504:
545:
153:
404:
25:
499:"Gillick's practice to date has encompassed a wide range of media and activities (including sculpture, writing, architectural and graphic design, film, and music) as well as various critical and curatorial projects, his work as a whole is also marked by a fondness for diversions and distractions, tangents and evasions."
438:— co-signed by a further 27 previous Turner Prize nominees, and 19 winners—Gillick opposed any future cuts in public funding for the arts. In the letter the co-signatories described the arts in Britain as a "remarkable and fertile landscape of culture and creativity."
539:
objects, but rather try to create through design spaces for open social interaction whose actual use is to be constantly redefined within the situation of the exhibition - without necessarily producing relational-aesthetic models of
2107:
527:. Through his own writings and the use of specific materials in his artworks, Gillick examines how the built world carries traces of social, political and economic systems. As art critic Ina Blom has said,
297:
in London. Gillick has exhibited in galleries and institutions in Europe and the United States, many of which have been collaborative projects with other artists, architects, designers and writers.
269:. He utilizes materials that resemble everyday built environments, transforming them into minimalist abstractions that deliver commentaries on social constructs, while also exploring notions of
1056:
984:, pg. 50, i.e., "Then later still there is the generation of Damien Hirst, Sarah Lucas, Angela Bulloch, Henry Bond and Liam Gillick, the earliest of the yBas (young British artists)."
2834:
2869:
1132:
795:. The U.S. presentation of the exhibition was the most comprehensive of Gillick's work in an American museum. Accompanying his solo exhibition at the MCA was the show
552:
Central to
Gillick's practice are the publications that function in parallel to his artworks. An anthology of these "Allbooks" was published by Book Works, in 2009.
1699:
358:
In 2002, Gillick was selected to produce artworks for the canopy, the glass facade, the kiosks, the entrance ikon, and the vitrines, of the then-recently completed
2044:
385:
article "Antagonism and
Relational Aesthetics", was published as "Contingent Factors: A Response to Claire Bishop's 'Antagonism and Relational Aesthetics'."
828:
1532:
53:
33:
1016:
2523:
1053:
956:
584:. In order to make the work, the duo posed as a news reporting team—i.e., a photographer and a journalist—often attending events scheduled in the
457:
art project "Ryan's Bar". The beverage titled "Maybe it would be better if we worked in groups of two and a half," was sold for £50 per serving.
840:
1420:
1151:
2849:
2844:
2854:
363:
2093:
1390:
2839:
1692:
1275:
792:
503:
1624:
1605:
675:
One long walk… Two short piers…, Kunst-und
Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany/Snoeck Verlag, Koln, 2010
476:
310:, Gillick founded the limited editions and publishing company G-W Press. The company produced limited editions by artists including
126:
843:
in New York City since 1997. Since 2017, he has been a founding member of The
American Friends of the ICA, a support group for the
152:
2146:
424:
190:
1550:
2879:
2859:
1685:
844:
1329:
596:, joining the other press photographers present; whilst Gillick operated as the journalist, first collecting the ubiquitous
107:
2874:
836:
1076:
1000:
79:
57:
49:
2864:
2516:
544:
1506:
2626:
38:
86:
2383:
2206:
2153:
2079:
2023:
1948:
1842:
416:
1034:
42:
2297:
1568:
656:
492:
1363:
2709:
2454:
2226:
1847:
953:
604:
352:
93:
1107:
2509:
2282:
2139:
1199:
2829:
2687:
2598:
2434:
2132:
1902:
1762:
1747:
1020:
788:
75:
2621:
2414:
2256:
2190:
1938:
1837:
1708:
612:
345:
214:
1569:"Louisa Buck, "Miami Through the Artist's Eye and Tastebuds," The Art Newspaper, 1 December, 2004, p.6"
1308:
695:
Again the metaphor problem: Baldessari, Gillick, Ruf, Wiener, Zurich, Springer. Airs de Paris, Paris,
2824:
2631:
2251:
1928:
1737:
1350:
1225:
871:
780:
764:
1177:
2682:
2373:
2322:
2051:
1979:
1428:
756:
717:
524:
520:
1295:
1155:
261:
of the constructed world and examine the ideological control systems that have emerged along with
2759:
2754:
2641:
2444:
1882:
799:
curated by
Gillick from the MCA collection. In 2016, Gillick presented a solo exhibition, titled
642:
282:
1449:
64:
2741:
2662:
2588:
2568:
2211:
2058:
1964:
1732:
1634:
1611:
1601:
1536:
1223:
Blom, Ina, "THE LOGIC OF THE TRAILER: Abstraction, Style, and
Sociality in Contemporary Art",
1152:"Dr Caoimhin Mac Giola Leith, "Liam Gillick, Whitechapel Art Gallery," Artforum, October 2002"
585:
390:
1272:
2608:
2553:
2424:
2398:
2388:
2363:
2342:
2307:
2221:
2185:
2037:
1897:
914:
820:
572:
561:
480:
472:
294:
204:
2798:
2736:
2646:
2475:
2393:
2332:
2277:
2241:
2170:
2100:
2086:
2072:
1999:
1892:
1867:
1777:
1279:
1060:
1004:
981:
960:
855:
851:
824:
772:
703:
696:
666:
624:
593:
428:
408:
250:
170:
100:
491:
Gillick's artistic output is characterized by diversity. As
Caoimhin Mac Giolla Leith of
475:
released a new live album, "Σ(No,12k,Lg,17Mif)". The album was recorded live at the 2017
662:
Simon
Critchley illus. Liam Gillick, Memory Theatre, London, Fitzcarraldo Editions, 2014
355:, curated by Nicholas Bourriaud, which first introduced the term Relational Aesthetics.
