:
108:
103:
98:
96:General strike
93:
88:
83:
78:
76:Class struggle
73:
68:
62:
61:
58:
57:
54:
53:
46:
38:
37:
30:
29:
15:
13:
10:
9:
6:
4:
3:
2:
4748:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
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4714:
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4711:
4696:
4688:
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4675:
4673:
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4668:
4666:
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4611:
4609:
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4599:
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4589:
4586:
4582:
4579:
4577:
4574:
4573:
4572:
4569:
4567:
4564:
4562:
4561:Fantastic art
4559:
4557:
4554:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4531:
4530:
4529:Christian art
4527:
4525:
4522:
4520:
4517:
4515:
4512:
4508:
4505:
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4503:
4500:
4498:
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4433:
4431:
4430:Skeuomorphism
4428:
4426:
4423:
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4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4393:
4391:
4390:Massurrealism
4388:
4386:
4385:Lightpainting
4383:
4381:
4378:
4376:
4373:
4369:
4368:Post-Internet
4366:
4365:
4364:
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4280:
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4272:
4270:
4267:
4265:
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4261:
4259:
4253:
4247:
4244:
4242:
4241:Grunge design
4239:
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4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4212:
4209:
4207:
4204:
4202:
4199:
4197:
4196:Retrofuturism
4194:
4192:
4191:Scratch video
4189:
4187:
4184:
4182:
4179:
4177:
4176:Memphis Group
4174:
4172:
4169:
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4162:
4159:
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4151:Telematic art
4149:
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4141:Guerrilla art
4139:
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4115:
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4092:Endurance art
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3778:
3775:
3773:
3770:
3768:
3765:
3763:
3760:
3758:
3755:
3753:
3752:New media art
3750:
3746:
3743:
3742:
3741:
3738:
3736:
3733:
3731:
3730:Nanyang Style
3728:
3726:
3723:
3721:
3718:
3716:
3713:
3711:
3708:
3704:
3701:
3699:
3696:
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3685:
3684:
3681:
3679:
3676:
3674:
3671:
3667:
3664:
3663:
3662:
3661:Visionary art
3659:
3655:
3652:
3651:
3650:
3647:
3645:
3642:
3641:
3639:
3635:
3632:
3628:
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3609:
3606:
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3601:
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3562:
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3550:
3549:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3527:Scuola Romana
3525:
3523:
3520:
3518:
3517:
3513:
3511:
3508:
3506:
3503:
3501:
3498:
3494:
3491:
3489:
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3481:
3479:
3476:
3474:
3471:
3469:
3466:
3464:
3461:
3459:
3456:
3454:
3453:Anthropophagy
3451:
3449:
3446:
3442:
3439:
3438:
3437:
3436:Functionalism
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3410:
3407:
3406:
3405:
3402:
3398:
3395:
3393:
3390:
3389:
3388:
3385:
3381:
3378:
3377:
3376:
3373:
3371:
3368:
3364:
3363:
3359:
3358:
3357:
3356:Neoplasticism
3354:
3352:
3349:
3347:
3344:
3338:
3335:
3334:
3333:
3330:
3329:
3328:
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3304:
3302:
3298:
3292:
3289:
3287:
3284:
3282:
3279:
3277:
3274:
3272:
3269:
3267:
3264:
3260:
3259:Cubo-Futurism
3257:
3256:
3255:
3252:
3250:
3247:
3245:
3244:
3240:
3236:
3233:
3231:
3228:
3227:
3226:
3223:
3219:
3218:Ashcan School
3216:
3215:
3214:
3211:
3209:
3206:
3204:
3201:
3197:
3194:
3192:
3189:
3188:
3187:
3186:Expressionism
3184:
3182:
3179:
3177:
3174:
3172:
3171:Mir iskusstva
3169:
3167:
3164:
3160:
3157:
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3147:
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3141:
