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Letters from Home (film)

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313: 390:, describes the film's narration style as "part story, part confessional and part spokesperson". The American media theorist Laura Marks writes that Hoolboom's multi-narrator approach allows the viewer a greater opportunity to empathise with AIDS patients; she writes that it is a more appropriate approach to the issue than "the heroic narrative centering on an individual's suffering" present in other works. In another publication she notes that the film shows a paradox of "having a body that is yours but not", as exemplified by the opening scene. 239: 410:
Cole praised the film, writing that lines such as "If I'm dying of anything it's the way you look at me. It's from the harsh cleanser you put on the toilet after I've used it" were highly powerful, emphasising that the general populace generally lacks knowledge on AIDS; she also noted the criticism
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is based on esthetics of "fragmentation and dispersal", emphasising the multicultural cast and camera work, which varies from "talking head" close-ups to voice overs. He notes the strength of the reuse of Russo's speech, in which the activist emphasised survival before dying in 1990, with the words
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with archive footage, home movies, hand-processed work, and original material. This footage includes material from Hoolboom's past, as well as archived footage of aircraft crashes, and a stuck car. It also features
446:; he notes that audiences often cried at screenings. Hallas writes that the film "exemplifies" the use of archival footage by LGBT media to "bear witness to the exigencies of AIDS" in modern times. 226:
and describing the treatment. The film then notes the work that is being done, interspersed with footage of two men kissing, but indicates that there is not enough support. It closes with
460:, it won Best Canadian Short Film; the judges remarked that it had "stunning vision and intensely moving testimony of life in the age of AIDS". The film also received two awards at the 1168: 1609: 1614: 215:, a woman tells of her friend who, when using a half-fare card, was told that she could not possibly be AIDS positive as she would have to be home dying. Director 222:
Several actors and actresses deliver thoughts, first regarding maltreatment of AIDS patients by the general public, then comparing living with AIDS to fighting
331:, which was delivered at a protest in 1988 which Hoolboom attended. It features bits written by Hoolboom itself. The majority of actors and actresses are from 461: 1161: 476: 1579: 1510: 1569: 312: 335:, where Hoolboom had established himself; they came from a variety of racial, generational, and gender backgrounds. At the time of release, combined 1604: 1574: 1079: 986: 916: 1154: 838: 813: 1594: 1029: 873: 802: 961: 767: 1584: 884: 457: 192: 1440: 1589: 1012:
Waugh, Thomas (2002). "Mike Hoolboom and the Second Generation of AIDS Films in Canada". In Beard, William; White, Jerry (eds.).
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Not all reviews were positive. The filmmaker Bart Testa gave a scathing review, describing Hoolboom as a "magpie montagist" like
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as showing Hoolboom's expertise in "captivat his audience" through the personal approach used. Tom McSorley, writing in
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having been refactored to show the need to both live with AIDS and to remember those who had died of the disease.
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was released as part of a two-disc DVD set of films and testimonials related to HIV/AIDS. Released by the
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M'entendez-vous? Journée d'étude sur la culture du témoignage de la séropositivité au VIH au Québec
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The film scholar Thomas Waugh, writing about Hoolboom's AIDS activism through his films, describes
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was generally well received and won several awards, including Best Canadian Short Film at the 1996
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The film's narration was primarily based on the speech "Why We Fight" by the LGBT rights activist
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Can You Hear Me? A Journey of Study on the Cultural Testimony of HIV Patients in Quebec