2793:
2788:
2616:
2603:
2578:
2563:
2532:
2470:
2419:
2312:
2246:
2231:
2016:
1974:
1943:
1923:
1877:
1797:
1787:
1742:
1629:
1133:"New Order + Liam Gillick: So It Goes review – a suitably theatrical Manchester return"
899:
875:
581:
367:
337:
315:
218:
200:
2818:
2767:
2746:
2636:
2593:
2429:
2327:
2302:
2236:
2175:
1989:
1918:
1872:
1852:
1817:
1802:
1757:
910:
887:
867:
816:
784:
608:
516:
311:
266:
262:
254:
685:
Liam
Gillick 2009: Deutscher Pavillion La Biennale Di Venezia, Sternberg Press, 2009
2803:
2677:
2583:
2490:
2439:
2368:
2337:
2317:
1969:
1822:
1807:
1752:
1722:
1533:
Raft of appointments mark ‘beginning of new era’ for
Institute of Contemporary Arts
1137:
1039:
940:
906:
891:
832:
532:
465:
446:
434:
On 1 October 2010, in an open letter to the British Government's culture secretary
374:
329:
307:
611:'s Interim Art —two of the galleries that were pioneers in the development of the
403:
592:— a list of potentially newsworthy events in London. Bond worked as if a typical
2772:
2548:
2358:
2292:
2216:
2180:
2030:
1994:
1933:
1832:
1827:
1772:
1767:
1346:
1333:
748:
616:
454:
435:
359:
333:
322:
302:
936:
2672:
2667:
2558:
2378:
2261:
2125:
1984:
1887:
1857:
1782:
1727:
1084:
997:
730:
710:
679:
567:
536:
341:
258:
1638:
1615:
2485:
2287:
1862:
1812:
1642:
1510:
1484:
1453:
804:
689:
649:
597:
270:
246:
166:
797:
The one hundred and sixty-third floor: Liam Gillick Curates the Collection,
1269:
On: Henry Bond, Angela Bulloch, Liam Gillick, Graham Gussin, Markus Hansen
460:
In 2010, he composed a score of "zingy electronica" for the artists' film
2449:
1364:"MCA Chicago Shows Liam Gillick: Three Perspectives and a Short Scenario"
450:
396:
286:
1677:
1421:"You Couldn't Describe the Gaps as Windows. Liam Gillick Visits Chicago"
1271:(London and Plymouth: Interim Art/Plymouth Arts Centre, 1992); also see
483:
classics, as well as rarities that the band had not performed in years.
1554:
589:
508:
420:
325:
and is credited with providing samples during their live performances.
2480:
2065:
769:
A short text on the possibility of creating an economy of equivalence
515:
The focus of Gillick' practice is evaluations of the aesthetics of
903:
895:
543:
502:
442:
402:
2501:
2108:
The Physical Impossibility of Death in the Mind of Someone Living
827:
and others, Gillick is a member of the Graduate Committee of the
1203:
2505:
1681:
1456:
Museum of Contemporary Art, Porto, 28 January - 08 January 2017
415:
In 2008, Gillick was short-listed for the Vincent Award of the
1600:(25th anniversary ed.). Köln: Taschen. pp. 112–115.
388:
Gillick has contributed written articles to fine art journals
229:
63:
from the article and its talk page, especially if potentially
18:
1178:"Gabriel Tarde – Underground (Fragments of Future Histories)"
1466:
1071:
1069:
898:. They divorced in 2012. Other relatives include sculptor
300:
In 1991, together with art collector, and co-publisher of
1290:
Emma Dexter, "London 1990-2001." In Iwona Blazwick (ed.)
1035:"Turner prize winners lead protest against arts cutbacks"
850:
In 2018, Gillick was a member of the jury that selected
655:
Industry and Intelligence: Contemporary Art Since 1820,
566:
Between 1990 and 1994, Gillick collaborated with artist
289:. In 1989 he mounted his first solo gallery exhibition,
1551:
Kapwani Kiwanga Named Winner of the Frieze Artist Award
1294:(London: Tate, 2001), p. 84. Snippet view available on
615:
art movement. The series was subsequently exhibited at
1596:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
1292:
Century City: Art and Culture in the Modern Metropolis
576:, a group of 83 fine art works which appropriated the
523:
rather than consumption. He is interested in forms of
373:
In 2002, Gillick was nominated for the annual British
777:
Liam Gillick: Three perspectives and a short scenario
257:. Gillick deploys multiple forms to make visible the
603:
The series was first shown commercially in 1991, at
531:"Artists such as Liam Gillick ... no longer address
441:
In October 2010, Gillick contributed a recipe for a
321:
In the early 1990s Gillick was a member of the band
2781:
2729:
2696:
2655:
2541:
2463:
2407:
2351:
2270:
2199:
2163:
2117:
2008:
1957:
1911:
1715:
224:
210:
196:
186:
178:
159:
143:
1237:
1235:
1141:, London, 2 July 2017; retrieved 9 November 2019.