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3118:
3115:
3114:
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3110:
3109:
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3103:
3097:
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3028:
3026:
3023:
3019:
3016:
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3010:
3009:
3006:
3004:
3001:
2999:
2996:
2992:
2989:
2988:
2987:
2984:
2982:
2979:
2975:
2972:
2970:
2967:
2965:
2962:
2958:
2957:Boston School
2955:
2953:
2952:Hoosier Group
2950:
2949:
2948:
2945:
2944:
2943:
2942:Impressionism
2940:
2938:
2937:Peredvizhniki
2935:
2933:
2930:
2928:
2927:Beuron School
2925:
2921:
2918:
2917:
2916:
2915:
2911:
2909:
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2897:
2894:
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2879:
2875:
2871:
2861:
2858:
2854:
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2847:
2844:
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2842:
2841:Munich School
2839:
2838:
2837:
2834:
2828:
2825:
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2823:
2820:
2818:
2815:
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2810:
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2669:
2667:
2664:
2662:
2659:
2655:
2652:
2651:
2650:
2647:
2646:
2644:
2640:Art borrowing
2638:
2630:
2627:
2623:
2620:
2618:
2615:
2613:
2610:
2609:
2608:
2605:
2603:
2600:
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2595:
2591:
2590:Company style
2588:
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2510:
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2500:
2498:
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2490:Neoclassicism
2488:
2484:
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2472:
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2327:
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2316:Cretan School
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2302:
2296:
2293:
2291:
2288:
2286:
2283:
2282:
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2273:Danube school
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1750:Orientalizing
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1735:Sub-Mycenaean
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1585:Miscellaneous
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1562:
1560:
1556:
1549:
1548:
1547:A Game of War
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1516:Written works
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1403:Gil J. Wolman
1400:
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1368:Aude Jessemin
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1158:archive.today
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1059:Home, Stewart
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882:Gil J. Wolman
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841:Michel Mourre
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633:
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623:Gil J. Wolman
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558:Andrew Hussey
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544:'Letterist' (
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515:Gil J. Wolman
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469:
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466:
465:
459:
455:
453:
443:
441:
436:
431:
429:
419:
418:
417:
416:
408:
405:
403:
402:Ultra-leftism
400:
398:
395:
393:
390:
388:
385:
383:
380:
378:
375:
373:
370:
368:
365:
364:
357:
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348:
345:
342:
336:
334:
331:
328:
322:
320:
317:
315:
312:
310:
307:
306:
302:Organizations
299:
298:
290:
289:
285:
283:
282:
278:
276:
274:
273:of Situations
267:
265:
264:
260:
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64:
63:
56:
55:
50:
44:
40:
39:
36:
31:
27:
23:
22:
19:
4671:Trompe-l'Ĺ“il
4669:
4640:Outsider art
4593:Illustration
4549:Lutheran art
4539:Catholic art
4502:Abstract art
4472:Unilalianism
4435:Software art
4410:Neosymbolism
4400:Neo-futurism
4363:Internet art
4353:Hyperrealism
4206:Superfiction
3989:Photorealism
3857:Afrofuturism
3813:
3622:Contemporary