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The short was shown at numerous film festivals, both in Canada and abroad. At the 1996
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After an initial voiceover following a dream in which the narrator chases a
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as one of a "great AIDS triptych", together with Hoolboom's earlier work
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Toronto International Film Festival Award for Best Canadian Short Film
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Are You Scared to Be Yourself Because You Think That You Might Fail?
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and subtitled by Waugh, the film was paired with Esther Vasquette's
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Reframing Bodies: AIDS, Bearing Witness, and the Queer Moving Image
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relating how love can overcome the fear felt by AIDS victims.
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North of everything : English-Canadian cinema since 1980
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with "dial-a-stylistic" touches found throughout the short.
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film and has a run length of 15 minutes. It intersperses
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Mensah, Maria Nengeh; Gauvin, Marie-Eve, eds. (2010).
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Roger Hallas, director of the LGBT Studies Program at
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art community who deliver messages about living with
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is a 15-minute-long short film by Canadian director
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Durham: Duke University Press. 541:Cole 2003/2004, From Frank's Cock 1570:Canadian short documentary films 892:CinĂ©mas: Journal of Film Studies 740:Cole, Janis (Winter 2003–2004). 1605:English-language Canadian films 1575:Films directed by Mike Hoolboom 940:McSorley, Tom (22 March 1997). 814:"Letters from Home Description" 477:UniversitĂ© du QuĂ©bec Ă  MontrĂ©al 319:was based on a 1988 speech by 207:chocolate bar until he sees a 1: 885:"Loving a Disappearing Image" 187:, and other film techniques. 1595:1990s English-language films 1201:Shaggie: Letters from Prison 211:doctor who tells him he has 585:Hoolboom, Letters from Home 1631: 1585:HIV/AIDS in Canadian films 1411:Doubles with Slight Pepper 921:Canadian Film Encyclopedia 772:Canadian Film Encyclopedia 660:McSorley 1997, Short Takes 442:(1993) and the later clip 1184: 1096: 175:, which are spliced with 1590:1996 LGBTQ-related films 883:Marks, Laura U. (1997). 862:Marks, Laura U. (2002). 723:Mensah & Gauvin 2010 384:Janice Cole, writing in 1231:Save My Lost Nigga Soul 955:(subscription required) 711:TIFF, Letters from Home 1281:When Ponds Freeze Over 1211:The Making of Monsters 1134:Judy Versus Capitalism 791:Hallas, Roger (2009). 337:antiretroviral therapy 324: 252: 419:, Switzerland, noted 315: 241: 1600:1990s Canadian films 1501:Benjamin, Benny, Ben 927:on 22 February 2013 917:"Letters from Home" 778:on 22 February 2013 698:, pp. 426–427. 395:Syracuse University 290:Callum Keith Rennie 243:Callum Keith Rennie 228:Callum Keith Rennie 1421:Keep a Modest Head 1221:Letters of Transit 1088:Films directed by 915:McIntosh, Andrew. 849:on 28 January 2013 824:on 28 January 2013 524:TIFF, Frank's Cock 451:Bonnie Sherr Klein 358:'s 1958 cover of " 325: 253: 18:1996 Canadian film 1552: 1551: 1261:Letters from Home 1144: 1143: 1110:Letters from Home 1048:Letters from Home 1031:978-0-88864-390-2 999:on 20 August 2012 875:978-0-8166-3889-5 804:978-0-8223-4601-2 754:on 4 January 2013 473:Letters from Home 434:Letters from Home 421:Letters from Home 415:film festival in 399:Letters from Home 343:Letters from Home 339:was unavailable. 317:Letters from Home 224:World War II 189:Letters from Home 160:Letters from Home 156: 155: 83:Steve Sanguedolce 24:Letters from Home 1622: 1545: 1535: 1525: 1515: 1505: 1495: 1485: 1475: 1465: 1455: 1445: 1435: 1425: 1415: 1405: 1395: 1385: 1375: 1365: 1355: 1345: 1341:Man. 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Index

Mike Hoolboom
Vito Russo
Mike Hoolboom
Toronto
AIDS
home videos
found
archive footage
Toronto International Film Festival
Cadbury
masked
AIDS
Mike Hoolboom
World War II
Callum Keith Rennie

Callum Keith Rennie
Frank's Cock
Cameron Bailey
Janieta Eyre
Allegra Fulton
Callum Keith Rennie

Vito Russo
Vito Russo
Toronto
antiretroviral therapy
16 mm
found footage
Billie Holiday

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