978:How To Improve the World: 60 Years of British Art
976:Archer, Michael (2006). "Overlapping Figures" in
1054:Artists to make £50 cocktails at SUNDAY Art Fair
726:Liam Gillick: Five or Six, Sternberg Press, 2000
723:Liam Gillick, Okagon/Lukas & Sternberg, 2000
381:(No. 115) Gillick's response to Claire Bishop's
1241:Henry Bond & Liam Gillick, "Press Kitsch,"
706:: Between Artists, New York, A.R.T. Press, 2006
548:Liam Gillick, Nope, 2013, 2m2 art space, Geneva
1633:. Vol. 97, no. 6. pp. 130–136.
932:
930:
600:before preparing his audio recording device.
580:of a news gathering team, in order to produce
535:as the principle for the creation of distinct
2517:
1693:
1347:https://www.moma.org/calendar/exhibitions/136
1083:. 6 February 2014. p. 26. Archived from
775:, Paris, 2005; and the retrospective project
669:, A Syntax of Dependency, Milan, Mousse, 2011
253:) is a British artist who lives and works in
8:
672:Pourquoi Travailler?, Three Star Books, 2010
351:Gillick was included in the 1996 exhibition
348:who dominated British art during the 1990s.
2721:Touch: Relational Art from the 1990s to Now
1108:"Artist Sarah Morris's latest film Beijing"
2835:Alumni of Goldsmiths, University of London
2524:
2510:
2502:
1700:
1686:
1678:
1353:, New York, 25 September - 1 November 2003
344:, he was "the earliest of the YBAs" — the
151:
140:
56:about living persons that is unsourced or
2045:Everyone I Have Ever Slept With 1963–1995
1336:, London, 7 September 2001 - 1 April 2002
127:Learn how and when to remove this message
2870:English expatriates in the United States
1625:"Liam Gillick: Practical Considerations"
1349:"Projects 79: Liam Gillick, Literally",
1258:(London: Karsten Schbert Limited, 1991.)
1017:"Government Art Collection minutes/2002"
1393:Three Perspectives and a Short Scenario
926:
1256:Henry Bond and Liam Gillick: Documents
1245:Issue 165, July/August 1992, p. 65-66.
1063:", Spoonfed; accessed 10 October 2010.
841:Columbia University School of the Arts
1658:Proxemics: Selected writing 1988-2006
886:Gillick is cousin to British artists
7:
866:Gillick is represented in the UK by
761:Projects 79: Liam Gillick, Literally
364:United Kingdom government department
1665:Liam Gillick: Factories in the Snow
1330:"Liam Gillick: Annlee You Proposes"
831:and Art in Contemporary Culture at
807:Museum of Contemporary Art, Porto.
793:Museum of Contemporary Art, Chicago
1229:, March 2008, Issue 69, pp. 171-77
1154:. Findarticles.com. Archived from
709:Liam Gillick: Literally No Place,
14:
1106:Sherwin, Skye (3 November 2010).
745:Liam Gillick: Annlee You Proposes
477:Manchester International Festival
1549:Grace Halio (15 February 2018),
839:. He has been on the faculty of
556:Documents Series with Henry Bond
479:. It features new renditions of
377:. In the Winter 2006 edition of
23:
1389:Kelly Reaves (6 October 2009).
954:Liam Gillick and Carsten Holler
815:Gillick serves on the board of
743:Major solo exhibitions include
729:Liam Gillick, Erasmus is Late,
419:. In 2009, Gillick represented
943:. Retrieved on 9 November 2019
845:Institute of Contemporary Arts
641:Liam Gillick: Half a Complex,
1:
1077:"The Interview: Sarah Morris"
837:Annandale-on-Hudson, New York
829:Center for Curatorial Studies
2850:English installation artists
2845:English contemporary artists
1485:"Bard: The Graduate Program"
779:2008-2010, which toured the
716:Liam Gillick: The Wood Way,
453:as his participation in the
281:Liam Gillick graduated from
34:biography of a living person
2855:Columbia University faculty
2627:Dominique Gonzalez-Foerster
1531:Anny Shaw (June 14, 2017),
967:; retrieved 6 October 2010.
894:, in 1998 at a ceremony in
890:. He was married to artist
163:1964 (age 59–60)
61:must be removed immediately
2896:
2840:British conceptual artists
2343:Poju and Anita Zabludowicz
1623:Ostrow, Saul (June 2009).
888:James and Theodore Gillick
559:
417:Stedelijk Museum Amsterdam
16:English artist (born 1964)
996:Magazine, Issue 28 1996,
678:All Books: Liam Gillick,
657:Columbia University Press
623:held in 2001, and at the
493:University College Dublin
285:in 1987 with a degree in
150:
2227:Karsten Schubert Gallery
1540:; accessed 20 June 2020.
1450:"Liam Gillick: Campaign"
1419:Anthony E. Elms (2010).
1243:Flash Art International,
965:Fondazione Antonio Ratti
939:, Hessel Museum of Art,
629:How to Improve the World
605:Karsten Schubert Limited
2283:Janet Wolfson de Botton
2207:Anthony d'Offay Gallery
1278:11 October 2007 at the
1059:16 October 2010 at the
1003:29 January 2010 at the
507:Mural, Balfour Avenue,
464:, made by his ex-wife,
2599:Henrik Plenge Jakobsen
2133:East Country Yard Show
1903:Jane and Louise Wilson
1748:Jake and Dinos Chapman
1670:Monika Szewczyk (ed.)