3598:Dimensionism
3581:Concrete art
3514:
3510:Precisionism
3360:
3307:Sosaku-hanga
3281:Productivism
3271:Metaphysical
3241:
3230:Proto-Cubism
3134:Secessionism
3096:Costumbrismo
2981:Aestheticism
2932:Hague School
2912:
2836:Academic art
2817:Costumbrismo
2785:Empire style
2622:Quito School
2617:Cusco School
2533:Colonial art
2494:
2482:FĂŞte galante
2480:
2449:18th century
2411:Delft School
2362:Caravaggisti
2340:17th century
2225:
2182:Quattrocento
2172:
2130:
2053:
1956:
1886:Late antique
1770:Severe style
1760:Black-figure
1647:Contemporary
1591:
1572:
1564:
1545:
1537:
1529:
1451:
1430:
1420:
1389:Anton Perich
1361:Isidore Isou
1271:
1266:
1258:
1253:
1244:
1237:. Retrieved
1226:
1218:
1213:
1205:
1201:
1193:
1189:
1181:
1177:
1167:
1161:
1149:
1143:
1107:
1105:Vachon, Marc
1099:
1093:
1081:
1071:
1063:
1050:
1040:
1034:
1029:
1024:
1020:
1016:
1012:
1008:
1006:
1001:
995:
992:mimeographed
987:
983:
977:
975:
972:Publications
961:
957:
951:
946:
939:Eliane PapaĂŻ
935:
861:
859:
850:
846:
823:
814:Eiffel Tower
807:
763:
758:
750:
746:
743:Orléansville
736:
730:
727:détournement
724:
697:
690:The Hacienda
683:
673:
648:
616:
611:
596:
581:Isidore Isou
578:
562:
545:
543:
531:Isidore Isou
517:rejoined by
502:
498:
496:
314:Golden Fleet
308:
286:
279:
268:
261:
254:
247:
208:Ralph Rumney
111:Recuperation
91:DĂ©tournement
24:Part of the
18:
4736:Walking art
4556:Digital art
4519:Avant-garde
4460:Superstroke
4336:Flat design
4331:Fictive art
4326:Excessivism
4274:Art for art
4269:Altermodern
4211:Taring Padi
4146:Lowbrow art
4114:Pliontanism
4051:Yoru no Kai
4004:Process art
3944:Systems art
3914:Arte Povera
3836:Antipodeans
3745:in New York
3715:Jikken KĹŤbĹŤ
3678:Color field
3547:Regionalism
3516:Aeropittura
3505:Neo-Fauvism
3478:Neues Sehen
3448:Kinetic art
3312:Suprematism
3286:Synchromism
3203:Noucentisme
3124:Primitivism
3112:Art Nouveau
3067:Cloisonnism
3057:Pointillism
3052:Divisionism
3030:Incoherents
2991:Art pottery
2877:(1863–1944)
2827:Macchiaioli
2802:Biedermeier
2790:Historicism
2775:Orientalism
2716:Romanticism
2687:Akita ranga
2539:Art of the
2524:Picturesque
2476:Chinoiserie
2471:Frederician
2309:Tudor court
2204:Cinquecento
2145:Renaissance
2132:Mappa mundi
2116:cartography
2008:Carolingian
2003:Merovingian
1986:Palaeologan
1958:RepoblaciĂłn
1915:Anglo-Saxon
1846:Gallo-Roman
1785:Hellenistic
1780:Kerch style
1718:Minyan ware
1466:Hypergraphy
1375:Jan KubĂÄŤek
1019:(1960) and
943:Eliane Brau
912:Serge Berna
753:no. 13). A
632:Serge Berna
565:sound poets
554:Sadie Plant
523:Serge Berna
319:Gruppe SPUR
228:René Viénet
193:Jørgen Nash
4710:Categories
4603:Jewish art
4415:Passionism
4375:iPhone art
4321:Cyborg art
4316:Crypto art
4289:Brandalism
4181:Cyberdelic
4046:Tropicália
4019:Street art
3974:Intermedia
3954:Minimalism
3673:Spatialism
3627:Postmodern
3483:Surrealism
3351:Shin-hanga
3191:Die BrĂĽcke
3159:Sonderbund
3072:Synthetism
2795:Revivalism
2704:Transition
2661:Manichaean
2507:Adam style
2428:Classicism
2367:in Utrecht
2295:Still life
2025:Romanesque
1981:Macedonian
1976:Iconoclast
1935:Visigothic
1841:Republican
1795:Indo-Greek
1765:Red-figure
1509:Guy Debord
1347:Guy Debord
1169:Guy Debord
1150:Guy Debord
876:Guy Debord
870:Membership
804:Adventures
778:Asger Jorn
706:region of
694:Manchester
670:surrealist
619:Guy Debord
585:Letterists
511:Guy Debord
372:Autonomism
183:Asger Jorn
173:Guy Debord
4665:Shock art
4655:Queer art
4635:NaĂŻve art
4618:Modernism
4450:Superflat
4440:Sound art
4420:Post-YBAs
4405:Neomodern
4246:Verdadism
4216:Superflat
4065:1970–1999
4029:in the US
3949:Video art
3872:Happening
3845:1960–1969
3637:1945–1959
3300:1915–1944
3291:Vorticism
3243:A Nyolcak
3105:1900–1914
3077:Les Nabis
3008:Symbolism
2964:Amsterdam
2914:Japonisme
2884:1863–1899
2846:in Greece
2706:to modern
2551:Caribbean
2496:Goût grec
2418:Capriccio
2372:Tenebrism
2321:Turquerie
2219:Mannerism
2114:Medieval
1971:Byzantine
1952:Mozarabic
1903:Ethiopian
1807:Neo-Attic
1790:"Baroque"
1775:Classical
1745:Geometric
1723:Mycenaean
1670:(Western)
1668:Premodern
1639:Premodern
1597:Spectacle
1259:The Tribe
1219:The Tribe
1217:Mension,
1041:The Tribe
863:Panegyric
854:Catacombs
761:no. 15).