1254:Karsten Schubert (ed)
1180:. Lespressesdureel.com
688:Meaning Liam Gillick,
607:and then, in 1992, at
549:
542:
512:
501:
412:
48:Please help by adding
2880:Young British Artists
2860:People from Aylesbury
2622:Felix Gonzalez-Torres
2257:Victoria Miro Gallery
1709:Young British Artists
1309:"Century City - Tate"
1052:Spoonfed Arts Team, "
959:10 March 2012 at the
751:, London, 2001-2002;
645:, New York, DAP, 2019
547:
529:
506:
497:
471:In 2019, Gillick and
406:
346:Young British Artists
215:Young British Artists
2875:Bard College faculty
2252:South London Gallery
1980:Gilbert & George
1929:Michael Craig-Martin
1672:Meaning Liam Gillick
1667:(JRP-Ringier, 2007).
1660:(JRP Ringier, 2007).
1431:on 29 September 2011
1351:Museum of Modern Art
1273:Interim Art timeline
1267:Maureen Paley (ed.)
874:, and in Ireland by
765:Museum of Modern Art
407:Installation in the
54:Contentious material
2865:English art critics
2716:Theanyspacewhatever
2683:Martin Kippenberger
2394:Sir Nicholas Serota
2374:Andrew Graham-Dixon
2052:For the Love of God
1087:on 28 February 2014
856:Frieze Artist Award
789:Kunstverein München
757:Whitechapel Gallery
718:Whitechapel Gallery
525:social organization
521:modes of production
2760:Julia Peyton-Jones
2755:Hans-Ulrich Obrist
2663:Art & Language
2642:Rirkrit Tiravanija
2445:Julian Stallabrass
1965:Art & Language
1883:Sam Taylor-Johnson
1674:(MIT Press, 2009).
1507:"Faculty Overview"
1023:on 2 October 2012.
643:Hatje Cantz Verlag
627:in the exhibition
550:
513:
425:Giardini Pavilions
413:
283:Goldsmiths College
2812:
2811:
2742:Nicolas Bourriaud
2569:Maurizio Cattelan
2499:
2498:
2212:Curtain Road Arts
1949:Richard Wentworth
1843:Richard Patterson
1733:Christine Borland
1537:The Art Newspaper
1370:. 12 October 2009
1043:, 1 October 2010.
781:Kunsthalle Zürich
767:, New York, 2003;
702:Liam Gillick and
665:Liam Gillick and
586:Press Association
487:Artistic practice
240:
239:
137:
136:
129:
111:
37:needs additional
2887:
2609:Philippe Parreno
2554:Vanessa Beecroft
2535:
2526:
2519:
2512:
2503:
2455:Charles Thomson
2425:James Heartfield
2399:Matthew Slotover
2389:Norman Rosenthal
2364:Matthew Collings
2323:François Pinault
2308:Pauline Karpidas
2222:Gagosian Gallery
2186:Norman Rosenthal
2038:Documents Series
1898:Rachel Whiteread
1702:
1695:
1688:
1679:
1663:Lilian Haberer,
1646:
1619:
1583:
1582:
1580:
1578:
1573:
1565:
1559:
1547:
1541:
1529:
1523:
1522:
1520:
1518:
1513:on 18 March 2011
1509:. Archived from
1503:
1497:
1496:
1494:
1492:
1481:
1475:
1474:
1471:artistsspace.org
1463:
1457:
1447:
1441:
1440:
1438:
1436:
1427:. Archived from
1416:
1410:
1409:
1407:
1405:
1391:"Liam Gillick's
1386:
1380:
1379:
1377:
1375:
1360:
1354:
1343:
1337:
1327:
1321:
1320:
1318:
1316:
1305:
1299:
1288:
1282:
1265:
1259:
1252:
1246:
1239:
1230:
1221:
1215:
1214:
1212:
1210:
1196:
1190:
1189:
1187:
1185:
1174:
1168:
1167:
1165:
1163:
1148:
1142:
1129:
1123:
1122:
1120:
1118:
1103:
1097:
1096:
1094:
1092:
1073:
1064:
1050:
1044:
1031:
1025:
1024:
1019:. Archived from
1013:
1007:
991:
985:
974:
968:
950:
944:
934:
915:Victoria Gillick
821:Ingrid Schaffner
811:Other activities
759:in London 2002;
648:Campaign, Museu
573:Documents Series
562:Documents Series
519:with a focus on
295:Karsten Schubert
236:
233:
231:
205:installation art
155:
141:
132:
125:
121:
118:
112:
110:
69:
50:reliable sources
27:
26:
19:
2895:
2894:
2890:
2889:
2888:
2886:
2885:
2884:
2815:
2814:
2813:
2808:
2799:Frieze Art Fair
2777:
2737:Daniel Birnbaum
2725:
2692:
2656:Related artists
2651:
2647:Gillian Wearing
2537:
2533:
2530:
2500:
2495:
2476:Frieze Art Fair
2459:
2403:
2347:
2333:Charles Saatchi
2298:Steven A. Cohen
2278:Bernard Arnault
2266:
2242:Saatchi Gallery
2195:
2171:Joshua Compston
2159:
2147:Modern Medicine
2113:
2087:26 October 1993
2080:No Woman No Cry
2004:
2000:Lawrence Weiner
1953:
1907:
1893:Gillian Wearing
1868:Alessandro Raho
1848:Simon Patterson
1778:Angus Fairhurst
1711:
1706:
1653:
1622:
1608:
1595:
1592:
1590:Further reading
1587:
1586:
1576:
1574:
1571:
1567:
1566:
1562:
1548:
1544:
1530:
1526:
1516:
1514:
1505:
1504:
1500:
1490:
1488:
1483:
1482:
1478:
1467:"ARTISTS SPACE"
1465:
1464:
1460:
1448:
1444:
1434:
1432:
1418:
1417:
1413:
1403:
1401:
1388:
1387:
1383:
1373:
1371:
1362:
1361:
1357:
1344:
1340:
1328:
1324:
1314:
1312:
1307:
1306:
1302:
1289:
1285:
1280:Wayback Machine
1266:
1262:
1253:
1249:
1240:
1233:
1226:Texte Zur Kunst
1222:
1218:
1208:
1206:
1198:
1197:
1193:
1183:
1181:
1176:
1175:
1171:
1161:
1159:
1158:on 22 July 2010
1150:
1149:
1145:
1131:Simpson, Dave.