672:magazine
598:Limelight
546:lettriste
126:Spectacle
81:Communism
28:series on
4716:Lettrism
4695:Category
4645:Portrait
4566:Folk art
4514:Anti-art
4445:Stuckism
4358:Idea art
4279:Art game
4231:Artivism
4119:Punk art
4097:Sots Art
4082:Artscene
3939:Land art
3877:Neo-Dada
3809:Lettrism
3703:Nuagisme
3688:Tachisme
3569:Nazi art
3362:De Stijl
3276:Rayonism
3266:Art Deco
3254:Futurism
3045:Luminism
3013:Romanian
2998:Tonalism
2969:Canadian
2947:American
2853:Neo-Grec
2461:Rocaille
2290:Romanism
2224:Counter-
2158:Trecento
2098:Duecento
2088:Crusades
2020:Ottonian
1998:Frankish
1878:Medieval
1861:Trajanic
1821:Scythian
1816:Etruscan
1708:Cycladic
1686:Thracian
1531:MĂ©moires
1526:" (1957)
1332:Lettrism
1221:, p. 52.
1160:for the
1154:Archived
1129:Anti-art
1123:See also
1009:MĂ©moires
994:sheets.
988:Potlatch
984:Potlatch
759:Potlatch
751:Potlatch
747:Potlatch
739:Algerian
535:Lettrist
505:) was a
256:MĂ©moires
66:Anti-art
59:Concepts
26:Politics
4660:Realism
4257:present
3984:Nut Art
3787:Pop art
3725:Mono-ha
3593:The Ten
3542:Kapists
3488:Iranian
3441:Bauhaus
3235:Orphism
3181:Fauvism
3018:Russian
2908:Nihonga
2822:Verismo
2807:Realism
2741:Purismo
2654:Moorish
2649:Islamic
2556:Haitian
2347:Baroque
2226:Maniera
2110:Mudéjar
2035:Spanish
1947:Pictish
1930:Lombard
1925:Insular
1866:Severan
1831:Gaulish
1826:Iberian
1755:Archaic
1698:Nuragic
1678:Ancient
1661:periods
1444:Related
1339:Artists
1261:, p. 63
1021:La Nuit
1013:Oeuvres
830:Auteuil
784:of the
708:Germany
667:Belgian
607:polemic
601:at the
4608:Kitsch
4467:Toyism
3959:Fluxus
3889:Op art
3458:Mingei
3392:Stupid
3370:Purism
3225:Cubism
2874:Modern
2666:Mughal
2456:Rococo
2061:Gothic
2042:Norman
1966:Viking
1920:Hunnic
1898:Coptic
1713:Minoan
1703:Aegean
1691:Dacian
1643:Modern
1577:(1974)
1569:(1952)
1550:(1987)
1542:(1967)
1534:(1959)
1435:(1952)
1425:(1951)
1239:2 June
1114:
958:D.I.L.
712:London
655:Kabyle
651:dérive
527:schism
155:People
86:DĂ©rive
4255:2000–
3698:COBRA
2692:Uki-e
2682:Japan
2671:Qajar
2030:Mosan
1836:Roman
1730:Greek
1413:Works
1135:Notes
820:them.
774:Italy
755:Swiss
720:Metro
640:Paris
529:from
525:as a
507:Paris
241:Works
4544:Icon
3867:ZERO
3625:and
3522:Asso
3346:Dada
2903:YĹŤga
1645:and
1241:2013
1112:ISBN
835:The
780:and
770:Alba
704:Harz
630:and
621:and
556:and
521:and
513:and
497:The
33:The
768:in
583:'s
533:'s
4712::
1641:,
1243:.
1092:.
1080:.
1061:.
1049:.
960:,
949:.
772:,
503:LI
1659:/
1631:e
1624:t
1617:v
1522:"
1501:e
1494:t
1487:v
1324:e
1317:t
1310:v
1272:(
1118:.
501:(
486:e
479:t
472:v
51:"
47:"
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