1130:
1126:
1116:
1114:
1105:
1104:
1100:
1090:
1088:
1075:
1074:
1067:
1061:Wayback Machine
1051:
1047:
1032:
1028:
1015:
1014:
1010:
1005:Wayback Machine
992:
988:
982:Hayward Gallery
975:
971:
961:Wayback Machine
952:Unattributed, "
951:
947:
935:
928:
923:
884:
870:, in the US by
864:
852:Kapwani Kiwanga
825:Tirdad Zolghadr
813:
773:Palais de Tokyo
741:
736:
704:Lawrence Weiner
697:Centre Pompidou
667:Lawrence Weiner
637:
625:Hayward Gallery
594:photojournalist
564:
558:
489:
429:Venice Biennale
409:German Pavilion
279:
277:Life and career
251:Buckinghamshire
228:
217:
174:
171:Buckinghamshire
164:
146:
133:
122:
116:
113:
70:
68:
47:
28:
24:
17:
12:
11:
5:
2893:
2891:
2883:
2882:
2877:
2872:
2867:
2862:
2857:
2852:
2847:
2842:
2837:
2832:
2827:
2817:
2816:
2810:
2809:
2807:
2806:
2801:
2796:
2794:Gilles Deleuze
2791:
2789:Conceptual art
2785:
2783:
2779:
2778:
2776:
2775:
2770:
2765:
2762:
2757:
2752:
2749:
2744:
2739:
2733:
2731:
2727:
2726:
2724:
2723:
2718:
2713:
2706:
2700:
2698:
2694:
2693:
2691:
2690:
2685:
2680:
2675:
2670:
2665:
2659:
2657:
2653:
2652:
2650:
2649:
2644:
2639:
2634:
2629:
2624:
2619:
2617:Gabriel Orozco
2614:
2611:
2606:
2604:Miltos Manetas
2601:
2596:
2591:
2589:Carsten Höller
2586:
2581:
2579:Douglas Gordon
2576:
2571:
2566:
2564:Angela Bulloch
2561:
2556:
2551:
2545:
2543:
2539:
2538:
2534:Relational art
2531:
2529:
2528:
2521:
2514:
2506:
2497:
2496:
2494:
2493:
2488:
2483:
2478:
2473:
2471:Conceptual art
2467:
2465:
2461:
2460:
2458:
2457:
2452:
2447:
2442:
2437:
2432:
2427:
2422:
2420:Billy Childish
2417:
2411:
2409:
2405:
2404:
2402:
2401:
2396:
2391:
2386:
2381:
2376:
2371:
2366:
2361:
2355:
2353:
2349:
2348:
2346:
2345:
2340:
2335:
2330:
2325:
2320:
2315:
2313:George Michael
2310:
2305:
2300:
2295:
2290:
2285:
2280:
2274:
2272:
2268:
2267:
2265:
2264:
2259:
2254:
2249:
2247:Sadie Coles HQ
2244:
2239:
2234:
2232:Lisson Gallery
2229:
2224:
2219:
2214:
2209:
2203:
2201:
2197:
2196:
2194:
2193:
2188:
2183:
2178:
2173:
2167:
2165:
2161:
2160:
2158:
2157:
2150:
2143:
2136:
2129:
2121:
2119:
2115:
2114:
2112:
2111:
2104:
2097:
2094:The Upper Room
2090:
2083:
2076:
2069:
2062:
2055:
2048:
2041:
2034:
2027:
2020:
2017:24 Hour Psycho
2012:
2010:
2006:
2005:
2003:
2002:
1997:
1992:
1987:
1982:
1977:
1975:Conceptual art
1972:
1967:
1961:
1959:
1955:
1954:
1952:
1951:
1946:
1944:Mark Wallinger
1941:
1936:
1931:
1926:
1924:Helen Chadwick
1921:
1915:
1913:
1909:
1908:
1906:
1905:
1900:
1895:
1890:
1885:
1880:
1878:Georgina Starr
1875:
1870:
1865:
1860:
1855:
1850:
1845:
1840:
1835:
1830:
1825:
1820:
1815:
1810:
1805:
1800:
1798:Douglas Gordon
1795:
1790:
1788:Anya Gallaccio
1785:
1780:
1775:
1770:
1765:
1760:
1755:
1750:
1745:
1743:Angela Bulloch
1740:
1735:
1730:
1725:
1719:
1717:
1713:
1712:
1707:
1705:
1704:
1697:
1690:
1682:
1676:
1675:
1668:
1661:
1656:Liam Gillick,
1652:
1649:
1648:
1647:
1630:Art in America
1620:
1606:
1591:
1588:
1585:
1584:
1560:
1542:
1524:
1498:
1476:
1458:
1442:
1411:
1381:
1355:
1338:
1322:
1300:
1283:
1260:
1247:
1231:
1216:
1191:
1169:
1143:
1124:
1098:
1065:
1045:
1033:Peter Walker,
1026:
1008:
986:
969:
945:
937:"Liam Gillick"
925:
924:
922:
919:
900:Ernest Gillick
883:
880:
876:Kerlin Gallery
863:
860:
812:
809:
787:in Rotterdam,
740:
737:
735:
734:
733:, London, 1995
727:
724:
721:
720:, London, 2002
714:
713:, London, 2002
707:
700:
693:
686:
683:
682:, London, 2009
676:
673:
670:
663:
660:
653:
646:
638:
636:
633:
582:relational art
578:modus operandi
560:Main article:
557:
554:
517:social systems
488:
485:
368:Marsham Street
338:Angela Bulloch
328:Together with
316:Anya Gallaccio
278:
275:
238:
237:
226:
222:
221:
219:Relational art
212:
208:
207:
201:Conceptual art
198:
197:Known for
194:
193:
188:
184:
183:
180:
176:
175:
165:
161:
157:
156:
148:
147:
144:
135:
134:
76:"Liam Gillick"
58:poorly sourced
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2892:
2881:
2878:
2876:
2873:
2871:
2868:
2866:
2863:
2861:
2858:
2856:
2853:
2851:
2848:
2846:
2843:
2841:
2838:
2836:
2833:
2831:
2830:Living people
2828:
2826:
2823:
2822:
2820:
2805:
2802:
2800:
2797:
2795:
2792:
2790:
2787:
2786:
2784:
2780:
2774:
2771:
2769:
2768:Nancy Spector
2766:
2763:
2761:
2758:
2756:
2753:
2750:
2748:
2747:Charles Esche
2745:
2743:
2740:
2738:
2735:
2734:
2732:
2728:
2722:
2719:
2717:
2714:
2712:
2711:
2707:
2705:
2702:
2701:
2699:
2695:
2689:
2688:Michael Asher
2686:
2684:
2681:
2679:
2676:
2674:
2671:
2669:
2666:
2664:
2661:
2660:
2658:
2654:
2648:
2645:
2643:
2640:
2638:
2637:Jason Rhoades
2635:
2633:
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2612:
2610:
2607:
2605:
2602:
2600:
2597:
2595:
2594:Pierre Huyghe
2592:
2590:
2587:
2585:
2582:
2580:
2577:
2575:
2572:
2570:
2567:
2565:
2562:
2560:
2557:
2555:
2552:
2550:
2547:
2546:
2544:
2540:
2536:
2527:
2522:
2520:
2515:
2513:
2508:
2507:
2504:
2492:
2489:
2487:
2484:
2482:
2479:
2477:
2474:
2472:
2469:
2468:
2466:
2462:
2456:
2453:
2451:
2448:
2446:
2443:
2441:
2438:
2436:
2433:
2431:
2430:Matthew Higgs
2428:
2426:
2423:
2421:
2418:
2416:
2413:
2412:
2410:
2406:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2384:Stuart Morgan
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2365:
2362:
2360:
2357:
2356:
2354:
2350:
2344:
2341:
2339:
2336:
2334:
2331:
2329:
2328:Miuccia Prada
2326:
2324:
2321:
2319:
2316:
2314:
2311:
2309:
2306:
2304:
2303:Dakis Joannou
2301:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2275:
2273:
2269:
2263:
2260:
2258:
2255:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2237:Maureen Paley
2235:
2233:
2230:
2228:
2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2204:
2202:
2198:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2176:Carl Freedman
2174:
2172:
2169:
2168:
2166:
2162:
2156:
2155:
2151:
2149:
2148:
2144:
2142:
2141:
2137:
2135:
2134:
2130:
2128:
2127:
2123:
2122:
2120:
2116:
2110:
2109:
2105:
2103:
2102:
2098:
2096:
2095:
2091:
2089:
2088:
2084:
2082:
2081:
2077:
2075:
2074:
2070:
2068:
2067:
2063:
2061:
2060:
2056:
2054:
2053:
2049:
2047:
2046:
2042:
2040:
2039:
2035:
2033:
2032:
2028:
2026:
2025:
2021:
2019:
2018:
2014:
2013:
2011:
2007:
2001:
1998:
1996:
1993:
1991:
1990:John Stezaker
1988:
1986:
1983:
1981:
1978:
1976:
1973:
1971:
1968:
1966:
1963:
1962:
1960:
1956:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1919:Basil Beattie
1917:
1916:
1914:
1910:
1904:
1901:
1899:
1896:
1894:
1891:
1889:
1886:
1884:
1881:
1879:
1876:
1874:
1873:Jenny Saville
1871:
1869:
1866:
1864:
1861:
1859:
1856:
1854:
1853:Steven Pippin
1851:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1818:Michael Landy
1816:
1814:
1811:
1809:
1806:
1804:
1803:Marcus Harvey
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1779:
1776:
1774:
1771:
1769:
1766:
1764:
1763:Ian Davenport
1761:
1759:
1758:Mat Collishaw
1756:
1754:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1724:
1721:
1720:
1718:
1714:
1710:
1703:
1698:
1696:
1691:
1689:
1684:
1683:
1680:
1673:
1669:
1666:
1662:
1659:
1655:
1654:
1650:
1644:
1640:
1636:
1632:
1631:
1626:
1621:
1617:
1613:
1609:
1607:9783822840931
1603:
1599:
1594:
1593:
1589:
1570:
1564:
1561:
1557:
1556:
1552:
1546:
1543:
1539:
1538:
1534:
1528:
1525:
1512:
1508:
1502:
1499:
1486:
1480:
1477:
1472:
1468:
1462:
1459:
1455:
1451:
1446:
1443:
1430:
1426:
1422:
1415:
1412:
1400:
1396:
1394:
1385:
1382:
1369:
1365:
1359:
1356:
1352:
1348:
1342:
1339:
1335:
1331:
1326:
1323:
1311:. Tate.org.uk
1310:
1304:
1301:
1297:
1293:
1287:
1284:
1281:
1277:
1274:
1270:
1264:
1261:
1257:
1251:
1248:
1244:
1238:
1236:
1232:
1228:
1227:
1220:
1217:
1205:
1201:
1195:
1192:
1179:
1173:
1170:
1157:
1153:
1147:
1144:
1140:
1139:
1134:
1128:
1125:
1113:
1109:
1102:
1099:
1086:
1082:
1078:
1072:
1070:
1066:
1062:
1058:
1055:
1049:
1046:
1042:
1041:
1036:
1030:
1027:
1022:
1018:
1012:
1009:
1006:
1002:
999:
995:
990:
987:
983:
979:
973:
970:
966:
962:
958:
955:
949:
946:
942:
938:
933:
931:
927:
920:
918:
916:
912:
911:anti-abortion
908:
905:
901:
897:
893:
889:
882:Personal life
881:
879:
877:
873:
869:
868:Maureen Paley
861:
859:
857:
853:
848:
846:
842:
838:
834:
830:
826:
822:
818:
817:Artists Space
810:
808:
806:
802:
798:
794:
790:
786:
785:Witte de With
782:
778:
774:
770:
766:
762:
758:
754:
750:
746:
738:
732:
728:
725:
722:
719:
715:
712:
708:
705:
701:
698:
694:
691:
687:
684:
681:
677:
674:
671:
668:
664:
661:
658:
654:
652:, Porto, 2016
651:
647:
644:
640:
639:
634:
632:
630:
626:
622:
618:
614:
610:
609:Maureen Paley
606:
601:
599:
595:
591:
587:
583:
579:
575:
574:
569:
563:
555:
553:
546:
541:
538:
534:
528:
526:
522:
518:
510:
505:
500:
496:
494:
486:
484:
482:
478:
474:
469:
467:
463:
458:
456:
452:
448:
444:
439:
437:
432:
430:
426:
422:
418:
410:
405:
401:
399:
398:
393:
392:
386:
384:
380:
376:
371:
369:
365:
361:
356:
354:
349:
347:
343:
339:
335:
331:
326:
324:
319:
317:
313:
312:Jeremy Deller
309:
305:
304:
298:
296:
292:
288:
284:
276:
274:
272:
268:
267:neoliberalism
264:
263:globalization
260:
256:
255:New York City
252:
248:
244:
235:
227:
223:
220:
216:
213:
209:
206:
202:
199:
195:
192:
189:
185:
181:
177:
172:
168:
162:
158:
154:
149:
142:
139:
131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
59:
55:
51:
45:
44:
40:
35:
30:
21:
20:
2804:Turner Prize
2720:
2715:
2708:
2703:
2678:Martin Creed
2584:Jens Haaning
2574:Liam Gillick
2573:
2491:Turner Prize
2440:Brian Sewell
2369:Richard Cork
2338:Jack Wendler
2318:Jose Mugrabi
2191:Jon Thompson
2152:
2145:
2138:
2131:
2124:
2106:
2099:
2092:
2085:
2078:
2071:
2064:
2057:
2050:
2043:
2036:
2029:
2022:
2015:
1970:Art in Ruins
1939:Jon Thompson
1838:Stephen Park
1823:Abigail Lane
1808:Damien Hirst
1793:Liam Gillick
1792:
1753:Adam Chodzko
1723:Fiona Banner
1671:
1664:
1657:
1641:– via
1628:
1597:
1575:. Retrieved
1563:
1553:
1545:
1535:
1527:
1515:. Retrieved
1511:the original
1501:
1489:. Retrieved
1479:
1470:
1461:
1445:
1433:. Retrieved
1429:the original
1424:
1414:
1402:. Retrieved
1399:Gapers Block
1398:
1392:
1384:
1372:. Retrieved
1367:
1358:
1341:
1325:
1313:. Retrieved
1303:
1296:Google books
1291:
1286:
1268:
1263:
1255:
1250:
1242:
1224:
1219:
1207:. Retrieved
1194:
1182:. Retrieved
1172:
1160:. Retrieved
1156:the original
1146:
1138:The Guardian
1136:
1127:
1115:. Retrieved
1111:
1101:
1089:. Retrieved
1085:the original
1081:Net A Porter
1080:
1048:
1040:The Guardian
1038:
1029:
1021:the original
1011:
993:
989:
977:
972:
964:
948:
941:Bard College
907:Mary Gillick
904:medallionist
892:Sarah Morris
885:
872:Casey Kaplan
865:
849:
833:Bard College
819:. Alongside
814:
800:
796:
776:
768:
760:
753:The Wood Way
752:
744:
742:
635:Artist books
628:
621:Century City
620:
619:in the show
602:
577:
571:
565:
551:
530:
514:
498:
490:
470:
466:Sarah Morris
461:
459:
449:juice-based
440:
433:
414:
395:
389:
387:
382:
378:
375:Turner Prize
372:
362:building, a
357:
350:
330:Damien Hirst
327:
320:
308:Jack Wendler
301:
299:
290:
280:
245:(born 1964,
243:Liam Gillick
242:
241:
232:.liamgillick
145:Liam Gillick
138:
123:
114:
104:
97:
90:
83:
71:
60:
43:verification
36:
2825:1964 births
2773:Eric Troncy
2764:Jérôme Sans
2632:Jorge Pardo
2549:Abel Azcona
2359:Louisa Buck
2293:Frank Cohen
2217:City Racing
2181:Gregor Muir
2031:Bullet Hole
1995:Andy Warhol
1934:Ian Jeffrey
1833:Sarah Lucas
1828:Chris Ofili
1773:Tracey Emin
1768:Tacita Dean
1738:Glenn Brown
1395:at the MCA"
1334:Tate Modern
1117:29 February
1091:14 February
749:Tate Modern
739:Exhibitions
631:, in 2006.
617:Tate Modern
540:community."
533:abstraction
455:Ryan Gander
436:Jeremy Hunt
370:, London.
360:Home Office
334:Sarah Lucas
303:Art Monthly
291:84 Diagrams
179:Nationality
2819:Categories
2751:Maria Lind
2673:Franz West
2668:Dan Graham
2613:Honoré d'O
2559:Henry Bond
2379:Sarah Kent
2271:Collectors
2262:White Cube
2126:Brilliant!
2024:Break Down
1985:Jeff Koons
1958:Influences
1888:Gavin Turk
1858:Marc Quinn
1783:Nick Fudge
1728:Henry Bond
1651:Literature
1577:22 January
1491:22 January
1487:. Bard.edu
1425:Art Papers
1209:22 January
1184:22 January
1162:22 January
980:, London:
921:References
862:Art market
791:, and the
731:Book Works
711:Book Works
680:Book Works
568:Henry Bond
537:minimalist
495:has said,
342:Henry Bond
293:, through
259:aesthetics
191:Goldsmiths
87:newspapers
2704:Backstage
2486:Post-YBAs
2450:Stuckists
2435:David Lee
2408:Opponents
2352:Advocates
2288:Eli Broad
2200:Galleries
2154:Sensation
1863:Fiona Rae
1813:Gary Hume
1643:EBSCOhost
1639:0004-3214
1616:191239335
1454:Serralves
1112:Wallpaper
998:"Traffic"
913:activist
805:Serralves
690:MIT Press
650:Serralves
598:press kit
570:on their
481:New Order
473:New Order
271:modernism
247:Aylesbury
187:Education
173:, England
167:Aylesbury
117:July 2017
39:citations
2782:See also
2730:Curators
2464:See also
2164:Curators
2009:Artworks
1912:Teachers
1368:Artdaily
1315:7 August
1276:Archived
1057:Archived
1001:Archived
957:Archived
854:for the
801:Campaign
451:cocktail
397:Artforum
287:fine art
211:Movement
65:libelous
2710:Traffic
2542:Artists
1716:Artists
1598:Art Now
1555:ARTnews
847:(ICA).
763:at the
590:Gazette
509:Belfast
462:Beijing
427:of the
423:in the
421:Germany
383:October
379:October
353:Traffic
225:Website
182:British
101:scholar
2481:Momart
2140:Freeze
2066:My Bed
1637:
1614:
1604:
1517:3 June
1435:9 June
1404:9 June
1374:9 June
1200:"MoMA"
994:Frieze
909:, and
783:, the
699:, 2007
692:, 2009
659:, 2016
511:, 2008
411:, 2009
391:Frieze
103:
96:
89:
82:
74:
2697:Shows
2118:Shows
2101:Tense
2059:House
1572:(PDF)
896:Miami
443:vodka
366:, at
234:.info
108:JSTOR
94:books
32:This
2415:BANK
2073:Myra
1635:ISSN
1612:OCLC
1602:ISBN
1579:2014
1519:2011
1493:2014
1437:2011
1406:2011
1376:2011
1317:2014
1211:2014
1204:MoMA
1186:2014
1164:2014
1119:2020
1093:2014
447:lime
445:and
394:and
340:and
323:Soho
314:and
265:and
160:Born
80:news
41:for
963:,"
803:at
771:at
755:at
747:at
613:YBA
588:'s
230:www
2821::
1627:.
1610:.
1469:.
1452:,
1423:.
1397:.
1366:.
1332:,
1234:^
1202:.
1135:,
1110:.
1079:.
1068:^
1037:,
929:^
917:.
902:,
878:.
858:.
835:,
823:,
468:.
431:.
400:.
336:,
332:,
318:.
306:,
273:.
249:,
203:,
169:,
52:.
2525:e
2518:t
2511:v
1701:e
1694:t
1687:v
1645:.
1618:.
1581:.
1558:.
1521:.
1495:.
1473:.
1439:.
1408:.
1378:.
1345:[
1319:.
1298:.
1213:.
1188:.
1166:.
1121:.
1095:.
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
67:.
46:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
